
Ramy Youssef's first animated series #1 Happy Family USA is a satire about post 9/11 America
Ramy Youssef will release his first animated series, #1 Happy Family USA, this April. Youssef tells The National: 'This is a premise I had wanted to see come to life for a long time". Co-created by Youssef and Pam Brady (South Park: Bigger, Longer and Uncut, Team America: World Police, Hamlet 2) and produced by British-Iraqi journalist and illustrator Mona Chalabi, the series was helmed by Youssef's own production company Cairo Cowboy, as well as A24 and Amazon MGM Studios. The eight-episode first season will be released on April 17 via Amazon Prime Video. Set in the early 2000s, the show follows the 'manically upbeat' Hussein family – 'the most patriotic, most peaceful and most-definitely-not-suspicious Muslim family in post 9/11 'Amreeka',' according to the official description. Youssef adds: 'It's set in the early 2000s, which is an exciting time to look at from this vantage point. Surprisingly, a lot of the same tensions exist. So it's been fun just looking at that era with 20 years of experience.' Youssef headlines the cast opposite Alia Shawkat (Arrested Development, Search Party). Youssef voices Rumi, described as a hopeful 12-year-old-boy with a big imagination and a desire to fit in. The comedian also takes the role of Hussein Hussein, the family's patriarch, a former cardiothoracic surgeon, who now runs a halal cart. Shawkat plays his older sister Mona, the family's "golden child". Also starring are rising comedian Salma Hindy, author Randa Jarrar, as well as comedian Akaash Singh, Chris Redd, Whitmer Thomas and Mandy Moore. Hindy plays the family's mother, Sharia, who is equally obsessed with being a good mum and solving the conspiracy around Princess Diana's death. Jarrar plays Grandma, a blunt, talk-show obsessed niqabi woman. The subject matter is something Youssef has explored in his own work before, including in his stand-up comedy specials and in the fourth episode of the series Ramy's first season. While the show was inspired by his existing comedic material, it has grown due to the input of his collaborators and their own experiences. 'Much of it is spilling over from my stand-up and my own inner stuff, but this is very much a comedy collective,' Youssef explains. 'For me, this cartoon is a great collection of people that I've been wanting to work with for the last few years coming together – some of my favourite emerging comedians and writers' fingerprints are on it.' Youssef notes that it was particularly exciting to work with Chalabi, who won a Pulitzer Prize in 2023 for her work with the New York Times. 'She's an amazing journalist and political cartoonist. And she very much has her own style, so this is modern political cartoon show that is really dope.' Youssef doesn't think the show compares to any animated series to date, saying: 'I just want it to be its own thing". The comedian is set to have a busy 2025. In addition to his coming cartoon, he co-wrote each episode of Mo season two, a series he co-created with Mo Amer, which released in January to great acclaim. He also has a show titled Golf, set to premiere on Netflix at an unannounced date, the first project under his current first-look deal with the streaming platform. Youssef will next perform comedy as part of a benefit event to support those affected by the Los Angeles fires on March 4. His latest comedy special, Ramy Youssef: More Feelings, was nominated for a Golden Globe in January.
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He didn't understand why all the other kids at his small-town school 75km outside of New York City were eating peanut butter and jelly sandwiches and he was having leftovers his mother had packed him of last night's eggplant parmigiana. But with each passing decade, he has increasingly immersed himself in his Italian heritage – and embracing even its flaws. And by focusing his journey on food, he has ended up learning more about the country's rich complexities than one might imagine. All of this is in service to understanding the country – and himself – better. 'I don't want to romanticise Italy. I think that's been done ad nauseam. I think it's not interesting and it's not truthful,' says Tucci. Tucci in Italy, his new National Geographic series broadcast weekly in the UAE and available to stream on Disney+, embraces what he feels is the true Italy. In the first episode, for example, he explores Tuscany, focusing specifically on dishes that were created by and for the working class. 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Instead, he wants the Tucci in Italy model to be repeated globally – starring figures who are looking to explore their roots, not modern-day adventurers looking to become the Indiana Jones of restaurants. 'I think it would be more interesting to have somebody like me explore those countries in the way that I've done it – and they need to have a connection to those countries. They need to speak the language, and they have to really, really appreciate the food – not just like to eat. 'They have to know food and be willing to explore and ask questions. It's not just about what's delicious – it's about understanding the passion of the people that make it.' The next season of Tucci in Italy may be the final food travel series for Tucci. 'I'm kind of tired,' he says. Tucci is grappling with the fact that, at 64, he's aging. And part of knowing himself now is about knowing how to navigate his limitations. He's doing that by focusing, once again, on food. 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Stanley Tucci has a lot of time to think, and he hates it. The American actor, 64, has spent the majority of his life making movies – Conclave, The Devil Wears Prada, The Hunger Games, to name a few – and as much as he loves acting, he laments the fact that he doesn't actually do all that much of it. 'Acting doesn't fulfil me as much as it used to,' Tucci tells The National. 'You're on these sets for 12 to 13 hours a day, and you may only act for 20 minutes of that time. I end up thinking, 'there's got to be a better way to do this! I just want to keep going and going – I'm very impatient. 'I get paid to wait. It's the acting I do for free. That's the way I feel, at this point.' The problem is, when you're sitting around all day, you're rarely learning something – even about yourself. It's a problem we all have – but he has lost patience with that disconnect. Which is why, over the last decade, Tucci has gone out into the world to learn more about who he really is – through travel and especially through food. 'I think we've gotten out of touch with ourselves physically,' Tucci explains. 'One of the reasons is we're all sitting in front of computers, or on our phones all the time – or myself, waiting on a set – and desk work is far more prominent than doing any kind of labour.' In Tucci's mind, it's all connected. By focusing more on what he eats, he's thought more about where it comes from – both the land, and the culture and traditions the land inspires. And by starting at the source, we see ourselves more clearly. 'Getting in touch with the land is so important. From the land comes our food, and then the food goes onto the table, and into us,' says Tucci. Growing up, Tucci was also quite disconnected from his roots. He didn't understand why all the other kids at his small-town school 75 km outside of New York City were eating peanut butter and jelly sandwiches and he was having leftovers his mother had packed him of last night's eggplant parmigiana. But with each passing decade, he has increasingly immersed himself in his Italian heritage – and embracing even its flaws. And by focusing his journey on food, he has ended up learning more about the country's rich complexities than one might imagine. All of this is in service to understanding the country – and himself – better. 'I don't want to romanticise Italy. I think that's been done ad nauseum. I think it's not interesting and it's not truthful,' says Tucci. Tucci in Italy, his new National Geographic series airing weekly in the UAE and available to stream on Disney+, embraces what he feels is the true Italy. In the first episode, for example, he explores Tuscany, focusing specifically on dishes that were created by and for the working class. First he tries lampredotto, the Florentine street food sandwich made from the fourth stomach of a cow. It's named after the eels that once inhabited the Arno river, and only the rich could afford. The tripe dish, then, was invented to imitate its flavours. But the story doesn't stop here. Tucci then finds another old peasant dish made with imitation tripe by those that couldn't even afford cow stomach. That one might even be his favourite. Politically speaking, there's a reason that he focuses on the lower class – at a time when, once again, immigrants and the poor are being scapegoated, both in Italy and in the United States. It's something his immigrant family likely went through once, too. 'I think particularly in today's climate, immigrants are vilified and wrongly so, because they have so much to bring to a culture. Millions of Italians once came over to America, and they were vilified to a certain extent. Also, I think that's something that Italian Americans have to remember, and Italians themselves should remember, too,' says Tucci. But as much as he's enjoyed diving into the unexplored corners of Italy for the series – with another season already shot and set to air next year – he's also adamant that his journey will stop there. While he wants to go deeper into his ancestral homeland, a project he started with the CNN series Stanley Tucci: Searching for Italy in 2021, he doesn't want to explore the rest of the world on camera. It's clear he doesn't want to be the next Anthony Bourdain – the late chef who grew internationally famous for his globetrotting food series Parts Unknown. 'I don't want to do different regions and different countries, because I don't think that would be appropriate. I don't have a connection to those countries,' Tucci explains. In fact, it sounds like Tucci doesn't think there should be another Anthony Bourdain at all. Instead, he wants the Tucci in Italy model to be repeated globally – starring figures who are looking to explore their roots, not modern-day adventurers looking to become the Indiana Jones of restaurants. 'I think it would be more interesting to have somebody like me explore those countries in the way that I've done it – and they need to have a connection to those countries. They need to speak the language, and they have to really, really appreciate the food – not just like to eat. 'They have to know food and be willing to explore and ask questions. It's not just about what's delicious – it's about understanding the passion of the people that make it.' In fact, the next season of Tucci in Italy may be the final food travel series for Tucci. 'I'm kind of tired,' he says. Tucci is grappling with the fact that, at 64, he's aging. And part of knowing himself now is about knowing how to navigate his limitations. He's doing that by focusing, once again, on food. 'As a person who's getting older, your body is changing all the time – meaning it's getting weaker all the time. You need to know what it is you need to strengthen yourself - to keep yourself strong. Otherwise I'll grow impatient with myself, too.'