
'Remarkable': tribute as David Attenborough turns 99
David Attenborough has "one of the greatest legacies of any human being ever", a BBC executive says, as the naturalist and filmmaker turns 99.
Attenborough, who has been on TV screens for more than seven decades presenting programs such as Planet Earth and Blue Planet, celebrates his birthday on Thursday.
Mike Gunton, creative director at BBC Studios Natural History Unit, told the PA news agency: "Each generation has its own kind of personal legacy from him, and ... that's remarkable.
"But also, there's a broader, I suppose, global legacy, which I think is that he has shown us wonders, he's helped us understand wonders, and he's encouraged us to protect these wonders."
Gunton began working with the broadcaster aged 29, said it had been "a life-defining experience" for him.
"Every program I have made with him has been a remarkable experience which the audience have always found completely memorable and worthwhile and that's a joy for anybody, to make things that are remembered, you know, they're historic, they're part of human history," Gunton said.
David Frederick Attenborough was born in London in 1926, the son of a principal of Leicester University College.
Before joining the BBC in 1952, he studied geology at the University of Cambridge and served two years in the Royal Navy.
He made his reputation with the groundbreaking Zoo Quest series, which he hosted for 10 years on the BBC.
In 1965 he became controller of BBC2, overseeing the advent of colour TV, and he later became BBC director of programming.
Ultimately, however, life as a broadcast executive did not appeal and he returned with relief to his early passions, program-making and filming the wildlife that fascinated him so much.
His famous whispering voice captured the imaginations around the world in 1979 when he was seen mingling and bonding with a family of gorillas in Life On Earth and its sequel The Living Planet in 1984.
He was knighted by the late Queen Elizabeth II the following year.
The TV presenter has two children, Susan and Robert, with his late wife Jane whom he married in 1950.
In recent years, Attenborough has presented shows including Dynasties, Prehistoric Planet and Planet Earth III.
In celebration of his 99th birthday, a new documentary about the health of the ocean will air in cinemas from Thursday.
It comes after the King and Attenborough attended the premiere of Ocean With David Attenborough in London on Tuesday.
David Attenborough has "one of the greatest legacies of any human being ever", a BBC executive says, as the naturalist and filmmaker turns 99.
Attenborough, who has been on TV screens for more than seven decades presenting programs such as Planet Earth and Blue Planet, celebrates his birthday on Thursday.
Mike Gunton, creative director at BBC Studios Natural History Unit, told the PA news agency: "Each generation has its own kind of personal legacy from him, and ... that's remarkable.
"But also, there's a broader, I suppose, global legacy, which I think is that he has shown us wonders, he's helped us understand wonders, and he's encouraged us to protect these wonders."
Gunton began working with the broadcaster aged 29, said it had been "a life-defining experience" for him.
"Every program I have made with him has been a remarkable experience which the audience have always found completely memorable and worthwhile and that's a joy for anybody, to make things that are remembered, you know, they're historic, they're part of human history," Gunton said.
David Frederick Attenborough was born in London in 1926, the son of a principal of Leicester University College.
Before joining the BBC in 1952, he studied geology at the University of Cambridge and served two years in the Royal Navy.
He made his reputation with the groundbreaking Zoo Quest series, which he hosted for 10 years on the BBC.
In 1965 he became controller of BBC2, overseeing the advent of colour TV, and he later became BBC director of programming.
Ultimately, however, life as a broadcast executive did not appeal and he returned with relief to his early passions, program-making and filming the wildlife that fascinated him so much.
His famous whispering voice captured the imaginations around the world in 1979 when he was seen mingling and bonding with a family of gorillas in Life On Earth and its sequel The Living Planet in 1984.
He was knighted by the late Queen Elizabeth II the following year.
The TV presenter has two children, Susan and Robert, with his late wife Jane whom he married in 1950.
In recent years, Attenborough has presented shows including Dynasties, Prehistoric Planet and Planet Earth III.
In celebration of his 99th birthday, a new documentary about the health of the ocean will air in cinemas from Thursday.
It comes after the King and Attenborough attended the premiere of Ocean With David Attenborough in London on Tuesday.
David Attenborough has "one of the greatest legacies of any human being ever", a BBC executive says, as the naturalist and filmmaker turns 99.
Attenborough, who has been on TV screens for more than seven decades presenting programs such as Planet Earth and Blue Planet, celebrates his birthday on Thursday.
Mike Gunton, creative director at BBC Studios Natural History Unit, told the PA news agency: "Each generation has its own kind of personal legacy from him, and ... that's remarkable.
"But also, there's a broader, I suppose, global legacy, which I think is that he has shown us wonders, he's helped us understand wonders, and he's encouraged us to protect these wonders."
Gunton began working with the broadcaster aged 29, said it had been "a life-defining experience" for him.
"Every program I have made with him has been a remarkable experience which the audience have always found completely memorable and worthwhile and that's a joy for anybody, to make things that are remembered, you know, they're historic, they're part of human history," Gunton said.
David Frederick Attenborough was born in London in 1926, the son of a principal of Leicester University College.
Before joining the BBC in 1952, he studied geology at the University of Cambridge and served two years in the Royal Navy.
He made his reputation with the groundbreaking Zoo Quest series, which he hosted for 10 years on the BBC.
In 1965 he became controller of BBC2, overseeing the advent of colour TV, and he later became BBC director of programming.
Ultimately, however, life as a broadcast executive did not appeal and he returned with relief to his early passions, program-making and filming the wildlife that fascinated him so much.
His famous whispering voice captured the imaginations around the world in 1979 when he was seen mingling and bonding with a family of gorillas in Life On Earth and its sequel The Living Planet in 1984.
He was knighted by the late Queen Elizabeth II the following year.
The TV presenter has two children, Susan and Robert, with his late wife Jane whom he married in 1950.
In recent years, Attenborough has presented shows including Dynasties, Prehistoric Planet and Planet Earth III.
In celebration of his 99th birthday, a new documentary about the health of the ocean will air in cinemas from Thursday.
It comes after the King and Attenborough attended the premiere of Ocean With David Attenborough in London on Tuesday.
David Attenborough has "one of the greatest legacies of any human being ever", a BBC executive says, as the naturalist and filmmaker turns 99.
Attenborough, who has been on TV screens for more than seven decades presenting programs such as Planet Earth and Blue Planet, celebrates his birthday on Thursday.
Mike Gunton, creative director at BBC Studios Natural History Unit, told the PA news agency: "Each generation has its own kind of personal legacy from him, and ... that's remarkable.
"But also, there's a broader, I suppose, global legacy, which I think is that he has shown us wonders, he's helped us understand wonders, and he's encouraged us to protect these wonders."
Gunton began working with the broadcaster aged 29, said it had been "a life-defining experience" for him.
"Every program I have made with him has been a remarkable experience which the audience have always found completely memorable and worthwhile and that's a joy for anybody, to make things that are remembered, you know, they're historic, they're part of human history," Gunton said.
David Frederick Attenborough was born in London in 1926, the son of a principal of Leicester University College.
Before joining the BBC in 1952, he studied geology at the University of Cambridge and served two years in the Royal Navy.
He made his reputation with the groundbreaking Zoo Quest series, which he hosted for 10 years on the BBC.
In 1965 he became controller of BBC2, overseeing the advent of colour TV, and he later became BBC director of programming.
Ultimately, however, life as a broadcast executive did not appeal and he returned with relief to his early passions, program-making and filming the wildlife that fascinated him so much.
His famous whispering voice captured the imaginations around the world in 1979 when he was seen mingling and bonding with a family of gorillas in Life On Earth and its sequel The Living Planet in 1984.
He was knighted by the late Queen Elizabeth II the following year.
The TV presenter has two children, Susan and Robert, with his late wife Jane whom he married in 1950.
In recent years, Attenborough has presented shows including Dynasties, Prehistoric Planet and Planet Earth III.
In celebration of his 99th birthday, a new documentary about the health of the ocean will air in cinemas from Thursday.
It comes after the King and Attenborough attended the premiere of Ocean With David Attenborough in London on Tuesday.
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West Australian
3 hours ago
- West Australian
Screen Queen TV reviews: Ocean With David Attenborough, Mix Tape, Fubar S2 and Romcon
I've recently become obsessed with following the exploits of a family of urban foxes living in the overgrown backyard of a house in London. A young woman named Kels was surprised to find a mama fox had taken up residence with her cubs in her garden. She's been filming their exploits (from a safe distance) for TikTok for about four weeks now and, honestly, it's so wholesome. I'm delighting in learning more about their early lives via this young Londoner, who probably knows about as much as I do about foxes — she and I are on a steep learning curve, and I LOVE this for us. Full disclosure: Sir David Attenborough she is not. But her decidedly lo-fi nature commentary has more in common with his latest (last?) doco, hitting screens this week, than you might think. Sir David's film is dedicated to highlighting the importance and health of the world's oceans, and as the natural historian, now a grand 99 years old, says in the promo: 'We save the sea, we save our world'. It's hard not to feel emotional as you hear his rallying cry, as he implores us to 'open our eyes to what is happening right now, below the waves'. This beautiful National Geographic film has a huge budget and is being released on Disney Plus on World Oceans Day. It's sure to have a big impact. But Kels' videos, in their own little way, are also important. She's encouraging us to open our eyes to what's happening around us, and I love her little nature docos, filmed on a phone and beamed over social media to her modest number of 'Fox Fam' followers. Her videos are a million miles from this doco, but have a similar message of the wonder of the world around us, and I feel like this is something Attenborough would wholeheartedly approve of. Long may his legacy live on. Did you catch the addictive One Day on Netflix last year? It was a delightful series based on the book by David Nicholls, boasting a killer soundtrack and a devastating premise. I was hooked. In the same vein comes this four-part series, an Australian-Irish co-production. It follows the passionate teen romance of Alison and Daniel (played by Florence Hunt and Rory Walton-Smith) in Sheffield in the late 1980s. They connect over their love of music, swapping mix tapes, before life — and events beyond their control — wrests them from one another's orbit. It picks up again a decade or so later, with Teresa Palmer and Jim Sturgess playing them in their older years. They are now living on opposite ends of the earth, but connect again via music. This delightfully nostalgic drama will have you feeling all the feels. Not to be missed. Shout out to the little show that could! Twelve years on and I'm still enjoying dipping into this hilarious distraction of a show, which, in my opinion, continues to get better as the years go on. Great Monday night winter TV. Arnold Schwarzenegger is back for the second series of this surprisingly likeable comedy, which sees him and Monica Barbaro star as father-daughter CIA operatives. This season, Carrie-Anne Moss joins as a German spy named Greta Nelso — what a combo! Jason Porter, it turns out, is a man who managed to hoodwink several women, including Heather Rovet (pictured) in Toronto, fleecing them out of hundreds of thousands of dollars. Hats off to him: it takes chutzpah to attempt a catfishing scam these days, knowing there's every possibility you'll be immortalised via a made-for-TV doco series. JOKES — this is grim.


The Advertiser
9 hours ago
- The Advertiser
David Attenborough's Ocean a wake-up call from the sea
An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net ploughs the sea floor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. Ocean With David Attenborough is a brutal reminder of how little we see and how much is at stake. The film is a sweeping celebration of marine life and a stark expose of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: "After living for nearly 100 years on this planet, I now understand that the most important place on earth is not on land, but at sea." The film traces Attenborough's lifetime - an era of unprecedented ocean discovery - through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. Ocean is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. "I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it," co-director Colin Butfield said. "Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere." The practice is not only legal, he adds, but often subsidised. "For too long, everything in the ocean has been invisible," Butfield said. "Most people picture fishing as small boats heading out from a local harbour. They're not picturing factories at sea scraping the seabed." In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About nine million tonnes of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, Ocean is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahanaumokuakea Marine National Monument. These aren't fantasies - they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the United Nations Ocean Conference in Nice, the film arrives amid a growing global push to protect 30 per cent of the ocean by 2030 - a goal endorsed by more than 190 countries. But today, just 2.7 per cent of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called "protected" areas often aren't. And banning destructive practices such as bottom trawling is not just feasible - it's imperative. As always, Attenborough is a voice of moral clarity. "This could be the moment of change," he says. Ocean gives us the reason to believe - and the evidence to demand - that it must be. Ocean screens on National Geographic in the US and streams globally on Disney+ and Hulu from Sunday. An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net ploughs the sea floor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. Ocean With David Attenborough is a brutal reminder of how little we see and how much is at stake. The film is a sweeping celebration of marine life and a stark expose of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: "After living for nearly 100 years on this planet, I now understand that the most important place on earth is not on land, but at sea." The film traces Attenborough's lifetime - an era of unprecedented ocean discovery - through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. Ocean is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. "I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it," co-director Colin Butfield said. "Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere." The practice is not only legal, he adds, but often subsidised. "For too long, everything in the ocean has been invisible," Butfield said. "Most people picture fishing as small boats heading out from a local harbour. They're not picturing factories at sea scraping the seabed." In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About nine million tonnes of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, Ocean is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahanaumokuakea Marine National Monument. These aren't fantasies - they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the United Nations Ocean Conference in Nice, the film arrives amid a growing global push to protect 30 per cent of the ocean by 2030 - a goal endorsed by more than 190 countries. But today, just 2.7 per cent of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called "protected" areas often aren't. And banning destructive practices such as bottom trawling is not just feasible - it's imperative. As always, Attenborough is a voice of moral clarity. "This could be the moment of change," he says. Ocean gives us the reason to believe - and the evidence to demand - that it must be. Ocean screens on National Geographic in the US and streams globally on Disney+ and Hulu from Sunday. An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net ploughs the sea floor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. Ocean With David Attenborough is a brutal reminder of how little we see and how much is at stake. The film is a sweeping celebration of marine life and a stark expose of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: "After living for nearly 100 years on this planet, I now understand that the most important place on earth is not on land, but at sea." The film traces Attenborough's lifetime - an era of unprecedented ocean discovery - through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. Ocean is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. "I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it," co-director Colin Butfield said. "Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere." The practice is not only legal, he adds, but often subsidised. "For too long, everything in the ocean has been invisible," Butfield said. "Most people picture fishing as small boats heading out from a local harbour. They're not picturing factories at sea scraping the seabed." In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About nine million tonnes of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, Ocean is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahanaumokuakea Marine National Monument. These aren't fantasies - they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the United Nations Ocean Conference in Nice, the film arrives amid a growing global push to protect 30 per cent of the ocean by 2030 - a goal endorsed by more than 190 countries. But today, just 2.7 per cent of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called "protected" areas often aren't. And banning destructive practices such as bottom trawling is not just feasible - it's imperative. As always, Attenborough is a voice of moral clarity. "This could be the moment of change," he says. Ocean gives us the reason to believe - and the evidence to demand - that it must be. Ocean screens on National Geographic in the US and streams globally on Disney+ and Hulu from Sunday. An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net ploughs the sea floor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. Ocean With David Attenborough is a brutal reminder of how little we see and how much is at stake. The film is a sweeping celebration of marine life and a stark expose of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: "After living for nearly 100 years on this planet, I now understand that the most important place on earth is not on land, but at sea." The film traces Attenborough's lifetime - an era of unprecedented ocean discovery - through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. Ocean is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. "I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it," co-director Colin Butfield said. "Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere." The practice is not only legal, he adds, but often subsidised. "For too long, everything in the ocean has been invisible," Butfield said. "Most people picture fishing as small boats heading out from a local harbour. They're not picturing factories at sea scraping the seabed." In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About nine million tonnes of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, Ocean is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahanaumokuakea Marine National Monument. These aren't fantasies - they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the United Nations Ocean Conference in Nice, the film arrives amid a growing global push to protect 30 per cent of the ocean by 2030 - a goal endorsed by more than 190 countries. But today, just 2.7 per cent of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called "protected" areas often aren't. And banning destructive practices such as bottom trawling is not just feasible - it's imperative. As always, Attenborough is a voice of moral clarity. "This could be the moment of change," he says. Ocean gives us the reason to believe - and the evidence to demand - that it must be. Ocean screens on National Geographic in the US and streams globally on Disney+ and Hulu from Sunday.


Perth Now
12 hours ago
- Perth Now
Olly Alexander 'wants to take his foot off the gas' as a musician
Olly Alexander doesn't enjoy the "intensity" of the music business. The 34-year-old singer has put his music career on hold in recent months, in order to focus on acting, and Olly admits that the industry has been overwhelming at times. The Years and Years star told the BBC: "With music, there's an intensity to the way I've been working and putting albums out, promoting and touring. "I definitely want to take the foot off the gas in terms of that intensity." Olly announced his departure from his record label earlier this year, and the singer is currently preparing to star in a West End production of 'The Importance of Being Earnest'. Olly is relishing the stability that acting has given him. He said: "I spent a lot of my previous years moving around, touring, which is so fun and amazing. But I also very much appreciate staying in one place now. "Having a home in London with my partner, my cats, just trotting off to the theatre every night - that just sounds like the most wonderful existence." Meanwhile, Olly previously revealed that he turned to Sir Elton John and Kylie Minogue for advice on how to deal with fame. The pop star - who has also enjoyed significant success as an actor - told the Evening Standard newspaper: "Working with Elton and even Kylie, two of the most iconic legends, they both told me how they've struggled as an artist to feel like at times they knew what they were doing, feeling really dark. "Elton talks a lot about how depressed he was and how difficult things got for him and hearing them talk about that you just go 'wow'." Olly actually found their advice to be really reassuring. The award-winning star said: "I'm someone who is constantly questioning why the hell I'm here and doing what I'm doing like 'oh my God' - I'm totally that person. But to hear that from people I really, really respect that it's normal and you just get through it somehow. That was good advice and good to hear."