
News in Easy English: Osaka Expo mascot 'Myaku-Myaku' now popular with visitors
The mascot's name is "Myaku-Myaku." It is a mysterious character made of cells and water. Myaku-Myaku is everywhere at the event. There is even a special "Myaku-Myaku House" where people can meet a moving Myaku-Myaku.
At the Expo, there are also Myaku-Myaku designs on manhole covers, playgrounds, and statues, using its red and blue colors. No one knows exactly what Myaku-Myaku really is. Its form changes often, and right now it looks like a human. People like it because it is strange and interesting.
Inside Myaku-Myaku House, one visitor wrote, "I am sorry I first said you looked scary. I really like you now."
A 25-year-old Osaka woman said, "I didn't like the mascot at first. But when I saw it moving, I became a fan." Another visitor, 55, from Kobe said, "At first, I wasn't sure about it. But now I think it's cute. I'm not sure why!"
Many visitors now enjoy seeing Myaku-Myaku in person.
The Osaka Expo will continue for six months. Organizers think about 28 million people will visit. Myaku-Myaku likes meeting people. Maybe the mascot can bring even more visitors to the event.
(Japanese original by Takehiko Onishi, Osaka Photo and Video Department)
Vocabulary
mascot: a character or animal used to represent an event or group
mysterious: strange, hard to understand
cells: very small parts that all living things are made of
manhole cover: a round metal cover on roads that leads under the ground
organizer: a person or group that plans an event
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


SoraNews24
6 hours ago
- SoraNews24
This Japanese cafe for stuffed animals is a sweet day out for nuikatsu fans
Plushies are the VIP guests at this cafe, complete with tiny menus and mini desserts. Scrolling through your social media feed, you might stumble across an image of a beautiful vista that has a stuffed animal thrust into the frame. Searching further you might discover that the person who took that photo is sure to include their stuffed animal in every single shot from their vacation. This is just one example of the hobby nuikatsu, taken from nuigurumi (stuffed toy) and katsu (activity). The hobby isn't limited to travel photos at famous sightseeing spots, though. It's also about snapshots of partner plushies living their everyday lives to the fullest. A common activity is to go out for a simple meal together, showing off their plushie pals alongside delicious food and drink. For those who want to enjoy this aspect of the hobby to the fullest, there's wandering pop-up restaurant Little Lou's Cafe that has been making rounds in Tokyo; a dedicated nuikatsu cafe where you can enjoy tea and sweets with your little friend without needing to feel self-conscious about the gazes of non-nuikatsu fans. While we'd usually send one of our crack reporters to cover this intriguing location, we felt it deserved a more special treatment, given its targeted clientele, so please welcome our temporary reporter: Luu-chan. Luu-chan is a cat that has kept our Japanese-language reporter Mariko Ohanabatake company ever since she was 9 years old. Even to this day, they still share the same bed, so you know that the bond between them is both a strong and deep one, despite Mariko getting married and the family of stuffed animals increasing. ▼ Luu-chan has a great relationship with her friends. Dressing up in her favorite outfit, Luu-chan set out to explore this amazing cafe for plushies and their guardians. Arriving at the time of her reservation, she immediately noticed that the entrance had a photo spot opportunity, and couldn't resist striking a pose. Walking through the door, she was greeted by the fox manager and pastry chef, Lou-san. ▼ Luu-chan 'I've been looking forward to my first cafe visit!' Upon giving her name, she was directed to her seat, which had her own name written there. ▼ Luu-chan 'My name is here. Such amazing hospitality!' The cafe even provided a plushie-sized menu, while including an enlarged version for their guardians to peruse at the same time. It's such a warm and considerate establishment, where the guardians can feel like their plushies are truly valued. After all, they are important friends and family members. Looking through the menu, Luu-chan opted for the two sweets and one drink set for 2,300 yen (US$15.67), plus an extra 200 yen to upgrade to an ice cream float. Thinking about her beloved partner, Luu-chan selected Mariko's personal favorites of pudding, banana cake, and a melon soda float. When the plate arrived, Luu-chan was impressed once again. Not only did they include a guardian-sized portion for Mariko, but they were sure to add in a plushie-sized portion for herself, both of which were entirely edible. Sitting next to the melon soda float, Luu-chan looked down at her light green tutu and cherry-patterned bib, and remarked that she looked like a melon soda float fairy. Luu-chan was having a great time at the cafe, and was thrilled to be spending some valuable time with her guardian. Photos taken care of, she turned her attention to the food. She already rated them highly just based on the appearance, but the taste? Well, they were absolutely delicious. The firm pudding was especially amazing. The scent of egg and the gentle sweetness made them both reminisce on their time together as children. Fully immersed in a world full of kindness, cuteness, and deliciousness, the two of them couldn't wipe the smiles off of their faces. Being in such an atmosphere, it made striking up conversation with other patrons very easy. Another visitor was a rabbit named Nana-chan, who came all the way to Tokyo from the island of Shikoku with her guardian. Luu-chan could tell that they too had built a relationship full of love. They decided to take a commemorative photo together, to mark their meeting, creating a very special memory. Within the cafe, there also happened to be a little shop selling stuffed animal clothes and accessories, from tiny sizes to large. They even had a mirror just for the plushies, so they could check out how they looked. Luu-chan couldn't resist herself and tried on straw hats, sailor hats, and little purses. Everything was just too cute, but she eventually whittled the selection down to her favorite items and made her purchases. ▼ She chose a mint-colored sailor hat and a little pouch. She even decided to pick up some souvenirs for her friends waiting back at home. There was also an event where the guardians could write a message to their plush pals, which when folded form a bouquet. ▼ 'To Luu-chan, thank you for always being with me. From Mariko.' Finally, Luu-chan managed to squeeze in an interview with Lou-san, the fox patissier and creator of this wonderful cafe. Luu-chan: This cafe is so lovely. When did you start it? Lou: We started the stuffed animal cafe in 2022. Since it operates as a pop-up, it's only open a few days at a time, but recently we've been running it about two to three days a month. However, we can sometimes get so many reservations that we often have to use a lottery system to determine who can visit. Luu-chan: Wow, it's so popular! What's the hardest part about running a cafe for plushies? Lou: Due to the sweets being different sizes for the guests and their guardians, the molds and baking times are different, so that is probably the trickiest part. Luu-chan: How did you decide on the menu? Lou: The first thing I consider is whether I can make a version for plushies. As it is always their satisfaction that comes first, I always try to consider it from the perspective of other plushies when designing the menu. Luu-chan: That's the hallmark of a true plush patissier. Everything tasted amazing, and we were both completely satisfied. I'll definitely bring my friends along next time, too. As Luu-chan made her way back home, she couldn't help, but reflect on her life. When she and Mariko were younger, they would always go out together, but after Mariko left her behind once, the traumatic memory caused her to become a stay-at-home friend. So, for Luu-chan, this outing was very special for her, becoming an irreplaceable memory. In every photo, she's looking straight at the camera, posing perfectly, and radiating happiness. Luu-chan hopes that she and Mariko will continue to share beautiful memories together for many years to come. She also didn't forget to brag about her trip out to her friends when she got home. ▼ 'I went to a cafe!' Little Lou's Cafe is a pop-up store that opens irregularly, so if you and your beloved plushies want to visit, you will need to check out the next event dates on their social media accounts. However, it is reservation only, so unfortunately you can't walk in if you happen to pass by. The store will next open on August 12, 13 and 17 at Una Camera Livera in Tokyo. Even if you don't get a chance to visit the cafe, it shouldn't stop you from creating wonderful memories with your own childhood friends. Sure it might feel a little awkward at first, but remember that even the Japanese ambassador to the UK is getting in on the nuikatsu action, so you should relax and treasure the time you have with someone you have spent so many years loving deeply. Shop information Little Lou's Cafe Address and opening times are non-fixed. Refer to the shop's social media pages: Instagram; Twitter Reservations are open for a 24-hour period that will be announced on the Instagram page. Reservations for August are finished. Website Photos ©SoraNews24 ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter! [ Read in Japanese ]


SoraNews24
8 hours ago
- SoraNews24
Elegant ghostly Ghibli curtain captures the ungraspable form of No Face【Photos】
Clever design trick brings the Spirited Away star's otherworldly appearance into your real-world home. Spirited Away's No Face is one of the easiest characters to see through in any anime from Studio Ghibli. That might seem like an inaccurate description of a deeply complex figure who ends up as someone unimaginably different by the end of his character arc, but I'm not saying that No Face is thematically transparent, but that he's visually translucent. ▼ What's going on inside No Face is often obscured, but the stuff on the other side of him? Not all that hidden. This unique aspect of No Face's appearance can be hard to capture in plushies and figures, but the designers for Ghibli specialty shop Donguri Kyowakoku have come up with a clever way to preserve this ethereal aesthetic with a new No Face noren, a traditional Japanese doorway curtain. The curtain actually has a two-layer construction, and is made of a lacey material that allows a measure of light to pass through. That means that when the layers of fabric overlap, they still block enough light to function as curtains, but since No Face's features are only present on the front cloth, his silhouette appears indistinct and vaguely defined, just as it would to Chihiro and the other characters within the anime. The complete curtain measures 82 centimeters (32.3 inches) across and 90 centimeters in length. In classical Japanese interior design, noren can be used for both exterior and interior doorways, but Donguri Kyowakoku realizes that some fans might prefer to use this as a poster/wall scroll instead. Because of that, the noren comes with only a tiny cleft at its bottom, leaving it up to you as to how long a cut, if any, you want to make. The No Face Rainy Night Double-layer Noren is priced at 5,280 yen (US$36) and can be ordered through the Donguri Kyowakoku online store here. Source: Donguri Kyowakoku Top image: Donguri Kyowakoku Insert images: Studio Ghibli, Donguri Kyowakoku ● Want to hear about SoraNews24's latest articles as soon as they're published? Follow us on Facebook and Twitter!


The Mainichi
17 hours ago
- The Mainichi
Film sheds light on unsung nurse heroes of Nagasaki A-bombing
TOKYO (Kyodo) -- In the immediate aftermath of the 1945 U.S. atomic bombing of Nagasaki, Japanese medical teams put aside their own safety to aid in relief efforts and tend to the dying and horribly injured in a city turned to ash. As the 80th anniversary of the bombing approaches, the film "Nagasaki: In the Shadow of the Flash," directed by third-generation atomic bomb survivor Jumpei Matsumoto, seeks to highlight stories of unsung Japanese Red Cross nurses. The film follows three young nursing students who return home to Nagasaki from Osaka and briefly enjoy peaceful days with family and friends before their world is shattered by the U.S. "Fat Man" atomic bomb on August 9, 1945. Amid the ruins, the students attempt to treat the injured using limited medical supplies and makeshift clinics, confronting the harsh reality of losing far more than they can save. An estimated 74,000 people were killed by the Nagasaki bombing by the end of 1945. Many others suffered from radiation-related illnesses for decades. "I hope the film provides an opportunity for reflection," said Matsumoto, whose late grandfather was a "hibakusha," or atomic bomb survivor. "Especially now, when the threat of nuclear weapons and war seems to be rising again, and that people can reconsider these issues through the experiences of the people of Nagasaki." Matsumoto said that while his grandfather was active in peace organizations, he never spoke to his grandchildren about his experience, likely because it was too painful. "I couldn't help but think of my grandfather as I made this film. I feel like I'm continuing something he might have wanted to do himself," said Matsumoto, 40. The film draws inspiration from a collection of firsthand accounts by nurses compiled by the Nagasaki branch of the Japan Red Cross Society in 1980. The last known surviving contributor, 95-year-old Fujie Yamashita, appears briefly in the film. Matsumoto described working with her as "precious." "I felt that her presence alone could speak volumes. Even if it was just a cameo, having her appear in the film was extremely important to me," he said. Yamashita enrolled in a Japanese Red Cross training school for relief nurses in Osaka at age 15, but returned home to Nagasaki in July after the air raids. In the aftermath of the bombing, she was dispatched to temporary relief stations in the city, where she witnessed countless agonizing deaths. "I appeal to the people of the world to ensure that the suffering caused by the atomic bomb is never witnessed again," she wrote in her personal account. Michiko Suzuki, a project researcher at the University of Tokyo focusing on Japanese Red Cross activities in prewar and early postwar periods, said she was moved that, after 80 years, a film is finally shedding light on the "invisible" yet essential work of wartime humanitarian aid. "In war, the spotlight is always on soldiers and civilian victims. Red Cross nurses, by contrast, worked behind the scenes to care for them because it was considered professional to remain in the shadows," Suzuki said. In her research, Suzuki found that Japanese Red Cross workers made repeated attempts at providing humanitarian aid at Allied prisoner-of-war camps in Nagasaki before the bombing. She said they exemplified humanitarianism in the way they treated the injured, regardless of whether they were friend or foe. The Red Cross's aid did not stop with the end of the war. Hospitals run by the organization for atomic bomb survivors in Hiroshima and Nagasaki, established in 1956 and 1958, respectively, have treated a cumulative 7.9 million outpatients and 6.3 million inpatients as of fiscal 2024. The film also highlights Nagasaki's long history of Christianity and Matsumoto's own Catholic upbringing through one of the main characters, Misao. "Misao's willingness to sacrifice herself to help others and her readiness to serve in the Catholic sense is an attitude I deeply admire. Misao represents the type of person I look up to," said Matsumoto. At the time of the bombing, two priests were hearing the confessions of several dozen parishioners at Urakami Cathedral, located around 500 meters from the hypocenter. All perished under the rubble. It is believed that around 10,000 Catholics, most of whom lived in the Urakami district, were killed by the atomic bomb. "I've shown the film to some Americans, and many didn't know the bomb exploded directly above a church -- or that so many Christians died. They watched the film with great interest," said Matsumoto, who wants to release the film in the United States. Matsumoto hopes that, for a foreign audience, the film will offer a glimpse of what life was like in the days following the bombing and motivate them to visit Hiroshima or Nagasaki or, at least, learn more online. "There have only been two instances of nuclear weapons being used. By telling a more human story in this film, I want to convey the importance of ensuring that Nagasaki is the last place to ever suffer such an attack." "Nagasaki: In the Shadow of the Flash" is showing now in Nagasaki and will open in cinemas across the rest of Japan on Aug. 1. (By Donican Lam)