TV tonight: the hilarious spin-off from Sharon Horgan's Motherland
9pm, BBC One
It is the hilarious Motherland spin-off fans have been waiting for from Sharon Horgan (Catastrophe, Bad Sisters). The comedy follows the unbearable snob Amanda (Lucy Punch), who has had to downsize after her divorce. She is struggling to fit in with the mums at her kids' new school, but luckily her mother, Felicity (Joanna Lumley), won't leave her house and her old minion, Anne (Philippa Dunne), is still around. What a hoot! Hollie Richardson
9pm, ITV1
Are the longsuffering women of Grantchester about to rise up against the patriarchy? Maybe not quite yet, but Geordie's latest murder case forces a reckoning at the new workplace of Esme (Skye Lucia Degruttola), while Cathy (Kacey Ainsworth) reassesses her relationship with their eldest daughter, and Mrs C (Tessa Peake-Jones) has some sharp words for Rev Alph. Ellen E Jones
9pm, Channel 4
A heartstring-tugging addition to Channel 4's already extensive property empire, this series sees George Clarke following builds and conversions with hefty emotional resonance. We begin with Chris and Ellie, who are attempting to construct a new home in the Ribble Valley after Chris's diagnosis with stage-four cancer. Phil Harrison
9.30pm, BBC One
Daisy May Cooper's dark comedy returns (with the wonderful Lenny Rush) and, although there is still too much happening at once, it is even funnier than before. The story picks up with the messy aftermath of Nic (Cooper) revealing her affair with her dead brother-in-law – the one she also, erm, killed. But will she get away with murder? HR
10pm, Channel 4
Money may not be able to buy you taste but it can certainly secure you a needlessly extravagant mansion with a roof shaped like a Viking helmet. This gaudy but addictive new reality series follows the zealous sales staff of deluxe Dubai property specialists Betterhomes as they try to flog jaw-dropping villas. Graeme Virtue
12.05am, Channel 4
With the rental market in such a desperate state, it is no surprise that a growing number of young renters are being conned into putting down deposits on places that don't even exist. Harleen Nottay investigates these scams and how social media plays its part. HR
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
39 minutes ago
- Yahoo
Sydney Sweeney reveals 'transformation' for 'special' new role
Sydney Sweeney has revealed she had to gain more than two stone to play boxer Christy Martin. The Euphoria actor is playing the former female super welterweight champion in a new biopic. She had to train for hours every day and worked with a nutritionist who helped her pack on the extra pounds for the part. "It was quite a transformation," she said during an appearance on The One Show. Sweeney was on the BBC show on Monday, 9 June along with actor Julianne Moore, as the pair discussed their new film Echo Valley. She was also quizzed about playing Martin in the as yet untitled biopic, and said it would "forever be one of the most special projects that I have ever done". "I trained for like, two-and-a-half, three months before I started filming," she continued. "I had boxing training and weight training multiple times a day for hours a day. I had a nutritionist that would help me put on the weight. So I put on 30 to 35 pounds. "It was incredible." The star said during filming she "did every single boxing sequence". "It was me, I was punching people, I was getting punched in the face," she said. "It was really amazing." Presenter Roman Kemp joked: "I'd be like, 'Go lighter this scene'." But Sweeney insisted: "No, you want to keep getting into it! You get so into it." Sweeney and Moore also talked about Echo Valley, which looks at how far a mum will go to protect her daughter after she turns up at her door covered in someone else's blood. Moore had to film some of the scenes underwater in a tank and presenter Alex Jones noted that it looked "terrifying". "Yeah," agreed Moore. She went on: "We shot the movie in New Jersey on an actual lake so when you see us on the surface of the lake or in a boat on the lake we are in New Jersey but when you see me underwater we are in London, we are in Pinewood." "It was the first time I had done any tank work," said the actor. "It was really exciting, I got to work with a diver. "You don't have a lot of prep. I think I had an afternoon of working with the regulator and going underwater and then you take your regulator and you take it out and then you act for as long as you can and then you come up for air. "But it was exciting. I mean, I was nervous. I am not sporty, unlike Sydney who is a very, very sporty person. I am kind of an indoor person." "I was very jealous of the tank work!" laughed Sweeney. The One Show airs at 7pm on BBC One on weekdays. Echo Valley is out on Apple TV+ and select cinemas from Friday, 13 June.
Yahoo
4 hours ago
- Yahoo
You can see the Red Arrows this weekend in London - Exact time of flypast
This weekend, Trooping the Colour will take place for King Charles III. The traditional event takes place to mark the official birthday of the monarch and dates back to the 1700s. After George III became King in 1760, Trooping of the Colours became an annual event. Despite King Charles III's actual birthday being on November 14, Trooping of the Colours typically takes place in June. It involves a parade of hundreds of soldiers and also members of the Royal Family on horseback or in carriages, attracting thousands. To mark the occasion, the Red Arrows will be doing a flypast over London. The event will start at 10.30am with the Horse Guard Parade and will last for around two hours until 12.25pm. After that, the Royal Household will move to the balcony at Buckingham Palace to address the public. Then at 1pm, the RAF flypast above Buckingham Palace will take place. The Red Arrows flypast and the parade will be broadcast live on BBC One on June 14. Recommended Reading Red Arrows reveal 2025 schedule - full list of UK displays Last surviving Battle of Britain pilot John 'Paddy' Hemingway dies aged 105 Prince Louis in the spotlight at Trooping the Colour ceremony If you aren't planning on heading to London to watch the parade but still want to see the event, you're in luck. The BBC will be broadcasting the event on BBC One on Saturday, June 14, from 10.30am to 1.30pm. The event will be hosted by Clare Balding from London and will end with the annual RAF flypast and the Royal Family's balcony appearance.


Geek Vibes Nation
4 hours ago
- Geek Vibes Nation
‘Predator: Killer Of Killers' Review - Dan Trachtenberg's Animated Anthology Is Sublime Franchise Fodder
In 2022, director Dan Trachtenberg proved Predator still had steam with Prey, a gloriously high-concept and brilliantly realized reinvention of the previously DOA 80s action IP. It was a bold departure from previous films in that it set its story in the early 18th century and centered it on a Comanche warrior, inevitably begging the question, 'If we can do a Predator movie there, where else can we put a Predator?' Fans quickly began generating ideas for what new potential Predator installments could look like. How about a Predator in ancient Egypt? How about a Predator in feudal Japan? How about a Predator during Vietnam? Well, at least one of these wishes has come true in Predator: Killer of Killers, a previously secret Predator project that has now graced our television screens (Hulu in the States, Disney+/Star everywhere else). Trachtenberg has taken his initial experimentation in Prey and blown it up threefold, presenting an anthology of three vignettes that imagine a Predator fight in three distinct time periods: 'The Shield' follows a horde of viking warriors who, in their efforts to take down a warring nation, come face to face a Yautja; 'The Sword' sees a samurai warrior seek vengeance against his estranged brother only to then find himself battling two foes; 'The Bullet' takes the fight to the sky as an inexperienced World War II naval pilot is forced to take down a Predator and his spaceship. While the first two entries feel thematically linked in the emptiness of vengeance and the importance of familial bonds, the third entry feels a bit more loose, though one could argue its underdog story helps link all three stories. Despite this, each vignette is bolstered by excellent voice acting and has just enough story to maintain thematic intrigue throughout. Killer of Killers marks the second time Disney has unceremoniously plopped an exquisitely crafted production straight to streaming, a criminal act for a company that allows hollow cinematic detritus like the new Lilo & Stitch to rack up Memorial Day dollars. Thankfully, this critic was able to experience the film in a theater as part of the Tribeca Festival's 'Escape to Tribeca' midnight programming slate, and calling the experience transcendent would be underselling it. The most notable difference is in the soundscape, which is booming with an absorbing surround mix and an intense, enrapturing score from Benjamin Wallfisch (Alien: Romulus). This is especially stirring in the film's third and final vignette, which incorporates the sounds of aerial combat a la Top Gun to bombastic effect. Unless you have a solid home theater setup, this is something you simply can't fully appreciate from the comfort of your home. Then, of course, there's the animation. This film marks the first foray into full feature animation for visual effects company The Third Floor (Godzilla x Kong: The New Empire, Guardians of the Galaxy, Vol. 3) and the results are magnificent; though its 2.5D cel-shaded animation is not rendered as fluidly as other, more premiere examples of the format (Arcane is a particularly good comparison, with whom this film shares a lead animator), it is brimming with gorgeous detail and unafraid to get gory throughout its masterfully choreographed fight sequences. By the time the first sword is slashed, you are able to fully immerse yourself in the film's unique style and let its high-octane action and gruesome kills whisk you away. The film's second vignette, which is essentially Predator versus a samurai, is undoubtedly the film's highlight, bringing the stealth of the franchise to new stylistic heights that echo Asian cinema of the 1980s. It's undeniable that these three short films are infectiously entertaining, taking a previously militarized franchise and imbuing it with the kind of acrobatics, combat, and ingenuity that feel reminiscent of a John Wick-meets-Mortal Kombat bloodbath. It's a shame, then, that Killer of Killers succumbs to the MCU-ification of modern filmmaking and insists that 'everything is connected.' Though it isn't worth getting into for fear that it will spoil what is an admittedly electrifying third act, the final scenes of the film do explicitly connect the three vignettes and imply a much larger story world than Killer of Killers initially lets on. Each film is strong enough on its own that the additional narrative work, while fun, feels both narratively superfluous and vaguely exploitative. One can't help but fear that the film's story devices may eventually be abused to provide nostalgia-fellating franchise fodder. Arnold Schwarzenegger has certainly been brought back to his franchises with less effort. All of that said, the film is so invigorating from a pure genre perspective that it's easy not to care. Unlike franchises within the Marvel machine or even other blockbusters like Mission: Impossible or James Bond, Trachtenberg has proven he is only interested in pandering continuity porn when it comes secondary to expanding his franchise's lore in his own image. Though we expect his next film, Badlands, to be a more narratively coherent experience, there's nothing wrong with letting him experiment with a few creative exercises if they look, sound, and feel this good. Obsessive easter egg hunters will surely have some things to pick apart, but, for the most part, Killer of Killers is a sublime standalone project that invites endless possibilities to the Predator franchise while providing a cutthroat action romp that never takes its foot off the brakes. Predator: Killer of Killers held its New York Premiere as part of the Escape From Tribeca section at the 2025 Tribeca Festival. It is now streaming globally on Hulu and Disney+.