logo
Psych Drama Company blurs art and life in Sarah Ruhl's ‘Stage Kiss'

Psych Drama Company blurs art and life in Sarah Ruhl's ‘Stage Kiss'

Boston Globe17-02-2025

She is thrilled to be cast, only to discover that 'He,' her leading man (Kenneth Kelleher), is an old flame she hasn't seen in years. The titular 'stage kiss' refers to the need for actors to balance professionalism with believability when they perform love scenes. But in the case of He and She, despite their initial awkwardness, the overwrought love scenes they act out in the potboiler quickly heat up their offstage romance, despite their offstage commitments: she is married to a banker named Harry (Eric Cheung) with a teenage daughter (Melissa Myers), and he has a schoolteacher girlfriend named Laurie (Julia Trueblood).
Actors Kenny Kelleher and ​Wendy Lippe play on-stage — and off-stage — lovers in the Psych Drama Company's production of Stage Kiss.
The Psych Drama Company
Related
:
While it may seem a little inside baseball, director Rani O'Brien takes Psych Drama Company's mission to heart, gently drawing the audience into this fast-paced comedy. You don't have to be a performer (or psychologist) to recognize those moments when your desire for an outcome (whether personal or professional) blinds you to the red flags your rational mind is waving in front of you. Other productions of 'Stage Kiss' lean into the farce, playing up the absurdities of the play-within-a-play with the surreal reunion of the former lovers. O'Brien mines that humor, with some hilariously deliberate overacting from David Kleinman as Kevin, the eager understudy who is way over his head during the love scenes. Both Lippe and Kelleher infuse their characters with personality, with Kelleher giving his actor some dash and diffidence before bringing down the house with some complicated choreography on crutches. But the intimacy of the Black Box theater, and O'Brien's choice to stage the performance in the round, helps her balance the laughs while illuminating some of the play's deeper themes of vulnerability, uncertainty, and regret.
Advertisement
In Act II, the acting pair have run off to his grungy apartment and have been cast in a new play, written by their indecisive director (Zachary Ryan Murphy) of 'The Last Kiss.' This play dramatizes a darker love story between a prostitute and a member of the IRA, leavened by Lippe and Kelleher's comically broad accents. But Lippe's beautifully calibrated performance allows her character to reconcile rosy memories of her first love with the reality that led to their breakup, as if she's slowly waking from a dream.
The comedy's resolution may feel a bit pat, but it doesn't lessen the impact of Ruhl's keen interest in the joys and heartbreak embedded in the emotional roller coaster of love. Ruhl's gift, beautifully realized by this Psych Drama production, is her ability to wrap the excitement of first love and the commitment of mature love in an evening of delightful comedy.
Advertisement
STAGE KISS
Play by Sarah Ruhl. Directed by Rani O'Brien. Presented by Psych Drama Company Inc. In the Plaza Black Box Theatre, Boston Center for the Arts. Through Feb. 23. Tickets $45. 617-933-8600,

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Cynthia Erivo Brought It Home at the 2025 Tony Awards—Plus, More of the Night's Highlights
Cynthia Erivo Brought It Home at the 2025 Tony Awards—Plus, More of the Night's Highlights

Vogue

time4 hours ago

  • Vogue

Cynthia Erivo Brought It Home at the 2025 Tony Awards—Plus, More of the Night's Highlights

There are no ifs, ands, or maybes about it—Sunday, June 8, was a happy ending for the Broadway community. After a two-year hiatus, the annual Tony Awards returned home to Radio Music Hall, the venue it had called home for 20 shows prior, and it really did feel like a homecoming. And while I presume that each Tonys Sunday—when producers, actors, directors, writers and friends of the industry come together to celebrate the Broadway season—is a pretty joyful affair, there was something about this year that felt special. Perhaps because of the recent announcement that this was Broadway's highest-grossing season in history, or because we find ourselves in a moment when our communities need live art and creativity more than ever before. Regardless, the main takeaway of the night for those who experienced it in person was that it was one to remember. Here are some of the moments—heart-wrenching, skipping, and warming—that will cement this year's Tonys as one of the greats. The festive pre-show Photo:The show airs live on CBS and Paramount+ from 8 p.m. sharp, but a handful of awards are announced in a pre-show broadcast, this year co-hosted by Darren Criss (Maybe Happy Ending) and Renée Elise Goldsberry (Hamilton). As many of the night's winners explained in their acceptance speeches, it takes a village to make theater happen. Unfortunately, keeping an audience's attention long enough to fit all of the villagers' awards into a single ceremony is a big ask, even of die-heart theater people. So, cue The Tonys: Act One, announcing the winners for best choreography, musical score, lighting design, and more. The first standing ovation of the night went to Gary Edwin Robinson, winner of the Excellence in Theatre Education Award, for his work on the Theatre Arts Program at Boys and Girls High School in Brooklyn. 'I told you I was going to the Tony Awards one day!' Robinson exclaimed to his family as he wielded his award. Partners in life and choreography, Buena Vista Social Club duo Justin Peck and Patricia Delgado took home the Tony for best choreography. Upon accepting the award, Delgado revealed that she and Peck had actually danced to a Buena Vista Social Club song at their wedding—which the audience couldn't help but give a big 'aww.' Cynthia Erivo's rousing opening number

Nicole Scherzinger, Mia Farrow and Sadie Sink Party After the Tonys
Nicole Scherzinger, Mia Farrow and Sadie Sink Party After the Tonys

New York Times

time5 hours ago

  • New York Times

Nicole Scherzinger, Mia Farrow and Sadie Sink Party After the Tonys

On Sunday night, after all the Tonys had been handed out, the comedian Alex Edelman took the stage during the official after-party at the Museum of Modern Art. 'One day more,' he sang, waving his arms, trying to recruit others to join him behind the microphone in a rousing one-man rendition of a song from the musical 'Les Misérables.' 'Another day, another destiny … ' Mr. Edelman, who received a special Tony Award last year for his one-man show 'Just for Us,' slowly gathered his army of fellow performers: Betsy Wolfe, Jessica Vosk and Casey Likes. Soon, more than half a dozen stars were belting not just their own parts, but every part. A cabaret moment is a familiar scene for any theater party, even on a night celebrating an unusual Broadway season. It has been a banner year on the district's 41 stages, thanks in large part to a flurry of shows with screen stars on the marquee: 'Good Night, and Good Luck' (George Clooney), 'The Picture of Dorian Gray' (Sarah Snook, who won a Tony Award for playing 26 different characters), 'Othello' (Denzel Washington and Jake Gyllenhaal) and 'Glengarry Glen Ross' (Bob Odenkirk, Bill Burr and Kieran Culkin), among others. Many actors were making their Broadway debut. 'I'm so lucky to get to do it,' Sadie Sink, best known for her role as the tomboy Max in Netflix's science fiction drama series 'Stranger Things,' said at the MoMA party, celebrating her first nomination. Want all of The Times? Subscribe.

13 standout looks from the Tony Awards 2025
13 standout looks from the Tony Awards 2025

CNN

time6 hours ago

  • CNN

13 standout looks from the Tony Awards 2025

It may be off-season in Hollywood, but Broadway's biggest names were on hand to deliver plenty of glamour at the 78th Annual Tony Awards. Braving the rain, stars of the big stage arrived at New York's historic Radio City Music Hall on Sunday in a series of silver, cream, ivory and champagne-colored embellished gowns, along with fittingly theatrical statement suiting. US theater is having a moment: The 2024-25 Broadway season was the highest-grossing ($1.89 billion in revenue) and best-attended (14.7 million theatergoers) in history, according to the Broadway League. Theater's boundaries with TV and film have also become increasingly porous, with George Clooney and 'Succession' star Sarah Snook among this year's high-profile Tony Award nominees. The event's red carpet has, in turn, become a major moment for stylists and fashion designers. Here are 13 standout looks. Finally liberated from the emerald green of her 'Wicked' method-dressing marathon, Cynthia Erivo looked resplendent in a champagne an embellished gown straight from Schiaparelli's Spring 2025 couture runway. The standout feature was a dramatic yet delicately embroidered bodice that sat so far off-the-shoulder it appeared to float around her. The British actor and singer did, thankfully, retain one element of her wicked witch era: delightfully long nails, which this time featured floral flourishes from nail technician Shea Osei. Erivo went on to host the ceremony in an embroidered kimono by Saudi couturier Ashi Studio — but not before she performed the night's opening number in a crystal-embroidered ruby gown by The Gap's new high-end atelier, GapStudio. 'Orange is the New Black' breakout star Danielle Brooks co-presented the ceremony this year, walking the red carpet in a mocha-hued haute couture dress by Stephane Rolland. The taffeta smock featured an embellished neckline and wide circular sleeves and was finished with a sculptural braided up-do by hair technician Tish Celestine. Tony Awards co-presenter Sarah Paulson arrived at the ceremony in a haute couture Schiaparelli two-toned gown. The black velvet bodice featured a high-neckline and scooped at the hips before blooming into a buttery satin skirt embellished with sequins and embroidery. Daniel Roseberry, creative director of the French luxury house said he wanted the collection to be 'baroque' and 'extravagant,' when it was unveiled in January. Paulson completed her look with Buccellati earrings and a slicked-back bun. 'Oh, Mary!' star Cole Escola arrived in a powder blue dress (and curly wig) paying homage to Broadway legend Bernadette Peters. Designed by up-and-coming US label Wiederhoeft, the gown's low neckline, lace-up corset and glass-bead detailing evoked the iconic, medal-strewn look Peters wore to accept her Best Actress award at the 1999 Tonys (it was also her costume in 'Annie Get Your Gun'). But there were several subtle differences, too — not least the halterneck, which framed a sheer panel showing off Escola's well-groomed chest hair. The first Asian American actor to be nominated for the Best Actor in a Play award, Daniel Dae Kim used the spotlight to celebrate his Korean roots. The 'Lost' star put a modern spin on traditional Korean clothing in a 'couture Hanbok' by LA-based brand, Meehee Hanbok (paired with black Christian Louboutin boots). Like 'Yellow Face,' the Broadway production for which Kim was nominated, the look offered a commentary on race in America. Speaking to Associated Press on the red carpet, the actor said he was making a 'little statement,' adding: 'Now that the definition of 'American' is under attack, I thought it would be nice to say that no matter what we look like or how we dress, we can all still be loyal and proud Americans.' Oscar winner Ariana DeBose returned to co-host the Tony Awards for the third time in a row, wearing a minimalist white silk slip dress and a tangled stack of layered pearl necklaces. She changed later into a black tailored skirt suit for a live performance of 'Hamilton' tracks to celebrate the production's 10th anniversary. The Australian actor, who scooped best performance by an actress in a leading role in a play for her one-woman rendition of 'The Picture of Dorian Gray,' marked the special occasion with a champagne-colored sequin gown by British designer Richard Quinn. The design featured a pooling, mermaid train and '80s-style shoulder padding. On stage, the 'Succession' star embodies 26 different characters over the course of the two-hour production. Snook had performed the play at London's West End last year, where she won the Laurence Olivier Award for Best Actress. 'The Picture of Dorian Gray' was her Broadway debut. 'Rosemary's Baby' star Mia Farrow was nominated for her first Tony Award for her performance in 'The Roommate' alongside Patti LuPone. Farrow, who brought her son Ronan as her date, arrived in a monochromatic cream suit and matching chunky boots. 'Hacks' star Jean Smart co-presented the Tony Awards in a custom Christian Siriano black floor-length gown which was draped at the waist. On-screen, Smart's character Deborah Vance, a celebrated Las Vegas stand-up comic, is partial to a glitzy sequin bell-sleeved gown — but Smart's own red carpet persona is much more refined, opting for monochromatic gowns and more structured silhouettes. 'Dancing with the Stars' triple threat Julianne Hough also wore Christian Siriano — alongside eight other Tony attendees — on the red carpet. Hough's pristine ivory look featured a tulle mermaid skirt reminiscent of the kind worn by Marilyn Monroe, Diana Dors and Vera Ellen in the 1940s and '50s. Acclaimed costume designer Paul Tazewell became the first Black man to win an Oscar for his profession. Now, just a few months later, he picked up a Tony Award for best costume design of in a musical for his work on 'Death Becomes Her.' Tazewell is the second designer ever to win both landmark awards in the same year. For the occasion he donned a Comme des Garçons iridescent frock coat complete with draped bows and McQueen slacks, along with chunky patent Givenchy boots. His arrow brooch, pinned to his lapel, was vintage and from New York-based jewelers Fred Leighton. Known for his sharp and often-colorful red-carpet suiting, Leslie Odom Jr. opted for a more muted palette. With its subtle pinstripes and exaggerated proportions, his oversized three-piece toed a line between luxury tailoring and streetwear — a tightrope often walked by American label Fear of God, the American label behind the outfit.. The actor completed his look with a turtleneck and a pair of shades, before changing into all-black to perform with the original cast of 'Hamilton' in celebration of the production's 10th anniversary. Julia Knitel was nominated for best performance by an actress in a featured role in a musical for her three different roles in 'Dead Outlaw,' based on the true story of 20th century train-robber Elmer McCurdy. For her first Tony nomination, and first time on the award ceremony's red carpet, Knitel opted for a shimmering gold gown with a strapless neckline.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store