ICYMI: David and Margaret honoured with Walk of Fame star, Talking Heads release first music video for Psycho Killer
Welcome to ICYMI, where we recap the entertainment and arts news you might have missed over the past week.
David Stratton and Margaret Pomeranz might just be Australia's most beloved film critics — and now they have the star to prove it!
The pair were presented with their very own star on the Australian Film Walk of Fame outside the historic Ritz Cinema in Randwick, Sydney. Their induction makes them the first duo and the first non-actors to be honoured with a star.
Stratton and Pomeranz hosted SBS's The Movie Show for 18 years before clocking up another decade as the faces of ABC's At The Movies. Through both shows, the pair brought both blockbusters and indie fare to the attention of movie-lovers across the country.
"I am thrilled to be given this acknowledgement … particularly with its association to one of this country's most innovative and pro-active cinemas. It is truly an honour," Pomeranz said.
"It is gratifying to be connected to the Ritz Cinema, which is one of the finest movie places in Australia," Stratton agreed.
Since 2008, the Australian Film Walk of Fame has honoured those who have made outstanding contributions to the local industry. Previous inductees include Jack Thompson, Deborah Mailman and Claudia Karvan.
Beyond their work in front of the camera, Pomeranz and Stratton have been champions for the local film scene, long advocating for Australian film quotas and challenging film censorship in the country.
Stratton, who was director for the Sydney Film Festival for nearly 20 years, was instrumental in bringing in the R18+ classification to Australia, which allowed for films with more controversial topics to be screened locally, instead of being outright banned.
Their trademark brand of cinematic activism — including Pomeranz's arrest — was the inspiration behind 2025 comedy show Refused Classification, from comedians Alexei Toliopoulos and Zachary Ruane, which sold out venues around the country. In it Ruane plays Stratton while Toliopoulos dons a blonde wig to pay tribute to his idol, Pomeranz.
The artist and his muse posed together for photos at the Australian Film Walk of Fame ceremony.
Edmund White, the co-author behind revolutionary book The Joy of Gay Sex, has died, aged 85.
Although he was subjected to conversion therapy as a child and young man, White eventually embraced his identity and became a pillar of gay literature, penning 36 books in total, many of them hauntingly autobiographical.
His debut novel was Forgetting Elena (which was praised by Vladamir Nabokov), but four years later he released The Joy of Gay Sex, a sex-positive guide for gay men he had co-authored with his psychologist, Dr Charles Silverstein.
The book that really made White's name was A Boy's Own Story, the first of his highly acclaimed trilogy of novels that chronicle a young gay man's coming of age in America.
"Gay fiction before that, Gore Vidal and Truman Capote, was written for straight readers," White told the New York Times. "We had a gay readership in mind, and that made all the difference. We didn't have to spell out what Fire Island was."
In the midst of the AIDS crisis, White helped found the Gay Men's Health Crisis group in New York in the same year he released A Boy's Own Story. He went public with his HIV-positive status in 1985, one of the first public figures to do so.
As well as receiving a Guggenheim Fellowship, White won the Pulitzer Prize for Biography in 1994 and the National Book Foundation Lifetime Achievement Award.
He is survived by his partner of almost 30 years, writer Michael Carroll, who he married in 2013.
He published his sixth memoir — The Loves of My Life: A Sex Memoir — in early 2025.
Wake up. Eat. Drive to work. Talk to your co-workers. Drive home. Eat. Go to Sleep. The daily grind is enough to turn anyone into psycho killers, even legendary rock'n'roll bands.
Art-rock pioneers Talking Heads waited more than 40 years to make an official music video for their smash hit, 'Psycho Killer'.
But, on the 50th anniversary of the band's first live performance, they finally did. Starring Saoirse Ronan (Lady Bird, Little Women) and directed by Mike Mills (C'mon C'mon) the music video documents one woman's life as she suffers through a mental breakdown in a Groundhog-Day-esque daily grind cycle.
"This video makes the song better," Talking Heads said in a statement. "We LOVE what this video is NOT — it's not literal, creepy, bloody, physically violent or obvious."
Amazing news for fans of talkative mimes and Twitch streamers covered in Smurf body paint: comedian Tom Walker is joining season nine of The Great Australian Bake Off as a co-host.
Walker — who trained in clowning at the prestigious École Philippe Gaulier outside Paris — has been a mainstay in the Australian comedy scene ever since he took home Best Newcomer and Director's Choice awards at the 2016 Melbourne International Comedy Festival.
His 2019 hour Very, Very was released as a special by Amazon Prime Video and highlighted his incredible (and incredibly sweaty) mime skills.
Since then, Walker has moved into Twitch streaming to his near 20,000-strong audience and has become a frequent face on Guy Montgomery's Guy MontSpelling Bee.
"I truly loved being a part of The Great Australian Bake Off. The whole crew is so warm, funny, welcoming and kind, and the bakers are so talented it blows my mind," Walker said in a statement.
"To the little boy who grew up thinking he'd never see a biscuit city: you were wrong."
Walker will join returning host Natalie Tran for the latest season. He follows in a long line of Aussie comedians in the Bake Off shed including Mel Buttle, Claire Hooper and Cal Wilson, who died suddenly in late 2023.
Australian global TV event Future Vision has announced the international headliners for the summit's second edition.
Baby Reindeer creator Richard Gadd — who picked up Golden Globes, Emmys and most recently a Peabody award for his semi-autobiographical series — will be joined by Happy Valley creator Sally Wainwright and Pachinko creator Soo Hugh at this year's event.
Returning co-chairs — Nine Perfect Strangers producer Bruna Papandrea and screenwriter Tony Ayres, built the line-up around the concept of "optimism in the face of uncertainty".
"Richard Gadd, Sally Wainwright, and Soo Hugh are undoubtedly some of the most exciting television creators in the world today," Papandrea and Ayres said in a statement.
"We cannot wait to engage with them in Melbourne and bring their thinking and provocation to the thought leaders at home."
Taking place from July 14-16 at ACMI in Melbourne, the final two days of the summit are invite-only, however, Monday July 14 has ticketed options for the public to attend.
There's no denying the best things always come in twos: Tom and Jerry; socks; the final instalment of the Twilight franchise.
And, of course, a good Broadway show.
After the first Wicked movie honoured the original stage production (including the powerful Defying Gravity cliffhanger), fans knew Wicked: For Good would be its epic act two conclusion — but that hasn't made waiting for it any easier.
But the trailer for Wicked: For Good is finally here, showing that the friendship and undeniable chemistry of leads Cynthia Erivo and Ariana Grande will remain true and sing (literally and figuratively) through to the musical's wicked conclusion.
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How Enrico Taglietti shaped and continues to influence Canberra's architecture
Architect Enrico Taglietti had a lasting impact on Canberra, designing many well-known buildings that stand to this day. For those familiar with his work, those buildings represent a golden era of design and hope for the future for the fledgling capital. Taglietti first arrived in Australia in 1955, making Canberra his home in the early '60s. Within the Taglietti household architecture was not just a job, but also poetry and art. Often it was the subject of conversation around the dinner table with his wife Franca and their two daughters Tanja and Tabitha. Now a new exhibition, Taglietti: Life in Design, at the Canberra Museum and Gallery offers insight into the mind of one of Australia's most accomplished architects, almost 100 years after his birth. In one of the rooms of the exhibition is a table Taglietti made. The piece of furniture is surrounded by Taglietti's colourful sketches, ideas for a cafe in the city airport, a pitch for a visitor centre at Red Hill, and thoughts about what the outskirts of the capital could look like. The table has stains on it, a burn mark here, a scratch there. For his daughter Tanja Taglietti the table symbolises the ethos of her family home in Griffith. "Nothing was static in our household, everything changed," Ms Taglietti said. There are images around the exhibition of Tanja and her sister Tabitha visiting the construction site for what would become the Cinema Center located on Bunda Street. "It was the air we breathed, it was a normality," Ms Taglietti said. Enrico and Franca's partnership played a pivotal role in Taglietti's creations. When Tabitha and Tanja came along, they too got a say. "Mum was, we all were, made to feel that our voice counted … even in his buildings we were made to feel that we were important in that design." Taglietti spent his youth in Ethiopia with his parents, before returning to Milan and attending the Milian Polytechnic University. He and Franca decided to make Canberra their home in the early '60s. The open space and clear air of the capital reminded Taglietti of his youth. "He has responded beautifully to the context to what he found when he came here, which he called the 'invisible city', the 'dream City'," exhibition co-curator Dr Silvia Micheli said. That answer came in the form of the Italian Embassy in 1967, Dickson Library in 1968, the Flynn Primary School in 1972 and Giralang Primary School in 1974, among other designs. For those living in Canberra at the time, Taglietti captured the way of life. Senior curator Virgina Rigney grew up in the city and said Taglietti's designs showed his commitment to listening. "I think watching, looking, absorbing, not dictating — I think that's a really critical part of his architectural approach and that's why we've called the exhibition Life in Design because it's responding to the life of people," she said. "It was really important for children like me in Canberra who grew up here, who experienced schools and community centres, the cinema, the library … these kinds of places actually spoke to how we wanted to live." Which meant when it came to designing homes, he often had to ask some tricky questions. "He would sit down carefully with people and [ask], 'So how do you want to live?'," Ms Rigney said. "He even asked a couple: 'Do you love your wife?', and you know, they were a bit shocked. And he said, 'Well, it's because I need to know if you need space from one another in your house. "He wasn't assuming people needed a living room and a kitchen. But actually, how they wanted to live." Change was a central element of Taglietti's artistic approach. When the Flynn Primary School was closed in 2006, Taglietti rallied with the community to see the building put to use. "He was excited that they had managed to come up with a different use for that school, which is a community hub as well as a childcare centre. So ... very much things should change if they need to," Ms Taglietti said. Canberra has evolved since Taglietti first cast his eyes on the capital, but his focus on community lives on in his designs. The curators hope that the exhibition will allow visitors to see Canberra in Taglietti's vision. "But actually, it's a living community. They [Enrico and Franca] could have chosen anywhere in the world to be and they chose here." For Tanja Taglietti, the exhibition brings together family memories and has transformed the gallery space into a semblance of her childhood. "It's magical. It's tranquil. It reflects the handmade, the human touch, I think," she said. The exhibition is open until February 22, 2026.

News.com.au
an hour ago
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‘Broke his jaw': Jai Opetaia stays undefeated with brutal right hook to register 28th straight win
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News.com.au
an hour ago
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Inside Will Smith's $3.8 million motorhome that's better than most houses
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