Review: Meme Girls, Oran Mor: When a craving for fame goes wrong
Fame, as every wannabe pop star knows, costs. In the social media age, where everyone is famous for a lot less than five minutes, you can go viral as the next big thing one minute and be last year's spam within seconds. This is the reality the two young women in Andy McGregor's bite-size new musical are forced to square up to for this latest edition of A Play, a Pie and a Pint's ongoing lunchtime theatre season.
Jade is a serious budding songwriter with an introspective air who pens power ballads in her bedroom, and would prefer to blend into the background before heading off to university. Clare, on the other hand, may have the voice of an angel, but she's the life and soul of any party until she crashes.
When an ill-timed incident is captured on Tik Tok, she becomes a star for all the wrong reasons. Not that this bothers her, mind you, as her craving for the spotlight makes for a lucrative if grotesque way to make the big time. Jade, meanwhile, returns to her keyboard before the pair are thrown together again for one last number.
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McGregor's play is a meticulously observed study of vaulting ambition, and how untutored talent can be warped by a mix of vanity, desperation and the addictive allure of interacting with strangers.
Framed as each girl confesses all for a warts and all documentary on Fraser Lappin's pink boudoir of a set, McGregor's dialogue is delivered with fine tuned interplay by Julia Murray as Jade and Yana Harris as Clare. Both actors spar as beautifully as they duet on McGregor's handful of songs that drive the story.
The technology may be different here, but the play's look at the fickle hand of fame and the disposability of pop bubblegum is as timelessly familiar as its depiction of the power plays between female friends. It is this latter attribute that gives the play its charm in a work where pop doesn't quite eat itself, but it comes pretty close.
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