Glasgow spot teases news after being voted best pizza in Scotland
The popular spot told customers: "Best Pizza in Scotland in 2025.
"We are so grateful to everyone who voted for us, we feel so much love.
"Thank you to our Civ's family for making it possible.
"Watch this space."
READ NEXT: 'Looks amazing': New Rangers bar honouring club icon reveals 'legends' menu
The Glasgow favourite was among several other to win at the annual Deliveroo Awards, announced at the end of May.
Smokey Trotters on London Road was crowned Best Burger and American and Maki and Ramen, with several city centre locations, won the Best Japanese category.
Buck's Bar - with three restaurants in the city - took home the title of Best Chicken.
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Spectator
5 hours ago
- Spectator
And now let's bomb Glastonbury
A small yield nuclear weapon, such as the American W89, dropped on Glastonbury in late June would immediately remove from our country almost everybody who is hugely annoying. You would see a marked reduction in the keffiyeh klan, for a start, and all those middle-class Extinction Rebellion protestors would find, in a nanosecond, that their rebellion was pointless, because extinction had arrived even more summarily than they expected. Go on, glue yourselves to that, Poppy and Oliver. Street drummers, liberal politicians, provo vegans, radical rappers, spiritual healers, Billy Bragg, that bloke who owns Forest Green Rovers, druggies, tattooed blue-haired hags, almost the entirety of middle-class London – all evaporated. I am not saying that we should do this, of course – it would be a horrible, psychopathic thing to do. I am merely hypothesising, in a slightly wistful kinda way. One on Glasto, one on Brighton, and the UK would soon begin its recovery, with only a few chunks of gently glowing cobalt 60 left to remind us of what we are missing. One on Glasto, one on Brighton, and the UK would soon begin its recovery The BBC would cease to exist, too. It identifies Glastonbury as an expression of the UK 'coming together', which shows you how much it understands about the country. It has poured millions of pounds of licence-payers' money into its coverage, and 400 staff were there last weekend, including the director-general, Tim Davie. Or at least 400 staff were actually working there – I'll bet another 400 or so were there in their little tents, desperate to surf the vibe or whatever the phrase is. All those people, then, and they still couldn't get it right. Nor should we take seriously their claims that pulling the ridiculous Bob Vylan from air would not be anywhere near as simple as flicking a switch. It is every bit as simple as flicking a switch, in that all they had to do was flick a switch. They had rafts of presenters who could have filled the time, plus cameras at every other stage in the festival site. All it needed was someone with the merest vestige of sentience to make the decision – but, then, this is the BBC we are talking about. Whoever was in charge of output at that moment – almost certainly someone called 'Johnny' or 'Ayesha' – probably just thought the stuff about the IDF was 'top bants'. In truth, I am not much worked up about the Bob Vylan (or Kneecap) stuff, per se. They were only doing what an endless list of hip young musicians have done at every summer festival going all the way back to Country Joe McDonald and 'one-two-three-four what are we fighting for?' – i.e., channelling infantile far-left agitprop devoid of nuance and context to an audience of gullible drongos. The difference is that the BBC decided to cover it, thinking – as it unquestionably does – that the majority of the country would be cheerfully humming along with Bob Vylan's tuneful music and are entirely down with the sentiments expressed. That is the BBC's real crime. It is worth a brief digression here on the nature of protest songs, of rock musicians playing politics and whether they have an effect or not. The BBC would argue that they do have an effect, that they tap into a perhaps previously unexpressed sentiment among the wider public and hence herald great change. Au contraire. In the mid- to late-1960s, the more protest songs and festival chants there were, the further to the right swung the rest of the electorate. As evidence, I would point you in the direction of Richard Nixon's comprehensive victory in 1968 and then, after Country Joe had done his stuff at Woodstock, a landslide in 1972. They all seriously believed McGovern was going to win that one, so wrapped up inside their radical bubble were they all (including the broadcasters). All those youthful protests of the 1960s resulted in surprise victories for the right at the polls a few years later – in the UK with Ted Heath in 1970, in France with an unexpected win for Pompidou in 1969, and of course the USA. The more fervently they insist that they are right, the more likely it is that the rest of the country will tell them to get stuffed. I suppose it is possible that Bob Vylan will do for Tim Davie, the DG – although he is the least of the corporation's problems, frankly. He knows he has a workforce which, in its arrogance, subscribes to a set of political beliefs unshared by the people who pay for its existence. And it is so endemic that there is nothing he can do about it. One little thing I noticed: the BBC News dutifully covered the Bob Vylan debacle and did so even handedly. But on every single occasion, on radio and TV, the story was immediately followed by a report of Israeli 'atrocities' in Gaza. Every single time. Do you think that is an accident? There was a programme on BBC Radio 4 on Monday, as part of the 'Currently' series, about Louise Lancaster, an environmental protestor who was finally (on her fifth conviction) handed down a four-year sentence (later reduced to three years) for organising a protest which seriously inconvenienced hundreds of thousands of people. You would be hard-pressed to find a more egregiously biased example of broadcasting. Lancaster – a middle-class teacher from Grantchester – was portrayed as a kind of saint, suffering state persecution for her entirely valid beliefs. The Sun and Daily Mail were mentioned disparagingly and every action taken by Lancaster lauded. The BBC decided first to commission this rubbish and then put it out. Can you imagine it doing a similar piece about Lucy Connolly? Not a chance. That is the real problem with the BBC. It is utterly incapable of recognising the bias it displays every day on an hourly basis, no matter how often that bias is pointed out. Bob Vylan, frankly, is the least of it.
Spectator
5 hours ago
- Spectator
A book signing – or a mental breakdown?
The late John Updike once wrote an amusing article about signing books. This wasn't at some literary event with a few dozen fans queueing – no, it was vastly more daunting. An American book club had taken one of Updike's novels for its Book of the Month and asked him to sign 25,000 copies – guaranteed sales, of course, hard to refuse. They sweetened the pill by flying him to a Caribbean island for a couple of weeks and putting him up in a beachside bungalow. There, a team of assistants brought him 100 books at a time and he would sign away, three hours in the morning and three hours in the afternoon. Updike was very droll about the discombobulating effects of signing your own name thousands upon thousands of times. It became an almost existential crisis. His signature became illegible; he began to wonder who this person 'John Updike' was and what relation he had to the automaton signing his name day after day. I feel I know something of what he went through. My publishers asked me to sign 6,000 so-called tip-in pages for the hardback of my new novel, The Predicament, that would be inserted into the book for an exclusive signed edition. No Caribbean island, alas. I was ensconced in the book-strewn shambles that is my study and, pacing myself, I signed away for a few hours at a time every day over a week or so whenever I was free. But it's very strange, signing your name hundreds of times. Bizarre things happen. You suddenly forget how your surname is spelt. Your handwriting goes completely awry. I found that sometimes I was adding a mysterious 's' to 'Boyd'. Occasionally the whole signature simply broke down halfway in a smudged squiggle of ink. I looked at signed versions of my name and instead found unsought-for pseudonyms: Willa Royal, Niki Dowd, Ulla Berndt. At one particularly fraught moment I stared at what purported to be my signature and saw a shaky Quentin Blake-style cartoon of a two-headed fishy creature with elaborate tail fins. Deep breath, leave the room, have a cup of tea. Luckily the publishers add an extra 300 pages to account for these inevitable misfires. The whole job is now done. But after 6,000 pages signed, my signature – familiar, reliable, almost part of my being – now seems fragile, mutable, an unsure prototype where once it was so certain. I was in Aldeburgh, Suffolk, a few days ago for the world premiere of an opera – A Visit to Friends – that was opening the Aldeburgh music festival. The composer was Colin Matthews and I was the librettist – a first for me. I had been to many rehearsals in London but was unable to attend the orchestra rehearsals and dress rehearsal in the great concert hall at Snape Maltings. I hadn't seen the set or the singers in costume, so I found myself in the afternoon, waiting for the evening's performance, pacing the shingle beach in a state of some angst. In the end I needn't have worried. For me, the whole occasion was a joyous, uplifting experience. Fabulous production, wonderful singers, Colin's sensational music richly emotional and powerful. Somewhat to our astonishment, every opera critic in the land seemed to concur: a chorus of raves. But there were only two performances. This is the peril of opera commissions today – will your piece have any kind of life beyond its launch, however acclaimed? One lives in hope: ars longa, vita brevis is the consoling thought. I am about to head off to France for the summer clutching my new prized possession – a kind of credit card that will allow me to dispose of my household waste. In our département in south-west France there are no more rubbish collections. Instead you have to get rid of and recycle your rubbish in multicoloured roadside bins – called bornes in French. The trouble is that the borne for your household waste is locked and can only be unlocked by presenting this new card, tapping it on the card-reader. Getting it was like applying for a visa. You have to prove you actually occupy the house you have always occupied – signed declarations, utility bills under three months old, etc. I've lived in France for more than 30 years and am confessedly 'follement Francophile' but there's no doubt that La Vie en Rose can be very bureaucratic. My French bank has blocked me from having a cheque book because I can't provide all the various documents – the justificatifs – proving that my wife, Susan, is who she claims she is. I've had an account at the bank for three decades, always in credit. Desolé, the staff say with a shrug. Still, I have my magic card. I am now lawfully allowed and able to dispose of my rubbish. Small victories.
Daily Mirror
6 hours ago
- Daily Mirror
Taylor Swift 'bigger than Oasis' as Liam and Noel prepare for reunion tour
According to data, stateside songstress Taylor Swift is bigger than Oasis, with her Eras Tour being more popular than the band's UK comeback Don't look back in anger, Gallagher brothers. Taylor Swift is officially bigger than Oasis mania. The nod for the Swifties is real and comes as the Mancunian band prepares for its epic comeback. Oasis' reunion tour begins on Friday, with 17 sold-out nights across the UK, ready to transport Britpop fans back to the nineties. However, while excitement may be building ahead of the opening night in Cardiff, data has found that the American songstress still has the bigger pulling power. According to stats, TayTay's 2024 Eras Tour proved to be more popular than the upcoming Oasis gigs. Fans' total searches for Taylor Swift were one and a half times the number of views compared to Oasis. The findings were compiled by comparing ticket sales from the week of each respective act's general on-sale date. What song do you think Oasis will open their tour with? Take our poll below, and if you can't see it, click here And according to viagogo, they found that the Shake It Off songstress could have filled Wembley Stadium nine times more than Oasis based on global page views alone. Despite the findings, it's clear Britpop is back. The company said: "Over the past few years, Britpop and guitar music fans have been treated to a long-overdue revival with era-defining bands like Oasis, Blur, Pulp, Suede, The Charlatans and Travis returning to the spotlight. Whether it's new music, reunion tours or festival headline sets, these icons have reignited the sound of the '90s." Get Oasis updates straight to your WhatsApp! As the hotly anticipated Oasis reunion tour grows closer, the Mirror has launched its very own Oasis WhatsApp community where you'll get all the latest news on the Gallagher brothers and all the information you'll need in the run up to the gigs. We'll send you the latest breaking updates and exclusives all directly to your phone. Users must download or already have WhatsApp on their phones to join in. All you have to do to join is click on this link, select 'Join Chat' and you're in! We may also send you stories from other titles across the Reach group. We will also treat our community members to special offers, promotions, and adverts from us and our partners. If you don't like our community, you can check out any time you like. To leave our community click on the name at the top of your screen and choose Exit group. If you're curious, you can read our Privacy Notice. Ahead of the Oasis reunion getting under way, the band's set list is thought to have been revealed. Oasis have already arrived in Cardiff to put together the finishing touches on their show and fans nearby are saying they know the setlist. Earlier in the week, those close to the stadium heard Cigarettes and Alcohol blasting out of the stadium. They were also treated to hits, Some Might Say and F****n' In The Bushes. According to a fan on Reddit, the band are ready to play a lengthy 24 song setlist over two hours. The user said they had heard the rehearsal setlist. Giving fans a clue as to what may appear at the live shows, they claimed the setlist kicks off with an intro of F****n' in the Bushes, then Hello, Acquiesce, Morning Glory, followed by Some Might Say. As they carried on to spill the apparent set list, fans were loving the thought the rumoured lineup. However, one tune has apparently not made the cut and left fans disappointed. One user said: "Crazy there's no Columbia but little by little got my stoked." Another added: "No Columbia?" while a third commented: "I need to convince one of them of Columbia's importance." Oasis are set to take to the stage at 8.15pm this Friday, marking their long awaited comeback. They will play for just over two hours before their first comeback show ends at a 10.30pm curfew.
