logo
Rare iconic movie posters to be auctioned in US

Rare iconic movie posters to be auctioned in US

Observer18-03-2025

Dozens of rare posters from some of the 20th century's most iconic films will go under the hammer this month as an American collector relinquishes some of his most precious possessions.
The 500 posters and lobby cards from classic films such as "King Kong", "Casablanca" and "2001: A Space Odyssey" have been exhibited in recent weeks in London, New York and Chicago.
Collected over half a century by real estate agent Dwight Cleveland, they are to be auctioned by Heritage showrooms in Dallas on March 27 and 28.
"I cherish every single one of them because every one of them was hand-picked," Cleveland, 65, told AFP.
"These are commercial art. They were intended to grab us by the lapels and yank us into a movie theatre and say, 'See this film'."
But this was also "important art" that went beyond just advertising, he argued.
The posters and cards, which would have been displayed in cinema foyers, span around 125 years of film history. Many of the images date from the late 19th and early 20th centuries.
But after 50 years "it's getting harder and harder to find anything to add to the collection", said Cleveland.
"I don't feel like there's anything else I can do and give to this hobby," he added.
Some of the posters will do better at auction than others, he said, including the one for the 1933 version of "King Kong" showing actor Fay Wray in the grip of the beast.
Rare iconic movie posters to be auctioned in US
It has an estimated guide price of $40,000 to $80,000.
- Passion - "The selection of Cleveland's collection offered by Heritage in March represents the best of the best," said Joe Maddalena, Heritage's vice president.
"What makes me different from most collectors is that I fell in love with the artwork first," said Cleveland.
"I do not come to this from a film background."
Cleveland's interest in the subject began at school, where his art teacher displayed film posters and lobby cards in his room.
"We walked by these every day, and we kind of made fun of him, to be honest with you, because he had quite a few of them, and it was a very esoteric collection," Cleveland said.
But one day in 1977, his last year at school, he was drawn to a lobby card from the 1929 movie "Wolf Song" starring Gary Cooper and Mexican actor Lupe Velez.
He became hooked and it took him 18 months to gather enough movie items to trade for the card with his then former teacher -- sparking a lifelong love of collecting.
Cleveland's extensive collection has already been exhibited in the Norton Museum of Art in West Palm Beach, Florida in 2019.
Other exhibitions have been held in San Diego, Los Angeles and New York.
Other rare finds going under the hammer include a 1953 Italian poster for the 1942 film "Casablanca" starring Humphrey Bogart and Ingrid Bergman.
Most of the posters to be auctioned have estimates of between $1,000 to $2,000. Heritage has calculated that the whole auction could raise one million dollars.
After the Dallas auction, Cleveland will still own about 10,000 lobby cards and around 500 posters, which he might one day either donate or put up for auction.
"I'll be sad to see some of them go, but I'll be happy that they're going to be in the hands of other collectors to whom they'll mean a lot," he said. —AFP

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Cannes red carpet gets second life as handbags, hats or slippers
Cannes red carpet gets second life as handbags, hats or slippers

Observer

time2 days ago

  • Observer

Cannes red carpet gets second life as handbags, hats or slippers

MARSEILLE: After being walked for two weeks by stars from Tom Cruise to Rihanna, the legendary red carpets of the Cannes film festival are set for a second life thanks to an upcycling charity and some environmentally conscious designers. The red carpets were replaced daily at the festival, which ended on May 24, with organisers handing over 1.5 tonnes of fine red material to a non-profit organisation in the port city of Marseille. The carpets now sit on pallets or in black waste bags in a warehouse used by the La Reserve des Arts in the deprived northern suburbs of Marseille where they are being sorted, cleaned and prepared for re-use. Some of them have small holes — possibly a result of hosting all those towering stilettoes — while others have been marked by footsteps or scuffs. "By reconditioning them, we're helping to reduce the environmental impact of the event — something the festival is aware of," Jeanne Re, coordinator at La Reserve des Arts, said during a visit on Wednesday. The charity specialises in re-using or "upcycling" products used by the fashion, theatre or other entertainment industries, finding new lives for items that might otherwise have ended up as waste. The approach helps to reduce landfill and is seen as a response to growing public concern about the volume of single-use items used to put on public events. Recycled red carpets used during the last Cannes Film Festival. — AFP But some environmental groups believe so-called second-life policies can result in "greenwashing", leading organisers and companies to tout their recycling policies rather than focusing on reducing their overall consumption. Cruise Footsteps The Cannes carpet is being resold at just one euro a kilo that amounted to 33 cents per square metre — an "unbeatable" price. She added that the goal was to make it "as accessible to as many of our members as possible". Elsa Ramouni-Yordikian, an artist and member who has been using the red carpets for the last four years, said she had used the material for handbags, bucket hats, glasses cases and even bags for wine bottles. Some were "quite unique pieces", she said of her work with the charity Les Nippones. She recently showcased her creations made with the 2024 carpet in an exhibition in Marseille titled "Dress like a Movie Star". "The fact that it comes from a famous festival and is recycled locally — that makes sense to us," she said. Production of synthetic materials like the red carpets will "never stop, there will always be more, just like festivals and trade shows, so we need to find ways to give them new value", she said. The top prize for best film at this year's Cannes Festival went to dissident Iranian filmmaker Jafar Panahi for his highly political movie "It Was Just an Accident". The red carpets were walked by a host of entertainment world A-listers from Cruise and Rihanna, who accompanied her rapper partner A$AP Rocky, as well as Halle Berry, Scarlett Johansson and Robert De Niro. — AFP

Swiatek, Sabalenka into French Open semis
Swiatek, Sabalenka into French Open semis

Observer

time6 days ago

  • Observer

Swiatek, Sabalenka into French Open semis

PARIS: Three-time defending champion Iga Swiatek set up a blockbuster French Open semifinal clash with world number one Aryna Sabalenka on Tuesday, as reigning men's holder Carlos Alcaraz powered his way into the last four. Alcaraz blew away American 12th seed Tommy Paul for the loss of just five games in the night session on Court Philippe Chatrier. The Spaniard needed just one hour 34 minutes to dismantle Paul 6-0, 6-1, 6-4 and set up a last-four meeting with Italy's Lorenzo Musetti. "I'm sorry you wanted to watch more tennis, I had to do my work," Alcaraz told the crowd. "It was one of those matches where I could close my eyes and everything went in. It was like my feeling today was unbelievable." Earlier, Swiatek, the fifth seed, got past Ukrainian Elina Svitolina 6-1, 7-5, after top women's seed Sabalenka won a tense quarterfinal against Olympic champion Zheng Qinwen 7-6 (7/3), 6-3. World number five Swiatek has been struggling for her best form and has not reached a final since winning the French Open title last year. But she gave 13th seed Svitolina little opportunity on her favoured clay surface, breaking in the fourth game to ease through the first set, in windy conditions on Court Philippe Chatrier. The pair exchanged consecutive breaks of serve early in the second set, before Swiatek forced the breakthrough at 5-5 with a powerful forehand down the line. She then sealed the win with back-to-back aces. "Even though the first set, the score looks pretty straightforward, it wasn't, I had to fight for every point." said Swiatek. AlCARAZ, MUSETTI REMATCH Swiatek is aiming to become the first woman to win four straight Roland Garros crowns since Suzanne Lenglen 102 years ago. "(Aryna) has been having a great season so I'm not going to lie, it is going to be a tough match. But I'm happy for the challenge," said Swiatek, after reeling off her 26th win in a row at the French Open. Both players have shared the number one ranking between them since April 2022. Sabalenka ended Swiatek's 11-month reign as world number one last October but the Pole leads 8-4 in their previous meetings. Earlier, reigning US Open champion Sabalenka avenged her recent loss to Zheng in Rome. "The last tournament I was pretty exhausted," said Sabalenka. "Today I was more fresh, I was ready to battle." Sabalenka once again got the upper hand over Zheng, who had been on a winning streak of 10 matches on the Paris clay after her run to Olympic gold last year. Zheng broke and led 4-2 in the first set. But numerous unforced errors — 31 in total — allowed the Belarusian to come back. "I gave her the chance, so easy," said Zheng, who has lost seven times in eight meetings with Sabalenka, including in last year's Australian Open final. Madrid Open champion Sabalenka feels she is ready to go all the way in Paris, where her previous best was the semifinals two years ago. "It's high-level matches. I'm super excited to go out there and to fight and to do everything I need to get the win," said Sabalenka. Alcaraz, 22, dispatched former world number nine Paul after Musetti had earlier seen off Paul's 15th seeded compatriot Frances Tiafoe 6-2, 4-6, 7-5, 6-2. The second seed hit 40 winners and made just 22 unforced errors against Paul, who he also beat on his way to silver at the Paris Olympics last year. Eighth seed Musetti, 23, took over two hours 45 minutes to get past Tiafoe and qualify for his second Grand Slam semifinal, after Wimbledon last year. Musetti's serve proved to be a major weapon on the day as he fired down eight aces with an 81 per cent success rate on his first serve. He also saved two of the three break points engineered by Tiafoe, who had 51 unforced errors to the Italian's 32. It will be the third time Alcaraz and Musetti meet this clay-court season. Alcaraz has dominated that series — beating the Italian in the final in Monte Carlo before also stopping him in the last four on his way to the Rome title. — AFP

In Cairo, the little indie cinema that could
In Cairo, the little indie cinema that could

Observer

time03-06-2025

  • Observer

In Cairo, the little indie cinema that could

In the heart of Cairo, a small cinema has for over a decade offered a unique space for independent film in a country whose industry is largely dominated by commercial considerations. Zawya, meaning "perspective" in Arabic, has weathered the storm of Egypt's economic upheavals, championing a more artistic approach from the historical heart of the country's golden age of cinema. Zawya was born in the post-revolutionary artistic fervour of the 2011 uprising that toppled longtime president Hosni Mubarak. "There was this energy where people wanted to produce and create, not just in cinema, but in all the arts, you could feel it," said Zawya founder Youssef Shazli. In the time since, it has escaped a wave of closures -- some forced -- of art centres across the capital. Egypt had long been known as the Hollywood of the Arab world, but in the decades since its mid-century heyday, the domestic industry has largely been restricted to crowd-pleasing blockbusters. "It's often said that we're lucky to have a large film industry, with infrastructure already in place," said filmmaker Maged Nader. "But the truth is this industry operates solely on a commercial logic," leaving little room for independent filmmakers, he added. Yet Zawya has survived in its niche, in part due to the relative financial stability afforded to it by its parent company Misr International Films. Founded in 1972 by Egyptian cinematic giant Youssef Chahine -- Shazli's great uncle -- the company continues to produce and distribute films. - Young talent - For Shazli, Zawya is "a cinema for films that don't fit into traditional theatres". But for young cinephiles like 24-year-old actress Lujain, "it feels like home," she told AFP as she joined a winding queue into the larger of Zawya's two theatres. Since 2014, Zawya's year-round programming -- including both local and international short films, documentaries and feature films -- has secured the loyalty of a small but passionate scene. Its annual short film festival, held every spring, has become a vital space for up-and-coming directors trying to break through a system that leaves little room for experimentation. "I didn't even consider myself a filmmaker until Zawya screened my short," said Michael Samuel, 24, who works in advertising but says the cinema rekindled his artistic ambition. For many, that validation keeps them going. "Zawya has encouraged more people to produce these films because they finally have somewhere to be seen," said the cinema's manager, Mohamed Said. When Mostafa Gerbeii, a self-taught filmmaker, was looking for a set for his first film shoot, he also turned to the cinema. Without a studio or a budget, Zawya "just lent us their hall for free for a whole day", he said, saving the young director 100,000 Egyptian pounds (around $2,000) to rent a location. People arrive at the Zawya cinema in downtown Cairo on May 1, 2025. In the heart of Cairo, a small cinema has for over a decade offered a unique space for independent film in a country whose industry is largely dominated by commercial considerations (Photo by Khaled DESOUKI / AFP) - The heir - The light of its marquee spilling onto downtown Cairo's Emad al-Din Street, Zawya is the 21st-century heir to a long artistic tradition that still lingers, though often hidden away in corners of the district's broad avenues. "It's a unique neighbourhood with an equally unique flavour of artistic and intellectual life," said Chihab El Khachab, a professor at the University of Oxford and author of the book "Making Film in Egypt". Starting in the late 19th century, the area was home to the city's biggest theatres and cabarets, launching the careers of the Arab world's most celebrated singers and actors. Today, its arteries flowing out of Tahrir square -- the heart of the 2011 uprising -- the neighbourhood is home to new-age coworking spaces and galleries, side by side with century-old theatres and bars. Yet even as it withstands the hegemony of mall multiplexes, Zawya cannot escape Egypt's pervasive censorship laws. Like every cinema in Egypt, each film must pass through a state censors before screening. "Over time, you learn to predict what will slide and what won't," Shazli said. But even the censors' scissors have failed to cut off the stream of ambition among burgeoning filmmakers. "Around Zawya, there's a lot of talent -- in every corner," Shazli said. "But what I wonder is: are there as many opportunities as there is talent? That's the real issue we need to address." —AFP

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store