'70s Rock Legends Fuel Reunion Rumors After Surprise Sighting

‘Gut feeling more important than social media likes', says festival promoter

Yahoo

an hour ago

Yahoo

‘Gut feeling more important than social media likes', says festival promoter

A leading music festival promoter has said 'gut feeling' is more than important than social media likes when booking headline acts. John Giddings, who has run the Isle of Wight Festival since it restarted in 2002, said performers need to be able to 'deliver' to a crowd and not just keep their attention on a phone screen. The 72-year-old, who represents artists ranging from Blondie to Phil Collins, told the PA news agency: 'It's gut feeling, really. I've learned the hard way in my years in the music business that some people might have sold a lot of records, but they're useless when it comes to performing. 'You want to book acts that have a catalogue that's going to entertain an audience for an hour, hour and a half, and, secondly, someone who's capable of performing to an audience of 50,000 people in a field, because they need to be able to project to entertain. 'When you look back on who we've had – Blur, Red Hot Chili Peppers, Paul McCartney, Bruce Springsteen, the (Rolling) Stones – they're all capable of delivering, even if it's pouring with rain, which it doesn't that much on the Isle of Wight, thank God. 'But you've got to be prepared for everything and it's quality of performance, really. 'I do know artists who've had a million views on TikTok who can't sell 300 tickets at a club in London. Just because all these people want to watch them on socials doesn't mean they're going to pay money to go and see them in a field.' Mr Giddings – who also manages through his Solo music agency touring shows for some of the world's biggest names such as Madonna, U2 and Beyonce – said that as well as classic acts, he needs to keep an eye on the breakthrough bands. He said: 'Because I'm older, we book acts from past, present and future, there's a discussion in the office as to what new bands are coming up, and you're projecting as to what they're going to be doing in the year's or nine months' time. 'I'll never forget when I booked The Darkness when they first started out, they were supporting someone at Brixton Academy, and I went down there, and I walked in, and Justin (Hawkins) was sitting on the shoulders of his roadie, walking through the audience, playing the lead solo. 'I thought, 'blimey, this is the music I grew up on', and then they came and played the Isle of Wight and blew everyone away.' Mr Giddings said he was always on the lookout for new acts, adding: 'If the truck driver comes up with a good idea and it's a better idea than mine, then go for it, you can't be that arrogant to just believe what you think yourself. 'We've got 15 stages on the Isle of Wight, so whatever stage you're at in your career, you can play one of those stages.' Mr Giddings said one of his highlights from the Isle of Wight Festival was Jay Z and added: 'I remember thinking 50,000 people couldn't go wilder, and then Kanye West walked on with them and it exploded, and I turned to my left, and there was Beyonce standing there – I thought 'It couldn't get better than this'.' Mr Giddings said that he remembered the classic Isle of Wight Festival of 1970, which saw 600,000 hippies descend on the island causing the event to be outlawed for 32 years, and added: 'I remember walking over the hill, it was like going to the Battle of the Somme and you could smell them before you saw them.' After 23 years of organising the Isle of Wight Festival, he said: 'I absolutely love it, which is my downfall because I work all the time, I never think I've actually had a job. 'There's nothing better than sitting in an office in Fulham in November and it's wet and windy outside, and you're imagining putting an act on in a field on the Isle of Wight in June, and then you see it nine months later and people are going wild to it. 'It's the most satisfying thing ever to provide entertainment for people.' The Isle of Wight Festival 2025, which is being headlined by Sting, Stereophonics and Justin Timberlake, runs from June 19 to 22 at Seaclose Park, Newport.

Bruce Springsteen's European tour comes with a warning about the battle for America's soul

Yahoo

an hour ago

Yahoo

Bruce Springsteen's European tour comes with a warning about the battle for America's soul

They know all about glory days on the Kop – the fabled terrace that is the spiritual home of fans of Liverpool – England's Premier League champions. But they're more used to legends like Kenny Dalglish or Mohamed Salah banging in goals than political cries for help. So, it was surreal to watch alongside thousands of middle-aged Brits as Bruce Springsteen bemoaned America's democracy crisis on hallowed footballing ground. 'The America that I love … a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent and treasonous' administration, Springsteen said at Anfield Stadium on Wednesday night. The Boss's latest warnings of authoritarianism on his European tour were impassioned and drew large cheers. But they did seem to go over the heads of some fans who don't live in the whirl of tension constantly rattling America's national psyche. Liverpudlians waited for decades for Springsteen to play the hometown of The Beatles, whose 'I Wanna Hold Your Hand' set his life's course when he heard it on the radio as a youngster in New Jersey. Most had a H-H-H-Hungry heart for a party. They got a hell of a show. But also, a lesson on US civics. 'Tonight, we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring!' Springsteen said. His European odyssey is unfolding as Western democracies are being shaken again by right-wing populism. So, his determination to engage with searing commentary therefore raises several questions. What is the role of artists in what Springsteen calls 'dangerous times?' Can they make a difference, or should stars of entertainment and sports avoid politics and stick to what they know? Fox News polemicist Laura Ingraham once told basketball icon LeBron James, for instance, that he should just 'shut up and dribble.' Springsteen's gritty paeans to steel towns and down-on-their-luck cities made him a working-class balladeer. But as blue-collar voters stampede to the right, does he really speak for them now? Then there's this issue that Springsteen emphatically tried to answer in Liverpool this week: Does the rough but noble America he's been mythologizing for 50 years even exist anymore? Trump certainly wants to bring the arts to heel – given his social media threats to 'highly overrated' Springsteen, Taylor Swift and other superstars and his takeover of the Kennedy Center in Washington. Any center of liberal and free thought from pop music to Ivy League universities is vulnerable to authoritarian impulses. But it's also true that celebrities often bore with their trendy political views, especially preaching at Hollywood awards ceremonies. Springsteen, however, has been penning social commentary for decades. And what's the point of rock 'n' roll if not rebellion? Rockers usually revolt in their wild-haired youth, rather than in their mid-70s, but desperate times call for desperate measures. Oddly, given their transatlantic dialogue of recent weeks, Trump and Springsteen mine the same political terrain – globalization's economic and spiritual hollowing of industrial heartlands. 'Now Main Street's whitewashed windows, And vacant stores, Seems like there ain't nobody, Wants to come down here no more,' Springsteen sang in 1984 in 'My Hometown' long before Trump set his sights on the Oval Office. The White House sometimes hits similar notes, though neither the Boss nor Trump would welcome the comparison. 'The main street in my small town, looks a heck of a lot worse than it probably did decades ago before I was alive,' Trump's press secretary Karoline Leavitt said rather less poetically in March. Political fault lines are also shifting. In the US and Europe, the working class is rejecting the politics of hope and optimism in dark times. And the Democratic politicians that Springsteen supported – like defeated 2004 nominee John Kerry, who borrowed Springsteen's 'No Surrender' as his campaign anthem, and former President Barack Obama – failed to mend industrial blight that acted as a catalyst to Trumpism. There are warning signs in England too. The Boss's UK tours often coincided with political hinge moments. In the 1970s he found synergy with the smoky industrial cities of the North. In his 'Born in the USA' period, he sided with miners clashing with Prime Minister Margaret Thatcher. A new BBC documentary revealed this week he gave $20,000 in the 1980s to a strikers' support group. Liverpool, a soulful, earthy city right out of the Springsteen oeuvre is a longtime Labour Party heartland. But in a recent by-election, Nigel Farage's populist, pro-Trump, Reform Party overturned a Labour majority of nearly 15,000 in Runcorn, a decayed industrial town, 15 miles upstream from Liverpool on the River Mersey. This stunner showed Labour's working class 'red wall' is in deep peril and could follow US states like Ohio in shifting to the right as workers reject progressives. Labour Cabinet Minister Lisa Nandy, whose Wigan constituency is nearby, warned in an interview with the New Statesman magazine this month that political tensions were reaching a breaking point in the North. 'People have watched their town centers falling apart, their life has got harder over the last decade and a half … I don't remember a time when people worked this hard and had so little to show for it,' Nandy said, painting a picture that will be familiar to many Americans. In another sign of a seismic shift in British politics last week, Reform came a close third in an unprecedented result in a parliamentary by-election in a one-time industrial heartland outside Glasgow. Scotland has so far been immune to the populist wave – but the times are changing. Still, there's not much evidence Trump or his populist cousins in the UK will meaningfully solve heartland pain. They've always been better at exploiting vulnerability than fixing it. And Trump's 'big, beautiful bill' would hurt the poor by cutting access to Medicaid and nutrition help while handing the wealthy big tax cuts. 'When conditions in a country are ripe for a demagogue, you can bet one will show up,' Springsteen told the crowd in Liverpool, introducing 'Rainmaker' a song about a conman who tells drought-afflicted farmers that 'white's black and black is white.' As the E Street Band struck up, Springsteen said: 'This is for America's dear leader.' Springsteen has his 'Land of Hope and Dreams.' But Trump has his new 'Golden Age.' He claims he can 'Make America Great Again' by attacking perceived bastions of liberal power like elite universities and the press, with mass deportations of undocumented immigrants and by challenging due process. Springsteen implicitly rejected this as un-American while in Liverpool, infusing extra meaning into the lyrics of 'Long Walk Home,' a song that predates Trump's first election win by a decade: 'Your flag flyin' over the courthouse, Means certain things are set in stone. Who we are, what we'll do and what we won't.' Sending fans into a cool summer night, the Boss pleaded with them not to give up on his country. 'The America I've sung to you about for 50 years now is real, and regardless of its many faults, is a great country with a great people and we will survive this moment,' he said. But his fight with Trump for America's soul will go on. The contrast would be driven home more sharply to Americans if he tours on US soil at this, the most overtly politicized phase of a half-century-long career. Perhaps in America's 250th birthday year in 2026?

Analysis: Bruce Springsteen and the battle for America's soul

CNN

an hour ago

CNN

Analysis: Bruce Springsteen and the battle for America's soul

They know all about glory days on the Kop – the fabled terrace that is the spiritual home of fans of Liverpool – England's Premier League champions. But they're more used to legends like Kenny Dalglish or Mohamed Salah banging in goals than political cries for help. So, it was surreal to watch alongside thousands of middle-aged Brits as Bruce Springsteen bemoaned America's democracy crisis on hallowed footballing ground. 'The America that I love … a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent and treasonous' administration, Springsteen said at Anfield Stadium on Wednesday night. The Boss's latest warnings of authoritarianism on his European tour were impassioned and drew large cheers. But they did seem to go over the heads of some fans who don't live in the whirl of tension constantly rattling America's national psyche. Liverpudlians waited for decades for Springsteen to play the hometown of The Beatles, whose 'I Wanna Hold Your Hand' set his life's course when he heard it on the radio as a youngster in New Jersey. Most had a H-H-H-Hungry heart for a party. They got a hell of a show. But also, a lesson on US civics. 'Tonight, we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring!' Springsteen said. His European odyssey is unfolding as Western democracies are being shaken again by right-wing populism. So, his determination to engage with searing commentary therefore raises several questions. What is the role of artists in what Springsteen calls 'dangerous times?' Can they make a difference, or should stars of entertainment and sports avoid politics and stick to what they know? Fox News polemicist Laura Ingraham once told basketball icon LeBron James, for instance, that he should just 'shut up and dribble.' Springsteen's gritty paeans to steel towns and down-on-their-luck cities made him a working-class balladeer. But as blue-collar voters stampede to the right, does he really speak for them now? Then there's this issue that Springsteen emphatically tried to answer in Liverpool this week: Does the rough but noble America he's been mythologizing for 50 years even exist anymore? Trump certainly wants to bring the arts to heel – given his social media threats to 'highly overrated' Springsteen, Taylor Swift and other superstars and his takeover of the Kennedy Center in Washington. Any center of liberal and free thought from pop music to Ivy League universities is vulnerable to authoritarian impulses. But it's also true that celebrities often bore with their trendy political views, especially preaching at Hollywood awards ceremonies. Springsteen, however, has been penning social commentary for decades. And what's the point of rock 'n' roll if not rebellion? Rockers usually revolt in their wild-haired youth, rather than in their mid-70s, but desperate times call for desperate measures. Oddly, given their transatlantic dialogue of recent weeks, Trump and Springsteen mine the same political terrain – globalization's economic and spiritual hollowing of industrial heartlands. 'Now Main Street's whitewashed windows, And vacant stores, Seems like there ain't nobody, Wants to come down here no more,' Springsteen sang in 1984 in 'My Hometown' long before Trump set his sights on the Oval Office. The White House sometimes hits similar notes, though neither the Boss nor Trump would welcome the comparison. 'The main street in my small town, looks a heck of a lot worse than it probably did decades ago before I was alive,' Trump's press secretary Karoline Leavitt said rather less poetically in March. Political fault lines are also shifting. In the US and Europe, the working class is rejecting the politics of hope and optimism in dark times. And the Democratic politicians that Springsteen supported – like defeated 2004 nominee John Kerry, who borrowed Springsteen's 'No Surrender' as his campaign anthem, and former President Barack Obama – failed to mend industrial blight that acted as a catalyst to Trumpism. There are warning signs in England too. The Boss's UK tours often coincided with political hinge moments. In the 1970s he found synergy with the smoky industrial cities of the North. In his 'Born in the USA' period, he sided with miners clashing with Prime Minister Margaret Thatcher. A new BBC documentary revealed this week he gave $20,000 in the 1980s to a strikers' support group. Liverpool, a soulful, earthy city right out of the Springsteen oeuvre is a longtime Labour Party heartland. But in a recent by-election, Nigel Farage's populist, pro-Trump, Reform Party overturned a Labour majority of nearly 15,000 in Runcorn, a decayed industrial town, 15 miles upstream from Liverpool on the River Mersey. This stunner showed Labour's working class 'red wall' is in deep peril and could follow US states like Ohio in shifting to the right as workers reject progressives. Labour Cabinet Minister Lisa Nandy, whose Wigan constituency is nearby, warned in an interview with the New Statesman magazine this month that political tensions were reaching a breaking point in the North. 'People have watched their town centers falling apart, their life has got harder over the last decade and a half … I don't remember a time when people worked this hard and had so little to show for it,' Nandy said, painting a picture that will be familiar to many Americans. In another sign of a seismic shift in British politics last week, Reform came a close third in an unprecedented result in a parliamentary by-election in a one-time industrial heartland outside Glasgow. Scotland has so far been immune to the populist wave – but the times are changing. Still, there's not much evidence Trump or his populist cousins in the UK will meaningfully solve heartland pain. They've always been better at exploiting vulnerability than fixing it. And Trump's 'big, beautiful bill' would hurt the poor by cutting access to Medicaid and nutrition help while handing the wealthy big tax cuts. 'When conditions in a country are ripe for a demagogue, you can bet one will show up,' Springsteen told the crowd in Liverpool, introducing 'Rainmaker' a song about a conman who tells drought-afflicted farmers that 'white's black and black is white.' As the E Street Band struck up, Springsteen said: 'This is for America's dear leader.' Springsteen has his 'Land of Hope and Dreams.' But Trump has his new 'Golden Age.' He claims he can 'Make America Great Again' by attacking perceived bastions of liberal power like elite universities and the press, with mass deportations of undocumented immigrants and by challenging due process. Springsteen implicitly rejected this as un-American while in Liverpool, infusing extra meaning into the lyrics of 'Long Walk Home,' a song that predates Trump's first election win by a decade: 'Your flag flyin' over the courthouse, Means certain things are set in stone. Who we are, what we'll do and what we won't.' Sending fans into a cool summer night, the Boss pleaded with them not to give up on his country. 'The America I've sung to you about for 50 years now is real, and regardless of its many faults, is a great country with a great people and we will survive this moment,' he said. But his fight with Trump for America's soul will go on. The contrast would be driven home more sharply to Americans if he tours on US soil at this, the most overtly politicized phase of a half-century-long career. Perhaps in America's 250th birthday year in 2026?

'70s Rock Legends Fuel Reunion Rumors After Surprise Sighting

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‘Gut feeling more important than social media likes', says festival promoter

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'70s Rock Legends Fuel Reunion Rumors After Surprise Sighting

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‘Gut feeling more important than social media likes', says festival promoter

Bruce Springsteen's European tour comes with a warning about the battle for America's soul

Analysis: Bruce Springsteen and the battle for America's soul

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