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THE WORD NETWORK TO EXCLUSIVELY BROADCAST HOMEGOING SERVICE FOR MUSIC ICON ANGIE STONE

THE WORD NETWORK TO EXCLUSIVELY BROADCAST HOMEGOING SERVICE FOR MUSIC ICON ANGIE STONE

SOUTHFIELD, Mich., March 12, 2025 /PRNewswire/ -- The Word Network, the world's largest African American religious network, will exclusively broadcast the homegoing service for legendary singer, songwriter, and trailblazer Angie Stone.
The Atlanta service will be officiated by Bishop E. Dewey Smith and will feature special guest speakers and musical tributes from some of Angie Stone's closest friends and collaborators, including Tyler Perry and Anthony Hamilton.
For all broadcast details and network-related inquiries, please contact:
Sean Pennington
Flipside Entertainment Agency
Phone: 323-240-2328
www.thewordnetwork.org for viewing options.

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Across the Pacific: Palauan Voyagers Renew Austronesian Bonds in Taitung
Across the Pacific: Palauan Voyagers Renew Austronesian Bonds in Taitung

Yahoo

time6 hours ago

  • Yahoo

Across the Pacific: Palauan Voyagers Renew Austronesian Bonds in Taitung

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Popit Games Tournament Early Access Launches June 7th with $500,000+ Prize Pool
Popit Games Tournament Early Access Launches June 7th with $500,000+ Prize Pool

Yahoo

timea day ago

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Popit Games Tournament Early Access Launches June 7th with $500,000+ Prize Pool

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Review: ‘Golden Leaf Ragtime Blues' at American Blues is a familiar kind of odd-couple story
Review: ‘Golden Leaf Ragtime Blues' at American Blues is a familiar kind of odd-couple story

Chicago Tribune

time2 days ago

  • Chicago Tribune

Review: ‘Golden Leaf Ragtime Blues' at American Blues is a familiar kind of odd-couple story

Charles Smith and Chuck Smith, two venerable artists with a long and auspicious history in Chicago theater, don't just have similar names. They've been friends and collaborators for close to 40 years. Anyone who knows them knows not to call Charles 'Chuck,' or Chuck 'Charles,' on pain of gentle correction. Their latest, and let's surely hope not their final, teaming up is for an American Blues Theater show called 'Golden Leaf Ragtime Blues,' a play that goes back almost four decades, having first been developed at American Blues in 1987. As far as I am aware, though, the first full production of the final version did not take place until 2016, when the show, a piece about a pseudo-paternal friendship between an aging and crusty white vaudevillian and an African American teenager, was first seen in Ohio, where Charles Smith long has taught. The staging at the new space developed by American Blues is the show's Chicago premiere. I've seen most of Charles Smith's typically detailed plays over the years, many of which have been excellent, and his body of work includes a longstanding interest in the history of vaudevillian performance. But in this case, to be frank, this feels a bit more like the kind of odd-couple play that was more in vogue some years ago. We start out by watching the octogenarian Pompey (Dennis Cockrum, of recent 'Shameless' fame) struggling to remember his lines sufficiently well to keep up his wordplay act with Ollie (James Sherman, another distinguished name). Then the show movies a few years later, to the point where Pompey's domestic well-being has become an issue for his daughter Marsha (Dawn Bach), who can see all the empty cans of food strewn around. Marsha has a foster son, Jet (Justin Banks), and most of 'Golden Leaf Ragtime Blues' is about the developing relationship between Pompey and this kid, one that you quickly intuit will be beneficial to them both. This certainly is a structure you've likely seen before, although it's performed with integrity, charm and authenticity here. At times, it feels like you are watching an old-school sitcom with both laugh lines and what they used to call 'treacle cutters,' meaning poignant lines. Ollie doesn't disappear as the 90-minute show progresses; he pops up occasionally, haunting Pompey's memory. At the show I attended, the piece needed a bit more pizzazz and, frankly, speed. Simply put, I think everyone focuses a bit too much on what Pompey cannot do anymore, over what he can, which is needed to drive the dramatic action. Somehow, the show never quite transcends its devices; it's just too familiar a scenario and you see what's coming down the pike before it actually arrives. Smith has penned much better plays. Several of them. Still, the show does indeed deal with salient issues of aging, caregiving, and the importance of both listening to oldsters and passing on your truths to the next generation. And it comes with a baked-in optimism about America, at least in one 1990s living room. Review: 'Golden Leaf Ragtime Blues' (2.5 stars) When: Through June 29 Where: American Blues Theater, 5627 N. Lincoln Ave. Running time: 1 hour, 30 minutes Tickets: $49.50 at 773-654-3103 and

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