
Meet 4 New Brunswick writers carving out a space of their own
New Brunswick has a deep treasure trove when it comes to writers. With the likes of Bliss Carman, Shirley Bear, and David Adams Richards, the soil seems rich for growing literary talent.
Here's a look at some New Brunswick writers working away at various stages of their careers, hoping to build a reputation of their own.
Gemma Marr: 'A magical place for creatives'
Gemma Marr has reviewed books for outlets such as Atlantic Books Today and the Miramichi Reader.
She's also an instructor at UNB in saint John and a co-ordinator at the Lorenzo Society, an arts and culture organization.
Marr got into creative writing in elementary school after a teacher really encouraged her class to write.
"I remember she asked us to write a story about whatever we wanted and, for some reason, I wrote a story about this abused dog, and she really enjoyed it and thought it was quite good and encouraged me to keep writing."
Marr has found a supportive community of writers in Saint John, which she describes as "a kind of magical place for creatives."
"I'm very lucky to have found a great group of people in the city who are writing and are extremely supportive."
For a while, writing brought her such uneasiness that she was unable to do it. Yet, she says, dedication is key.
" I try to write every day, even if it's only for 20 minutes. I really do try to sit down and pick away at something, whether that's on my computer or by hand or even in a Note app on my phone," Marr said.
"Just try to move something forward."
Rebecca Salazar: 'Weird rage scream of a book'
Rebecca Salazar is already a published author. She's has written three books of poetry, one of which, sulphurtongue, was shortlisted for the Governor General's Award for English-language poetry in 2021. Her new collection, antibody, will be released in March.
She works as an editor for The Fiddlehead and Plentitude, both literary journals, and is a PhD student at UNB Fredericton.
Salazar describes a ntibody, her new poetry collection that is about to be released, as "a weird rage scream of a book," dealing with the intersections of trauma and body horror.
She also started writing at a very young age.
"I think I was probably eight years old when I decided that being a bookworm was not enough, and I wanted to start writing as well."
She found a writing community in Fredericton through the university.
" When I came to New Brunswick, I came to study creative writing at UNB and met a lot more writers through that, got to know various different aspects of that community too… mainly through working with small magazines," Salazar said.
She worked with QWERTY magazine first , which is student run at UNB, and with The Fiddlehead as well, "which is larger and more established. It's just my involvement through that side of the publishing world that got me connected with writers all over the country and outside the country."
Salazar describes her writing process as messy. She tends to write fragments at a time and then find a thread with which to weave them together. As she works, she finds the trail.
"So just kind of like reshuffling all these fragments and recombining them until something comes out of it," she said.
"And there's always kind of a sense that there is something driving it, even if at first I don't know what it is. It kind of becomes clearer the more I play around with it."
Teresa Wu: 'Crying in calculus'
Teresa Wu, 17, winner of the 2024 Writers Federation of New Brunswick Sheree Fitch prize for young writers, for her story, Sunken Ship of Theseus.
Wu first got into writing as a "coping mechanism" when she began to write a journal in middle school to get her emotions out. It was only when a teacher in Grade 11 "forced" the students to enter writing competitions that she began to push herself, she said.
Wu said that one of her life goals is to publish a book but she is still just learning about the writing process and the literary industry.
At the moment, she said she doesn't time to write because of schoolwork and joked that she might write something titled 'Crying in Calculus.'
Because she is known as the writer in her friend group, her friends have developed a habit of writing her letters, which she loves.
Wu said that, as someone trying to pursue science, she has often received feedback that she should not focus on the arts:
"Most people don't see the relevance of my love for literature and my desire to write. And it's always been presented as a binary choice. It's either like become a writer or become a doctor. It's left or right, black or white," she said.
And she was inspired by the Paul Kalanithi book, When Breath Becomes Air.
"He's a neurosurgeon that wrote this very beautiful memoir/novel. And he really proved that people who study science can be equally fluent in art," Wu said.
"And I think that's something we all need to see. Like, we need to see the art in science and understand the science in art."
Casey Shelley: 'Rexwood Rings, YA Fantasy'
Casey Shelley is the award-winning author of the forthcoming novel, Rexwood Rings, is an elementary school teacher and has also worked as a copy editor.
Rexwood Rings is a young-adult fantasy novel which will be published by CSG Books, a small local publishing house, in April.
It tells the story of Landon Rexwood, an immortal who lives beneath the earth's surface, and his attempt to save the only world he knows.
Shelley says that she got into writing as a child but it slipped away as she grew up.
It was only in the past few years, after actively seeking out a writing community, that she got back into it.
She now writes daily and participates in several different writing groups in Saint John, including Write Now Saint John and Saint John Writes. She credits these groups with bringing her back into the writing world.
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Global News
2 hours ago
- Global News
Global streamers fight CRTC's rule requiring them to fund Canadian content
Some of the world's biggest streaming companies will argue in court on Monday that they shouldn't have to make CRTC-ordered financial contributions to Canadian content and news. The companies are fighting an order from the federal broadcast regulator that says they must pay five per cent of their annual Canadian revenues to funds devoted to producing Canadian content, including local TV news. The case, which consolidates several appeals by streamers, will be heard by the Federal Court of Appeal in Toronto. Apple, Amazon and Spotify are fighting the CRTC's 2024 order. Motion Picture Association-Canada, which represents such companies as Netflix and Paramount, is challenging a section of the CRTC's order requiring them to contribute to local news. In December, the court put a pause on the payments — estimated to be at least $1.25 million annually per company. Amazon, Apple and Spotify had argued that if they made the payments and then won the appeal and overturned the CRTC order, they wouldn't be able to recover the money. Story continues below advertisement In court documents, the streamers put forward a long list of arguments on why they shouldn't have to pay, including technical points regarding the CRTC's powers under the Broadcasting Act. Spotify argued that the contribution requirement amounts to a tax, which the CRTC doesn't have the authority to impose. The music streamer also took issue with the CRTC requiring the payments without first deciding how it will define Canadian content. Amazon argued the federal cabinet specified the CRTC's requirements have to be 'equitable.' It said the contribution requirement is 'inequitable because it applies only to foreign online undertakings and only to such undertakings with more than $25 million in annual Canadian broadcasting revenues.' Get daily National news Get the day's top news, political, economic, and current affairs headlines, delivered to your inbox once a day. Sign up for daily National newsletter Sign Up By providing your email address, you have read and agree to Global News' Terms and Conditions and Privacy Policy Apple also said the regulator 'acted prematurely' and argued the CRTC didn't consider whether the order was 'equitable.' It pointed out Apple is required to contribute five per cent, while radio stations must only pay 0.5 per cent — and streamers don't have the same access to the funds into which they pay. The CRTC imposes different rules on Canadian content contributions from traditional media players. It requires large English-language broadcasters to contribute 30 per cent of revenues to Canadian programming. Motion Picture Association—Canada is only challenging one aspect of the CRTC's order — the part requiring companies to contribute 1.5 per cent of revenues to a fund for local news on independent TV stations. Story continues below advertisement It said in court documents that none of the streamers 'has any connection to news production' and argued the CRTC doesn't have the authority to require them to fund news. 'What the CRTC did, erroneously, is purport to justify the … contribution simply on the basis that local news is important and local news operations provided by independent television stations are short of money,' it said. 'That is a reason why news should be funded by someone, but is devoid of any analysis, legal or factual, as to why it is equitable for foreign online undertakings to fund Canadian news production.' In its response, the Canadian Association of Broadcasters said the CRTC has wide authority under the Broadcasting Act. It argued streamers have contributed to the funding crisis facing local news. 'While the industry was once dominated by traditional television and radio services, those services are now in decline, as Canadians increasingly turn to online streaming services,' the broadcasters said. 'For decades, traditional broadcasting undertakings have supported the production of Canadian content through a complex array of CRTC-directed measures … By contrast, online undertakings have not been required to provide any financial support to the Canadian broadcasting system, despite operating here for well over a decade.' A submission from the federal government in defence of the CRTC argued the regulator was within its rights to order the payments. Story continues below advertisement 'The orders challenged in these proceedings … are a valid exercise of the Canadian Radio-television and Telecommunications Commission's regulatory powers. These orders seek to remedy the inequity that has resulted from the ascendance of online streaming giants like the Appellants,' the office of the attorney general said. 'Online undertakings have greatly profited from their access to Canadian audiences, without any corresponding obligation to make meaningful contributions supporting Canadian programming and creators — an obligation that has long been imposed on traditional domestic broadcasters.' The government said that if the streamers get their way, that would preserve 'an inequitable circumstance in which domestic broadcasters — operating in an industry under economic strain — shoulder a disproportionate regulatory burden.' 'This result would be plainly out of step with the policy aims of Parliament' and cabinet, it added. The court hearing comes as trade tensions between the U.S. and Canada have cast a shadow over the CRTC's attempts to regulate online streamers. The regulator launched a suite of proceedings and hearings as part of its implementation of the Online Streaming Act, legislation that in 2023 updated the Broadcasting Act to set up the CRTC to regulate streaming companies. In January, as U.S. President Donald Trump was inaugurated for his second term, groups representing U.S. businesses and big tech companies warned the CRTC that its efforts to modernize Canadian content rules could worsen trade relations and lead to retaliation. Story continues below advertisement Then, as the CRTC launched its hearing on modernizing the definition of Canadian content in May, Netflix, Paramount and Apple cancelled their individual appearances. While the companies didn't provide a reason, the move came shortly after Trump threatened to impose a tariff of up to 100 per cent on movies made outside the United States. Foreign streamers have long pointed to their existing spending in Canada in response to calls to bring them into the regulated system.


Japan Forward
13 hours ago
- Japan Forward
New Music Zine N.E.R.O. Launches June 19 with Shibuya Party and Three Cool Bands
When was the last time you picked up a really good music magazine? You know – a bound sheaf of pages filled with insightful interviews and striking photography of your favorite musicians? If you thought print was dead, now's your chance to witness the birth of a brand new zine: N.E.R.O. Chief Editor Yukiko Inoue is a veteran of the analog world. She began her career as a member of Flipper's Guitar, the seminal late-1980s/'90s Shibuya-kei band led by musicians Cornelius (Keigo Oyamada) and Kenji Ozawa. Later, in 2010, she founded the premium music magazine nero, whose pleasingly thick editions featured bilingual interviews with revered artists from Yoko Ono and Sean Lennon to Phoenix alongside a plethora of young up-and-comers. N.E.R.O. founder and Chief Editor Yukiko Inoue. Despite being an independent magazine, nero quickly attracted attention from music fans and fashionistas alike, with its glossy pages featuring exclusive shots from renowned photographers such as Ellen Von Unwerth and Autumn de Wilde. One issue even featured an exclusive cover illustration of French band Phoenix by artist Klaus Voorman, which referenced the cover artwork he made for the Beatles album Revolver in 1966. "I like print," says Inoue simply as we chat in a Shibuya cafe. "A lot of magazines have gone out of business over the years, and it has become tough, but I do believe that magazines, writing and photography will always remain. It's like fashion – the trends go round in circles." Borderless N.E.R.O. Now, Inoue is preparing to launch N.E.R.O., an English language publication made in Japan. It borrows from the aesthetics of fanzine culture to create bite-sized, carefully crafted issues themed around a different music artist each time. N.E.R.O. will launch with a party in Tokyo on June 19 that includes live performances from Melbourne band HighSchool, Paris-based Pol, and Tokyo's Luby Sparks. N.E.R.O. presents borderless night. The new zine's upcoming launch party will feature a live set by Melbourne band HighSchool. Inoue explains that N.E.R.O. was born from the ashes of her previous magazine nero, which faltered during the pandemic. "For various reasons, it felt like a good time to move on," she says. "I had some interviews already planned though, so I decided to find a new way to publish them, in a format that was more suited to the modern era. Magazines don't work the same way they used to, and a website didn't really appeal to me, as I am quite an analog person." With this in mind, Inoue settled on a zine format. While nero was presented as an aspirational magazine that made its bespoke photography look beautiful and timeless, N.E.R.O. will have a scrappier feel. It will be a series of zines devoted to one artist per issue, and readers can choose to buy just the ones they like or collect the whole set. Since each will have matching cover designs, they'll make a great collection. Countdown to the First/Last Issues Inoue is planning a set of around eight issues for this experimental first run – the first two of which feature interviews with HighSchool and POL. (Technically these are the last two issues, as they will count down backwards to zero, ending with an issue focused on Nick Knight.) Paris-based duo Pol will leave their first impression on Tokyo fans at the N.E.R.O. launch party in June. "In July, the next issues will be about Turnstile and Ca7riel & Paco Amoroso, who will be coming that month to play at the Fuji Rock Festival," says Inoue. "The great thing about doing separate issues about each band rather than one big magazine is that each issue can be timed to release when the band is in Japan, so fans can see their show and pick up the zine at the same time." The bands featured in N.E.R.O. are not exactly household names, as Inoue has a passion for discovering artists early in their career. Some of her discoveries have gone on to become relatively big, such as Sky Ferreira, The 1975 and Clairo. But more importantly, Inoue brings a sense of human curation that is essential in this digital world. The lineup for the June 19 launch event at Shibuya WWW is a great example of this approach, with three bands whose sound is individually unique yet who complement each other perfectly. If you like one of them, you'll probably like all three. Advertisement First Invites Melbourne band HighSchool "The first band I invited to join the party was HighSchool," explains Inoue. "They first came to play in Japan last year (2024), and I love their music and live performance. They have a nostalgic sound that reminds me of New Order and Joy Division, so I think they'll appeal to fans of that kind of music." HighSchool's bright guitar tones, downbeat vocal delivery and confessional lyrics recall classic British bands like The Smiths and New Order, while their live shows carry an intensity that is electrifying. Luby Sparks The next addition to the lineup was Luby Sparks, a Tokyo-based band. "I don't listen to much Japanese music, but I'm good friends with the band, and I thought they would be a good match for HighSchool," says Inoue. While Luby Sparks hail from Japan, their music homages the dreamier end of the '90s Britpop scale, underpinned with a US alternative-rock heart. The music video for their single One Last Girl featuring bedroom-wall posters of Echobelly alongside raunchier artists like Hole and Joan Jett, giving a clear indication of their influences. French band Pol Adding Goth and a Touch of France Deciding that inviting only one foreign band and one from Japan was not quite enough of a challenge, she added Pol to the lineup, flying them in from France. The band's music takes things a little further back to the '80s, with their guitar and synth combo drawing from the well of Gary Numan and the Human League. "Pol are not very well known in Japan yet, but they have a great visual style and their music has so much potential, especially since the type of new wave music they make is due a resurgence," says Inoue. Lillies and Remains vocalist Kent will perform a special DJ set. In addition, Kent, the vocalist from cult Japanese band Lillies and Remains, will also appear as a guest DJ, adding a ripple of Goth to the event. "There will be elements of guitar-pop and Goth, but it's all through the filter of just one person – me – so even if you don't know all the bands, I'm sure you'll enjoy it as an event," says Inoue. "People who love music and beautiful things, and people who want to meet likeminded people – give it a chance and come check out the show!" Advertisement Representing Asia's Music Scene The HighSchool and Pol issues of N.E.R.O. will be available to buy at the launch party. All the issues will also eventually be available to order online, with overseas delivery likely available too. Each issue will be published in English, with a foldout insert that includes Japanese translations. Melbourne band High School. Inoue writes the bilingual versions of her interviews with the help of a translator and an interpreter. For now, the majority of the musicians she interviews are from the West. However, she originally envisioned nero as a magazine that could represent Asia's music scene and which could be read in English around Asia and elsewhere around the world. Her new zine takes a similar approach, embracing a "borderless" concept. Inoue's selective approach means she is able to channel her passion for each artist into her interviews. In turn, that encourages them to open up. For example, in Volume 8 of nero magazine, Yoko Ono and Sean Lennon spoke in detail about personal topics such as their family dynamic, making for an unusually engaging article. Tokyo band Luby Sparks round out the bill at N.E.R.O.'s launch event. Inoue's Secret: Listening "I've been told that I'm like a counselor," she says. "With Sean Lennon, he was a fan of my magazine, and he offered to pay a photographer he liked (Greg Kadel) so we could do a cover shoot together. I don't know why, but music producers like Mark Ronson seem to connect with what I do as well, and they really open up to me. Maybe it's because I'm a good listener." As someone who has interviewed hundreds of creative people myself over the past couple of decades, I know how hard it is to build a rapport with someone in the few minutes before you hit record, and to have them forget their media training and speak from the heart. So I ask Inoue her tips for getting the best out of her interviewees. "The most important thing is to listen to their music over and over beforehand," she replies. "If you love their music, you'll have no problem finding questions to ask them, because you're naturally interested in what they have to say. "And then you have to listen carefully to their responses and follow up with deeper questions. If you do it with love, they can tell." Advertisement Interested in the June Event? N.E.R.O. presents borderless night takes place on June 19 at Shibuya WWW in Tokyo. It includes live performances from HighSchool, Pol & Luby Sparks. For tickets and further information about the show and the first issues of N.E.R.O., visit or RELATED: Interview by: Daniel Robson Read Daniel's artist interviews and his series Gamer's World on JAPAN Forward, and find him on X (formerly Twitter).


Cision Canada
3 days ago
- Cision Canada
SiriusXM Canada is Back for All 2025 CFL Games and New Exclusive Content
Entire 2025 season and the 112 th Grey Cup available to subscribers TORONTO, June 5, 2025 /CNW/ - SiriusXM Canada is proud to partner with The Canadian Football League (CFL) to deliver full coverage of the 2025 season to fans and subscribers on the country's leading audio entertainment platform. All 81 regular season games, four Grey Cup Playoff matchups, and the 112 th Grey Cup, live from Winnipeg on Sunday, November 16, will be available to listeners across North America. As the league's Official Satellite and Audio Streaming Partner, SiriusXM's Canada Talks (ch. 167) will continue to be the home of every regular season and postseason game, as well as the iconic Grey Cup championship, while French-language broadcasts of Montréal Alouettes games will air on Attitude Franco (ch. 163). In addition, SiriusXM is pleased to announce the following special programming and exclusive content that goes the extra yard: Inside the Game, hosted by Scott Laughlin, takes fans and listeners behind the scenes through interviews with top CFL players as they bring unique perspectives and in-depth insight into the biggest plays of the previous week, before previewing the upcoming slate of games. SiriusXM's Poplandia (ch. 754) on the SiriusXM app will be home to the "Players Pick-Six Playlist" for season kickoff. Hear players across the league share their top six tunes for gearing up to hit the field. This season's playlist includes top picks from Tyson Philpot, AJ Ouellette, Reggie Begelton, Damonte Coxie, Tyrell Ford, Brady Oliveira, Eugene Lewis, Christian Covington, and Bo Levi Mitchell, featuring songs from a variety of genres, including hits by Post Malone, Chris Stapleton, Lady Gaga, and many more. SiriusXM Cinematic Recaps, a fan favourite on social media, gives fans the opportunity to re-live some of the biggest moments in the CFL season on Instagram. Follow @siriusxmcanada and stay tuned for clips of the most exciting games, including the Labour Day Classic, the Playoffs and of course, the Grey Cup. Finally, the Diversity is Strength Conversations series, presented by Kyndryl and powered by SiriusXM, returns. Hosted by Donnovan Bennett and available on the SiriusXM app, Diversity is Strength Conversations unites football leaders and experts to discuss their perspectives and personal experiences, while exploring the future of the game within the league, throughout communities, across the country and around the world. May's Diversity is Strength Conversations episode celebrated Asian Heritage Month in Canada and featured TSN's John Lu and Abby Albino, Head of Business and Brand Strategy at Canada Basketball. The June episode will focus on Pride and the LGBTQ+ community's relationship to sports, featuring an interview with Maven Maurer, the first openly transgender former professional football player. The ongoing partnership also includes the SiriusXM Kickoff Show, which will set the stage for the 2025 edition of Canada's largest single-day sporting event – the 112 th Grey Cup. The Kickoff Show shines a spotlight on Canadian artists and sets the atmosphere for the day's festivities. Past performers have included Alessia Cara, The Beaches, The Reklaws, Steven Lee Olsen, JESSIA, Owen Riegling, Jamie Fine, and more. "We're proud to carry on our strong relationship with the CFL, delivering every thrilling moment to our subscribers—including the SiriusXM Grey Cup Kickoff Show at the season's biggest game," said Michelle Mearns, SVP of Programming & Operations. "From coast to coast, we keep fans connected to their favourite teams, and this year, we're excited to offer even more exclusive content." "We're thrilled to expand our collaboration with SiriusXM," said Tyler Keenan, Chief Revenue Officer of the CFL. "Fresh, engaging content brings fans closer to the action and fuels their passion for the league. CFL fans and SiriusXM listeners—get ready for another unforgettable season!" The Ottawa REDBLACKs will head west to Mosaic Stadium to face the Saskatchewan Roughriders on June 5 to officially open the 2025 season. The Montréal Alouettes will host the defending champion Toronto Argonauts on Friday Night Football on June 6. A Saturday doubleheader will see the Calgary Stampeders play host to the Hamilton Tiger-Cats, before the BC Lions take on the Edmonton Elks to close out Week 1. The CFL is part of SiriusXM's commitment to deliver comprehensive sports coverage from every major sport to its subscribers, including the NHL, NFL, NASCAR, MLB, NBA, PGA and more. SiriusXM Canada's complete regular season coverage of the CFL can be found here. ABOUT THE CANADIAN FOOTBALL LEAGUE Built on a foundation of more than 110 years of football tradition and history, the Canadian Football League features nine teams, millions of fans and a commitment to service to the community, as well as, elite sport. To stay up to date with CFL news, visit ABOUT SIRIUSXM CANADA Sirius XM Canada Inc., operating as SiriusXM Canada, is the country's leading audio entertainment company. SiriusXM creates and offers ad-free music; premier sports talk and live events; comedy; news; podcasts; and exclusive talk and entertainment. SiriusXM is available in vehicles from every major car company, as well as on smartphones and all connected devices on the SiriusXM app. For more information, visit Join SiriusXM Canada on Facebook, on X, on Instagram and on YouTube. SiriusXM radios and accessories are available from retailers nationwide and online at SiriusXM. In addition, SiriusXM Music for Business provides ad-free music to a variety of businesses. SiriusXM is also a leading provider of connected vehicles services, giving customers access to a suite of safety, security, and convenience services including automatic crash notification, stolen vehicle recovery assistance, enhanced roadside assistance and turn-by-turn navigation. SiriusXM Canada has been designated one of Canada's Best Managed Companies 16 years in a row and is currently a Platinum Club Member. SOURCE Sirius XM Canada Inc.