
The country that glamorized smoking is now quitting cigarettes
PARIS, May 31, (AP): Brigitte Bardot lounged barefoot on a Saint-Tropez beach, drawing languorous puffs from her cigarette. Another actor, Jean-Paul Belmondo, swaggered down the Champs-Élysées with smoke curling from his defiant lips, capturing a generation's restless rebellion.
In France, cigarettes were never just cigarettes - they were cinematic statements, flirtations, and rebellions wrapped in rolling paper.
Yet beginning July 1, if Bardot and Belmondo's iconic film scenes were repeated in real life, they would be subject to up to €135 ($153) in fines. After glamorizing tobacco for decades, France is preparing for its most sweeping smoking ban yet.
The new restrictions, announced by Health Minister Catherine Vautrin, will outlaw smoking in virtually all outdoor public areas where children may gather, including beaches, parks, gardens, playgrounds, sports venues, school entrances and bus stops.
"Tobacco must disappear where there are children,' Vautrin told French media. The freedom to smoke "stops where children's right to breathe clean air starts." If Vautrin's law reflects public health priorities, it also signals a deeper cultural shift.
Smoking has defined identity, fashion, and cinema here for so long that the new measure feels like a quiet French revolution in a country whose relationship with tobacco is famously complex.
According to France's League Against Cancer, over 90 percent of French films from 2015 to 2019 featured smoking scenes - more than double the rate in Hollywood productions. Each French movie averaged nearly three minutes of on-screen smoking, effectively the same exposure as six 30-second television ads.
Cinema has been particularly influential. Belmondo's rebellious smoker in Jean-Luc Godard's "Breathless' became shorthand for youthful defiance worldwide. Bardot's cigarette smoke wafted through "And God Created Woman,' symbolizing unbridled sensuality.
Yet this glamorization has consequences. According to France's public health authorities, around 75,000 people die from tobacco-related illnesses each year. Although smoking rates have dipped recently - fewer than 25% of French adults now smoke daily, a historic low - the habit remains stubbornly embedded, especially among young people and the urban chic.
France's relationship with tobacco has long been fraught with contradiction. Air France did not ban smoking on all its flights until 2000, years after major U.S. carriers began phasing it out in the late 1980s and early '90s. The delay reflected a country slower to sever its cultural romance with cigarettes, even at 35,000 feet.
Strolling through the stylish streets of Le Marais, the trendiest neighborhood in Paris, reactions to the smoking ban ranged from pragmatic acceptance to nostalgic defiance. "It's about time. I don't want my kids growing up thinking smoke is romantic,' said Clémence Laurent, a 34-year-old fashion buyer, sipping espresso at a crowded café terrace.
"Sure, Bardot made cigarettes seem glamorous. But Bardot didn't worry about today's warnings on lung cancer.' At a nearby boutique, vintage dealer Luc Baudry, 53, saw the ban as an attack on something essentially French. "Smoking has always been part of our culture. Take away cigarettes and what do we have left? Kale smoothies?' he scoffed.
Across from him, 72-year-old Jeanne Lévy chuckled throatily, her voice deeply etched - she said - by decades of Gauloises. "I smoked my first cigarette watching Jeanne Moreau,' she confessed, eyes twinkling behind vintage sunglasses. "It was her voice - smoky, sexy, lived-in. Who didn't want that voice?'
Indeed, Jeanne Moreau's gravelly, nicotine-scraped voice transformed tobacco into poetry itself, immortalized in classics such as François Truffaut's "Jules et Jim.' Smoking acquired an existential glamour that made quitting unimaginable for generations of French smokers.
France's new law mirrors broader European trends. Britain, Spain, and Sweden have all implemented significant smoking bans in public spaces. Sweden outlawed smoking in outdoor restaurant terraces, bus stops, and schoolyards back in 2019. Spain extended its bans to café terraces, spaces still exempt in France - at least for now.
In the Paris park Place des Vosges, literature student Thomas Bouchard clutched an electronic cigarette that is still exempt from the new ban and shrugged. "Maybe vaping's our compromise,' he said, exhaling gently. "A little less sexy, perhaps. But fewer wrinkles too.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Arab Times
8 hours ago
- Arab Times
A tech bro-pocalypse in ‘Mountainhead'
LOS ANGELES, June 1, (AP): 'Succession' fans rejoice. Jesse Armstrong has again gathered together a conclave of uber-wealthy megalomaniacs in a delicious satire. 'Mountainhead,' which the 'Succession' creator wrote and directed, is a new made-for-HBO movie that leaves behind the backstabbing machinations of media moguls for the not-any-better power plays of tech billionaires. Or, at least, three billionaires. Their host for a poker weekend in the mountains at a sprawling estate named after Ayn Rand's 'The Fountainhead' is Hugo (Jason Schwartzman), the solo member of the group not to reach, as they say, 'B-nut' status. His net worth is a paltry $521 million. The others are three of the wealthiest men in the world. Randall (Steve Carell) is their senior, a kind of Steve Jobs-like mentor they all call 'Papa Bear.' Jeff (Ramy Youssef), who runs the world's leading AI company, calls Randall the 'Dark Money Gandalf.' Lastly, but maybe most notably, is Venis (Cory Michael Smith), whose social media platform boasts 4 billion users globally. But the latest update to Venis' platform, named Traam, is causing havoc. As the four gather at Hugo's isolated perch in the Utah mountains, news reports describe violence sweeping across Asia due to an outbreak of deepfakes on Traam that have wrecked any sense of reality. Yet what's real for this quartet of digital oligarchs - none of whom has a seemingly direct reallife corollary, all of whom are immediately recognizable - is more to the point of 'Mountainhead,' a frightfully credible comedy about the delusions of tech utopianism. Each of the four, with the exception of some hesitancy on the part of Jeff, are zealous futurist. On the way to Mountainhead, a doctor gives Randall a fatal diagnosis that he outright refuses. 'All the things we can do and we can't fix one tiny little piece of gristle in me?' Dialogue But together, in Armstrong's dense, highly quotable dialogue, their arrogance reaches hysterical proportions. While the cast is altogether excellent, this is most true with Smith's Venis, a tech bro to end all tech bros. As the news around the world gets worse and worse, his certainty doesn't waver. Earth, itself, no longer hold much interest for him. 'I just want to get us transhuman!' he shouts. Progress (along with net worth) is their cause, and much of the farce of 'Mountainhead' derives from just how much any semblance of compassion for humanity has left the building. It's in the way Venis blanches at the mention of his baby son. It's in the way, as death counts escalate in the news on their phones, they toy with world politics like kids at a Risk board. In one perfectly concise moment, Venis asks, sincerely, 'Do you believe in other people?' If 'Succession' filtered its media satire through family relationships, 'Mountainhead' runs on the dynamics of bro-styled male friendship. There are beefs, hug-it-out moments, passive-aggressive put downs and eruptions of anger. Part of the fun of Armstrong's film isn't just how their behavior spills into a geopolitical events but how it manifests, for example, in which room everyone gets. All of 'Mountainhead' unfolds in the one location, with white mountaintops stretching in the distance outside the fl oor-to-ceiling windows. It could be a play. Instead, though, it's something that either hardly exists anymore or, maybe, exists everywhere: the made-for-TV movie. There's no lack of films made for streaming services, but many of them fall into some in-between aesthetic that couldn't fill a big screen and feel a touch disposable on the small screen. But 'Mountainhead' adheres to the tradition of the HBO movie; it's lean, topical and a fine platform for its actors. And for Armstrong, it's a way to keep pursuing some of the timely themes of 'Succession' while dispensing lines like: 'Coup-out the US? That's a pretty big enchilada.' 'Mountainhead,' an HBO Films release, is unrated by the Motion Picture Association. Running time: 109 minutes. Three stars out of four.


Arab Times
16 hours ago
- Arab Times
'Northern Exposure' actor Valerie Mahaffey dies after cancer battle
LOS ANGELES, June 1, (AP): Celebrated actor Valerie Mahaffey, whose stage, film, and television work ranged from Shakespeare to the hit 1990s series "Northern Exposure,' died at age 71 after a battle with cancer, according to a statement released Saturday by her publicist. Mahaffey died Friday in Los Angeles, according to publicist Jillian Roscoe. "I have lost the love of my life, and America has lost one of its most endearing actresses. She will be missed," her husband, actor Joseph Kell, said in a statement. Survivors also include their daughter, Alice Richards. Mahaffey's stage, film, and television work included the soap opera "The Doctors' more than 45 years ago and encompassed roles in the TV series "Young Sheldon" and "Desperate Housewives.' She appeared in the movie "Sully' with Tom Hanks, directed by Clint Eastwood, and played Madame Reynard in "French Exit' with Michelle Pfeiffer. She won an outstanding supporting actress in a drama series Emmy award for her portrayal of hypochondriac Eve on "Northern Exposure.' Mahaffey also appeared on television in "The Powers That Be,' "Big Sky,' "Seinfeld,' "Wings," and "ER.' Her film credits include "Jungle 2 Jungle,' "Senior Trip,' and "Seabiscuit.'


Arab Times
18 hours ago
- Arab Times
Opal Suchata Chuangsri from Thailand crowned Miss World 2025
HYDERABAD, India, June 1, (AP): Opal Suchata Chuangsri of Thailand was crowned Miss World on Saturday in India, where the international pageant was held this year. Chuangsri topped a field of 108 contestants in the contest held in India's southern city of Hyderabad. Hasset Dereje Admassu of Ethiopia was the first runner-up in the competition. Chuangsri received her crown from last year's winner Krystyna Pyszková. The 72nd Miss World beauty pageant was hosted by Miss World 2016 Stephanie del Valle and Indian presenter Sachiin Kumbhar. India hosted the beauty competition last year as well. India's Nandini Gupta exited after making it to the final 20. Six Indian women have won the title, including Reita Faria (1966), Aishwarya Rai (1994), Diana Hayden (1997), Yukta Mookhey (1999), Priyanka Chopra (2000), and Manushi Chillar (2017).