
Pregnant news anchor stays on air during labor
ALBANY, N.Y., May 24, (AP): Local news co-anchor Olivia Jaquith went ahead with a three-hour morning newscast even after her labor contractions began and her water broke, keeping viewers updated about the coming birth of her first baby.
"We do have some breaking news this morning -- literally,' co-anchor Julia Dunn said at the top of the CBS6 Albany broadcast Wednesday morning. "Olivia's water has broke, and she is anchoring the news now in active labor.'
"Early labor, early labor,' replied Jaquith, who was two days past her due date.
Jaquith stayed on air as Dunn kept recording on Facebook Live.
"I'm happy to be here, and I'll stay on the desk for as long as I possibly can,' Jaquith said. "But if I disappear, that's what's going on.'
Jaquith had the option of going home, but she told the Times-Union that she decided to pass the time at her job rather than "nervously waiting around at the hospital.'
"Having the entire morning team alongside me cracking jokes helped me get through contractions much easier,' she said in a text to the newspaper.
The birth of her baby boy, Quincy, was announced Thursday.

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Arab Times
6 hours ago
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Taylor Swift has regained control of her music, buys back first 6 albums
NEW YORK, May 31, (AP): Taylor Swift has regained control over her entire body of work. In a lengthy note posted to her official website on Friday, Swift announced: "All of the music I've ever made now belongs to me.' The pop star said she purchased her catalog of recordings - originally released through Big Machine Records - from their most recent owner, the private equity firm Shamrock Capital. She did not disclose the amount. In recent years, Swift has been rerecording and releasing her first six albums in an attempt to regain control of her music. "I can't thank you enough for helping to reunite me with this art that I have dedicated my life to, but have never owned until now,' Swift addressed fans in the post. "The best things that have ever been mine … finally actually are.' "We are thrilled with this outcome and are so happy for Taylor,' Shamrock Capital said in a statement. Swift's rerecordings were instigated by Hybe America CEO Scooter Braun's purchase and sale of her early catalog and represents Swift's effort to control her own songs and how they're used. Previous "Taylor's Version' releases have been more than conventional re-recordings, arriving with new "from the vault' music, Easter eggs and visuals that deepen understanding of her work. "I am happy for her,' Braun said Friday. She has also released new music, including last year's "The Tortured Poets Department,' announced during the 2024 Grammys and released during her record-breaking tour. So far, there have been four rerecorded albums, beginning with "Fearless (Taylor's Version)" and "Red (Taylor's Version)" in 2021. All four have been massive commercial and cultural successes, each one debuting at No. 1 on the Billboard 200. Swift's last re-recording, "1989 (Taylor's Version),' arrived in October 2023, just four months after the release of "Speak Now (Taylor's Version).' That was the same year Swift claimed the record for the woman with the most No. 1 albums in history. Fans have theorized that "Reputation (Taylor's Version)' would be next: On May 19, "Look What You Made Me Do (Taylor's Version)' aired nearly in full during the opening scene of a Season 6 episode of "The Handmaid's Tale.' Prior to that, the song was teased in 2023's Prime Video limited-series thriller "Wilderness' and in Apple TV+'s "The Dynasty: New England Patriots' in 2024. Also in 2023, she contributed "Delicate (Taylor's Version)' to Prime Video's "The Summer I Turned Pretty.' But according to the note shared Friday, Swift says she hasn't "even rerecorded a quarter of it.' She did say, however, that she has completely rerecorded her self-titled debut album "and I really love how it sounds now.' Swift writes that both her self-titled debut and "Reputation (Taylor's Version)' "can still have their moments to reemerge when the time is right.' Representatives for Swift and HYBE did not immediately respond to request for comment.


Arab Times
6 hours ago
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The country that glamorized smoking is now quitting cigarettes
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Arab Times
2 days ago
- Arab Times
Anderson gets even Wes-er in his latest
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Indeed, Anderson seems to be leaning into some of these characteristics here, giving the impression of becoming even more, well, Wes Anderson than before. He will likely delight his most ardent fans but perhaps lose a few others with the plot, which becomes a bit exhausting to follow as we reach the midpoint of this tale. But what is the Phoenician scheme, anyway? It's a sweeping, ambitious, somewhat corrupt dream of one Anatole 'Zsa-zsa' Korda (Del Toro), one of the richest industrialists in Europe, to exploit a vast region of the world. We begin in 1950, with yet another assassination attempt on Korda's life - his sixth plane crash, to be exact, which occurs as he sits smoking a cigar and reading about botany. Suddenly, in a hugely entertaining pre-credits sequence, Korda's in the cockpit, ejecting his useless pilot and directing his own rescue, asking ground control whether he should crash into a corn or soybean field. The media mourns his passing - and then he turns up, one eye mangled, biting into a husk of corn. As usual, reports of his death have been … you know. Recovering at his estate, with some truly fabulous, tiled bathroom floor, Korda summons Liesl from the convent where he sent her at age 5. He wants her to be his sole heir - and avenger, should his plentiful enemies get him. His plans are contained in a series of shoeboxes. But Liesl isn't very interested in the Korda Land and Sea Phoenician Infrastructure Scheme. What she wants to know is who killed her mother. She also mentions they haven't seen each other in six years. ('I apologize,' he says.) And she wonders why none of his nine sons, young boys he keeps in a dormitory, will be heirs. But Korda wants her. They agree to a trial period. We do get the creeping feeling Liesl will never make it back to the convent - maybe it's the red lipstick, or the affinity she's developing for jewels? But we digress. We should have mentioned by now the tutor and insect expert, Bjørn. In his first Anderson film but likely not the last, Michael Cera inhabits this character with just the right mix of commitment and self-awareness. 'I could eat a horse,' he muses in a silly quasi- Norwegian accent before lunch, 'and easily a pigeon!' Now it's on the road they go, to secure investments in the scheme. We won't get into the financial niceties - we writers have wordlength limits, and you readers have patience limits. But the voyage involves - obviously! - a long line of characters only Anderson could bring to life. Among them: the Sacramento consortium, aka Tom Hanks and Bryan Cranston, two American guys who hinge their financial commitment on the outcome of a game of HORSE. Next it's to Marseille Bob (Mathieu Amalric), and then to Marty (Jeffrey Wright), leader of the Newark Syndicate (we're not talking Jersey here, but Upper Eastern Independent Phoenicia), who offers a blood transfusion to Korda because, oh yes, he was shot by terrorists at the previous meeting. (Don't worry, the guy's indestructible.) Then there's Cousin Hilda (Scarlett Johansson, continuing the cameo parade), whom Korda seeks to marry to get her participation in the investment. And then back on the plane, the group is strafed by a fighter jet. Soon, it'll be revealed that one of them is a mole. We won't tell you who, although it's hard to tell if anything is really a spoiler here - like the part when Benedict Cumberbatch appears with a very fake beard as Uncle Nubar, who may be someone's father or may have killed someone, and engages in a slapstick fight with Korda, complete with vase-smashing. We also shouldn't tell you what happens with the big ol' scheme - it was all about the journey, anyway. And about Korda and Liesl, who by the end have discovered things about each other but, even more, about themselves. As for Liesl, at the end, she's clad stylishly in black and white - but definitely not in a habit. As someone famously said about Maria in 'The Sound of Music,' 'somewhere out there is a lady who I think will never be a nun.' 'The Phoenician Scheme,' a Focus Features release, has been rated PG-13 by the Motion Picture Association 'for violent content, bloody images, some sexual material, nude images, and smoking throughout.' Running time: 101 minutes. Two and a half stars out of four.