Danville Police looking for tips on missing teenager
DANVILLE, Ill. (WCIA) — The Danville Police Department is asking for help from the public in locating a missing 17-year-old girl.
Officials posted on Facebook Monday morning that Sucely D. Vasquez was reported missing by her family in February. She is described as Hispanic, 5 feet 5 inches tall, 115 pounds, with brown hair and brown eyes. Her primary language is Spanish.
Police added that Vasquez is believed to be in the Chicago area with her boyfriend Miguel. They do not know Miguel's last name but believe he is approximately 20 years old.
Anyone with information on Vazquez's location is asked to contact Detective Hartshorn at 217-431-2245. People wanting to remain anonymous can contact Vermilion County Crime Stoppers at 217-446-8477.
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Frederick Forsyth, who has died at the age of 86, wrote meticulously researched thrillers which sold in their millions. A former fighter pilot, journalist and spy, many of his books were based on his own experience. He wove intricate technical details into his stories, without detracting from the lightning pace of his plots. His research often embarrassed the authorities, who were forced to admit that some of the shady tactics he revealed were used in real-life espionage. Frederick McCarthy Forsyth was born on 25 August 1938 in Ashford, Kent. The only child of a furrier, he dealt with loneliness by immersing himself in adventure stories. Among his favourites were the works John Buchan and H Rider Haggard, but Forsyth adored Ernest Hemingway's book on bullfighters, Death in the Afternoon. He was so captivated that - at the age of 17 - he went to Spain and started practising with a cape. He never actually fought a bull. Instead, he spent five months at the University of Granada before returning to do his national service with the RAF. Having spent years dreaming of becoming a pilot, Forsyth lied about his age so he could fly de Havilland Vampire jets. In 1958, he joined the Eastern Daily Press as a local journalist. Three years later, he moved to the Reuters news agency. At Tonbridge School, Forsyth had excelled in foreign languages but little else. Fluent in French, German, Spanish, and Russian, he was a born foreign correspondent. Posted to Paris, he covered a number of stories relating to assassination attempts on the life of France's President Charles de Gaulle, by members of the Organisation de l'Armee Secrete (OAS). The group of ex-army personnel were angered at de Gaulle's decision to give independence to Algeria after many of their comrades had died fighting Algerian nationalists. Forsyth called the OAS "white colonialists and neo-fascists". And he decided that, if they really wanted to kill de Gaulle, they would have to hire a professional assassin. Forsyth joined the BBC in 1965. Two years later, he was sent to Nigeria to cover the civil war that followed the secession of the south-eastern region of Biafra. When the fighting dragged on far longer than had been expected, Forsyth asked permission to stay and cover it. According to his autobiography, the BBC told him "it is not our policy to cover this war". "I smelt news management," he said. "I don't like news management." He quit his job and continued to cover the war as a freelance reporter for the next two years. He chronicled his experiences in The Biafra Story, which was published in 1969. He later claimed that, while in Nigeria, he began working for MI6, a relationship that continued for two decades. He also become friendly with a number of mercenaries, who taught him how to get a false passport, obtain a gun and break an enemy's neck. All these tricks of the trade would be incorporated in a tale of an attempted assassination of President de Gaulle, The Day of the Jackal, which he pounded out in his bedsit on an old typewriter in just 35 days. He spent months trying to get it published but faced a string of rejections. "For starters, de Gaulle was still alive," he said, "so readers already knew a fictional assassination plot set in 1963 couldn't succeed." Eventually, a publisher risked a short print run and sales of the book, described once as "an assassin's manual", took off, first in the UK and then in the US. The Day of the Jackal showcased what would become the traditional hallmarks of a Forsyth thriller. It wove together fact and fiction, often using the names of real individuals and events. The Jackal's forgery of a British passport, using the name of a dead child taken from a churchyard, was perfectly feasible in the days before electronic databases and cross-checking. The tale was made into an award-winning film in 1973, staring Edward Fox as the anonymous gunman. Forsyth followed up his success with The Odessa File, the story of a German reporter attempting to track down Eduard Roschmann - a notorious Nazi nicknamed the "Butcher of Riga" - who is protected by a secret society of former SS men known as Odessa. As part of his research, Forsyth travelled to Hamburg posing as a South African arms dealer. "I managed to penetrate their world and was feeling rather proud of myself," he later said. "What I didn't know was that the (contact) had passed a bookshop shortly after our meeting. And there, in the window, was The Day of the Jackal, with a great big picture of me on the back cover." The film of the book led to the identification of the real "Butcher of Riga", who was living in Argentina - after one of his neighbours went to see it at the local cinema. He was arrested by the Argentinian authorities, but skipped bail and fled to Paraguay. The book also mentioned a hoard of Nazi gold that was exported to Switzerland in 1944. Twenty-five years after publication, the Jewish World Congress discovered this passage and, eventually, located gold valued at £1bn. According to the Sunday Times, Forsyth's third novel, The Dogs of War, drew on his experience of organising a coup in Africa. The newspaper reported that Forsyth had once spent $200,000 hiring a boat and recruiting European and African soldiers of fortune for a raid designed to oust the President of Equatorial Guinea in 1972. The plan was said to have failed when the arrangements broke down and the soldiers were intercepted by the Spanish police in the Canary Islands, 3,000 miles from their objective. Then came Devil's Alternative, in which Britain's first female prime minister, Joan Carpenter, was firmly based on Margaret Thatcher, a politician Forsyth greatly admired. She later appeared, under her real name, in four Forsyth novels. There was a move into biography in 1982 with Emeka, the life story of Forsyth's friend Col Chukwuemeka Odumegwu Ojukwu, the head of state of Biafra during that country's brief independence. In 1984, he returned to the novel with The Fourth Protocol: a complex tale of a Soviet plot to influence the British general election and install a hard-left Labour government. The book so impressed Sir Michael Caine that he persuaded Forsyth to allow a film version, in which the veteran actor starred alongside Pierce Brosnan. In the late 1980s, Forsyth separated from his first wife, the former model Carole Cunningham and was photographed alongside the actress Faye Dunaway. The Negotiator, published in 1991, continued the successful run while The Deceiver, the tale of a maverick but brilliant MI6 agent, was made into a BBC mini-series. After two more thrillers, The Fist of God and Icon, Forsyth took an abrupt detour with The Phantom of Manhattan: a sequel to the Phantom of the Opera, which had been a successful musical. It was not a great success but, in 2010, Andrew Lloyd Webber took elements of it for his musical follow-up to Phantom, Love Never Dies. A second set of short stories, The Veteran, also had mixed reviews but Forsyth bounced back in his usual style with Avenger, a 2003 political thriller and, three years later, The Afghan, which had links with the earlier Fist of God. By now, Forsyth had established a reputation as a broadcaster and political pundit. He was a frequent guest on the BBC's topical debate programme Question Time, as someone who held views on the right of the political spectrum. 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He said he was writing another adventure, and even suggested a raffle might give someone the chance to name a character after themselves. Having sold the film rights for £20,000 in the 1970s, Forsyth received no payment for Eddie Redmayne's version of The Day of the Jackal when it was re-imagined for television last year on Sky. Well into his 80s, he had long since agreed to stop research trips to far-flung parts of the world - when a trip to Guinea-Bissau left him with an infection that nearly cost him a leg. "It is a bit drug-like, journalism," he admitted. "I don't think that instinct ever dies." It was an instinct that made his life as full and exciting as his thrillers. The Day Of The Jackal author Frederick Forsyth dies Lee Child: Why Forsyth's Jackal changed thriller writing Frederick Forsyth reveals spy past
