Hari Hara Veera Mallu is the Divine Fusion of Shiva and Vishnu: Jyothi Krisna on His Grand Saga of Sanatana Dharma
Director Jyothi Krisna, who took charge of the project midway, has reimagined the narrative entirely, injecting it with spiritual symbolism and cinematic might. 'Hari Hara Veera Mallu is not just a historical warrior — he is a divine manifestation, a fictional character inspired by the combined energies of Lord Shiva and Lord Vishnu,' shares Jyothi Krisna. 'We didn't just want to tell a story; we wanted to create a legacy. Veera Mallu is that bridge between Shaivism and Vaishnavism, like Ayyappa Swamy.' The title itself reveals the spiritual essence — Hari symbolizing Vishnu and Hara symbolizing Shiva. This duality is seamlessly translated on-screen through potent imagery: the eagle, symbolizing Garuda (Vishnu's vahana), soars as a silent sentinel, while the protagonist's Damarukam (Lord Shiva's drum) beats the rhythm of righteousness. Sources close to the film suggest the protagonist is a force born from both deities, destined to rise when Dharma is threatened.
Veteran producer AM Rathnam, known for his grand cinematic vision, has backed the film with uncompromising scale and ambition. Without pre-selling the rights (barring overseas and Hindi), Rathnam made a calculated decision to let the visuals speak first — and it worked.
The trailer release became an instant blockbuster online, drawing unprecedented attention and buzz. Distributors are now in a race, offering record-breaking sums to acquire rights. Rathnam's belief in the film's visual and spiritual power has paid off — and how.
Hari Hara Veera Mallu is not just a film — it's a visual hymn to the eternal spirit of Dharma, a divine epic where mythology meets magnificence.
Witness the rise of the divine protector. Hari Hara Veera Mallu — where cinema meets Sanatana.
(Disclaimer: The above press release comes to you under an arrangement with NRDPL and PTI takes no editorial responsibility for the same.).
This is an auto-published feed from PTI with no editorial input from The Wire.
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