logo
Miss Universe 2025: Top controversial moments in pageant history and juiciest dethronements

Miss Universe 2025: Top controversial moments in pageant history and juiciest dethronements

Gulf News01-05-2025

Dubai: Don't let Miss Congeniality fool you — Sandra Bullock's undercover chaos is nothing compared to the real-life drama of the Miss Universe pageant. Sure, the stage is all glitz, glamour, and perfectly rehearsed speeches about world peace, but behind those dazzling smiles and diamanté-studded gowns lies a world full of plot twists.
While most beauty queens finish their reigns gracefully in stilettos, others stumble out in scandals. From crowns being snatched to reputations unraveling faster than a contestant's spray tan during a surprise thunderstorm in the Dubai desert, the pageant world is not just about beauty — it's about surviving the drama with lashes intact.
Here's the ultimate tea on the most controversial and chaotic moments in Miss Universe history — because sometimes, real life serves more twists than a pageant walk in six-inch heels ...
Oxana Fedorova – Miss Universe 2002 (Russia)
Russia's Oxana Fedorova had the brains, beauty, and charm — until she ghosted the crown. Just four months after winning, she was booted for skipping duties and allegedly prioritising law school and police training. Fedorova insists she quit on her own terms. The organisation clapped back: no ma'am, you were dethroned. Runner-up Justine Pasek of Panama got a surprise coronation, making pageant history.
Amparo Muñoz – Miss Universe 1974 (Spain)
Spain's Amparo Muñoz said 'adiós' to the crown halfway through her reign. She reportedly couldn't deal with the pageant politics and wasn't about to hop on planes for PR stunts. The MUO didn't bother naming a replacement, and Amparo marched off into a controversial acting career with zero regrets. Crown? Who needs it?
Philippines' first Miss Universe, Gloria Diaz, kept her crown but not without whispers. Gossip swirled about her allegedly breaking pageant 'conduct' rules (ahem, dating drama). But the organization shrugged it off and let her reign in peace. Turns out, the queen had more pressing matters — like becoming a movie legend.
Italy Mora – Miss Universe Panama 2024
Now this one's messy. Italy Mora got the boot just before Miss Universe 2024, and the official reason? There was no explanation — complete silence from the organiser. Mora spilled her side: she met her boyfriend at the hotel (with permission, receipts, and all), but pageant insiders freaked out. Cue rumors, drama, and screenshots. She was ousted, and Panama was left scrambling.
Magalí Benejam – Miss Universe Argentina 2024
Argentina's Magalí Benejam clearly missed the memo: what happens backstage at Miss Universe MUST NOT get aired on YouTube. In a live chat, she went full pageant rogue—calling the competition 'rigged,' shading Miss Puerto Rico's gown as the 'worst of the night,' and dragging Sheynnis Palacios' farewell walk as 'a horror.' Oh, and she allegedly claimed Denmark's winner knew she'd won days in advance, complete with extra security. Girl, that crown came with a mic, not a megaphone. The Miss Universe Organization clutched their pearls and clapped back, yanking her title for violating the values of diversity, inclusion, and basic pageant etiquette. Lesson learned? You can't throw that much glitter-coated shade and expect to keep your sash. In the world of Miss Universe, you can strut, sparkle, and slay—but speak recklessly, and it's bye-bye crown.
Why the crowns come crashing down: A crash course
Being Miss Universe isn't just about walking pretty — it's a full-time job with cameras, contracts, and code-of-conduct clauses. If a queen skips duties, causes scandal, or breaks the brand image, that tiara is snatched faster than a bouquet at a bridal toss.
Whether they stepped down, were pushed out, or set their own crown on fire, one thing's crystal clear: these queens gave us more plot twists than a Sandra Bullock undercover op in Miss Congeniality.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How TV and video content reflect and shape societal trends
How TV and video content reflect and shape societal trends

Campaign ME

time2 days ago

  • Campaign ME

How TV and video content reflect and shape societal trends

TV and video content do more than entertain – they participate in a powerful cultural feedback loop. What society values, questions, or fears often finds its way into the content we consume. In turn, that content influences public opinion, behaviour and culture. This dynamic exchange between media and society is constant and evolving, with creators and audiences shaping each other in real time. Below is a breakdown of how TV and video content both reflect and shape societal trends. Reflecting societal trends TV and video often serve as a mirror to society, revealing what we care about, what we're debating and how our identities are shifting. Real-world issues in storytelling: Contemporary storytelling often draws from real-world concerns. Documentaries and dramas address urgent issues – When They See Us explores systemic racism and police brutality, while Taare Zameen Par sheds light on mental health and learning disabilities. These stories echo public discourse and deepen social awareness. Generational trends and digital culture: The rise of YouTube, TikTok and other participatory platforms reflects a shift toward democratised media. Audiences no longer just consume content – they create it. This shift mirrors our culture's move toward individual expression, authenticity and instant connection. Shaping societal trends While content reflects society, it also actively shapes it – guiding how we think, what we value and how we behave. Setting norms and aspirations: TV shows influence cultural expectations and lifestyle choices. Sex and the City, for instance, redefined urban single life and consumer culture for an entire generation. Home renovation shows influence how people view personal space and home-ownership. Language, fashion and pop aesthetics: TV and video are major trendsetters. Catchphrases, fashion styles and makeup looks often go viral after appearing in a popular series. Shows such as Euphoria and Stranger Things have shaped youth fashion, music and visual culture across social platforms. Shaping political and social perspectives: Satirical news programmes such as The Daily Show or Last Week Tonight don't just entertain – they inform and persuade. They help frame political events for a younger, often more sceptical audience. Meanwhile, political dramas such as House of Cards influence public perception of government and leadership. Feedback loop between media and society In today's digital world, the relationship between media and society is more interactive than ever. Audiences are no longer passive viewers – they're active participants. Real-time reactions and content evolution: Social media has revolutionised how audiences respond to content. Viewer feedback – whether praise, critique, or backlash – reaches creators instantly. This immediacy has led to real-time adjustments in casting, storytelling and tone. Influence of social movements: Movements such as #MeToo and Black Lives Matter have directly affected the media landscape. Networks and studios are rethinking representation, investing in inclusive narratives and prioritising authentic voices to reflect societal calls for justice and equality. Demand for authenticity and representation: Audiences demand content that feels real and inclusive. This push has led to diverse casts, culturally sensitive writing and collaborations with underrepresented creators. Media now responds not just to market trends, but to ethical and cultural imperatives. Media as a cultural force TV and video content are cultural artifacts and engines of change. They both document and shape the identities, ideologies and dreams of society. As digital platforms and global audiences grow, so does the speed and scale of this feedback loop. What we see on screen doesn't just reflect who we are – it helps define who we're becoming. By Prasad S. Amin, CEO, Integrated Advertising Services (IAS MEDIA)

YouTube and Spotify accused of 'censorship' after blocking left-wing folk group in Turkey
YouTube and Spotify accused of 'censorship' after blocking left-wing folk group in Turkey

Middle East Eye

time3 days ago

  • Middle East Eye

YouTube and Spotify accused of 'censorship' after blocking left-wing folk group in Turkey

YouTube and Spotify have been accused of "censorship" after the Turkish government blocked videos and songs by the left-wing folk band Grup Yorum. According to Turkish freedom of expression organisation IFOD, Turkish authorities blocked access to more than 450 videos by Grup Yorum on YouTube last week in the name of "protecting national security and public order". They said the 454 clips, shared since 2006 by dozens of YouTube accounts, had totalled more than 205 million views. IFOD said in a statement on Friday that at least one of the group's albums had also been blocked on Spotify and Apple Music. A similar request was put to streaming site Deezer, but they refused to comply. Legislation passed in 2022 handed the government's Information and Communication Technologies Authority (BTK) powers to compel social media companies to comply with requests to take down content and hand over user data or to be subject to reduction of their bandwidth. New MEE newsletter: Jerusalem Dispatch Sign up to get the latest insights and analysis on Israel-Palestine, alongside Turkey Unpacked and other MEE newsletters Outlets such as X (formerly Twitter) have blocked scores of accounts in Turkey in recent months at the request of the government, mainly leftists and oppositions figures. 'Perception of complicity' Yaman Akdeniz, founder of IFOD, told Middle East Eye that social media platforms had been facing renewed pressure following the outcry over the arrest of Istanbul mayor Ekrem Imamoglu in March. "They all face substantial fines as well as threats of throttling of their services. So, at first sight, it may seem understandable that they all comply," he said. 'Their silence regarding the blocking of Grup Yorum's songs and albums suggests a reluctance to challenge or even acknowledge the censorship' - Yaman Akdeniz, IFOD "However, their silence regarding the geographical blocking of Grup Yorum's songs and albums suggests a reluctance to publicly challenge or even acknowledge the censorship. The lack of transparency and official announcements from these platforms exacerbates the perception of complicity." Middle East Eye contacted YouTube's owner Google and Spotify for comment, but neither had responded at time of publication. Since their founding in 1985, Grup Yorum's songs have touched on a wide range of progressive causes, including lauding socialist icons such Deniz Gezmis - a Marxist revolutionary hanged in 1968, criticising the killing of 15-year old Berkin Elvan by police in 2014, gentrification, imperialism, women's rights, the struggle for Kurdish rights, and covering famous leftist anthems such as Bella Ciao and the Internationale. In response to the blocking of their songs, Grup Yorum announced on Monday that they were giving away their entire discography for free, posting a link on their social media feed. Grup Yorum: Turkish folk band vows to continue struggle after pausing death fast Read More » On Tuesday, they called for a three-day boycott of the platforms. "We are not dependent on these monopolized platforms," they wrote on X. "They are trying to erase Grup Yorum, who have been singing the people's folk songs for 40 years, from everywhere. They will not succeed!" The group have long been accused by the government of association with the Revolutionary People's Liberation Party/Front (DHKP-C), an armed Marxist-Leninist group responsible for carrying out numerous attacks on government officials and foreign officials in Turkey and abroad. The band's line-up changes regularly, with members frequently spending time in and out of prison or fleeing abroad. In 2020, singer and bassist Ibrahim Gokcek died after an almost year-long "death fast" protesting the ban on the band's concerts and the imprisonment of a number of band members.

How Shorts, Reels, and Stories are Changing the Way Sports Fans Consume Content in MENA
How Shorts, Reels, and Stories are Changing the Way Sports Fans Consume Content in MENA

Broadcast Pro

time3 days ago

  • Broadcast Pro

How Shorts, Reels, and Stories are Changing the Way Sports Fans Consume Content in MENA

Entertainment as we know it is changing. And changing fast. Screens once dominated by full-length broadcasts have transformed into rapid-fire feeds of reels, shorts, and stories. Entertainment as we know it is changing. And changing fast. Screens once dominated by full-length broadcasts have transformed into rapid-fire feeds of reels, shorts, and stories. To help sports rights holders keep up with fans' unquenchable thirst for content, WSC Sports developed the industry's leading platform for creating innovative AI-tailored content experiences that help organizations deepen the connection with their fans. To get a better understanding of the latest content trends, we analyzed data from over 550 of the world's leading sports rights owners that use our platform. According to the data, the average length of videos created by sports rights holders on the WSC Sports platform has decreased by 24% year over year to an average of 1:11 minutes. In the MENA region, the average video length is just 1:05–-almost a 10% difference compared to the rest of the world. Even websites and streaming apps traditionally associated with long-form video are being affected by this shift. YouTube Shorts, for instance, now account for over 20% of all videos uploaded to the platform. TikTok, Instagram Reels, and Stories across have conditioned fans to expect fast, punchy, highly engaging content—especially in sports, where every second can feel like a highlight. Impact on the Sports Industry For sports rights holders it's a signal to adapt quickly, if you haven't already. Long-form content will always have its place, especially for live broadcasts and deep storytelling. But the window to capture fan attention before and after the game is narrowing. And here's the catch: a lot of organizations are investing millions—sometimes hundreds of millions—just to secure the rights to live sports. Maximizing the value of that investment means extending the life of each broadcast as long as possible. That's where short-form content comes in. By slicing key moments into dynamic, bite-sized videos optimized for social, mobile, and on-demand platforms, teams, leagues, and broadcasters can get exponentially more return on the rights they've acquired—especially in a region with one of the highest average screen times. In Saudi Arabia and Egypt for example, the typical smartphone owner spends 4 ½ hours per day on their phone. That's more than a half hour longer than the global average. When it comes to vertical content—that could be anything from a 4:5 post on Instagram to 9:16 reels and stories—organizations from the MENA region are also outpacing their global counterparts by creating 13% more vertical videos on average. In total, the majority of videos created by WSC Sports' clients—an astounding 67%—were in a vertical format. If short-form consumption continues to rise—and there's every reason to believe it will—organizations that don't recalibrate their content strategy risk falling behind in the race for relevance and reach. What Rights Holders Are Doing—And What They Need to Do To keep up, many organizations have ramped up their short-form production, and even hired dedicated teams to manage everything 'content'. From finally saying yes to opening that TikTok account, to adapting to new content formats like shorts and stories, the push is clearly there. But creating this volume of content quickly, accurately, and at scale remains a challenge—and only one piece of the puzzle. To engage today's evolving audiences, broadcasters and rights holders must begin operating more like digital entertainment platforms by blending innovation, content, culture, and personalization to connect with different means providing experiences they've come to expect, like an app filled with the type of videos already being created for social. An app should also be home to anything you'd find on an organization's website including tickets, news, standings, and upcoming events—the key differentiator here: you own and access user data in your app, something that you miss when only publishing to social media platforms. Sound like a lot? That's because it is. Traditional production and post-production workflows weren't built for this kind of pace. And while some teams might have the manpower to produce content in real and near time, it's often reactive, inconsistent, and difficult to maintain—especially across multiple platforms, formats, and audience segments. AI-Automation is No Longer a 'Nice to Have' Just like every other industry, sports organizations will need to adopt the latest AI tools to stay in the game and keep their brands competitive. WSC Sports helps rights holders meet fans where they are—with automated, personalized video content that's ready for every screen, every moment, and every platform. Our AI-powered platform takes live broadcast streams and transforms them into short-form videos, built for the way fans consume content. Who's Doing it Best? We've seen firsthand how our global client base is leveraging the WSC Sports platform to not only meet the demand for short-form—but to lead it. The NBA : produces hundreds of real-time, personalized highlight packages per night, delivered to the NBA app, social accounts, and more produces hundreds of real-time, personalized highlight packages per night, delivered to the NBA app, social accounts, and more NASCAR : delivers real-time highlights to its Timeline Feed in the NASCAR app so fans can follow along with zero delay delivers real-time highlights to its Timeline Feed in the NASCAR app so fans can follow along with zero delay Bayern Munich Basketball: creates scores of videos for social media and their mobile app—including in new content formats like stories. These organizations aren't just increasing brand reach—they're winning more engagement with content. And the success has been measurable. Download the Full Report The data is pretty clear: short-form is getting shorter, and it's only gaining momentum. As platforms shift and fan behavior evolves, rights holders need to stay ahead—not scramble to catch up. At WSC Sports, we're helping organizations take control of the moment. Let's make sure your fans never miss a second—even when seconds are all they've got. Download the report and learn about the 5 latest trends in sports content.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store