logo
I Watched Dexter: New Blood Before Resurrection, And There's A Pattern In The Spinoffs That's Giving Me Breaking Bad Vibes

I Watched Dexter: New Blood Before Resurrection, And There's A Pattern In The Spinoffs That's Giving Me Breaking Bad Vibes

Yahoo25-07-2025
When you buy through links on our articles, Future and its syndication partners may earn a commission.
Warning! The following contains spoilers for Dexter: Resurrection. Stream episodes now with a Paramount+ subscription, and read at your own risk!
Dexter Morgan's story is continuing with Dexter: Resurrection not long after it seemed New Blood was the endgame. The story picks up where the last one left off, but with everyone's favorite serial killer-killer settling up in New York City to help clean up the latest deadly mess made by his son Harrison. I'm loving the episodes we've seen so far, especially with the continuation giving me major Breaking Bad vibes the longer we get into it.
For all the nostalgia and love I have for the classic series (I also love that James Remar is back), I think the original Dexter did the series a disservice that the revival is fixing. It feels like Dexter is in his "Heisenberg" era in these new episodes, and if that's confusing, allow me to break it down.
Both Dexter And Walter White Are Easy To Root For, Despite Their Crimes
Breaking Bad and Dexter do a great job at taking unsavory individuals (a drug dealer and serial killer) and making them sympathetic. Both are similar in how they execute it as well, giving them noble intentions behind the despicable things they do. For Walter, this was raising as much money as he could to ensure his family was taken care of after he died of cancer. Of course, for Dexter, it's killing violent criminals who have either evaded the law or are operating completely under the radar.
In real life, I think many of us could confidently say we won't root for these types of people in any scenario. Of course, Breaking Bad and Dexter both try to paint their heroes in the most favorable light possible, to the point that the fandom is tricked into villainizing more rational characters like Skyler White or Maria LaGuerta.
These two characters in particular I like to compare, because both shows used illicit affairs to paint them in an unfavorable light. No one likes a cheater, and I applaud both for using that to make the audience more in the corner of the clear bad guys of the show, just because they were shown something unsavory about a character they might otherwise empathize with.
Part Of What Made Breaking Bad Incredible Was How It Reshaped Walter White
Breaking Bad is widely regarded as one of the greatest shows of all time for many reasons, but for me, what sends it over the top is how it reshapes how the viewer feels about Walter White. Throughout the entire series, we see him evolve from a man who is clearly out of his depth to the mythical figure we come to know as "Heisenberg." A lowly school teacher turns into a drug kingpin throughout the length of the series, and ultimately becomes a terrible person in the process.
What starts out as a quest to financially support his family after his death soon becomes a quest to gain as much money and power as possible. He seems to get a great sense of pride that he was manufacturing the best meth in the southwestern United States. It becomes all-consuming, and the deeper he gets, the more willing he is to do despicable things to maintain the status quo. There are plenty of mind-blowing moments where you simply can't believe the person he's become, from allowing Jesse Pinkman's girlfriend Jane to die, to poisoning a child.
Dexter also has its share of mind-blowing moments, but the series lacked the kind of gut-punch that made you feel guilty for rooting for Dexter. Even when he let Doakes die, I didn't really feel too bad for the sergeant, despite having plenty of reason to. Doakes is essentially a villain because he's a good cop who had a suspicion that his colleague was up to some shady stuff, and it turns out he was 100% spot on. At the end of Dexter, Morgan ends up getting away with it all and living in the woods. Not the sort of justice he ultimately deserved as a serial killer, which is ultimately delivered in the novels.
Dexter New Blood And Resurrection Have Leaned Into Reminding Us That He Is Not A Good Person, Despite His Own Opinion
Dexter: New Blood and Resurrection have done a good job thus far of bringing the thing that made Breaking Bad great into its latest stories. Via Harrison, his former girlfriend Angela Bishop, and now his old colleague Angel Batista, we're slowly being shown again that, at the end of the day, Dexter Morgan is a serial killer. Sure, he often tries to kill others who committed heinous crimes and act by his code, but he still only does this because he struggles to resist an urge to kill.
Harry's code or not, he's not a good person, and even his own son recognized that. Even recently in Resurrection, when Dexter went on a manhunt for a serial killer that was using his moniker as "The Dark Passenger," it was more about his pride and the thrill of a kill than it ever really was about a moral code.
What's also true is that Dexter is a survivalist first and foremost. He went and killed the innocent Sergeant Logan under the guise that it was necessary to save Harrison. In reality, he doesn't really want to face any retribution for his various crimes despite the noble intentions he claims to have for his hundreds of murders.
If he did, he wouldn't have fled the city when Angel Batista went to visit him at the start of Resurrection, and I'll be curious to see how he responds should his former friend and colleague get a little too close to the truth later in the series. It really feels like the revival is finally showing us the plot lines that prove Dexter is not the hero the original series portrayed him as, and I'm all here for it, assuming they stick the landing.
Catch new episodes of Dexter: Resurrection on Fridays with a Paramount+ subscription, or on Showtime on Sundays at 8:00 p.m. ET. I'm very excited to see how the rest of this season goes, and if Dexter is going to reunite with his son after they parted ways at the end of New Blood.
Solve the daily Crossword
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Paramount film chief Brian Robbins exits ahead of Skydance takeover
Paramount film chief Brian Robbins exits ahead of Skydance takeover

Los Angeles Times

time14 minutes ago

  • Los Angeles Times

Paramount film chief Brian Robbins exits ahead of Skydance takeover

Paramount Global Co-Chief Executive Brian Robbins stepped down Wednesday, a day before David Ellison's Skydance Media absorbs the entertainment company. The move was expected. Skydance unveiled it senior management team earlier this week, signaling its plans to shake up the leadership of Robbins' turf — the famed Paramount Pictures on Melrose Avenue. Robbins has led the movie studio since 2021. Longtime Ellison lieutenant Dana Goldberg and former Sony executive Josh Greenstein will jointly manage the studio as co-chairs. Don Granger, another Skydance executive, becomes motion pictures president, reporting to Goldberg and Greenstein. Skydance's $8.4-billion takeover of Paramount is scheduled to be finalized on Thursday. Robbins is a longtime producer and former child actor who joined Paramount, then known as Viacom, in 2017. He led Paramount Pictures and Nickelodeon, working to invigorate beloved franchises, before being elevated in April 2024. Robbins then became part of the triumvirate of CEOs then tasked with running the company after former Chief Executive Bob Bakish got bounced. For 15 months, Robbins, CBS chief George Cheeks and cable programming head Chris McCarthy steered the company during a particularly tumultuous time with business pressures, the loss of cable TV subscribers, and significant staff reductions. Controlling shareholder Shari Redstone also was looking to sell the company — adding more uncertainty for the rattled ranks. Cheeks is the only senior Paramount executive who will stay on with the new ownership. He becomes chairman of TV media, which includes the CBS properties and cable TV channels, including MTV, Comedy Central, Nickelodeon and BET. McCarthy, who oversaw lucrative cable franchises, including 'Yellowstone' and 'South Park, also stepped down as the Redstone era winds to a close. 'When I first walked onto the Paramount Pictures lot as a young filmmaker many years ago, I never imagined I'd one day be entrusted with leading this storied studio,' Robbins said Wednesday in a note to his staff. 'It has been one of the greatest privileges of my life to work alongside such an extraordinary group of people.' In his note, Robbins touted efforts to reinvigorate durable franchises, including 'Sonic the Hedgehog,' 'Scream,' 'Teenage Mutant Ninja Turtles' and 'Mission: Impossible.' His team, along with Skydance, was behind the highest-grossing film in Paramount's century-plus history, 'Top Gun: Maverick.'

Paramount's deal with Skydance is finally closed: Here are 6 questions for its new owners.
Paramount's deal with Skydance is finally closed: Here are 6 questions for its new owners.

Business Insider

timean hour ago

  • Business Insider

Paramount's deal with Skydance is finally closed: Here are 6 questions for its new owners.

After many twists and turns, the $8 billion tie-up of Skydance and Paramount Global is finally happening. So what's next? Oracle billionaire Larry Ellison and his son, David, are taking control of Paramount Global from Shari Redstone with a plan to revive the storied entertainment company by giving it a tech infusion. The epic drama has played out as the media industry faces disruption from the rise of streaming — and now a president who's used his power to influence critics in the media and beyond. We know this much: David Ellison, who will be chairman and CEO of the new combined company, has named his new leadership slate, sweeping out most of the old Paramount execs except for George Cheeks, previously co-CEO of Paramount; while expanding the power of execs like Dana Goldberg, who was chief creative officer at his (much smaller) Skydance Media. Big changes are ahead for the home of CBS, MTV Networks, Paramount Pictures, and more, where Ellison has promised cost cuts of $2 billion. The company is also expected to invest $1.5 billion to help pay down debt. The deal's backers, the Ellisons and RedBird Capital Partners, have deep pockets that could fund additional, transformative deals in areas like tech or gaming, said Jonathan Miller, CEO of Integrated Media Co., which invests in digital media and is not an investor in Paramount Skydance. "There's a lot of money surrounding Paramount right now," he said. "They can think big." Many questions lie ahead, including how its streaming strategy will play out, what the company might keep and buy, and how it'll navigate potential political headwinds. Paramount is attractive for its new senior management that's well-liked, massive pool of capital, and willingness to look at different structures for the streaming business, Raymond James wrote in a July 31 investor note. "Still, Paramount faces significant exposure to the declining linear TV business, high leverage, and for now a sub-scale, not yet globally profitable streaming business." Paramount didn't immediately respond to requests for comment for this story. Here are some of the key questions and challenges facing the new Paramount Skydance. Can tech save Paramount? Ellison made a tech-heavy pitch for combining Skydance and Paramount, invoking Steve Jobs as he explained how he sees technology and the arts working hand in hand. Describing the combined company as equally a tech and media enterprise, he talked about upgrading the Paramount+ algorithm to give users better recommendations and using AI to improve content creation. He also described how Skydance worked with his father's company, Oracle, to create a cloud-based animation studio, which it used to produce part of "Spellbound," a 2024 animated film, increasing efficiency and cutting costs. But changing user behavior takes time, and Paramount+ needs more than better recommendations to make it a must-have for entertainment seekers, starting with more must-see shows. Hollywood is gradually embracing AI, especially to lower production costs. The tech and its adoption are still relatively new, making it hard to precisely quantify how much it could actually cut expenses (or make movies better, as the glass-half-full people like to say). How can Paramount+ compete? Paramount+ counts 78 million subscribers, helped by the NFL, CBS shows such as "NCIS" and favorites like "Star Trek" and the "Yellowstone" universe. And Paramount has started turning a profit. But Paramount+ ranks fourth among the major paid streamers by subscriptions and accounts for just 2% of TV streaming viewership, according to Nielsen. In addition to the aforementioned tech enhancements, Paramount+ needs more must-see shows to drive subscriptions. LightShed has noted that Skydance struck deals to make movies for Netflix and Apple, so those won't be available to Paramount for a while. But in a sign it means business, Paramount just did a $1.5 billion deal for the global streaming rights for "South Park," and will look to Cindy Holland, hailed as the architect of Netflix's original content business, to give its streamer a shot in the arm. Hollywood insiders are excited for Holland to get going and for Paramount to kick-start the marketplace for new shows, which has slowed since the end of Peak-TV. One agent said talent is saving pitches for shows that they think could be a fit for Paramount, confident it'll soon be a big customer again. A second agent said industry chatter is that Paramount will ramp up its movie output. "What it means is a very healthy new buyer," the person said, referring to Ellison's deep pockets compared to the former cash-strapped company. He also expects Ellison will be looking for high-minded fare in addition to the broadly appealing titles Skydance is known for, like the "Top Gun" and "Mission: Impossible" movies. How will Paramount solve the linear TV problem? The old linear TV business is going away in favor of streaming, especially as companies put more of their live sports on streaming platforms, taking fans with them. Growing the streaming arm while managing a declining linear business can go two ways: Paramount can continue to milk its linear channels for the income they're still generating, or spin them off to generate cash. Lately, companies like Comcast and Warner Bros. Discovery have chosen the latter strategy. Christopher Vollmer, managing director at ad industry consultancy MediaLink, thinks Paramount will take a similar route. "They'll do as much as they can to raise cash," he said. "If you're committed to building a streaming business, you have to put as much firepower behind them as you can." It's not necessarily an all-or-nothing game, as he sees it. "They'll want to keep CBS to keep their leverage with the distribution world, and with the NFL, the consumer value the network brings is really important." Others, like BET and Showtime — that Paramount tried to sell before — could go. What about Trump? Anxieties have been running high for some people in and outside CBS's news division, with President Donald Trump repeatedly targeting the news media. Paramount agreed to a $16 million settlement over a lawsuit filed by Trump over routine editing of a "60 Minutes" segment that many legal experts said was meritless — a settlement that was lambasted in journalism and political circles as a concession to get the Skydance deal through. Paramount has disputed this, saying the settlement was "completely separate from, and unrelated to, the Skydance transaction." Skydance went on to agree to conditions to get the merger done, including having an ombudsman and committing to an "unbiased" editorial direction. CBS also canceled the late-night show of Trump critic Stephen Colbert, drawing scrutiny for its timing ahead of the FCC approving the deal. (Paramount has said the move was "purely a financial decision against a challenging backdrop in late night.") Ellison hasn't given a lot of clues about his politics. His father is close to Trump and also has looked at buying Bari Weiss's right-leaning outlet, The Free Press, The New York Times reported. So some insiders are on edge about what role Ellison could play with the news. It might not take long to find out. Trump just this week ripped CBS News star Gayle King as having "no talent" and questioned her future at the network. For now, "60 Minutes'" recent appointment of an insider, Tanya Simon, to lead the newsmagazine has raised hope for some. "I have no doubt that she and the excellent corps of correspondents will keep '60' on a strong and sure and independent footing, and I think the new corporate bosses are smart enough to know that's the right call," former producer Rome Hartman said. Politics aside, it's also not hard to imagine Paramount using CBS News to help get to its $2 billion in cost cuts, given it's already trailing the other news networks. Could games jump-start Paramount? Skydance has two video game studios, and Ellison sees games as one of the ways Skydance can kick-start Paramount's business. Video games are a conundrum for Hollywood companies; they're expensive and risky, but ignoring them means missing a big opportunity to extend their IP to a hugely popular pastime. WBD and Disney have taken stabs at games with mixed success, and Netflix is building out its games, but has yet to show meaningful results. If Ellison could figure out how to leverage Paramount's well known IP into games success, he'd accomplish something few others have. What's the endgame? Paramount Skydance still isn't considered big enough to hold its own among bigger media and tech giants, and industry observers expect more consolidation will follow. Analysts have said Paramount Skydance could be a good pairing with Warner, with HBO Max's prestige shows nicely complementing Paramount's sports and Taylor Sheridan's Western soaps. Such a deal would create more exposure to linear TV, though, and it could be hard to fit CNN and CBS under the same roof. And there's the question of whether Comcast's Brian Roberts will get to WBD first. WBD didn't comment, and Comcast didn't immediately reply to a request for comment. Or, Paramount and NBCUniversal could form an alliance that could take on Disney, but it would require casting off one of their news networks to avoid antitrust concerns. Of course, all these scenarios would mean either Ellison, Warner's David Zaslav, or Roberts would have to go away, which none seem ready to want to do. Then, more interestingly, there's the TikTok wild card. Oracle has already been involved in both TikTok and Paramount as its cloud services provider. It's also a potential bidder among a group of US firms looking to buy TikTok's US operations and save TikTok from a US ban, Bloomberg and other outlets have reported. If Oracle ended up owning TikTok, it would put the Ellison family behind one of the biggest content companies and one of the biggest tech platforms, with more than 150 million active monthly US users.

Exclusive: Sylvester Stallone Starts a War in the 'Tulsa King' Season 3 Trailer
Exclusive: Sylvester Stallone Starts a War in the 'Tulsa King' Season 3 Trailer

Yahoo

time3 hours ago

  • Yahoo

Exclusive: Sylvester Stallone Starts a War in the 'Tulsa King' Season 3 Trailer

Tulsans, rejoice: Sylvester Stallone is back. It's been a little over half a year since his Tulsa King character, Dwight 'the General' Manfredi, was kidnapped from his bed at the end of the Paramount+ drama's season 2 finale. His mysterious captors told the former Mafia capo that 'you work for us now' before the credits kept audiences guessing. Though the first teaser trailer for season 3 (below), debuting exclusively in Esquire, doesn't reveal their identities just yet—it seems Manfredi safely leaves the situation with a clear goal in mind. This season, he's got his eye on adding the Montague Distillery to his roster of legitimate (and not-so-legitimate) businesses. 'The distillery is an interesting business,' Manfredi says in the trailer, 'and we got to know to the enemy.' According to Paramount, the new villain is Jeremiah Dunmire (Robert Patrick). The former 1923 actor joins the series as the patriarch of a 'powerful old-money family that doesn't play by old-world rules, forcing Dwight to fight for everything he's built.' In the trailer, Manfredi also pulls a pistol on Bill Bevilaqua (Frank Grillo)—the Kansas City mob boss and the main antagonist of season 2. It seems that the General will need to fight off enemies from multiple fronts when Tulsa King returns to Paramount+ on 21 September. 'They're threatening everybody in my life," Manfredi warns. 'If you think you're going to take me out, it's going to be really difficult." Season 3 will also introduce Samuel L. Jackson as Russell Lee Washington Jr., a former inmate who did serious prison time with Manfredi before the series began. Washington Jr. is sent by New York's Renzetti crime family to kill Manfredi, but that's a tall order. Maybe it's just that classic Stallone charm. As previously reported, Jackson will co-star in a couple of episodes of season 3 before his character is inspired to start his own operation back home in New Orleans, Louisiana. His adventures will continue in a future spin-off series titled NOLA King. Until then, it's a busy second half of the year for Taylor Sheridan's Paramount+ empire. The Yellowstone creator will also release Mayor of Kingstown season 4, Landman season 2, and eventually a trio of Yellowstone sequel spin-offs: Dutton Ranch, Y: Marshalls, and The Madison. For now, just enjoy a bit of Dwight Manfredi foreshadowing his next war in season 3. Plus, you can check out an exclusive photo for Tulsa King season 3 below. You Might Also Like The Best Men's Sunglasses For Summer '19 There's A Smartwatch For Every Sort Of Guy What You Should Buy For Your Groomsmen (And What They Really Want)

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store