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Hailey Bieber Just Reacted to Justin Kissing SZA's Hand on Stage as Fans Claim He ‘Humiliated' His Wife

Hailey Bieber Just Reacted to Justin Kissing SZA's Hand on Stage as Fans Claim He ‘Humiliated' His Wife

Yahoo2 days ago

Rumors have swirled about the state of Hailey Bieber and Justin Bieber's marriage lately. It's gotten to the point where the Rhode founder has even addressed it herself, with Bieber opening up to Vogue about her experiences with Post Partum Depression after giving birth to Jack Blues, and dealing with the rumors about her marriage to Justin Bieber.
'Being postpartum is the most sensitive time I've ever gone through in my life, and learning a new version of myself is very difficult,' she told the fashion magazine. 'And to be doing that all the while going on the internet every day and people being like, 'They're getting divorced' and 'They're this' and 'They're not happy,' it is such a mindf—-. I cannot even begin to explain it. It's a crazy life to live.'
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However, Bieber's assurances aside, there continues to be speculation about her life and the state of her marriage. In fact, social media has recently been flooded with fans coming to Hailey Bieber's defense and calling out Justin's behavior towards his wife, specifically pointing out ways in which he 'humiliates' her. And it all got worse after Justin Bieber made a surprise appearance at SZA's show at SoFi Stadium to perform a duet to their 2022 single 'Snooze,' with people calling out both SZA and Bieber for that moment. 'Justin humiliates hailey like 40 times this month but its sza fault apparently,' one fan wrote. When SZA liked a video that criticized the Biebers' relationship, another fan wrote, 'Sza YOU WEIRD AF.'
Hailey Bieber's response? She shared a video of SZA holding Justin Bieber's face before he kisses her hand multiple times and dances with her, captioning the Instagram Stories clip with five holding back tears emojis and a smiley face with hearts. Not just that, she also wrote on another video of the performance by the two, 'My 2 favorite artists.'
So, it seems like there's truly no trouble in paradise, despite the rumors. A performance is just that, a performance, and Hailey Bieber seems to be very clear about not just, but about where she stands in her marriage.
'It's not real,' Hailey recently told Vogue about the rumors. 'And that's the thing: I have a real life. My real life is that I get to wake up to my beautiful family and my son and my friends and I have people that know me and love me and I love them.'
This comes after reports that Hailey Bieber's friends Kendall and Kylie Jenner had tried to stage an intervention because they're worried about not just the state of her marriage, but Justin Bieber himself. 'Kendall's been desperately trying to persuade Hailey to get a group of their close friends together to do an intervention for Justin,' sources said. 'She wants to help their marriage.'
However, Hailey Bieber is choosing to ignore the noise. 'I've been in a position where I've tried to tell my side of a story or correct a narrative or tell the truth of a lie and then they go, Well, she's lying. Imagine how trapping that feels,' she also told Vogue, adding that this is something she'd learned from her husband. 'He's been doing this literally since he was a child and he has had to face the most scrutiny of any person that I know. He was like, 'Baby, trust me, I've been here before many, many times. You're not going to win. There is no winning.' '
No drama here, apparently. Not that fans are convinced.
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E.l.f. Soars After $1 Billion Pow(d)er Move to buy Hailey Bieber's Rhode
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Yahoo

time3 hours ago

  • Yahoo

E.l.f. Soars After $1 Billion Pow(d)er Move to buy Hailey Bieber's Rhode

Haley Bieber has the face that launched a thousand beauty trends — from latte makeup to glazed donut skin and other looks that sound like they're straight off a Starbucks menu. A few years ago, Bieber began using her star power for her own brand, Rhode. E.l.f. Beauty's stock jumped 24% yesterday after the company announced it would acquire Bieber's skincare and makeup startup in a $1 billion deal consisting of $600 million in cash and $200 million in shares, plus a potential $200 million results-based bonus to sweeten the pot. READ ALSO: Shrinking GDP Shows Tariffs' Impact as Courts Scrutinize Their Legality and Omada Health Preps to Go Public as IPO Market Revives At less than three years old and with just 10 products, Rhode is a rocket ship. It garnered $212 million in net sales last year and doubled its customers. Sephora said last week it would start carrying Rhode at stores in the US, UK, and Canada. Rhode is E.l.f.'s biggest acquisition so far as it looks to push beyond budget buyers: Both E.l.f. and Rhode are favorite brands among Gen Z TikTokers. But while E.l.f. goes viral for budget-friendly 'dupes,' like a Dior-ivative $8 lip oil, Rhode sells premium products, like a $40 lip peptide treatment. E.l.f. could capture more of the market by buying Rhode, hoping that customers concerned about the economy will either trade down to buy its namesake line or splurge on the high end. While E.l.f. beat analysts' sales and profit estimates last quarter, the company told investors earlier this year that it's seeing cooling demand across the beauty market. Last week, E.l.f. said it'll have to raise prices by $1 (a big jump for $3 eyeliner) to offset tariffs in China, where 75% of its products are made. Time for a Touch-up. As Big Beauty braces for tariffs, smaller brands like Rhode are proving resilient. Dealmaking has sputtered since the years around 2020, when brands like Deciem/The Ordinary and Kylie Cosmetics were scooped up. But E.l.f.'s buy could inspire more deals in the sector — a new wave of celeb-backed beauty brands could be attractive buys (or go public), including Selena Gomez's Rare Beauty and Emily Weiss's Glossier. Tapping brands that come with built-in fan bases could protect beauty's biggest companies. This post first appeared on The Daily Upside. To receive delivering razor sharp analysis and perspective on all things finance, economics, and markets, subscribe to our free The Daily Upside newsletter. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data

Review: Kendrick Lamar, SZA bring ‘Grand National Tour' to SF
Review: Kendrick Lamar, SZA bring ‘Grand National Tour' to SF

Yahoo

time10 hours ago

  • Yahoo

Review: Kendrick Lamar, SZA bring ‘Grand National Tour' to SF

(KRON) – Kendrick Lamar and SZA gave Oracle Park a performance so electrifying San Franciscans didn't cringe when the headliners referred to the city as 'San Fran'– multiple times. The duo brought their 'Grand National Tour' to SF on Thursday night. Switching off sets, K. Dot (Lamar) and the songstress gave a great balance of both catalogs. The show commenced with a video of the artists on a 1987 Buick GNX, followed by the first track of Lamar's latest album 'GNX' 'Wacced out Murals.' Much of the audience wasn't as familiar with Lamar's records that were not distributed on the radio, but knew most of the lyrics to Mr. Morale's latest album. A Salt Lake City resident told that he and his wife were watching this year's Super Bowl Halftime Show and said, 'We have to see this guy.' The stage artwork and visuals for both artists were intricate and detailed. From hilarious skits of being interviewed with questions about their biggest personal and professional criticisms, to home videos dating back more than 30 years and a glimpse of Mr. Morale's hometown, the visuals were intimate, but told a story. Shakira, Jason Aldean concerts canceled at Boston's Fenway Park over 'structural' issue Despite both SZA and Lamar having completely different album concepts, the overlap of the skits was coherent. The best word to describe SZA's stage set and performance was whimsical. The stage was decked with plants, bugs and fairies. She even straddled a giant fake bug while singing. The songstress performed one of former President Barack Obama's favorite melodies, 'Broken Clocks,' along with her Grammy Award-winning duet with Doja Cat, 'Kiss Me More,' and many more of her hits. 'This arena feels different,' SZA said to the viewers, '… Or is it that San Fran feels different?' The question made the audience cheer louder. The audience's memories quickly transformed from memories of being scorned into thoughts of being madly in love as SZA switched ballads from 'Kill Bill' to 'Snooze.' Her 2022 'SOS' album returned to No. 1 on the Billboard 200 albums chart this year, reigning for 13 weeks. Fellow Los Angeles native DJ Mustard joined Lamar on stage for 'TV Off,' where the crowd roared, 'Mustard,' which was almost louder than spectators singing 'a minor' from 'Not Like Us.' Even though the crowd was loudest at those moments, the highlight of the night was the duo performing 'All the Stars.' Fans from atop beamed their lights in unison, illuminating the ballpark. The second-to-last performed song, 'Luther,' was just dethroned as the top song on Billboard, but it hogged the top spot for 13 weeks. 'Gloria' was the final song of the night. The show closed with the two getting back in the boxed old-school Buick and saying goodbye to San Francisco. Las Vegas is the next stop of the tour on Saturday, May 31. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Review: Kendrick Lamar and SZA deliver a West Coast spectacle at Oracle Park
Review: Kendrick Lamar and SZA deliver a West Coast spectacle at Oracle Park

San Francisco Chronicle​

time10 hours ago

  • San Francisco Chronicle​

Review: Kendrick Lamar and SZA deliver a West Coast spectacle at Oracle Park

Surveying a sea of 40,000 people gathered at Oracle Park, rap bellwether Kendrick Lamar felt right at home. 'We're back on the West Coast, my home,' Lamar proclaimed. 'We came to the bay to turn this motherf—er all the way up.' By the end of the nearly three-hour show on Thursday, May 29, he and his tour mates SZA and DJ Mustard made good on the proclamation through a multisensory concert that demonstrated the power of Black creativity, perseverance, beauty and love through art, choreography, music and message. Like the Pacific Ocean that served as a natural backdrop, it was an evening of contrasts that came in waves, at times churning and relentless, and other times peaceful and restorative. A vintage Buick Grand National car served as a symbol of West Coast car culture that would anchor the show. DJ Mustard warmed up a crowd with a fun set that mixed regional rap bangers with Bay Area classics by E-40, Mac Dre and Too Short. He even dropped 2010s-era pop like 'Party in the U.S.A.' and 'We Are Young,' which were met with lusty sing-alongs. Lamar and SZA split their stage time into separate and collaborative mini sets. The tag-team format allowed for a musical and aesthetic reset where Lamar's prowling alpha would give way to SZA's divine feminine omega and vice versa. It was a sumptuous 10-course meal that, with their deep pantry of hits, whetted the appetite for what came next. When the two joined forces on duets '30 for 30,' 'Doves in the Wind,' they evoked the soulful intimate chemistry of Marvin Gaye and Tammi Terrell for this generation. During their collaborative hit 'All the Stars' from the 'Black Panther' soundtrack, phone lights radiated around the stadium, a spontaneous moment that combined with the audience singing along raised goose bumps. SZA's set was visually and emotionally compelling, with her exploration and embodiment of the Black female experience through a metaphor of Mother Earth. During 'Garden (Say It Like Dat),' SZA traded in the Buick ride for a giant ant. Dancers dressed as praying mantises clicked across the stage like Cirque du SZA. For 'Kill Bill,' she executed (heh) the hit while footage of a mantis mating ritual where the female devours the male played on the big screen. If SZA's goal was to shake the 'just an R&B singer' tag, she accomplished that. She showed her vocal versatility and command of hard rock, indie folk and pop. On 'F2F,' she was accompanied by a guitarist and bassist to head bang and shred alongside her. 'Scorsese Baby Daddy' gave off 'Til Tuesday vibes. A metamorphosis took place, literally, when she strapped on butterfly wings to perform the folk-inflected 'Nobody Gets Me.' Given the state of the world, where atrocities and outrage keeps building, Lamar's sets served as a much-needed release valve. Energy levels spiked during songs like 'Alright' and 'DNA,' which took on fresh meanings in the current political climate. So many rappers have diluted the art of MCing by letting a prerecorded vocal track do the heavy lifting in a live setting. Not in Lamar's case, whose genuine voice boomed out the speaker for the entire show. 'Dodger Blue' combined pinpoint choreography in a setting that, to this reviewer, reframed 'The Last Supper' as a Compton high school cafeteria table. Lamar glided across it and rapped while seated dancers performed mesmerizing handwork. Songs from Lamar's 2012 breakout 'Good Kid, M.A.A.D City' were given makeovers. 'M.A.A.D City' was remade into a quiet storm track complete with Anita Baker 'Sweet Love' backdrop. 'Poetic Justice' was accentuated with hard snares and was conspicuously missing the Drake verse. So let's talk about Drake, the Canadian elephant not in the room. Between songs, deposition-style videos played on the big screen of Lamar and SZA in the hot seat, enduring a battery of questions from a hidden interrogator. The prosecution's identity wasn't revealed, but fans knew. When the lawyer asked if allusions to violence in his songs should be taken as a threat, Lamar shot back, 'Whatever you want to take it.' While Lamar, SZA and DJ Mustard were on the marquee, Drake's aura hung in the stadium air like a pretty piñata waiting to get crushed. The most bloodthirsty pops of the night came during Lamar's performances of feud tracks 'Euphoria' and 'Not Like Us,' the latter which morphed from a Drake exposé to a West Coast anthem to a worldwide dance challenge. At Oracle, fans extended the 'A minorrrrr' line into next week, letting the candies rain. Though they shared the spotlight, Lamar and SZA traveled distinct pathways across 53 songs. After putting the show to bed with the calming 'Luther' and 'Gloria,' from Lamar's latest album 'GNX,' the duo climbed into the Buick and disappeared under Oracle Park, on to the next episode. Act I: Kendrick Lamar Act II: SZA '30 for 30' (with Kendrick Lamar) 'What Do I Do' 'Love Galore' 'Broken Clocks' 'The Weekend' Act III: Kendrick Lamar 'Euphoria' 'Hey Now' 'Reincarnated' 'Humble' 'Backseat Freestyle' 'Family Ties' 'Swimming Pools (Drank)' (shortened, a cappella) 'M.A.A.D City' (shortened) 'Alright' 'Man at the Garden' Act IV: SZA 'Scorsese Baby Daddy' 'F2F' 'Garden (Say It Like Dat)' 'Kitchen' 'Blind' 'Consideration' (Rihanna cover) 'Low' Act V: Kendrick Lamar & SZA 'Doves in the Wind' 'All the Stars' 'Love' Act VI: Kendrick Lamar 'Dodger Blue' 'Peekaboo' 'Like That' 'DNA' 'Good Credit' 'Count Me Out'/'Bitch, Don't Kill My Vibe' 'Money Trees' 'Poetic Justice' Act VII: SZA 'I Hate U' 'Shirt' 'Kill Bill' 'Snooze' 'Crybaby' 'Nobody Gets Me' 'Good Days' 'Rich Baby Daddy' 'BMF' 'Kiss Me More' Act VIII: Kendrick Lamar 'N95' 'TV Off' (Part II) 'Not Like Us' Act IX: Kendrick Lamar & SZA 'Luther' 'Gloria' Todd Inoue is a freelance writer.

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