Louis Vuitton unveils 'Visionary Journeys' exhibition in Osaka
Dubbed 'Visionary Journeys' and running until September 17, the showcase reimagines the house's rich history through the unique lens of Japan.
Curated by fashion historian Florence Müller and brought to life by Shohei Shigematsu of OMA, the exhibition spans twelve immersive spaces, with over 1,000 pieces on display, including archival sketches, rare artworks, leather goods, and installations.
A standout feature is the inclusion of more than 200 Japan-specific artefacts, highlighting the Maison's deep cultural ties with the country.
Visitors enter through a dramatic five-storey atrium filled with glowing trunks, followed by an immersive dome built from 138 trunks.
In monogram, a celestial-themed room highlights the evolution of the iconic pattern, including a rare 1897 sample. Atelier honours the artisans behind bespoke pieces, such as collaborations with Sho Hirano and designer Verdy.
Other highlights include Louis Vuitton in Japan, celebrating decades of cultural exchange and iconic collaborations with artists like Yayoi Kusama, Nigo, and Takashi Murakami.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
France 24
5 hours ago
- France 24
Godzilla fans fete the monster as it turns 70
The Japanese studio Toho, which created Godzilla, maintains a calendar of events to celebrate the beast often called the king of monsters, and Comic-Con is on the agenda. Godzilla was born on November 3, 1954 with the launch of the first movie about it, directed by Ishiro Honda. "I am a very big fan of Godzilla," said Angela Hill, a teacher who traveled from Arizona to take part in Comic-Con, which this year featured events and displays celebrating Godzilla. One of the world's largest celebrations of pop culture, Comic-Con brings together 130,000 people, many of whom come dressed as wizards, princesses or characters from movies, games or TV series. As the story of Godzilla goes, a prehistoric amphibious beast is awakened and mutated by nuclear bomb testing in the Pacific. It emerges from the sea and attacks Japan in a rage, symbolizing the deadly power of nukes. "I think because he came from such a historic event -- like, a lot of other monsters are just interesting creatures, but they don't hold the grief of a nation," Hill said, referring to the US nuclear bomb attacks against Hiroshima and Nagasaki in World War II. At the pop culture watering hole in San Diego, people lined up to shoot pictures and video with an image of Godzilla, which was also the theme of a panel discussion on Friday that featured Shinji Higuchi, who co-directed a reboot in 2016 called "Shin Godzilla." The movie franchise includes nearly 40 films and has spawned hundreds of animated productions about the monster as well as TV series and graphic work. - 'Rooting for him' - On Saturday the writers Ed Godziszewski and Steve Ryfle signed autographs of their book "Godzilla: The First 70 Years," which sold out at Comic-Con. "It's a rich history," Ryfle told AFP. "This is the longest running feature film franchise in cinematic history that's focused on a single, continuous character. It's been around longer than James Bond." He said the key to its longevity is that Godzilla has evolved over time but stayed faithful to its origins. "Godzilla has been serious, it's been scary, it's been heroic, it's been funny. But at the same time this is a movie character that's rooted in something that's very real," Ryfle said. "And that's the trauma that Japan experienced, both during World War II, and also the trauma of the aftermath of World War II, the aftermath of Hiroshima and Nagasaki," he added. He said Honda, who directed the first Godzilla movie, was a veteran who used the film to send a message against war and in particular against nuclear weapons. Michelle Pena, a Godzilla fan who waited in line to get the autograph of the two writers, said part of the monster's charm is how it has changed over the years. "Good, bad, hero, anti-hero, you know. And I like that," she said. "He's not, like, lovable," she added. "He's a big dinosaur-looking thing, you know. He's scary. But, like, you really, really find yourself rooting for him." © 2025 AFP
France 24
4 days ago
- France 24
National Ballet of Japan to make UK debut
In 2022, the Opera House called off the internationally renowned Moscow-based company's tour and proposed instead to open up their prestigious stage to the Japanese dancers. Founded in 1997, Japan's resident ballet company will perform in London for the first time from Thursday to Sunday. It will perform a production of Giselle, a classic romantic ballet which first premiered in 1841. The production is led by artistic director of the National Ballet of Japan Miyako Yoshida, 59, who was the first Japanese principal dancer at the British ballet institution between 1995 and 2010. Eleven Japanese dancers, including three principal dancers, now perform at the Royal Opera House and make up around 10 percent of the company. Returning to the prestigious stage was not only "a dream coming true," but also a lot of "pressure", Yoshida told AFP. When the Bolshoi's tour was cancelled, director of the Royal Ballet Kevin O'Hare approached his ex-classmate Yoshida to discuss bringing her company to London as a replacement. Aiming for accessibility The ex-ballerina "never imagined" it would happen "this quickly", and recalled that scheduling and funding issues had slowed the plans. The chance to perform came "too soon," she said. She admitted that the Japanese company, which even though it boasts its capacity to dance a wide repertoire, was perhaps not quite ready to replace one of the oldest and most prestigious ballet companies in the world. The young company put on productions in the US in 2008, and at the Bolshoi Theatre the following year, but this is the first time it will perform a classic Western ballet in Europe. "I tried to make it more easy to understand," said Yoshida, explaining that "young people" would not be interested in the ballet "if it was very old-fashioned". She wanted to capture the essence of the romantic ballet, which tells a story of forbidden love. Supported by choreographer Alistair Marriott, Yoshida hoped the production would distinguish itself with its pared-back simplicity. For Yoshida, the five London performances aim to "make the National Ballet of Japan known around the world" and enable its 75 dancers to evolve with other companies from Europe and beyond. "I want to make the company known worldwide," she said. © 2025 AFP
France 24
6 days ago
- France 24
What's at stake in French Foreign Minister's visit in Kyiv?
04:52 21/07/2025 South Syria faces uncertain calm after deadly clashes that killed over 1,100 21/07/2025 Japan PM Ishiba vows to stay on after bruising election defeat 21/07/2025 Ecuador's biggest drug lord 'Fito' extradited to US 21/07/2025 D-Day veteran and TikTok star 'Papa Jake' Larson dies at 102 21/07/2025 Storms hit southern China mainland in wake of Typhoon Wipha 21/07/2025 Gaza civil defence says Israeli fire kills 93 aid seekers 21/07/2025 A million people sign French petition against bringing back bee-killing pesticide 20/07/2025 Astronomer CEO announces resignation after viral kiss cam video at Coldplay concert Americas
