logo
Founder Grace Ladoja And Yoon AMBUSH Detail Homecoming Festival Africa

Founder Grace Ladoja And Yoon AMBUSH Detail Homecoming Festival Africa

Forbes25-06-2025
Founded by visionary creative Grace Ladoja, HOMECOMING Festival in Lagos, Nigeria, now joined by Yoon Ahn of AMBUSH, the festival serves as a dynamic platform uniting music, fashion, and community. TONII
In the heart of Lagos, Nigeria, a cultural shift has been brewing among the creative youth. A wave transcending borders, industries, and expectations of African people, founded by visionary creative Grace Ladoja, HOMECOMING has evolved from a grassroots festival into a platform merging music, fashion, and community, fueling a new generation of African entrepreneurs. Conceptualized as an intimate gathering in 2017, it is a defining moment in contemporary festival culture, bridging the African diaspora with the continent's diverse creative energy.
Founded by visionary creative Grace Ladoja [pictured], HOMECOMING Festival in Lagos, Nigeria, has grown from an intimate 2017 gathering into a powerful cultural movement. Now joined by Yoon of AMBUSH, the festival serves as a dynamic platform uniting music, fashion, and community, while empowering a new generation of African entrepreneurs. Bridging the African diaspora with the continent's vibrant creative scene, HOMECOMING is reshaping festival culture and redefining global perceptions of African innovation. HOMECOMING
Ladoja's journey underlines the festival's emotional resonance with her African roots and UK nationality. After returning to Nigeria for the first time in 14 years following her mother's passing, she experienced a revelation. She noted, "It felt like when you land on a plane, and everything about your life makes sense. You know the sounds, how people talk, why they talk that way. Everything was making sense for me in one split second." That moment was the inception of HOMECOMING as a mission to create a space where the diaspora reconnects with their roots while amplifying Africa's homegrown talent.
Bridging the African diaspora with the continent's vibrant creative scene, HOMECOMING is reshaping festival culture and redefining global perceptions of African innovation. HOMECOMING
This year's edition took place from April 17 to 21, 2025, and marked the festival's pivotal evolution. With headliners and pop-up shops, HOMECOMING unveiled its first permanent hybrid creative hub. This hub is a year-round space fusing a concept store, braid salon, café, and radio station under one roof, a remnant of global African diasporic communities.
Founded by visionary creative Grace Ladoja [center], HOMECOMING Festival in Lagos, Nigeria, a creative scene with Angelo Baque of AWAKE [left], reshaping festival culture and redefining global perceptions of African innovation. HOMECOMING
Grace explained the vision stating, "Lagos needed [it]! A space that activates the community, amplifies their voice, allows outsiders to show up where it's curated." The retail component is revolutionary, offering exclusive drops like the Nike x Slawn collab (one of 2025's most hyped releases) and long-awaited local access to global designs.
Mowalola on the racks at the HOMECOMING retail space. TONII
'The retail side is exciting because we're one of the few that can get brands to collaborate with us, [and] make exclusive products for West Africa,' Ladoja expounded. 'That doesn't happen. That exclusivity is something I grew up on—you'd have to travel to get that exclusive T-shirt. I was like, Nigeria needs exclusivity. People need to feel they get it first.'
Now joined by Yoon of AMBUSH, the festival serves as a dynamic platform uniting music, fashion, and community, while empowering a new generation of African entrepreneurs. Bridging the African diaspora with the continent's vibrant creative scene, HOMECOMING is reshaping festival culture and redefining global perceptions of African innovation. TONII
Streetwear has become one of the many pillars of HOMECOMING's cultural exchange. With exclusive drops from AMBUSH founded by Yoon Ahn, Marni, Mowalola, Denim Tears, and Patta, alongside rising Lagos-based labels, the festival boasted a new look on the streetwear and fashion markets.
Now joined by Yoon of AMBUSH, HOMECOMING is reshaping festival culture and redefining global perceptions of African innovation. HOMECOMING
Yoon Ahn, who first collaborated with Grace in 2018, finally experienced Lagos in person and was struck by its raw energy. She recalls, "I told [Grace], 'Bring that energy into your streetwear. Don't try to be version two of the West. Learn from it, but make your own.'" The festival's Street Souk marketplace embodied this ethos, spotlighting how African designers redefine global fashion on their own terms.
Street Souk jerseys; Founded by visionary creative Grace Ladoja, HOMECOMING Festival in Lagos, serves as a dynamic platform uniting music, fashion, and community, while empowering a new generation of African entrepreneurs. HOMECOMING
She stated, ' I saw that raw energy in young designers—their graphics, cuts. I'm excited to see how their culture matures. Like Afrobeats—it's globally loved, but it's distinctly theirs. I want that for fashion.'
The presence of a brand like AMBUSH further exemplifies this cultural bridge to the world with its starting point in Africa. 'We did easy-to-grab pieces for HOMECOMING; remade a T-shirt from five years ago because of demand,' Ahn detailed her experience at the festival. 'The panel turnout surprised me [with] so many people - so knowledgeable. My first time in Africa was [in] late 2023 in Joburg for a Nike program. Kids there told me they started brands because of me. That blew my mind! I didn't think my work as an Asian creator would resonate like that. It made me feel more responsible.'
Founded by visionary creative Grace Ladoja, HOMECOMING, now joined by Yoon of AMBUSH, the festival serves as a dynamic platform uniting music, fashion, and community, while empowering a new generation of African entrepreneurs. HOMECOMING
She continued, 'What I loved about Lagos was the directness. In Japan, design is very cerebral. In Lagos, creation feels instinctive, from the gut. That's vital! Customers feel that energy. I told them, 'Learn from others but don't replicate. Make your own journey. It reminded me to trust my gut more, be raw again.' For Homecoming's future; I'd love more cultural exchange—Lagos to Asia, everywhere. More youth, more voices. It feels like it's just beginning.'
Founded by visionary creative Grace Ladoja, HOMECOMING Festival in Lagos, serves as a dynamic platform uniting music, fashion, and community, while empowering a new generation of African entrepreneurs. TONII
Sustainability emerged as another key theme, with brands like Dye Lab leading the charge in 'circular' design. Ladoja highlighted Africa's inherent advantage. "In Nigeria, tailoring is so normal—it's not unusual to say, 'I'm going to a wedding on Saturday, I'm getting a dress made.' That's very normal."
The festival founder has rooted the experience in learning inherent traits of African culture, circular in their design. Ladoja revealed, 'I'd say there's a lot of sustainability happening in Nigeria, especially with brands looking at the end-to-end process of waste. I see a lot of upcycling with Nigerian textiles. During the festival, we brought the original artisans, weavers, and dyers from Kano to Lagos to show that process. We spoke about offcuts and waste. We did a customization based on offcuts of traditionally dyed products.'
Bridging the African diaspora with the continent's vibrant creative scene, HOMECOMING is reshaping festival culture and redefining global perceptions of African innovation. TONII
'If your brand is in Nigeria and I see it on the streets, you've made it. I've seen Palace, Free the Youth, random [brands]. I saw Palace a few years ago and was like, 'Palace is in Nigeria? This is crazy.' It's more [of a] bootleg knockoff,' she explains of the popularity of streetwear's cultural impact. 'I did a panel with Free the Youth from Accra, and Joey said, 'Before you could buy the product, you'd remake it.' We'd see something and remake it ourselves. That's how it works."
When mentioning fashion aesthetics, Ladoja highlighted the deliberate stereotypes, resenting the idea of Africa as a dumping ground for fast fashion, pointing to innovators transforming waste into high-value products. There are a lot of people looking at sustainability within the continent. We don't need to be a dumping ground for another country's waste. With a brand like Dye Lab [and] all their artisans - everything's sustainable. The waste products go back into their products."
Artist Slawn at HOMECOMING Festival in Lagos, Nigeria, a vibrant creative scene, HOMECOMING is reshaping festival culture and redefining global perceptions of African innovation. HOMECOMING
The festival's impact extends far beyond commerce, becoming a creative incubator. Grace's partnership with Slawn, the 22-year-old Nigerian designer behind the viral Nike collaboration, exemplifies HOMECOMING's role as a talent incubator. She recalled their first meeting in 2018. "We put an ad out for graphic designers, and Slawn and his Motherland crew showed up. They were making little patches for our customization. We met them when they were 15, but they were extremely talented. It's important for people to see," Ladoja reflected.
Davido performs at the HOMECOMING concert; Bridging the African diaspora with the continent's vibrant creative scene, HOMECOMING is reshaping festival culture and redefining global perceptions of African innovation. HOMECOMING
Ladoja envisions HOMECOMING as a catalyst for pan-African collaboration and a hub for the African diaspora. "The diaspora could be the biggest ally for the continent," she urged. Ahn echoed this sentiment, inspired by Lagos' unfiltered creativity, "We have to feel more like a collective. It reminded me to trust my gut more, be raw again."
Bridging the African diaspora with the continent's vibrant creative scene, HOMECOMING is reshaping festival culture and redefining global perceptions of African innovation. TONII
Ladoja concluded, "This isn't just about events, it's about building infrastructure." As popular culture grows an appetite for authentic connection, HOMECOMING is filling a gap and rewriting narratives for Africa and how it's shaping global culture.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Post Malone considered 'stealing melodies' from kids' TV
Post Malone considered 'stealing melodies' from kids' TV

Yahoo

timean hour ago

  • Yahoo

Post Malone considered 'stealing melodies' from kids' TV

Post Malone has considered "stealing some melodies" from children's TV shows. The Circles rapper loves spending time with his three-year-old daughter - who he has with former fiancee Hee Sung 'Jamie' Park - and often has the "catchy" tunes from her favourite shows going through his head. He told GQ magazine: "She loves Paw Patrol. She loves the Pup Pup Boogie. She loves Paw Patrol. She loves Pororo, it's like a Korean penguin. "And they sing a bunch of great songs, and they're catchy as f***. I might steal some melodies, but probably not. I don't want to get in trouble. "And she loves George Strait. She loves the steel guitar, which I'm pretty pumped about. But she's so funny She has the funniest dance." Although his daughter is just three years old, the 30-year-old star - whose real name is Austin Post - admitted she likes to "f*** with him" and make jokes at his expense. He said: "[Jelly Roll] was opening up [on tour] and she went out to watch Jelly and her grandparents asked her, 'Who's a better singer, Jelly Roll or your dad?' She goes, 'Jelly Roll.' And I know she's f****** with me. "She does that all the time. She goes, 'I love you.' I say, 'How much?' She goes, 'A little.' I go, 'Oh, you little s***.' And then she calls me a little s*** too. It's pretty funny." The Sunflower hitmaker learns more about being a parent every day but he finds the whole experience "beautiful". He said: "Kids are little s**** and they're beautiful at the same time. "Being a dad, I take it a day at a time. I think it's important that way. We're learning every day. I don't know what the hell I'm doing, and neither does she. She's just figuring it out. "It's really sweet. My house has been under construction for about two years now, and we finally just finished the main bit of it. And there's this big hallway where she can ride her bike and she has this little toy horse, and she rides up and down and just f****** giggles the whole f****** time. "It is the most beautiful thing I've ever experienced in my life. I'm pretty pumped on that. It's pretty cool. It's badass to be a dad."

My New Favorite Shoe Comes Straight From the Garden
My New Favorite Shoe Comes Straight From the Garden

Vogue

time3 hours ago

  • Vogue

My New Favorite Shoe Comes Straight From the Garden

When I was a child, maybe around 7 or 8, my mom bought me a pair of clogs. Back then, I thought they were ugly and refused to wear them. Now, I know they're ugly, and I yearn for them. Clogs have enjoyed a recent renaissance alongside the boho revival. Chemena Kamali planted the seeds when she dressed front-row guests at her inaugural Chloé show in matching wooden footwear. Since then, other designers have offered their own interpretation, from Lauren Manoogian to Anna Sui, and even The Row. And lest we forget the enduring popularity of the Birkenstocks Boston clog. Bella Hadid in Proenza Schouler x Sorel gardening clogs. Photo: Backgrid On a recent trip to Northern California, I spent a day loafing around the Russian River with friends, where topics of conversation drifted to preferred kombucha brands and mindfulness-oriented tech startups. As we packed up our spot on the riverbank, I noticed my friend, Serafina, wearing a pair of sepia Plasticana gardening clogs. Not only was I jealous of her practicality (rocks and sand were flooding into my ancient Vans slip-ons), I felt a magnetic pull toward the ugly, yet kind of fabulous shoe. That's how I found myself planted on my friend's couch in San Francisco, hunting for a pair of gardening clogs of my very own. But instead of Serafina's translucent Plasticanas or the wooden boho-chic, I settled on a rubber fuchsia pair with a slight heel from Merry People. Even while I was typing in my credit card information, I knew this was a deeply out of character move for me. (My colleague Laia Garcia-Furtado confirmed this with her response to the photo I texted her: 'Oh wow sooo wackadoodle.') Despite my reporting on the freaky shoe beat, my own footwear has stayed largely classic: nude ballet flats, black leather boots, slim flip-flops, and lace-up sneakers are all part of my regular rotation. But now, my ultra-comfy hot pink gardening clogs feel like a way to step out of my comfort zone, bringing some pizzazz to my largely neutral wardrobe. Already, I've been styling them with jeans and T-shirts, miniskirts, and romantic blouses alike.

Coldplay's Chris Martin refuses to ditch jumbotron cameras despite Astronomer CEO cheating scandal
Coldplay's Chris Martin refuses to ditch jumbotron cameras despite Astronomer CEO cheating scandal

Fox News

time4 hours ago

  • Fox News

Coldplay's Chris Martin refuses to ditch jumbotron cameras despite Astronomer CEO cheating scandal

Coldplay's Chris Martin doubled down on the band's use of the jumbotron despite a playful moment that uncovered a cheating scandal. "We've been doing [the Jumbotron] a long time, and it is only recently that it became a … yeah," Martin said during the band's England stop of the "Music of the Spheres" tour. "Life throws you lemons and you've got to make lemonade," he continued, according to HullLive. "So, we are going to keep doing it because we are going to meet some of you." Astronomer CEO Andy Byron resigned from his role at his company after he was caught on the jumbotron at a Coldplay concert with his arms around the head of his company's HR department, Kristin Cabot. During Coldplay's performance on July 16, Byron appeared on the Kiss Cam with his arms wrapped around a woman, who was later identified as Cabot. The two were shown during Martin's "The Jumbotron Song," where the singer improvises lyrics about the couples shown to the crowd. Cabot immediately covered her face and turned away from the camera, while a stunned Byron ducked down and exited the frame. Martin then joked that, "Either they're having an affair or they're just very shy." The moment ignited speculation of infidelity across social media as video of the exchange went viral. On July 18, the tech firm posted a statement on X about the controversial incident. "Astronomer is committed to the values and culture that have guided us since our founding. Our leaders are expected to set the standard in both conduct and accountability," the company shared. "The Board of Directors has initiated a formal investigation into this matter and we will have additional details to share very shortly." On July 20, Astronomer informed its social media followers that Byron had resigned from the company. Cabot later resigned from her role as chief people officer at Astronomer, a week after the video of her cuddling up with Byron went viral. Martin seemingly poked fun at the viral moment days later. The lead singer chose to give fans a warning before showing people on the jumbotron. WATCH: COLDPLAY'S CHRIS MARTIN PLAYFULLY WARNS CROWD ABOUT JUMBOTRON AFTER KISS CAM SCANDAL "We'd like to say hello to some of you in the crowd," Martin said in a video posted on X, which sparked both cheers and laughter from the audience. "How we're gonna do that is we're gonna use our cameras and put some of you on the big screen," the singer said, while grinning. "So please, if you haven't done your makeup, do your makeup now."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store