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Brook's England captaincy begins with 238-run mauling of West Indies in first ODI

Brook's England captaincy begins with 238-run mauling of West Indies in first ODI

Yahoo29-05-2025

The previous time England stuck 400 on the board in a one-day international at Edgbaston it was something of an epiphany and four years later they were world champions. Whether Harry Brook's captaincy can deliver silverware like Eoin Morgan's transformative reign remains to be seen but this 238-run mauling of West Indies made for a handy start.
Not only did Brook's men amass 400 for eight after being put in by Shai Hope but, for the first time in the format's history, they did so without a centurion on the day. Instead it was a collective assault of the bowlers and the poor boundary riders, with four half-centuries and – in another first – every member of the top seven making at least 30.
Brook was among those to tuck in, flaying 58 from 45 balls and clearing the rope three times – a statement innings that was later followed by five outfield catches to equal the ODI record held by Jonty Rhodes. But as has already been the case this season – albeit in his first appearance of the summer – Jacob Bethell also commanded some headlines.
Related: England beat West Indies by 238 runs in first men's one-day cricket international – live reaction
Straight back from the Indian Premier League, and having generated a fair bit of angst after missing the Test match against Zimbabwe, the 21-year-old top-scored with a 53-ball 82 that had his home supporters in clover. Not that the Warwickshire faithful see Bethell too often these days, nor will they if his current trajectory is anything to go by.
It was a calculated intervention. Bethell strode out with the score 221 for four at the start of the 32nd over and patiently chiselled out 19 runs from his first 26 balls. Then came the afterburners, with 63 ransacked from his next 27 that, along with 39 from Will Jacks in his new role at No 7, slammed the door shut on West Indies.
Faced with a wall of runs as sheer as El Capitan, West Indies needed to get off to a flyer. Instead they were derailed by a slippery opening burst from Saqib Mahmood, who claimed three for 32, and three for Jamie Overton despite a finger injury. Bethell was in the action, too, his left-arm spin outfoxing Jewel Andrew as the tourists crumbled to 162 all out. Only a 10th-wicket thrash worth 39 prevented England's biggest win by runs.
'It was a pretty exceptional start from the boys – the tempo was spot on – and hopefully we can top that,' said Brook, his side having arrested a run of seven straight defeats. 'This is a new era, we're trying to forget about the past and take one game at a time.'
On Bethell, who was named player of the match, Brook added: 'He is a confident lad and does not need much more bigging up. We all know he is an exceptional player who is going to have a very long England career. He brings so much to a side.'
Even robbed of 23 overs, the sell-out crowd had witnessed 562 runs, 18 wickets, and some pretty unreal fielding along the way. Roston Chase delivered two stellar catches but could only make the podium in this category, Brydon Carse pipping him in the reply with a full-stretch one-handed take on the rope a la Ben Stokes in the 2019 World Cup.
As well as Ben Duckett continuing his impressive run at opener – the left-hander struck 60 from 48 and averages just shy of 51 in ODI cricket – there was an early look at Jamie Smith up top. England fancy these two can strike up a similar little-and-large partnership to one Duckett enjoys with Zak Crawley in Test cricket and a quickfire 37 from Smith, in an opening stand of 64 from just seven overs, provided some supporting evidence.
It was Joe Root who signalled the start of the Morgan era 10 years ago, England's 408 for nine that day driven by his 71-ball hundred. But after Smith smashed one hard to Brandon King at mid-wicket, the master was content to cruise his way to 57 from 65 balls. An outswinger from Jayden Seales eventually found his edge amid what it is fair to say were mixed-bag figures of four for 84 from nine overs.
The day looked ripe for Brook. After an early sighter – something he later stressed he wants his players to note – his bat was suddenly glowing. A charged six off Justin Greaves signalled his intent, followed by a tumbling swept six that was pure innovation. Even the cut shot he got out to – caught at deep point off Seales – was utterly marmalised.
Jos Buttler's first outing back in the ranks briefly crackled to the tune of 37 from 32 balls but the impetus came from Bethell and Jacks – his first 50-over knock at No 7 – adding 98 in just seven overs.
Bethell brought out the swivel pull to devastating effect here but a feathered edge behind in the final over saw the wait for that first senior century roll on.
But then this has been the Bethell way to date: the promise of what is to come. Brook, beaming after a winning start to the job, and pretty chuffed about the Rhodes record, will be hoping the same goes for his side England at large.

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Bruce Springsteen's European tour comes with a warning about the battle for America's soul
Bruce Springsteen's European tour comes with a warning about the battle for America's soul

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Bruce Springsteen's European tour comes with a warning about the battle for America's soul

They know all about glory days on the Kop – the fabled terrace that is the spiritual home of fans of Liverpool – England's Premier League champions. But they're more used to legends like Kenny Dalglish or Mohamed Salah banging in goals than political cries for help. So, it was surreal to watch alongside thousands of middle-aged Brits as Bruce Springsteen bemoaned America's democracy crisis on hallowed footballing ground. 'The America that I love … a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent and treasonous' administration, Springsteen said at Anfield Stadium on Wednesday night. The Boss's latest warnings of authoritarianism on his European tour were impassioned and drew large cheers. But they did seem to go over the heads of some fans who don't live in the whirl of tension constantly rattling America's national psyche. Liverpudlians waited for decades for Springsteen to play the hometown of The Beatles, whose 'I Wanna Hold Your Hand' set his life's course when he heard it on the radio as a youngster in New Jersey. Most had a H-H-H-Hungry heart for a party. They got a hell of a show. But also, a lesson on US civics. 'Tonight, we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring!' Springsteen said. His European odyssey is unfolding as Western democracies are being shaken again by right-wing populism. So, his determination to engage with searing commentary therefore raises several questions. What is the role of artists in what Springsteen calls 'dangerous times?' Can they make a difference, or should stars of entertainment and sports avoid politics and stick to what they know? Fox News polemicist Laura Ingraham once told basketball icon LeBron James, for instance, that he should just 'shut up and dribble.' Springsteen's gritty paeans to steel towns and down-on-their-luck cities made him a working-class balladeer. But as blue-collar voters stampede to the right, does he really speak for them now? Then there's this issue that Springsteen emphatically tried to answer in Liverpool this week: Does the rough but noble America he's been mythologizing for 50 years even exist anymore? Trump certainly wants to bring the arts to heel – given his social media threats to 'highly overrated' Springsteen, Taylor Swift and other superstars and his takeover of the Kennedy Center in Washington. Any center of liberal and free thought from pop music to Ivy League universities is vulnerable to authoritarian impulses. But it's also true that celebrities often bore with their trendy political views, especially preaching at Hollywood awards ceremonies. Springsteen, however, has been penning social commentary for decades. And what's the point of rock 'n' roll if not rebellion? Rockers usually revolt in their wild-haired youth, rather than in their mid-70s, but desperate times call for desperate measures. Oddly, given their transatlantic dialogue of recent weeks, Trump and Springsteen mine the same political terrain – globalization's economic and spiritual hollowing of industrial heartlands. 'Now Main Street's whitewashed windows, And vacant stores, Seems like there ain't nobody, Wants to come down here no more,' Springsteen sang in 1984 in 'My Hometown' long before Trump set his sights on the Oval Office. The White House sometimes hits similar notes, though neither the Boss nor Trump would welcome the comparison. 'The main street in my small town, looks a heck of a lot worse than it probably did decades ago before I was alive,' Trump's press secretary Karoline Leavitt said rather less poetically in March. Political fault lines are also shifting. In the US and Europe, the working class is rejecting the politics of hope and optimism in dark times. And the Democratic politicians that Springsteen supported – like defeated 2004 nominee John Kerry, who borrowed Springsteen's 'No Surrender' as his campaign anthem, and former President Barack Obama – failed to mend industrial blight that acted as a catalyst to Trumpism. There are warning signs in England too. The Boss's UK tours often coincided with political hinge moments. In the 1970s he found synergy with the smoky industrial cities of the North. In his 'Born in the USA' period, he sided with miners clashing with Prime Minister Margaret Thatcher. A new BBC documentary revealed this week he gave $20,000 in the 1980s to a strikers' support group. Liverpool, a soulful, earthy city right out of the Springsteen oeuvre is a longtime Labour Party heartland. But in a recent by-election, Nigel Farage's populist, pro-Trump, Reform Party overturned a Labour majority of nearly 15,000 in Runcorn, a decayed industrial town, 15 miles upstream from Liverpool on the River Mersey. This stunner showed Labour's working class 'red wall' is in deep peril and could follow US states like Ohio in shifting to the right as workers reject progressives. Labour Cabinet Minister Lisa Nandy, whose Wigan constituency is nearby, warned in an interview with the New Statesman magazine this month that political tensions were reaching a breaking point in the North. 'People have watched their town centers falling apart, their life has got harder over the last decade and a half … I don't remember a time when people worked this hard and had so little to show for it,' Nandy said, painting a picture that will be familiar to many Americans. In another sign of a seismic shift in British politics last week, Reform came a close third in an unprecedented result in a parliamentary by-election in a one-time industrial heartland outside Glasgow. Scotland has so far been immune to the populist wave – but the times are changing. Still, there's not much evidence Trump or his populist cousins in the UK will meaningfully solve heartland pain. They've always been better at exploiting vulnerability than fixing it. And Trump's 'big, beautiful bill' would hurt the poor by cutting access to Medicaid and nutrition help while handing the wealthy big tax cuts. 'When conditions in a country are ripe for a demagogue, you can bet one will show up,' Springsteen told the crowd in Liverpool, introducing 'Rainmaker' a song about a conman who tells drought-afflicted farmers that 'white's black and black is white.' As the E Street Band struck up, Springsteen said: 'This is for America's dear leader.' Springsteen has his 'Land of Hope and Dreams.' But Trump has his new 'Golden Age.' He claims he can 'Make America Great Again' by attacking perceived bastions of liberal power like elite universities and the press, with mass deportations of undocumented immigrants and by challenging due process. Springsteen implicitly rejected this as un-American while in Liverpool, infusing extra meaning into the lyrics of 'Long Walk Home,' a song that predates Trump's first election win by a decade: 'Your flag flyin' over the courthouse, Means certain things are set in stone. Who we are, what we'll do and what we won't.' Sending fans into a cool summer night, the Boss pleaded with them not to give up on his country. 'The America I've sung to you about for 50 years now is real, and regardless of its many faults, is a great country with a great people and we will survive this moment,' he said. But his fight with Trump for America's soul will go on. 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Analysis: Bruce Springsteen and the battle for America's soul
Analysis: Bruce Springsteen and the battle for America's soul

CNN

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  • CNN

Analysis: Bruce Springsteen and the battle for America's soul

They know all about glory days on the Kop – the fabled terrace that is the spiritual home of fans of Liverpool – England's Premier League champions. But they're more used to legends like Kenny Dalglish or Mohamed Salah banging in goals than political cries for help. So, it was surreal to watch alongside thousands of middle-aged Brits as Bruce Springsteen bemoaned America's democracy crisis on hallowed footballing ground. 'The America that I love … a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent and treasonous' administration, Springsteen said at Anfield Stadium on Wednesday night. The Boss's latest warnings of authoritarianism on his European tour were impassioned and drew large cheers. But they did seem to go over the heads of some fans who don't live in the whirl of tension constantly rattling America's national psyche. Liverpudlians waited for decades for Springsteen to play the hometown of The Beatles, whose 'I Wanna Hold Your Hand' set his life's course when he heard it on the radio as a youngster in New Jersey. Most had a H-H-H-Hungry heart for a party. They got a hell of a show. But also, a lesson on US civics. 'Tonight, we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring!' Springsteen said. His European odyssey is unfolding as Western democracies are being shaken again by right-wing populism. So, his determination to engage with searing commentary therefore raises several questions. What is the role of artists in what Springsteen calls 'dangerous times?' Can they make a difference, or should stars of entertainment and sports avoid politics and stick to what they know? Fox News polemicist Laura Ingraham once told basketball icon LeBron James, for instance, that he should just 'shut up and dribble.' Springsteen's gritty paeans to steel towns and down-on-their-luck cities made him a working-class balladeer. But as blue-collar voters stampede to the right, does he really speak for them now? Then there's this issue that Springsteen emphatically tried to answer in Liverpool this week: Does the rough but noble America he's been mythologizing for 50 years even exist anymore? Trump certainly wants to bring the arts to heel – given his social media threats to 'highly overrated' Springsteen, Taylor Swift and other superstars and his takeover of the Kennedy Center in Washington. Any center of liberal and free thought from pop music to Ivy League universities is vulnerable to authoritarian impulses. But it's also true that celebrities often bore with their trendy political views, especially preaching at Hollywood awards ceremonies. Springsteen, however, has been penning social commentary for decades. And what's the point of rock 'n' roll if not rebellion? Rockers usually revolt in their wild-haired youth, rather than in their mid-70s, but desperate times call for desperate measures. Oddly, given their transatlantic dialogue of recent weeks, Trump and Springsteen mine the same political terrain – globalization's economic and spiritual hollowing of industrial heartlands. 'Now Main Street's whitewashed windows, And vacant stores, Seems like there ain't nobody, Wants to come down here no more,' Springsteen sang in 1984 in 'My Hometown' long before Trump set his sights on the Oval Office. The White House sometimes hits similar notes, though neither the Boss nor Trump would welcome the comparison. 'The main street in my small town, looks a heck of a lot worse than it probably did decades ago before I was alive,' Trump's press secretary Karoline Leavitt said rather less poetically in March. Political fault lines are also shifting. In the US and Europe, the working class is rejecting the politics of hope and optimism in dark times. And the Democratic politicians that Springsteen supported – like defeated 2004 nominee John Kerry, who borrowed Springsteen's 'No Surrender' as his campaign anthem, and former President Barack Obama – failed to mend industrial blight that acted as a catalyst to Trumpism. There are warning signs in England too. The Boss's UK tours often coincided with political hinge moments. In the 1970s he found synergy with the smoky industrial cities of the North. In his 'Born in the USA' period, he sided with miners clashing with Prime Minister Margaret Thatcher. A new BBC documentary revealed this week he gave $20,000 in the 1980s to a strikers' support group. Liverpool, a soulful, earthy city right out of the Springsteen oeuvre is a longtime Labour Party heartland. But in a recent by-election, Nigel Farage's populist, pro-Trump, Reform Party overturned a Labour majority of nearly 15,000 in Runcorn, a decayed industrial town, 15 miles upstream from Liverpool on the River Mersey. This stunner showed Labour's working class 'red wall' is in deep peril and could follow US states like Ohio in shifting to the right as workers reject progressives. Labour Cabinet Minister Lisa Nandy, whose Wigan constituency is nearby, warned in an interview with the New Statesman magazine this month that political tensions were reaching a breaking point in the North. 'People have watched their town centers falling apart, their life has got harder over the last decade and a half … I don't remember a time when people worked this hard and had so little to show for it,' Nandy said, painting a picture that will be familiar to many Americans. 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But Trump has his new 'Golden Age.' He claims he can 'Make America Great Again' by attacking perceived bastions of liberal power like elite universities and the press, with mass deportations of undocumented immigrants and by challenging due process. Springsteen implicitly rejected this as un-American while in Liverpool, infusing extra meaning into the lyrics of 'Long Walk Home,' a song that predates Trump's first election win by a decade: 'Your flag flyin' over the courthouse, Means certain things are set in stone. Who we are, what we'll do and what we won't.' Sending fans into a cool summer night, the Boss pleaded with them not to give up on his country. 'The America I've sung to you about for 50 years now is real, and regardless of its many faults, is a great country with a great people and we will survive this moment,' he said. But his fight with Trump for America's soul will go on. The contrast would be driven home more sharply to Americans if he tours on US soil at this, the most overtly politicized phase of a half-century-long career. Perhaps in America's 250th birthday year in 2026?

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