
Wu-Tang Clan fans only just realising where their name comes from
The name Wu-Tang Clan is instantly recognisable to any hip-hop enthusiast. With hits like 'C.R. E.A.M.' and 'Protect Ya Neck', their music is as integral to the genre as iconic tracks by Biggie or Tupac.
However, despite their three-decade-long legacy, some newer fans may not know the origin of the Wu-Tang Clan moniker - or what the group was nearly named.
The story begins in Staten Island, New York, in the late '80s when three cousins - Robert Diggs, Gary Grice and Russell Jones - decided to form a rap trio, reports the Mirror US.
They initially called themselves Force of the Imperial Master, a name that seems more suited to a science fiction film marathon than the hip hop scene.
The trio also went by the All in Together Now Crew - another name that's hard to associate with the group.
At this point, Diggs was known as Prince Rakeem, Grice performed under The Genius, and Jones was The Specialist. They gained respect in the underground scene, and by 1991, both The Genius and Prince Rakeem had secured solo deals. Wu-Tang Clan's story began in the late 1980s (Image: PA)
The Genius released Words from the Genius on Cold Chillin' Records, and Rakeem put out Ooh I Love You Rakeem on Tommy Boy. Neither release made much impact, and the labels dropped them.
This led to a rebrand: Rakeem became RZA, The Genius transformed into GZA, The Specialist became Ol' Dirty Bastard. And in 1992, with the addition of Staten Island's Dennis Coles (soon to be known as Ghostface Killah), they laid the groundwork for something much bigger. Wu-Tang Clan.
The name was plucked straight from a cult classic - the 1983 martial arts flick Shaolin and Wu Tang, featuring Gordon Liu and showcasing the lethal rivalry between two kung fu schools. RZA and Ol' Dirty Bastard had a thing for kung fu movies, so the filmic nod was bang on.
But the crew didn't just settle on the moniker. In peak '90s hip-hop style, they began crafting backronyms to match it.
Some of the standout interpretations included: "We Usually Take All N****s' Garments", "Witty Unpredictable Talent And Natural Game" and "Wisdom of the Universe, and the Truth of Allah for the Nation of the Gods."
Come 1993, they dropped Enter the Wu-Tang (36 Chambers) - an album that turned the East Coast rap scene on its head. Fast forward to 1997, and Wu-Tang Forever was topping the Billboard 200 and snagging a Grammy nod for Best Rap Album.
"We reinvented the way hip hop was structured," RZA once said. "We still could negotiate with any label we wanted... Meth went with Def Jam, Rae stayed with Loud, Ghost went with Sony, GZA went with Geffen. And all these labels still put 'Razor Sharp Records' on the credits. Wu-Tang was a financial movement."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Irish Independent
4 days ago
- Irish Independent
Today's top TV and streaming choices: Legacy, Tár and Dept. Q
The Sunday Game Live RTÉ2, 3.30pm Dublin take on Armagh in an All-Ireland Senior Football Championship Group Four match at Croke Park. Highlights can be seen later tonight at 9.30pm. Legacy RTÉ One, 6.30pm The final episode takes viewers on a tour of the Glebe House and Gallery, Co Donegal, Kilkenny Castle, Dublin Castle and Áras an Uachtaráin in Phoenix Park. All of them provide a home for fascinating collections of portraiture. Our Guy in Vietnam Channel 4, 9pm To mark the 50th anniversary of the end of the conflict in the country, Guy Martin visits Vietnam to find out more about its past, present and possible future. In the first episode of the series, he takes a motorcycle ride down the Ho Chi Minh Trail, visits a US combat base and helps detonate an unexploded cluster bomb. Death Valley BBC One, 8.15pm The entertaining crime drama starring Timothy Spall and Gwyneth Keyworth continues. This time, unlikely detective duo John and Janie investigate the mysterious death of a woman whose body was found on a mountain trail. The Nun's Story RTÉ One, 2.40pm Wonderful drama starring Audrey Hepburn as a woman who struggles to contain her strong-minded approach to life after entering a convent. Becoming a missionary in the Congo only makes matters worse. Peter Finch co-stars. ADVERTISEMENT Tár RTÉ One, 9.30pm Cate Blanchett is on career-best form in director Todd Field's hugely acclaimed drama. She plays conductor Lydia Tár, whose efforts to prepare for a forthcoming performance are disrupted by an investigation into her links to a troubled music student. Dept. Q Netflix, streaming now DCI Carl Morck may be an excellent investigator, but there's no hiding from the fact that he's a terrible co-worker. There's the small matter of his scathing sarcasm, which has left him without a single friend in the Edinburgh police force. Then there's the rather more serious issue of him having fatally shot a young officer and permanently injured his partner. Unsurprisingly enough, following this tragic turn of events, Morck is relegated to Department Q: a cold-case unit which was created as a publicity stunt. Although the force is thrilled to see Carl go, he soon sets about assembling a group of outcasts who are all keen to prove themselves. Yes, it does sound a bit like Slow Horses, which is quite the gauntlet for Netflix to throw. Only time will tell if it's worthy of comparison. With yer man from Leap Year (Matthew Goode) essentially playing a hybrid of Gary Oldman's Jackson Lamb and Jack Lowden's River Cartwright, I wouldn't hold my breath. Bono: Stories of Surrender Apple TV+, streaming now Behold Bono's one-man stage show, exploring the personal experiences that have shaped him as a son, father, husband and activist. Oh, and as one of the planet's biggest rock stars. If Owen Wilson's signature shtick is more to your liking, The Stick lands Wednesday. Good Boy Prime Video, streaming now In order to combat crime in a perilous underworld, a group of former medal-winning athletes exchange the podium for police badges. In an exciting, action-packed ride, Yun Dong-ju (Park Bo-gum) and his group battle a formidable criminal syndicate. Also on Prime Video, we have season 2 of The Second Best Hospital in the Galaxy, courtesy of producers Maya Rudolph and Natasha Lyonne. The Better Sister Prime Video, streaming now D'you know what society needs? More portrayals of women being pitted against each other. Based on Alafair Burke's novel, however, this eight-part thriller attempts to turn things. When media executive Chloe (Jessica Biel) and her estranged sister Nicky (Elizabeth Banks) are reunited after a murder, they must unravel long-buried family secrets to uncover the truth. A Widow's Game Netflix, streaming now Picture it: August 2017. In a Valencia parking lot, a man is found stabbed seven times. The city's Homicide Group, led by a veteran inspector, races to solve the case, which appears to be a crime of passion. Their investigation soon takes a shocking turn, pointing to an unlikely suspect: Maje, the victim's seemingly sweet and stoic widow, married to him for less than a year. Mission: Impossible Fest Disney+, streaming now We can never get enough of the Mission: Impossible movies, it seems. You can now watch all the prequels to the recently released The Final Reckoning if you're so inclined.


Extra.ie
26-05-2025
- Extra.ie
'Ireland's stolen crown jewels would be priceless if they were ever recovered'
Ireland's missing crown jewels would be 'priceless' if ever recovered, according to a leading historian. The disappearance of the jewels, which sparked a scandal more than a century ago, is examined in a new RTÉ documentary, titled Legacy. In the series, historian and Dublin Castle buildings curator William Derham revisits the mystery of the jewels' theft in 1907, just days before a royal visit, and the intrigue surrounding one of Ireland's most enduring historical whodunnits. Ireland's missing crown jewels would be 'priceless' if ever recovered, according to a leading historian. 'They were kept here at Dublin Castle, and they were discovered missing then in July 1907, just two days before Edward VII was due to arrive in Dublin and actually wear the jewels during an installation ceremony for the Knights of St Patrick,' Mr Derham said. He continued: 'The Irish Crown Jewels are a bit of a misnomer. 'They suggest a crown, orb and a sceptre like you would have in the Tower of London. 'They were, in effect, the regalia of the Order of St Patrick that happened to be the property of the crown, hence the name 'crown jewels'.' The final episode of Legacy, which airs next Sunday, highlights four sites where portraits have helped preserve Irish history, including Glebe House and Gallery in Donegal, Kilkenny Castle, Áras an Uachtaráin and Dublin Castle. The disappearance of the jewels, which sparked a scandal more than a century ago, is examined in a new RTÉ documentary, titled Legacy. In the programme on Dublin Castle, Mr Derham explains how each Viceroy of Ireland was entitled to wear the crown jewel regalia, which included three ornate pieces. He said: 'There was a large eight-pointed diamond, ruby and emerald star that was worn kind of on the breast. There was a smaller oval diamond with a small diamond-crowned harp on top of it, which was hung around the neck. 'And then there was a larger golden oval with the insignia of St Patrick in the middle that hung on a large gold chain, kind of from shoulder to shoulder.' When the jewels vanished, the scandal made international headlines and led to the resignation of the man in charge of them. 'It was a huge scandal at the time. Someone did resign, rather reluctantly – a gentleman called Arthur Vicars who was the Ulster King of Arms, who also had charge of the ceremonial life of the viceregal court and of the crown jewels,' said Mr Derham. 'And when he moved to a new office in 1907, his safe wouldn't fit into the new, purposely built strongroom, and so it was left, with his agreement, in the library of his new office – and it was from the safe in that library that they were discovered missing. He was ultimately made the fall guy.' Mr Derham believes the jewels are worth an immeasurable sum if they have been kept intact. He said: ''Priceless', I think, is probably the only word you could hit on that would be accurate. And the jewels are still out there.' Legacy – The Art of the Portrait is on RTÉ One at 6.30 pm, June 1.


Irish Times
22-05-2025
- Irish Times
To Avenge a Dead Glacier by Shane Tivenan: Visionary debut collection gives voice to life's important silences
To Avenge A Dead Glacier Author : Shane Tivenan ISBN-13 : 978 1 843519171 Publisher : Lilliput Press Guideline Price : € 15.95 'The woman in black silk and funeral veil unveils the plaque for Okjökull – A letter to the future.' So begins the title story of To Avenge a Dead Glacier, a sprawling, genre-defying piece that opens in Iceland at a ceremony for a vanished glacier. From there, the story shifts, travelling from desolate plains to working-class Irish kitchens, tunnels beneath protest camps and the fluorescent numbness of supermarket aisles. It is about environmental collapse, but also grief, class, memory, protest and legacy. The opening story, Dino Matcha, moves with a stream-of-consciousness poetic rhythm, threading together the lives of graffiti artist Dino Matcha and Charlie Clarence, a Scottish immigrant and father. Dino's art is both invocation and exorcism, an attempt to remake his crumbling town, which, he says, 'never got over that missed penalty against Milan in 1975″. The generational damage is raw, and Charlie's regret and Dino's fractured philosophy come to a quiet, shattering point by the riverbank, where the only act of healing is putting socks on someone else's feet. READ MORE The weight of inheritance presses against every story. In Hush Mavourneen, the Police Are Watching, one of the collection's most delicate and devastating pieces, a man named Gerald navigates the challenging waters of queer identity in a rural town that both sees too much and refuses to see at all. 'You can't undo a tattoo,' he says, half-prayer, half-warning. Tivenan never lets his characters become symbols. They bleed, long, ache, and remain. His stories move through landscapes of erosion and disrepair, yet resist despair. There is poetry in the pain, rendered in sentences both honed and raw. [ The Illegals by Shaun Walker: The Russian agent who couldn't get Irish people to shut up, and other spy stories Opens in new window ] [ Is a River Alive? by Robert Macfarlane: A potentially transformative vision Opens in new window ] Moving from the gritty to the tender, Tivenan shifts gears later in the collection with Resurrection of a Corncrake, where the narrator's reflection on lost land creates a sense of nostalgia mixed with regret. The cement mixer, with its 'burnt oil' that 'won't make it back down to where it came from', becomes a potent symbol of irreversible damage. To Avenge a Dead Glacier is a collection that listens closely to the silences – environmental, familial, societal – and makes something luminous out of them. Tivenan is not just chronicling collapse; he is giving voice to the bones beneath the ruin and the small beauties that survive. A vital, visionary debut.