Mission Impossible – The Final Reckoning Day 15 India Box Office: Franchise's struggles to hit blockbuster mark continues with Rs 70 lakh 2nd Monday
Directed by Christopher McQuarrie, the film is the eighth and final installment in the Mission Impossible series. It welcomes Cruise back as the iconic IMF agent Ethan Hunt, alongside his teammates played by Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, and Angela Bassett. The story revolves around Hunt and co. trying to stop a rogue AI called The Entity from unleashing global chaos.
Though the film boasts a reported production budget of USD 300 to USD 400 million, its reception worldwide has been lukewarm. Industry experts are being cautious when quoting its lifetime figure, as it looks like the entry will have a tough time even breaking even at the box office.
The aforementioned production cost, for the record, ballooned after schedule delays caused by the SAG-AFTRA strike and the scale of the endeavor, which required filming across locations like the UK, Malta, South Africa, and Norway. Marketing expenses also make up a large chunk of the cost.
In India, it looks like franchise fatigue is keeping viewers from flocking to theaters. Competition from another Hollywood release, Final Destination: Bloodlines, could also be hurting MI8's run in the region.
In conclusion, Mission: Impossible 8 remains a decent performer in India but misses the blockbuster mark it would have desired. If the current trajectory holds, The Final Reckoning may end up under Dead Reckoning's Rs 106 crore net in the market.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
20 minutes ago
- Time of India
"Basanti became my second name in real life": Hema Malini on 'Sholay' completing 50 years
(Picture Courtesy: Facebook) "Basanti became my second name in real life": Hema Malini on 'Sholay' completing 50 years (Picture Courtesy: Facebook) "Basanti became my second name in real life": Hema Malini on 'Sholay' completing 50 years (Picture Courtesy: Facebook) 1 2 Bollywood actress Hema Malini has expressed gratitude to the audience as Ramesh Sippy 's iconic film 'Sholay' completed 50 years of its release. On Friday, the actress, fondly remembered as 'Basanti' from the film, shared a video on Instagram, writing, "Sabhi ko Basanti ka Ram Ram. "Sholay" has completed 50years. Here are my wishes for the team and gratitude to the audience and my fans for all their blessings and unconditional love. " I thank the audience for giving this film In the video, Hema said, "Namaste, Basanti here. The iconic Hindi film Sholay has completed 50 years of its run in different parts of the world. There are very few Indian films which have equalled or surpassed this record. I have been fortunate to contribute to the stupendous success of the film in a pivotal role as Basanti. In fact, the role had such an impact on the viewing public that Basanti became my second name in real life. I congratulate all my co-artists, Vero, Jayay, Radha, Thakur, Gabbarsingh and many others. And the production team, including the director Ramish Sipriji, Salim Saheb, Javed Saheb, Late RD Burmanji and the many members of the technical team. Sholay would be incomplete without each team members participation. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like American Investor Warren Buffett Recommends: 5 Books For Turning Your Life Around Blinkist: Warren Buffett's Reading List Undo The film continues to create history even after five decades. I thank the audience for giving this film so much love. I am overwhelmed with gratitude and nostalgia for being remembered as Basanti even today. Today, the 15th of August 2025, marks its 50th year, and I am happy standing at the crossroads of the historical event in which I have played a substantial part. I celebrate this event with the Hindi film world and my fans. 'Chal Dhano' gets it for the next 50 years." Recently, the Film Heritage Foundation announced that the restored version of Sholay will have its North American premiere at the 50th Toronto International Film Festival (TIFF) on September 6. The gala screening will take place at the 1,800-seater Roy Thomson Hall in Toronto. The Film Heritage Foundation took to their Instagram account to make the announcement along with a caption that read, "Indian cinematic epic 'Sholay' (1975), directed by Ramesh Sippy, celebrates 50 years with the North American Premiere of the restored version at the 50th edition of the TIFF Toronto International Film Festival! This special screening will take place on September 6, 2025, at a gala event at the 1800-seater Roy Thomson Hall, befitting the legendary status of the film. " 'Sholay' is regarded as one of the greatest films of all time. It starred legendary actors such as Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Hema Malini, Jaya Bachchan and Amjad Khan, among others. Released on August 15, 1975, 'Sholay' turned into a cult favourite in Indian cinema , owing to its powerful story, memorable characters, iconic dialogues, and the evergreen songs like 'Yeh Dosti', 'Mehbooba Mehbooba', 'Haa Jab Tak Hai Jaan', 'Holi Ke Din' and others. The film's story focuses on the fictitious Ramgarh village, where retired police chief Thakur Baldev Singh (Sanjeev Kumar) plans to defeat the notorious bandit, Gabbar Singh (Amjad Khan), with the help of Jai (Amitabh Bachchan) and Veeru (Dharmendra). Upon arriving in the village, the duo realises the menace of Gabbar Singh and double their efforts to help Thakur. Jaya Bachchan and Hema Malini are seen playing Jai and Veeru's love interests as Basanti and Radha, respectively. "Get the latest news updates on Times of India, including reviews of the movie Coolie and War 2 ."
Indian Express
42 minutes ago
- Indian Express
Business of films: Why Aamir Khan took Sitaare Zameen Par to YouTube
Actor-filmmaker Aamir Khan this month released his Sitaare Zameen Par on the Google-owned video-sharing platform YouTube, rather than an over-the-top (OTT) platform such as Netflix or Amazon Prime Video, after the film had completed its theatrical run. The film, in the genre of comedy-drama known as 'dramedy', earned Rs 216 crore at the box office worldwide. Since August 1, it has been available for rent on YouTube for Rs 100 (and for half that price from August 15-17). What is the business logic for Aamir Khan's decision? Theatre owners were upset: multiplex giant PVR INOX said Sircar had 'vitiated the atmosphere of mutual partnership' between theatres and filmmakers. But amid the Covid-19 lockdown, direct-to-OTT was a fait accompli of sorts. Prime announced plans for six more digital-only premieres of Malayalam, Tamil, and Kannada films. In 2021, more than 100 films had opted for direct-to-OTT releases. But this Covid-era momentum faded quickly. In 2024, only 60 films were released directly on digital platforms — a more-than-42% decline compared to 2022, according to a report by the trade association FICCI and multinational accounting firm EY published this year. Direct-to-OTT films have not done particularly well either. Between January and June this year, 30 films in multiple languages were released on OTT platforms, of which only five ranked among the 50 most-watched streaming originals, Ormax Media, a Mumbai-based research firm, reported. The number of films being released in theatres first and subsequently on OTT has steadily increased — doubling from 217 in 2022 to 440 in 2024, according to FICCI-EY reports of 2024 and 2025. Filmmakers are confronted with two broad realities: 🔴 Footfall in theatres has recovered from pandemic-driven lows, but has been declining generally — having fallen from 994 million in 2022 to 857 million in 2024, according to the 2025 FICCI-EY report. This has been attributed to the narrowing theatre-to-OTT window: the availability of films on OTT platforms soon after their theatrical release is believed to depress theatre footfall. But this allows the OTT platforms to benefit from the theatre-marketing buzz. 🔴 The FICCI-EY report noted that 'cost pressures' led to subdued digital releases in 2024. With OTT platforms now focused on profitability, 'tentpole' films — big-budget productions that are expected to perform well — and small-budget ones were in demand, but mid-sized films had few takers. In some cases, it was 'understood that theatrical performance was required to market the film for OTT platforms as well', the FICCI-EY report said. Aamir's decision to go to YouTube effectively adds another distribution channel for films. 'We need a 'pay-per-view' (PPV) window between theatrical and OTT, and that's what I am pushing to create,' he told Matthew Beloni on the podcast The Town. In the PPV model, viewers essentially pay only for what they want to watch, not for a subscription. 'Once the theatrical run is exhausted, that's when I want to come on pay-per-view, and that's a window [for the theatrical run] that can be flexible. It should certainly not be below six weeks. And then, you should give pay-per-view a good three months, and then the film can come on OTT. That's the ideal window,' Aamir said. According to Aamir, the 'bulk of India does not subscribe to OTT platforms', and YouTube potentially has greater reach, including globally. He also suggested that YouTube could offer a more favourable deal than the traditional 50-50 split between the production house and theatres, and that the PPV model could open a path for younger filmmakers and smaller-budget films that do not get distribution in theatres. In 2024, only 30% of all films were released on OTTs (including digital-first and theatre-first), according to the FICCI-EY report. As such, there are a large number of unsold films that could find audiences on AVOD (advertising-based video-on-demand) and TVOD (transactional video-on-demand) platforms such as YouTube. AVOD allows free access to videos, but with advertisements. TVOD, which is the same as PPV, allows viewers to pay a one-time rent for a specific piece of content. The FICCI-EY report points out that TVOD releases (parallel to or shortly after theatre runs) would get audiences in regions with limited theatre access. Also, a Rs 100 rent fee is less than the average ticket price of Rs 139 (in 2024). Several factors work in favour of YouTube as the platform of choice for filmmakers. 🔴 YouTube accounted for 92% of all online video consumption in 2024; 🔴 It has the highest penetration in India among social media platforms, according to a 2024 report by Comscore, a media analytics company; 🔴 It is popular across generations — 91% of Gen Z and more than 80% of millennials and Gen X were on YouTube; 🔴 While the majority of YouTube consumption is on mobile phones, it also has an expanding CTV (connected TV) base: between March 2023 and March 2024, it was the most-watched streaming service on Indian CTV. There is not much publicly available data on YouTube's TVOD offerings. In 2024, TVOD revenues were more than Rs 13 billion in India, lagging behind SVOD (subscription video on demand) revenue from services like Netflix or JioHotstar, which charge an annual or monthly subscription fee for access to a large volume of content. According to a report by accounting firm PwC, SVOD accounted for 75% of OTT revenue in India in 2023, while TVOD and AVOD accounted for 5% and 20% respectively. However, the FICCI-EY report said TVOD is expected to scale amid rising OTT subscription costs and CTV penetration. Smaller OTT platforms may opt for TVOD models, with films that were previously unsold, and more major players may start offering a mix of SVOD and TVOD, following in the footsteps of Prime and Apple TV.
Time of India
an hour ago
- Time of India
‘Coolie' box office collections day 3: Rajinikanth's film strikes gold; storms past Rs 118.5
(Picture Courtesy: Facebook) Superstar Rajinikanth has once again reminded the world why he's called the 'Thalaivar' of Indian cinema. His latest outing, 'Coolie', directed by Lokesh Kanagaraj, has stormed through the box office, crossing a staggering Rs 118.5 crore net in just three days across India, as reported by the Sacnilk website. The film also features an all-star ensemble, including Akkineni Nagarjuna, Shruti Haasan, Upendra, Sathyaraj, Soubin Shahir, and Aamir Khan in a pivotal role. Reportedly, day 1 saw a thundering start with Rs 65 crore. It was dominated by Tamil collections at Rs 44.5 crore which was followed by Telugu at Rs 15.5 crore, Hindi at Rs 4.5 crore, and Kannada at Rs 50 lakh. While Day 2 saw a slight dip to Rs 53.5 crore, the momentum remained strong. By the end of Day 3, Coolie had already crossed the coveted Rs 100 crore mark. Now the total collections in 3 days stand at Rs 118.5 crore. From theatres to trending — the 'Coolie' mania Across India, theatres have been running houseful shows, with fans celebrating Coolie screenings like festivals. With Sunday and the extended Independence Day weekend still contributing to its earnings, 'Coolie' could comfortably breach the Rs 150 crore mark within its first week. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like American Investor Warren Buffett Recommends: 5 Books For Turning Your Life Around Blinkist: Warren Buffett's Reading List Undo Hrithik calls Rajinikanth his 'first teacher' ahead of 'War 2' vs 'Coolie' clash ETimes gave the film a rating of 3 stars out of 5 and an excerpt from our official review reads, "While the first half could have been tighter, the second half more than compensates, making Coolie a high-energy, nostalgic, and entertaining ride for fans. Coolie emerges as one of Rajinikanth's most electrifying outings in recent years, surpassing his previous films in sheer energy and style. It caters not just to die-hard fans but also to casual viewers, balancing nostalgia with interesting storytelling. The cameos, in particular, outshine Lokesh's previous outings, delivering memorable performances that enhance the story without ever feeling forced." DISCLAIMER: The box office numbers in this article are compiled from our proprietary sources and diverse public data. While we strive for accuracy, all figures are approximate unless explicitly mentioned, offering a fair representation of the project's box office performance. We are open to feedback and suggestions on toientertainment@ . "Get the latest news updates on Times of India, including reviews of the movie Coolie and War 2 ."
