logo
Netizens slam makers of Anupamaa for copying Aryan's drug overdose storyline from Yeh Rishta's Shubham's track; fans write 'stop duplicating the plot'

Netizens slam makers of Anupamaa for copying Aryan's drug overdose storyline from Yeh Rishta's Shubham's track; fans write 'stop duplicating the plot'

Time of India3 days ago

Anupamaa, starring Rupali Ganguly, has reached new heights, and its makers are going to great lengths to include high-voltage drama in the next episodes. The upcoming episodes promise an emotional rollercoaster, and viewers will be startled to see the ultimate twist, which will shatter the Shah and Kothari families to their cores.
The much-anticipated wedding of Aryan and Mahi takes an unexpected turn when Aryan gets caught with drugs. The makers published the latest promo on their social media profile, in which the Shah family eagerly awaits the newlyweds' arrival at their house. Aryan excuses himself, stating that he needs to use the loo. He enters a room and takes drugs offered to him by his friends.
Meanwhile, Anupamaa searches for a box of vermilion (sindoor) and enters a room.
She notices Aryan, who is intoxicated and lying on the floor with a packet of narcotics in his hand, mumbling, "Kya kamaal ka maal hai (It's an amazing drug)."
Anupamaa is devastated upon seeing Aryan. The video has gone viral on social media, and netizens are blasting Anupamaa's impending plan. One person said, 'Yrkkh story?' Another remarked, 'Yee rishta kya kehlata hai or yee same ho rha hai? A third user commented, 'Whi ye rishta ki tale repeat krdi, usme shubhm mrra tha drugs se or ilzam naira pe agya tha, yhan ye anupma pe lgga denge ghuma firaake??‍??‍'.
by Taboola
by Taboola
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
Buy Brass Idols - Handmade Brass Statues for Home & Gifting
Luxeartisanship
Buy Now
Undo
'Stop duplicating the plot of yrkkh in it.
..kuch toh naya try kro...bas ek serial ki story dushri serial mein copy krna jaante hein???' added another person.
According to reports, the entire Kothari family would blame Anupamaa once Aryan died from a drug overdose. Aryan had assured Anupamaa that he would expose his addiction to the family following his reception.
Meanwhile, the same drug track was shown on Yeh Rishta Kya Kehlata Hai. Shubham was seen to be traumatised by Suhana's treachery, and he became addicted to drugs. Shubham takes narcotics from a man and becomes addicted to them. He soon dies of a heroin overdose, and the entire family blames Naira, or Shivangi Joshi, for it.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Garena Free Fire MAX redeem codes for June 5: Win free diamonds and weapons
Garena Free Fire MAX redeem codes for June 5: Win free diamonds and weapons

Time of India

time16 minutes ago

  • Time of India

Garena Free Fire MAX redeem codes for June 5: Win free diamonds and weapons

Garena Free Fire MAX redeem codes for June 5 Garena Free Fire MAX has quickly become a leading battle royale game in India, especially after the government banned its predecessor, Garena Free Fire. Since its launch, the game has captivated gaming enthusiasts across the country with its vibrant graphics and immersive gameplay. The addition of redemption codes in Garena Free Fire MAX adds an extra layer of excitement to the gaming experience. These codes are valid for a limited period, typically between 12 to 18 hours. Once expired, they become inactive, creating a sense of urgency and anticipation among players. According to developer guidelines, the 12-character alphanumeric Garena FF redemption codes can be claimed daily by up to 500 registered gamers. This system ensures fairness and equal opportunities for enthusiasts to enhance their in-game experience. Garena Free Fire MAX is renowned not only for its timely rewards but also for its captivating visuals, innovative features, and immersive gameplay. Join the vibrant community of passionate gamers and dive into the thrilling world of Garena Free Fire MAX, where excitement is always around the corner. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Scam Exposed: What They Won't Tell You about zero trust! Expertinspector Click Here Undo As the top battle royale game in India, Garena Free Fire MAX continues to redefine the gaming landscape. Immerse yourself in a world of intense battles, strategic gameplay, and exclusive rewards within the captivating realm of Garena Free Fire MAX. What are Free Fire Max redeem codes? Embark on an exciting gaming journey with exclusive redemption codes from Garena Free Fire MAX. These codes offer players the chance to acquire coveted in-game items such as weapons, diamonds, skins, and other valuable rewards. Each code is a 12-digit alphanumeric combination featuring a mix of capital letters and numbers, playing a crucial role in enhancing the overall gaming experience. Upon successful redemption, players can unlock a variety of thrilling rewards, including the Rebel Academy Weapon Loot Crate, Revolt Weapon Loot Crate, Diamonds Voucher, and the Fire Head Hunting Parachute. These rewards not only enrich the gaming experience but also provide strategic advantages on the virtual battlefield. Garena Free Fire Max redeem codes today, June 5 FNMJKL123ZXCVBH6 FMLKJH567QWERTY9 FKLJHG890ASDFGH2 FJHGFD345ZXCVBN8 FTREWQ901YUIOP23 FVBNMC678LKJHGF9 FYUIOP456QWERT12 FJKLPO123MNBVC67 FSDFGH901AZXCVB3 FXCVBN234LKJHGF5 FCVBNM789POIUYT0 FBNMKL456ASDFGY2 How to redeem Free Fire Codes Navigate to the Rewards Redemption website at Sign in using your credentials from platforms such as Facebook, X, Apple ID, Google, VK ID, or Huawei ID Enter the redeem code into the visible text box on the screen and finalise the redemption process by clicking 'Confirm' Following a successful redemption, retrieve your Free Fire rewards by launching the Free Fire game on your device Important tips After successfully redeeming the code, players can collect their rewards from the in-game mail section It's important to highlight that these codes are not valid for guest accounts; you must link your account to Facebook, X, Apple, Google, VK, or Huawei to be eligible for the rewards Please be patient and allow for a 24-hour processing period for the rewards to be credited Also read | Genshin Impact Codes | Fruit Battlegrounds Codes | Blox Fruits Codes | Peroxide Codes AI Masterclass for Students. Upskill Young Ones Today!– Join Now

Why did Barack Obama's daughter drop her last name?
Why did Barack Obama's daughter drop her last name?

Time of India

time17 minutes ago

  • Time of India

Why did Barack Obama's daughter drop her last name?

'What's in a name?' According to Malia Ann, a truckload of weight due to hailing from a 'well-known' family. What's happening? Barack and Michelle Obama 's daughters are out in the world and on the path to forge their own identities – away from the weight that comes with their surname, 'Obama'. Maila, 26, is pursuing her career in the entertainment industry, and the aspiring writer and filmmaker has already premiered her short film at the Sundance Film Festival in 2024. Earlier this year, she debuted an ad film she made for Nike. However, when the credits roll, it's not Malia Obama you see – instead, it's Malia Ann. In 2024, Barack and Michelle Obama's eldest daughter made a deliberate choice to drop her famous last name, opting to go by 'Malia Ann' professionally. This decision was highlighted when her short film The Heart premiered at the Sundance Film Festival, with her name appearing without the 'Obama' surname in the credits. Why? Well, although she hasn't addressed it publicly, Malia's choice seems to reflect her desire to establish her own identity in the entertainment industry, separate from her parents' renowned legacy. Why omit 'Obama'? Malia's decision to use only her first and middle names stems from a desire to avoid the 'nepo baby' label and to ensure her work is evaluated on its own merits. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Trading CFD dengan Teknologi dan Kecepatan Lebih Baik IC Markets Mendaftar Undo In an interview, former President Barack Obama shared that Malia expressed her wish for audiences to experience her film without preconceived notions tied to the Obama name. He acknowledged her determination, noting that both Malia and her sister, Sasha, 23, are 'very sensitive' and 'stubborn' about not leveraging their family name for professional gain. He shared that Malia's choice to forgo the 'Obama' surname was a conscious effort to have her work stand on its own. What about parental support? Despite the challenges of stepping out of the spotlight, Malia's parents, Barack and Michelle Obama, have expressed understanding and support for her decision. Michelle Obama emphasized the importance of earning achievements independently, while Barack Obama recognized Malia's desire to be assessed based on her work rather than her family connections. In fact, Michelle recently opened up about her feelings regarding Malia dropping 'Obama' from her name on the podcast Sibling Revelry, hosted by fellow famous siblings Kate and Oliver Hudson, where she made an appearance with her brother and co-host of the 'IMO' podcast, Craig Robinson. When Oliver asked the Robinson siblings whether they experienced moments with their children simultaneously expressing a desire to emulate their parents while also wanting to separate themselves from them completely, Michelle revealed that her daughters definitely went through that phase, and still do. She said, "Where do we begin! Our daughters are 26 and 23, they are young adult women. But they definitely went through a period in their teen years…it was the 'push away.'" She added, "They're still doing that, and you guys know this of children with parents who are known. You're trying to distinguish yourself. It's very important for my kids to feel like they've earned what they are getting in the world." Michelle continued, "And they don't want people to assume that they don't want to work hard, that they're just naturally handed things, they're very sensitive to that. They want to be their own people." The former First Lady also referenced Malia's decision to drop her last name while debuting her short film at Sundance. "And we were like, 'They're still going to know it's you, Malia.' But we respected the fact that she's trying to make her way." However, Michelle shared that as they've gotten older, Malia and Sasha are now "embracing" the principles she and Barack imbibed in them as parents, plus their actions when they were younger. As per her, "They understand us as full human beings now in the same way that I discovered that about my parents." Amid Hollywood career, Barack Obama's daughter changes her famous surname; adopts this new stage name One step to a healthier you—join Times Health+ Yoga and feel the change

Will YouTube be an alternative to streamers or just a co-existing platform?
Will YouTube be an alternative to streamers or just a co-existing platform?

Time of India

time22 minutes ago

  • Time of India

Will YouTube be an alternative to streamers or just a co-existing platform?

In the past few weeks, a new shift has taken place in discussions related to film business in the Hindi film industry. Thanks to the speculation about superstar Aamir Khan bypassing streaming platforms and releasing his new film Sitaare Zameen Par on YouTube after releasing it in theatres, two critical questions have emerged in the industry. One is: Can producers afford to bypass streaming platforms or streamers in the current ecosystem and look for other avenues for releasing films? And another is: Can releasing films on YouTube after their theatrical release emerge as a financially viable option for producers? Answers to these questions will determine whether there will be a new shift in the industry in terms of distribution of films. Let us explore the practical aspects contained in the answers to these questions: Streamers—Integral To The Ecosystem by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Gelsenkirchen: Gutes Hören sucht 700 Testhörer für Hörgeräte ohne Zuzahlung Gutes Hören Undo After the pandemic, streamers have become immensely significant to the film-making ecosystem. Digital rights have become the most potent and certain source of revenues for Hindi films producers. Post the pandemic, producers have been selling their films' digital rights to streaming platforms even before starting production of their films. In this way, producers have been raising reasonably good money required to start a film. Alternatively, after theatrical release of their films, producers have been earning or recovering a portion of their investments by selling their films' digital rights to streamers. So, the relevance of streamers in the entire business of filmmaking is not only in providing money to producers to fund films but also in helping producers in recovering a portion of their investments post theatrical after they have funded their films from other sources. According to FICCI-EY's 2025 Media & Entertainment report, in 2024, 1823 films were released in India. Interestingly, 500 of these 1823 films were released on streamers. In 2023, 1796 were released in India. In these, 416 films were released on streamers. So, between 2023 and 2024, there has been 20% growth of films releasing on streamers. Importantly, in 2024, close to 28% of films made across languages in India were released on streamers. This shows the increasing importance of streamers not only as an effective funding entity but also as a viable channel for distribution of films after their theatrical release. Live Events Number of Films Released on Streaming Platforms Year Post theatrical Release Directly on Streaming platforms 2023 359 57 2024 440 60 Source: FICCI-EY 2025 Report Tellingly, in the past three years, revenues generated from the sale of digital rights of films to streamers have become the second highest source of revenues of films after theatrical revenues. According to the FICCI-EY report, revenues from the sale of digital rights of films to streaming platforms are estimated to grow to Rs3600 crore in 2027 from Rs3100 crore in 2024. This is higher than the revenues from the sale of overseas and television rights of films in the same period. This shows how streamers have become a key source of revenues for producers. Revenues from Each Segment of Film Business (Rs crore) Segment 2024 2025E 2027E Domestic Theatricals 11400 11900 129 Overseas theatricals 2000 2100 2300 Digital/ Streaming rights 3100 3300 3600 Broadcast /Satellite/Television rights 1300 1400 1400 In-cinema advertising 900 900 1000 Total 18700 19600 21300 Source: FICCI-EY 2025 Report According to Anushree Rauta, head of media and entertainment practice, ANM Global, a leading law firm in media and entertainment sector in India, apart from theatrical revenues, on the average, producers recover around 50–55% of their production costs by selling digital rights of their films to streaming platforms. She shares, "Revenues from the sale of satellite rights contribute approximately 10% to total revenues of films. Revenues from the sale of music rights are about 10–20% depending on the talent engaged." A big advantage which distinguishes streamers from other platforms (on which films can be released) is the relatively lower time in which a producer earns or obtains revenues for his or her films. In the entertainment industry, which is capital-intensive in nature, this advantage has made streamers almost a lifeline especially for films which have A-list or well-known cast and crew. Given these facts, in today's ecosystem, it seems that producers cannot afford to bypass streamers. According to Anushree Rauta, head of media and entertainment practice, ANM Global, a leading law firm in the media and entertainment sector in India, apart from theatrical revenues, on the average, producers recover around 50–55% of their production costs by selling digital rights of their films to streaming platforms. She shares, "Revenues from the sale of satellite rights contribute approximately 10% to total revenues of films. Revenues from the sale of music rights are about 10–20% depending on the talent engaged." A big advantage which distinguishes streamers from other platforms (on which films can be released) is the relatively lower time in which a producer earns or obtains revenues for his or her films. In the entertainment industry, which is capital-intensive in nature, this advantage has made streamers almost a lifeline especially for films which have A-list or well-known cast and crew. Given these facts, in today's ecosystem, it seems that producers cannot afford to bypass streamers. The Lure of the YouTube Model Can releasing films on YouTube after their theatrical run emerge as a financially viable option for Hindi film producers? There are favourable statistics about YouTube. According to the FICCI-EY report, YouTube dominates online video consumption in India. 92% of all online video consumption happens on YouTube. The remaining 8% of online video consumption happens on platforms which provide advertisement-supported, free and subscription videos. YouTube reaches 47.6 crore audiences in India. This is two times the audience base of the US. The FICCI-EY report foresees that YouTube is likely to reach 80 crore audience base in India by 2029 thanks to the improvement in digital infrastructure and changing consumer habits. According to , a leading marketing blog and training site for Search Engine Optimisation (SEO) strategies, YouTube has 249 crore monthly active users. In 2024, YouTube shared that its premium video services YouTube Premium and premium music services YouTube Music have surpassed 10 crore subscribers, globally. Interestingly, in the recently concluded media and entertainment event Waves Summit in Mumbai, Neal Mohan, CEO, YouTube, said that in the past three years alone, YouTube has paid more than Rs21000 crore to creators, artists, and media companies across India. He said that in the next two years YouTube will invest over Rs 850 crore to accelerate the growth of Indian creators, artists, and media companies. These statistics indicate favourable economics of releasing films on YouTube. But like most statistics, these statistics show the potential but may not represent entire ground realities. Top countries by YouTube audience (Users) India 47.6 cr US 23.8 cr Brazil 14.7 cr United Kingdom 5.6 cr Source: FICCI-EY 2025 Report It is important to understand how fast a producer makes revenues or recovers investments when he or she releases films on YouTube. In this context, knowing the pattern of performance of films released on YouTube in the western markets will be helpful. This will give an idea about how the journey of releasing films on YouTube after their theatrical run could transpire in India. Adi Tiwary, creative director and partner, Stuart Entertainment, an Australia-based film distributor shares an interesting perspective about the situation in the international market. He says, "Releasing a film on YouTube is similar to nurturing a start-up. Producers have to create a constant buzz around the film to attract users' attention. Also, a film works on YouTube when its cast is in the news." He adds, "Then, there are marketing costs attached, apart from time." He explains that in the overseas markets YouTube is an integral part of entire marketing and promotional activities of films even before theatrical release. Producers invest in influencers and constantly upload videos on YouTube to maintain buzz around their films. Largely, YouTube provides four ways of earning revenues for producers. These are: advertisements-supported service, subscription-based, shorts monetisation and transaction-based service, which includes watching films on rent (a film stays in your account for two days) or buying films (a film stays in your account as long as it is there on YouTube). According to overseas distributors, even after considering this revenue model, it has been observed that a film on the average takes at least a year to make reasonably good money on YouTube. This is because YouTube is largely an ocean of individual creators in which users consume extremely diverse range of content in diverse formats (short-form and long-form). According to the recent analysis of Ampere Media, a firm known for research on global entertainment business, film and television content is the fifth most watched content on YouTube, globally. This shows that film content is not the most preferred content for YouTube audience. Unlike YouTube, a streaming platform is only about film content (feature-length and long format). It needs to create and maintain library of films. Over the years, streamers have succeeded in positioning them as a reliable space for filmed entertainment with increasingly improving visual interface experience. Given the fact that it takes at least a year (on the average) for a film to generate reasonably good revenues for producers, it seems that the YouTube model is favourable for those producers who can wait for a long period for revenues. Suniel Wadhwa, a veteran distributor, co-founder and director of Karmic Films, who agrees with this line of thought, explains, "I think the YouTube model works in favour of cash-rich producers who have high holding capacity (capacity to wait) and films which have well-established or A-list cast. Only this combined force can find it relatively easier to make money from releasing films on YouTube in India." YouTube Business Model Revenue Model Type Revenue Split Key Feature AVOD Advertisements 55%: Creator 45%: YouTube Free content with advertisements SVOD Subscription A portion of subscription fees goes to creators based on how much time users spent on their content YouTube Premium and Music TVOD Transactional 70%: creators 30%: YouTube Rent or Buy Movies Pay per View Direct Monetisation Tips/Membership Varies (after fees) Super Chat, Memberships, Shopping tools Shorts Monetisation Advertisements/Fund 45%: Creators Monetisation of short form videos In India also, producers who have first-hand experience of releasing films on YouTube share that monetising films on YouTube is a steady but long-term affair. They point out that the YouTube model works in favour of producers who have high holding capacity. Shiladitya Bora, producer and founder of Platoon One Films, a Mumbai-based film production company, who released his film Aye Zindagi (2022) on YouTube, shares, "YouTube is a great option to monetise a film. My experience has been quite effective. A few years ago, I sold a regional indie film to a streaming platform. In hindsight, retaining the Intellectual Property (IP) and licensing only the Subscription Video on Demand (SVOD) rights for a limited window might have been a more strategic move. I have released other films of mine on YouTube. These films have garnered good traction and reasonably good revenues. But it takes time. So, I think the YouTube Model works largely for producers who have holding capacity." Global Top Content Types Watched on YouTube (%) Subject % of YouTube Monthly Active Users Music/Music Videos 56 Comedy 39 How to's 29 Documentaries 24 Films or TV shows 23 Either 38 Vlogs 21 Travel 20 Gaming 19 Reviews 17 TV/Film Trailers 17 Source: Ampere Media In the backdrop of these facts, a fundamental question emerges: How many Hindi film producers can afford to wait for a long time especially when streamers provide much faster revenue realisation pre-and-post theatrical release? This question is more relevant today when producers are facing challenges in raising money to fund films. Therefore, considering the present dynamics of the industry it seems that YouTube may not emerge as an alternative to streamers. It is more likely to be a co-existing platform providing a wide range of content in which film content will be one of its offerings.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store