A shockingly short wait.
Following news of a brief delay, Nightdive Studios announced today that System Shock 2: 25th Anniversary launches on consoles on July 10th. The PC version launched on June 26th.
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Streamer Zeam Acquires NewsOn Platform From Sinclair Broadcast Group
Streamer Zeam has acquired the NewsOn local broadcast streaming platform from Sinclair Broadcast Group. The deal comes as Zeam is looking to expand its offerings and broaden the reach of its public-facing offerings. Zeam is a pioneering streaming tech firm launched in 2009 as a service designed to support local broadcasters as they first began to tip-toe into the streaming realm. Today, Zeam handles the backend technology to support the live streams of all CBS-owned stations and the live streams of CBS affiliates that are carried on the Paramount+ platform. More from Variety 'Destination Comedy Starring Mike Young and Bret Ernst:' Zeam Expands Into Comedy Specials With Five-Day Live Stream Event 'CSI' Creator Anthony Zuiker Pacts With Sinclair to Create Original Content for Stations and Outside Buyers Sinclair Taps Scott Ehrlich to Lead R&D on Next-Generation Broadcast Content (EXCLUSIVE) News of the NewsOn sale comes a day after Sinclair announced that it is exploring strategic alternatives for its sizable station group and possibly other assets. In recent years, Zeam has starting promoted its platform as a central hub for local TV news from TV stations around the around the country. It's also expanding as a consumer-focused entertainment platform albeit still with an emphasis on live local content. To demonstrate the power of Zeam's highly portable live stream tech, Zeam enlisted comedian podcasters Mike Young and Bret Ernst for the 'Destination Comedy' event that featured the two and their antics while on the road for five straight days from July 29-Aug. 2. 'We are pushing the boundaries of our technology to show the industry that we can go so granular as to capture live video in a van going down the road with two comedians,' says Jack Perry, CEO of Zeam, which is based in Marion, Iowa and New York. 'We're doing that to help inspire our broadcasters to invest in hyper-local content.' For local TV stations, Zeam offers a simple way to generate more advertising revenue out of live streams. The platform allows for dynamic ad insertion on a local level — giving stations much greater ability to target specific consumers — and it also allows the station to cume the streaming audience with its linear signal to sell the largest possible audience to advertisers. Zeam made a splash in 2024 two years ago with its first Super Bowl advertisement to generate interest in the company. (It also took a spot in this year's telecast.) Since then, Zeam has served up more than 4 billion dynamically inserted ads for partners. The acquisition of NewsOn will greatly expand Zeam's local TV footprint to include the entire country — all 201 designated market areas as defined by Nielsen. Sinclair had also invested in this area and recruited other stations to use the NewsOn platform. 'NewsOn has been an important resource for connecting viewers with trusted local news from across the country. We're confident that under Zeam's leadership, the platform will continue to support stations and strengthen the value of local journalism,' said Kevin Cotlove, Sinclair executive VP and chief digital officer. Zeam has two central poles of its business. Its B-to-B division supports live streams for a host of clients. On the consumer front, Zeam offers revenue-sharing deals with partners, with Zeam typically handling all of the streaming ad inventory sales. Perry pitches Zeam to prospective partners as an outlet that can generate incremental revenue from the moment a user downloads the app or clicks on a given channel's feed on the site. 'We are the infrastruture for all these local stations to drive digital revenue without having to do a lot of work,' Perry says. The Zeam team is also at work on cutting deals with Samsung, LG and other connected TV manufacturers to enhance the standing of the Zeam platform on the home-page hub of smart TVs. That device-based distribution is becoming a bigger factor for the distribution and revenue-generating potential of FAST channels. In Perry's view, the biggest benefit that Zeam can offer station partners is the ability to create original local content with moderate incremental costs. The live stream tech supports a range of live and on-demand production options. This kind of flexibility is becoming more important to broadcasters as the volume of syndicated programs offered for sale on a market-by-market basis — think talk shows, game shows, variety shows produced out of Los Angeles, Chicago and New York — has slowed significantly in recent years. 'Today stations are not thinking just about the network-affiliate model. They're also saying 'Hey wait a minute, we'd like to create our own content independent of what our network may be providing,' ' Perry says. Best of Variety New Movies Out Now in Theaters: What to See This Week What's Coming to Disney+ in August 2025 What's Coming to Netflix in August 2025
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Netflix Consumer Products VP Josh Simon Exits to Join Funko as CEO
The executive will also be on the toymaker's board of directors starting Sept. 1 Netflix consumer products vice president Josh Simon will join Funko as its new CEO starting Sept. 1. The executive, who will succeed the toymaker's interim CEO Mike, will also join its board of directors. 'I am honored to join the team at Funko, an iconic company with a huge fan base that I admire and respect,' Simon said in a statement. 'Pop culture – and people's desire to connect with the lifestyle brands they love – is stronger today than ever. There are so many ways we can build on Funko's fandom and expand our business for the benefit of both customers and shareholders.' More from TheWrap Netflix Consumer Products VP Josh Simon Exits to Join Funko as CEO Crunchyroll Sets Layoffs Due to Restructuring: 'Not a Cost-Cutting Measure' Fox Entertainment Global Names Liz Tang VP of UK Content and Acquisitions Earnings Analysis: Streamers Hit Profit, but Competition for Subs Is Fierce At the streamer, Simon has spent over five years overseeing its global merchandise business, live experiences, and the Roald Dahl Story Company. He built and scaled the division, creating a broad range of products for Netflix's biggest titles, such as 'Stranger Things,' 'Bridgerton,' 'Squid Game' and more, and launched its first e-commerce platform for consumer products. He also managed relationships with the world's largest retailers, including Walmart, Target, Primark and more, and oversaw the growth of Netflix's Experiences business, launching more than 40 unique experiences across 300 cities around the world. A spokesperson for Netflix did not immediately return TheWrap's request for comment. Simon's exit comes as streamer will open its first Netflix House locations in Dallas and King of Prussia by the end of 2025, with a third location coming to the Las Vegas Strip in 2027. Prior to Netflix, Simon held several senior management roles of increasing responsibility at Nike, including vice president and head of global strategy for product, design, merchandising and categories. He also oversaw feature film production and development at The Walt Disney Company's Motion Picture Group and the DreamWorks-based Color Force Productions and worked in Disney's corporate strategy and development group. 'Josh is an exceptional leader and his extensive experience in entertainment and consumer products is exactly what Funko needs in its next CEO,' Funko board chairman Charles Denson added. 'Moreover, he brings expertise in operations, licensing and strategy, gained while serving in senior leadership roles at such esteemed companies as Netflix, Nike, and The Walt Disney Company. We are delighted to have him as our CEO as we work to maximize the significant growth opportunities ahead.' The post Netflix Consumer Products VP Josh Simon Exits to Join Funko as CEO appeared first on TheWrap.
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Autodesk launches freemium access to Autodesk Flow Studio, with new pricing tiers making world-class VFX AI more affordable to all creators
For the first time, Autodesk is offering free access to professional grade AI-powered VFX and animation tools — removing cost barriers for indie filmmakers, digital content creators, marketers, and first-time users around the world SAN FRANCISCO, Aug. 12, 2025 /PRNewswire/ -- Today at SIGGRAPH 2025, Autodesk, Inc. (NASDAQ: ADSK) launched new, more affordable pricing for Autodesk Flow Studio (formerly Wonder Studio) including its first free tier and a 50% price drop for the Lite plan – from $20 to $10 – a significant move to make the toolset more accessible. By removing up-front costs so artists can use premium artificial intelligence (AI) powered 3D tools to create the kind of animation and VFX once reserved for Hollywood, Autodesk is signaling a new era of AI within the future of media and entertainment – one that puts creators at the forefront. This launch marks a major milestone just one year after the Autodesk acquisition of Wonder Dynamics, the company that created the technology. Autodesk Flow Studio uses AI to automate complex VFX tasks like motion capture, camera tracking, and character animation, so creators can focus on storytelling, not technical setup. With just a video clip and a few clicks, users can insert CG characters into live-action scenes and render them making 3D animation and VFX accessible to all. You can also export the AI-generated assets (e.g. clean plates, 3D scenes, alpha masks, camera-tracks) to tools like Maya, Blender, or Unreal Engine for editing and fine tuning. This allows creators to speed up complex animation and VFX workflows, freeing up time for more creative storytelling. By making these capabilities freely available, Autodesk is lowering the barrier to entry for high-quality content creation enabling more artists, marketers and digital content creators to experiment, learn, and bring their ideas to life on their own terms. "Making Autodesk Flow Studio more accessible to everyone reflects our belief in a creator-first future – where AI empowers more artistic expression, not replaces it," said Diana Colella, executive vice president of Media & Entertainment at Autodesk. "By lowering the cost barrier, more storytellers are now able to explore the ways new AI-powered tools can help them bring their ideas to life, regardless of where they are along their creative journey." This expansion introduces a tiered model designed to grow with creators – from first-time users to professional studios. New Free and Standard tiers join the existing Lite, Pro, and Enterprise offerings, giving users more flexibility to choose the plan that fits their creative needs and ambitions. The Free tier includes core tools like AI Mocap and Live Action, while advanced capabilities – such as Wonder Animation and Wonder Tools – remain exclusive to paid tiers. For larger teams and studios, the Enterprise tier offers scalable access to AI-powered workflows with enhanced support and data controls – helping them adopt new technology while preserving the creative processes and roles that define professional production. "Running AI models at scale has traditionally been very challenging for tech startups," said Nikola Todorovic, co-founder of Wonder Dynamics, an Autodesk company. "Our original mission was always to make our technology free and affordable to as many creatives as possible, but we had limited resources as a startup. Now, as part of Autodesk, we're able to offer Flow Studio as a freemium product, powered by robust infrastructure and cloud partners – so more artists can tell more stories, no studio lot or multimillion-dollar budget required." The launch of the Free Tier and flexible pricing model to a global audience also formally completes the integration of Autodesk Flow Studio into the Autodesk ecosystem. This ensures alignment with Autodesk's standard offerings, policies, and processes, granting users a more unified, consistent, and scalable experience. In addition, Autodesk has included the Pro tier of Flow Studio in its Media & Entertainment Collection at no additional cost – giving existing customers a low-risk way to explore AI-powered workflows. This approach reflects Autodesk's commitment to guiding its customers through the evolving landscape of AI in media and entertainment with tools that are accessible, trusted, and built to scale with their creative ambitions. For more information, visit Blog: Flow Studio, which tiers are right for you? Join the social media conversation on YouTube and LinkedIn. About Autodesk The world's designers, engineers, builders, and creators trust Autodesk to help them design and make anything. From the buildings we live and work in, to the cars we drive and the bridges we drive over. From the products we use and rely on, to the movies and games that inspire us. Autodesk's Design and Make Platform unlocks the power of data to accelerate insights and automate processes, empowering our customers with the technology to create the world around us and deliver better outcomes for their business and the planet. For more information, visit or follow @autodesk. #MakeAnything View original content to download multimedia: SOURCE Autodesk, Inc. Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
