
Weapons Review: Zach Cregger's haunting saga surprises with its dark humor and thrilling climax
Weapons centers on the mysterious disappearance of 17 children from a single classroom, all vanishing at 2:17 a.m. in a small town. The story unfolds through multiple perspectives. Justine Gandy (Julia Garner) is a devoted teacher who is grappling with guilt and public scrutiny, as she investigates to know who is responsible for the disappearance of the children. Archer Graff (Josh Brolin) is a grieving father. Paul (Alden Ehrenreich) is a cop with a complicated past. Marcus (Benedict Wong) is the principal of the school, who struggles to maintain order amid chaos. James (Austin Abrams) is a drug addict, who knows the truth regarding the children. Alex (Cary Christopher) is the only child of the class who has not disappeared, and his backstory anchors the story.
Watch Weapons to know the truth about the 17 children.
What Works for Weapons
Weapons blend horror and humor, seamlessly. Zach Cregger's direction is excellent and confident. He succeeds in creating an unsettling atmosphere from the very first frame of the film. The film's layered narrative is similar to an anthology with continuity, and it offers fresh perspectives while maintaining cohesiveness in the story. The mystery is engrossing, with each character arc adding new clues.
The haunting visuals in the movie, amplify the dread while never over-relying on jump scares. The film's dark humor compliments the tension of the movie, perfectly. The finale is a highlight. It is masterfully choreographed, blending horror with gore. The climax will surely make everyone gasp and clap.
The biggest takeaway of Weapons is its originality. Also its emotional depth, particularly in exploring childhood trauma, sets it apart in a stellar year for horror.
What Doesn't Work for Weapons
Weapons' pacing occasionally dips, particularly in the second act. The scenes, while necessary, can feel heavy compared to the film's otherwise energetic storytelling. Still, this minor flaw does little to detract from the overall experience, as the film quickly regains momentum with its unforgettable climax.
Watch the Weapons Trailer
Performances in Weapons
Julia Garner is exceptional as Justine. She balances vulnerability and determination with raw intensity. Josh Brolin anchors the film as Archer. His rage, intensity and kindness are the film's highlights. Alden Ehrenreich brings nuance to his character of Paul. Justin Abrams steals scenes as James. He adds manic humor into the horror. Cary Christopher is a revelation as Alex. He delivers a performance that carries surprising emotional weight.
Amy Madigan is terrifyingly unforgettable as Gladys. He channels a fairy-tale villain with chilling precision. Benedict Wong is rock-solid as Principal Marcus, grounding the chaos with quiet authority. Other supporting actors also perform exceptionally, making Weapons among the best horror films in recent times.
Final Verdict of Weapons
Weapons is a big triumph for the horror genre. It is twisted, terrifying, and surprisingly funny. It surpasses Zach Cregger's own Barbarian, in both ambition and execution. Its innovative structure, gripping mystery, and stellar performances make it the one of the best films of the year. Despite minor pacing hiccups, the film's depth, thrills, and finale, manage to deliver an unforgettable experience. Horror fans and cinephiles alike will find plenty to love in this shocking, satisfying gem.
Weapons is a must-watch. It's a film that lingers long after the credits roll. You can book your tickets for the movie, now.
Stay tuned to Pinkvilla for more updates.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


NDTV
2 hours ago
- NDTV
What's Next For Stephen Colbert After The Late Show Ends? Josh Brolin Has A Job Offer
Washington DC: What will Stephen Colbert do after his run on The Late Show ends in May 2026? While many are wondering what's next, actor Josh Brolin seems to have offered him a new job. According to The Hollywood Reporter, Josh, who appeared on The Late Show Wednesday night, jokingly suggested that Colbert should be his personal assistant. Colbert laughed and said the job might not be that hard. "You know what, Josh Brolin, I bet that's a real easy job," Colbert said. "No calls in the middle of the night complaining about why the steam room isn't working from Josh Brolin." Brolin also spoke about a recent motorcycle trip with friends. Colbert asked how he could get an invite next time, and Brolin replied that he would need to mess up his hair to fit in with the biker crew. Colbert joked, "After May," referring to when The Late Show ends. "I'm going to get so cut. I'm going to do the fat shot drug. And I'm going to get super cut. I'm going to do nothing but protein ... eat 16 chickens a day," Colbert joked, referring to his plans after hosting duties end. In July, CBS confirmed that ' The Late Show With Stephen Colbert ' will end in May 2026. The network said it was a "financial decision" due to the tough TV market. However, there has been speculation that other reasons might be involved. Colbert has been a strong critic of former President Donald Trump. As per The Hollywood Reporter, many have questioned whether the recent merger between CBS's parent company, Paramount Global and Skydance, which needed FCC approval, had anything to do with the decision. CBS has denied that the cancellation had anything to do with politics or the merger.


Hindustan Times
3 hours ago
- Hindustan Times
Weapons movie review: Bold, beautiful and bloody, but ultimately... empty
Starring: Josh Brolin, Julia Garner, Alden Ehrenreich, Austin Abrams and Benedict Wong Director: Zach Cregger Star rating: ★★★ Josh Brolin and Julia Garner in a still from Weapons Following the unexpected success of Barbarian, a delightfully twisted Airbnb horror from 2022, Zach Cregger returns with Weapons—his bigger, starrier, and far more ambitious sophomore feature. This time, there's no surprise release or low-key rollout. Ever since the script sparked a fierce bidding war in Hollywood, expectations have been sky-high. With comparisons to Magnolia and the sensibilities of Stephen King, Zach's latest project assembles an ensemble cast including Julia Garner, Josh Brolin, Alden Ehrenreich, and Austin Abrams in a film that's part mystery, part nightmare, and all chaos. It is a gorgeously mounted, gleefully grotesque horror-thriller packed with eerie moments and gallows humor. But despite the strong set-up and immersive direction, the film doesn't quite deliver on its potential—collapsing under the weight of its own intrigue in the final act. The story of the movie is fairly straightforward: In a sleepy town, a bizarre and terrifying event throws the community into chaos: one night at exactly 2:17 a.m., 17 children from the same elementary school class walk out of their homes and vanish. The only student who stays behind, Alex, becomes the center of an investigation that quickly spirals into paranoia and suspicion. Their teacher, Justine Gandy (Julia Garner), becomes the target of the town's outrage. We follow different perspectives—a grieving father (Josh Brolin), a disillusioned cop (Alden Ehrenreich), a struggling addict (Austin Abrams)—as the mystery unfolds through overlapping timelines and creeping dread. The good Zach remains a striking visual storyteller, and Weapons demonstrates his growing confidence behind the camera. From the first scene—an eerie montage of children walking zombie-like into the night—he masterfully builds suspense. The film's structure, shifting perspectives like chambers of a revolver, is ambitious and occasionally brilliant. There are also flashes of sharp, biting comedy. Zach leans into absurdity in a way that feels daring. A school principal trying to keep order amid chaos, and surreal hallucinations bring a twisted levity that recalls The Leftovers and even sketch comedy. Each character is introduced mid-crisis, and the storytelling style forces viewers to reorient constantly, adding a layer of tension. The cast is uniformly strong, even if the characters themselves are sketched thinly. Julia brings real pathos to Justine, a woman unraveling under public suspicion and private guilt. Josh channels rage and heartbreak in equal measure, while Alden injects dark humor into an otherwise grim storyline. There's a late-arriving, uncredited performance that delivers a truly unsettling jolt—one of the film's high points. The bad For all its ambition, Weapons does struggle to hold itself together. The non-linear narrative, while initially engaging, begins to feel repetitive. Scenes are replayed from different angles, but without enough added insight to justify the structure. Characters feel like placeholders—vessels to keep the plot moving rather than fully realized humans. The emotional stakes remain curiously flat despite the apocalyptic premise. While Zach avoids the pitfalls of trauma horror clichés, he also fails to fill the void with anything more meaningful. The film flirts with social allegory but doesn't fully commit. The mystery's resolution, while chaotic and gory, is ultimately unsatisfying and more shock than substance. Tonally as well, Weapons wants to be both a profound statement and a pulpy thrill ride, but never quite balances the two. At times it feels like it's building toward a grand thesis, only to shrug and throw more blood at the screen. The verdict Weapons is a curious beast: a stylish, wildly entertaining mess that impresses moment to moment, but doesn't leave much lasting impact. Zach proves again that he's a filmmaker to watch—his ability to craft tension and orchestrate chaos is undeniable—but he's still searching for the narrative precision to match his flair. It's not the next Magnolia, nor is it the next Barbarian. But as a bold, bloody genre experiment, Weapons might be a trip worth taking—even if you don't quite end up where you hoped.


Mint
4 hours ago
- Mint
What to watch: ‘Caught by the Tides', ‘Weapons'
Jia Zhangke's film stretches from 2001 to the covid era northern Chinese city of Datong, and tells the story of Qiao Qiao (Zhao Tao) who goes in search of her lover the unreliable Guao Bin (Zhubin Li). Caught by the Tides is an extraordinary film in both scope and conception. Using a variety of film and video styles, Zhangke nimbly traverses two decades of Chinese history, repurposing footage he'd shot over the years and scenes from some of his earlier films starring Zhao Tao. The film was selected to compete for the Palme d'Or at the 77th Cannes Film Festival. (MUBI) A still from 'Weapons'. One night, 17 children from the same class walk out of their homes without any warning and disappear. The ensuing mystery grips the town and especially the teacher whose class they attended. Weapons is directed by Zach Cregger, who made the breakout horror hit Barbarian. (In theatres) A still from 'Sorry, Baby'. After a traumatic experience, Agnes must pick up the pieces and carry on with her life. Eva Victor, an actor and writer who shot to fame making short comic sketches, wrote, directed and stars in Sorry, Baby. This bittersweet film also stars Naomi Ackie, Lucas Hedges, John Carroll Lynch and Kelly McCormack. (In theatres) A still from 'Ghich Pich'. A coming-of-age film about three friends and high school classmates, and their complicated relationships with their fathers. This lo-fi production is set in Chandigarh in the 1990s. Written and directed by Ankur Singla. (In theatres)