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Paramount Sets Original, Untitled K-Pop Movie for February 2027 Release

Paramount Sets Original, Untitled K-Pop Movie for February 2027 Release

Yahoo5 days ago
Paramount has set an untitled K-Pop film co-produced by Korean entertainment company Hybe America for release on Feb. 12, 2027.
The film will star Ji-young Yoo, who most recently starred in the breakout Netflix/Sony Animation hit 'K-Pop Demon Hunters,' as well as Eric Nam, who will star in the upcoming 'Avatar: The Last Airbender' feature film 'The Legend of Aang.' Yoo will play a young Korean-American woman who defies her family's wishes to compete in a televised competition to find the next K-pop girl group.
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Benson Lee, director of the 2015 Sundance teen comedy 'Seoul Searching,' is attached to the film, which is set to be the first American production shot entirely in South Korea.
'This film is my love letter to K-pop — its energy, passion, magic and the incredible community behind it. I'm deeply grateful to Paramount Pictures for championing the project, to our producers for their unwavering dedication, to our talented and dynamic cast, and to the legends of the genre helping us bring this story to life. This one's for the dreamers,' Lee said in a Tuesday statement.
Paramount's film division president, Michael Ireland, originally oversaw the project during its development at 20th Century Fox before acquiring it in turnaround from Disney and bringing it to Paramount under current studio head Brian Robbins.
The film is produced by James Shin of Hybe America, Arthur Spector and Joshua Davis of Epic Magazine and Scooter Braun. Executive producers include Joshuah Bearman of Epic Magazine, John Zaozirny and Scott Manson. Bryan Oh, Paramount's SVP of production, is overseeing the project on behalf of the studio.
Yoo is repped by Entertainment 360, Gersh, Viewpoint and Del Shaw Moonves. Nam is repped by WME, 3 Arts Entertainment and The Lede Company.
The post Paramount Sets Original, Untitled K-Pop Movie for February 2027 Release appeared first on TheWrap.
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Sarajevo Film Festival Unveils Lineup Exploring Life and Survival in 'Unstable Social Frameworks'
Sarajevo Film Festival Unveils Lineup Exploring Life and Survival in 'Unstable Social Frameworks'

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Sarajevo Film Festival Unveils Lineup Exploring Life and Survival in 'Unstable Social Frameworks'

The Sarajevo Film Festival in Bosnia and Herzegovina unveiled the lineup for its 31st edition on Wednesday. The festival's four competition sections – for feature, documentary, short and student films – will feature 15 world, six international, 28 regional and two national premieres. A total of 50 films will compete for the Heart of Sarajevo awards. This year, the Sarajevo festival programmers team, led by creative director Izeta Građević, watched 1,036 films, including 195 feature fiction films, 291 documentaries, and 550 shorts and student titles. 'The competition programs of the 31st Sarajevo Film Festival bring together filmmakers who, each from their own perspective and in various film formats and genres, explore how we live and how we survive within complex and unstable social frameworks,' said Građević. 'The backbone of this year's competition programs are films that, transcending national boundaries, remain true to the universal stories that shape our lives. In this range – from topics that deal with today to those that question the past – this selection opens up space to remember, through film stories, what we all have in common: the need for meaning, for closeness, for understanding – ourselves and others.' Elma Tataragić, the programmer of the competition program – feature film, said that the section's nine films include three world premieres and six regional premieres, making for 'an impressive and diverse panorama of contemporary regional cinema.' Touting 'a dynamic mix of bold narration, visual innovation and fresh perspectives that reflect the richness of the region's cultural tapestry,' she highlighted that the competition includes six debut films that 'bring original voices and bold creative approaches to the big screen.' More from The Hollywood Reporter Disney+ Sets Release Date for K-Drama Tentpole 'Tempest' Starring Gianna Jun, Gang Dongwon Korea's CJ ENM Launches Saudi Arabia Subsidiary in Major Middle East Expansion Julie Pacino on Exploring Female Trauma in Lynchian Feature Directorial Debut 'I Live Here Now' Italian auteur Paolo Sorrentino will receive this year's Honorary Heart of Sarajevo award. The Sarajevo fest runs Aug. 15-22. Check out the full Sarajevo lineup below. COMPETITION PROGRAM – FEATURE FILM OTTER (VIDRA), Srđan Vuletić (Montenegro, Bosnia and Herzegovina, Italy, Croatia, Kosovo, 2025, 88 min.) – World premiere STARS OF LITTLE IMPORTANCE (MINDEN CSILLAG), Renátó Olasz (Hungary, 2025, 83 min.) – World premiere YUGO FLORIDA, Vladimir Tagić (Serbia, Bulgaria, France, Croatia, Montenegro, 2025, 112 min.) – World premiere DJ AHMET, Georgi M. Unkovski (North Macedonia, Czech Republic, Serbia, Croatia, 2025, 99 min.) – Regional premiere FANTASY, Kukla (Slovenia, North Macedonia, 2025, 98 min.) – Regional premiere GOD WILL NOT HELP (BOG NEĆE POMOĆI), Hana Jušić (Croatia, Italy, Romania, Greece, France, Slovenia, 2025, 135 min.) – Regional premiere SORELLA DI CLAUSURA, Ivana Mladenović (Romania, Serbia, Italy, Spain, 2025, 103 min.) – Regional premiere WHITE SNAIL, Elsa Kremser, Levin Peter (Austria, Germany, 2025, 115 min.) – Regional premiere WIND, TALK TO ME (VETRE, PRIČAJ SA MNOM), Stefan Đorđević (Serbia, Slovenia, Croatia, 2025, 100 min.) – Regional premiere COMPETITION PROGRAM – DOCUMENTARY FILM BOSNIAN KNIGHT (BOSANSKI VITEZ), Tarik Hodžić (Bosnia and Herzegovina, Croatia, 2025, 79 min.) – World premiere I SAW A 'SUNO' (SUNO DIKHLEM), Katalin Barsony (Hungary, Belgium, 2025, 92 min.) – World premiere KITE (CHARTAETOS), Thanos Psichogios (Greece, 2025, 15 min.) – World premiere STEEL HOTEL SONG, Bojan Stojčić (Bosnia and Herzegovina, 2025, 19 min.) – World premiere LETTERS (PISMA), Aysel Küçüksu (Bulgaria, 2025, 11 min.) – International premiere MY DAD'S LESSONS (LEKCIJE MOG TATE), Dalija Dozet (Croatia, 2025, 62 min.) – International premiere RED SLIDE (CRVENI TOBOGAN), Nebojša Slijepčević (Croatia, 2025, 27 min.) – International premiere THIRD WORLD (TREĆI SVIJET), Arsen Oremović (Croatia, 2025, 101 min.) – International premiere CUBA & ALASKA, Yegor Troyanovsky (Ukraine, France, Belgium, 2025, 93 min.) – Regional premiere DIVIA, Dmytro Hreshko (Ukraine, Poland, The Netherlands, USA, 2025, 79 min.) – Regional premiere DREAMERS: PEOPLE OF THE LIGHT (XƏYALPƏRƏSTLƏR: İŞIĞIN UŞAQLARI), Imam Hasanov (Azerbaijan, 2025, 86 min.) – Regional premiere EVERYTIME YOU LEAVE, YOU ARE BORN AGAIN (SVAKI PUT KAD ODEŠ, PONOVO SE RAĐAŠ), Mladen Bundalo (Bosnia and Herzegovina, Belgium, 2025, 24 min.) – Regional premiere I BELIEVE THE PORTRAIT SAVED ME (MUA BESOJ MË SHPËTOJ PORTRETI), Alban Muja (Kosovo, The Netherlands, 2025, 10 min.) – Regional premiere IN HELL WITH IVO, Kristina Nikolova (Bulgaria, USA, 2025, 80 min.) – Regional premiere MILITANTROPOS, Yelizaveta Smith, Alina Gorlova, Simon Mozgoviy (Ukraine, Austria, France, 2025, 111 min.) – Regional premiere OUR TIME WILL COME (UNSERE ZEIT WIRD KOMMEN), Ivette Löcker (Austria, 2025, 105 min.) – Regional premiere THE MEN'S LAND (KACEBIS MITSA), Mariam Bakacho Khatchvani (Georgia, Hungary, 2025, 15 min.) – Regional premiere SLET 1988, Marta Popivoda (Serbia, Germany, France, 2025, 22 min.) – Regional premiere 19-MONTH CONTRACT, Ketevan Vashagashvili (Georgia, Bulgaria, Germany, 2025, 77 min.) – B&H premiere TATA, Lina Vdovîi, Radu Ciorniciuc (Romania, Germany, The Netherlands, 2025, 82 min.) – B&H premiere OUT OF COMPETITION FILMOHO FILM, Damjan Kozole (Slovenia, Croatia, 2025, 93 min.) – International premiere, out of competition COMPETITION PROGRAM – SHORT FILM BERNA'S EYES (SYTË E BERNËS), Ermal Gërdovci (Kosovo*, North Macedonia, 2025, 17 min.) – World premiereDESERT, SHE (IERIMOS), Ioanna Digenaki (Greece, 2025, 14 min.) – World premierePROCEDURE (PROSEDÜR), Rabia Özmen (Türkiye, 2025, 18 min.) – World premiereALIȘVERIȘ, Vasile Todinca (Romania, 2025, 15 min.) – Regional premiereERASERHEAD IN A KNITTED SHOPPING BAG, Lili Koss (Bulgaria, 2025, 19 min.) – Regional premiereHYSTERICAL FIT OF LAUGHTER (HISTERIČNI NAPAD SMEHA), Matija Gluščević, Dušan Zorić (Serbia, Croatia, 2025, 15 min.) – Regional premiereINDEX, Radu Muntean (Romania, 2025, 28 min.) – Regional premiereTHE SPECTACLE, Bálint Kenyeres (Hungary, France, 2025, 17 min.) – Regional premiereUPON SUNRISE (KAD SVANE), Stefan Ivančić (Serbia, Spain, Slovenia, Croatia, 2025, 15 min.) – Regional premiereWINTER IN MARCH (LUMI SAADAB MEID), Natalia Mirzoyan (Armenia, Estonia, France, Belgium, 2025, 16 min.) – Regional premiere COMPETITION PROGRAM – STUDENT FILM AFTER CLASS (DUPĂ ORE), Marius Papară (Romania, 2025, 18 min.) – World premiereFOUND & LOST, Reza Rasouli (Austria, 2025, 17 min.) – World premiereHOME, A SPACE BETWEEN US, Effi Rabsilber (Greece, 2025, 16 min.) – World premiereRAHLO, Jozo Schmuch (Croatia, 2025, 19 min.) – World premiereTARIK, Adem Tutić (Serbia, 2025, 27 min.) – World premiereCURFEW (KOMENDANTSKA HODYNA), Yelyzaveta Toptyhina (Ukraine, 2025, 23 min.) – International premiereBACKSTROKE (SIRTÜSTÜ), Asya Günen (Türkiye, 2025, 14 min.) – Regional premiereLIVING STONES (ÉLŐ KÖVEK), Jakob Ladányi Jancsó (Hungary, 2025, 20 min.) – Regional premiereMILK AND COOKIES (FURSECURI ȘI LAPTE), Andrei-Tache Codreanu (Romania, 2025, 21 min.) – Regional premierePENINSULA (POLUOTOK), David Gašo (Croatia, 2025, 19 min.) – Regional premiereWISH YOU WERE EAR, Mirjana Balogh (Hungary, 2025, 10 min.) – Regional premiere Best of The Hollywood Reporter The 40 Greatest Needle Drops in Film History The 40 Best Films About the Immigrant Experience Wes Anderson's Movies Ranked From Worst to Best Solve the daily Crossword

Rotterdam Unveils 2025 Hubert Bals Fund Projects
Rotterdam Unveils 2025 Hubert Bals Fund Projects

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Rotterdam Unveils 2025 Hubert Bals Fund Projects

The International Film Festival Rotterdam (IFFR) has unveiled the projects that will receive this year's grants from its Hubert Bals Fund (HBF), which supports films from less-developed regions. The fund picked 15 feature projects from more than 900 submissions, selecting work from filmmakers from across Africa, Asia, the Middle East and the Americas. This year's selection includes the first HBF-backed project from Tanzania, the satire Last Cow from director Amil Shivij, whose feature debut Tug of War screened in Toronto in 2021 and was Tanzania's official Oscar submission. It was picked for this year's Locarno film festival and will screen in the Open Doors sidebar. More from The Hollywood Reporter Imax Quarterly Revenue and Profit Rise Amid Hollywood's Theatrical Comeback Ukrainian, Iranian Docs, Kenyan Sci-Fi Set for Venice Days Lineup Golshifteh Farahani to Receive Locarno Excellence Award Davide Campari Other African projects this year include Mwadia, a magic-realist drama on Mozambique's colonial past and present trauma; the feature debut of documentary filmmaker Inadelso Cossa (The Nights Still Smell of Gunpowder); Tears, the debut feature from Rwandan director Moise Ganza; and Coumba, the new film from Senegalese director Mamadou Dia, whose HBF-backed debut, Nafi's Father, won the Golden Leopard at the 2019 Locarno film festival and was Senegal's official entry for the Oscars. IFFR alumni talent can be found throughout this year's selection, with new features from Syrian director Farida Baqi (The Rapture), Indonesia's Timoteus Anggawan Kusno (Orphaned Atlas), Kazakhstan filmmaker Renata Dzhalo (Nobody to See Us), Malaysian director Amanda Nell Eu (Lotus Feet) and Brazil's Stephanie Ricci (Boca da noite) among the 2025 HBF recipients. The selected directors will receive a €10,000 ($11,760) grant each to help develop their projects into finished features. In addition to its regular fund, the HBF launched two new development schemes this year. Together with two-time Oscar winner Cate Blanchett, the HBF in January announced the Displacement Film Fund, offering grants of €100,000 ($104,000) each to five filmmakers, displaced by war or conflict, to make original shorts. A jury, made up of Blanchett, Wicked star Cynthia Erivo, documentarians Jonas Poher Rasmussen (Flee) and Waad Al-Kateab (For Sama), director Agnieszka Holland (Green Border), Rotterdam festival director Vanja Kaludjercic, activist and refugee Aisha Khurram and Amin Nawabi [alias], the LGBTQ+ asylum seeker who was Rasmussen's inspiration for his Oscar-nominated documentary Flee, announced the first fund grantees in Cannes this year. Also in Cannes, the HBF announced a cooperation with the three leading Brazilian film promotion bodies — Spcine, RioFilme, Projeto Paradiso — launching HBF+Brazil: Co-development Support, a three-year initiative to provide early development funding for up to nine fiction films, with €10,000 ($11,760) grants each. The submission deadline for HBF+Brazil projects, on is Sept. 15. Full list of 2025 Herbert Bals Fund development support projects Amateur, Carlos Díaz Lechuga, Cuba, SpainThe Appalling Human Voice of the Animals, Neritan Zinxhiria, Greece, AlbaniaBoca da noite, Stephanie Ricci, BrazilCoumba, Mamadou Dia, SenegalGirl With a Camera, Xiaoxuan Jiang, Hong Kong, ChinaThe Immigrants, Suman Mukhopadhyay, IndiaLast Cow, Amil Shivji, Tanzania, CanadaLotus Feet, Amanda Nell Eu, MalaysiaMoto, Chris Chong Chan Fui, MalaysiaMwadia, Inadelso Cossa, MozambiqueNobody to See Us, Renata Dzhalo, Kazakhstan, France, MoldovaOrphaned Atlas, Timoteus Anggawan Kusno, IndonesiaThe Rapture, Farida Baqi, Syria, Lebanon, Germany, NetherlandsTears, Moise Ganza, RwandaWhere Shadows Wait, Arya Rothe, India, Italy Best of The Hollywood Reporter The 40 Greatest Needle Drops in Film History The 40 Best Films About the Immigrant Experience Wes Anderson's Movies Ranked From Worst to Best Solve the daily Crossword

Tom Basden Wants the Heartwarming Success of ‘The Ballad of Wallis Island' to Give British Indie Filmmakers Hope
Tom Basden Wants the Heartwarming Success of ‘The Ballad of Wallis Island' to Give British Indie Filmmakers Hope

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Tom Basden Wants the Heartwarming Success of ‘The Ballad of Wallis Island' to Give British Indie Filmmakers Hope

Even Tom Basden is surprised by how affecting his new film is. The Brit, who stars in and wrote The Ballad of Wallis Island with comedian Tim Key, is talking to The Hollywood Reporter about finally getting his film out in theaters in his native Britain and, oddly enough, being a little taken aback by its reception. More from The Hollywood Reporter New Just For Laughs Fest Owner Tells Ticket Buyers: Laugh or Get a Refund 'Top Boy' and 'Eddington' Star Micheal Ward Charged With 2 Counts of Rape by London Police Kieron Moore Relishes Taking on Complex Characters, From 'Code of Silence' to Queer Camboy 'We hit a few ideas early on,' he explains, referencing the short film he, Key and director James Griffiths first made about the characters all the way back in 2006. 'Herb's a little bit washed up, pining for his mid-20s, Charles has been obsessed with this band for a very long time and used to watch the gigs with his wife, who's now died. Quite organically, a sadness began to come out on the page, a kind of longing,' Basden recalls. 'It took us by surprise. And even at the point where we were watching a finished film with an audience, I don't think we realized how emotional those threads were. It's very hard to plan for the moments that the audience is going to become emotionally invested.' Basden and Key's comedy-drama debuted earlier this year at Sundance, later earning a limited theatrical release in the U.S. in March before it hit theaters in the U.K. in May through Focus Features. It follows musician Herb McGwyer (Basden), formerly half of folk duo McGwyer Mortimer, who has been contracted to play a private gig on the remote Wallis Island by widowed superfan Charles Heath (Key). But things start to go awry when Herb discovers Charles has also invited ex-bandmate (and actual ex) Nell Mortimer, played by Carey Mulligan, to join. Akemnji Ndifornyen stars as Michael, Nell's American husband, and Sian Clifford as Amanda, the island's sole shopkeeper. What transpires is a film bursting at the seams with heart, adored by laymen and critics alike. 'We drew up a list for who could play the part of Nell and Carey was at the top of that list, but we didn't know her,' says Basden about getting Oscar nominee Mulligan on board. 'Tim had been emailed by her about five years earlier, so he had her email by stealth and basically cold-called her.' According to Basden, Mulligan connected with the material immediately. 'She just really responded to the script — I think she wanted to do a comedy,' he says. 'She'd done quite a lot of, let's say serious, quite dark films in the last few years. She wanted to do something that was more comic and more touching. She really believed in it as it was, and had exactly the same aims for the type of film that we wanted it to be.' After the release of their 2007 short, Basden and Key left Wallis Island well alone until 2018. It was then — and with the help of an industry-shattering pandemic — that the pair returned to their feature-length dreams in earnest. The low-budget movie got everything it needed in just 18 shooting days on location, but even at a cheaper rate, it took some time to find the financing. 'We really believed in the script and we deliberately made it very small,' says Basden. 'We're all in our 40s, or in James's case, 50s. We've made a lot of TV, we understand budgets. We made it a very small film with a very small cast, all shooting in basically two locations and even so, we struggled to get any interest,' he admits. 'We were turned down by all the funding bodies in the U.K.: Film4, the BFI…' 'And Tim is such an idealist that he always believed we'd make it,' continues Basden. 'I'm a bit more defeatist. (Laughs.) Then we sent it to Carey and not only do you suddenly have something quite real to hold onto — a genuine, Oscar-nominated film star attached to your film — but it gives renewed momentum and confidence for us that people, someone like Carey, really likes the script. But it just feels quite arbitrary, the funding system in the U.K… It's a fundamentally British film and it's done best in the U.K., but it took American money to actually get the thing made.' Basden hopes that The Ballad of Wallis Island — a well-received, popular movie written and starring British talent, about British people and shot in Britain — will provide hope to fellow filmmakers. 'I believe that it's possible in cinema to make things that are original and also really popular,' he says. 'There shouldn't be this divide between reboots, sequels, recycled IP and live-action and then the slightly soporific art-house movies. We must be able to make stuff that's original and funny and moving but also can be popular and attract a mainstream audience. I haven't given up on that.' One of the more amusing aspects of releasing the film both in the U.S. and in the U.K. has been seeing different reactions from Americans and British audiences to the adventures of Herb, Charles and Nell. He says that being in the States when The Ballad of Wallis Island debuted reminded him that his project was 'very much an international movie.' 'They'd never seen anything like Tim's character,' he remembers. '[They were like], 'He just makes no sense to me.' And then you show it in the U.K., and we all know people like that. One in four people in the U.K. are like that,' he says of Charles' bumbling awkwardness and quirky personality. 'It's a very different thing [in the U.K.], where people just tap into the very British subtext of it. But American audiences have been really into it. I think they feel like they've discovered something really fresh.' The heartwarming success of The Ballad of Wallis Island has only left fans with one question: what do Basden and Key have planned next? He jokes: 'Carey talks passionately about the sequel and I think, because we made the short and 18 years later released the feature, I think 18 years later we should come back and make the sequel to the feature. Maybe Charles and Amanda will get married, and McGwyer Mortimer are playing at the wedding.' He tells THR that him and Key have a few ideas they're working on — one or two of which they are 'very excited by.' For now, the duo are trying to soak up the fervid fan reaction to this pretty neat indie they've put out into the world. 'There'll come a point where we think about another one, maybe with a slightly bigger budget [and] made with love… But it feels very special to us that we've got here.' Best of The Hollywood Reporter The 40 Greatest Needle Drops in Film History The 40 Best Films About the Immigrant Experience Wes Anderson's Movies Ranked From Worst to Best Solve the daily Crossword

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