
World Book Day 2025: 5 unmissable reads that cross borders and stay with you
This year, the British Council spotlights five remarkable works in translation that speak to our most pressing emotions and complexities – displacement, digital burnout, memory, resilience and care. These stories, though rooted in specific cultures, transcend borders to offer universal truths.
1. Under the Eye of the Big Bird – by Hiromi Kawakami, translated by Asa Yoneda
From one of Japan's most acclaimed contemporary novelists, Under the Eye of the Big Bird is a speculative masterpiece that reimagines life on Earth after humans have nearly gone extinct. In this distant future, scattered tribes live under the care of mysterious 'Mothers.' Told through fourteen interconnected episodes spanning geological ages, this quietly profound novel is both mournful and hopeful. Blending science and myth, it offers a poetic and unsettling vision of the end of humanity – and what might emerge in its place.
2. Heart Lamp: Selected Stories – by Banu Mushtaq, translated by Deepa Bhasthi
In Heart Lamp, Banu Mushtaq vividly captures the everyday lives of women and girls in Muslim communities in southern India. Originally published in Kannada, these twelve stories reflect her background as a journalist and lawyer, with a sharp focus on women's rights and resistance to caste and religious injustice. Praised for their dry humour and vivid style, the stories are filled with unforgettable characters – spirited children, outspoken grandmothers, and resilient mothers navigating complex emotions. Mushtaq's writing showcases her as a keen observer of human nature and a powerful storyteller.
3. Perfection – by Vincenzo Latronico, translated by Sophie Hughes
Anna and Tom – a millennial expat couple – seem to be living an idyllic life surrounded by plants, parties, and filtered social media moments in Vincenzo Latronico's Perfection. As digital creatives, their world is curated to appear flawless, yet beneath the surface lies a growing sense of dissatisfaction and disconnection. Their relationships, careers, and political efforts all begin to feel hollow, as they search for meaning in a life built on appearances. Translated by Sophie Hughes, the novel exposes the emptiness at the heart of curated modern living. Blending sharp social commentary with a stylish, minimalist narrative, Perfection is a striking exploration of identity, authenticity, and the subtle despair of a generation caught in the glow of its own image.
4. Small Boat – by Vincent Delecroix, translated by Helen Stevenson
Small Boat is a poetic and haunting novella from France that reflects on grief, guilt, and moral responsibility. Blending fiction with real events, it is inspired by the 2021 tragedy in the English Channel, where 27 migrants died after their calls for help were mishandled. The narrator – a call handler accused of failing in her duty – offers a quiet yet powerful meditation on blame, asking why one person should carry the weight of a crisis shaped by war, politics, and indifference. Vincent Delecroix crafts a deeply philosophical tale, adrift in memory, sorrow, and unanswered questions. Through Helen Stevenson's delicate translation, Small Boat becomes both a voice of protest and a lament.
5. A Leopard-Skin Hat – by Anne Serre, translated by Mark Hutchinson
Anne Serre's A Leopard-Skin Hat is a poignant, dreamlike novella centred on an intense childhood friendship between the narrator and Fanny, a young woman grappling with deep psychological struggles. Through a series of short, elegant scenes, Serre explores the narrator's unwavering devotion and emotional turmoil, capturing the delicate dance between hope and despair that defines their bond. Moving and subtly surreal, the story blurs the line between reality and imagination, infused with Serre's trademark wit and stylistic grace. Beautifully translated by Mark Hutchinson, the novella is both a tribute to a life cut short and a quiet meditation on grief, love, and the complexities of care.
These five books demonstrate how stories can be deeply personal yet universally resonant. Perfect for World Book Day, each title is a small gem of cross-cultural imagination, offering a portal to the strange and sublime. Whether you're seeking stories that challenge, comfort, or connect, these voices from around the world invite you to read beyond the familiar – and rediscover the transformative power of literature.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Mint
2 days ago
- Mint
Manu Joseph: The pressure on men to read novels can be insufferable
Now and then, there is a lecture given to men about how they must read, chiefly novels. And why the fact that most of them don't read novels is yet another reason why they are not better people, like women. A few days ago the New York Times columnist Maureen Dowd wrote a column entitled, 'Attention, Men: Books Are Sexy!' This headline portended a genre of advice to men—that if they did what women did, they would be more attractive. You may have also come across articles that say, 'Men: Doing chores at home is sexy' and 'Men: Listening is sexy.' Once, on a Goan beach, I was practising yoga, or what I think is yoga, when two Western women nodded in appreciation as they walked by. What made me laugh in the warrior pose was not only their social confidence in complimenting a native practising his own culture, but also my suspicion that what they approved of was a man doing peaceful exercises, instead of pumping iron like 'toxic men' do. I wanted to tell them I have read Sally Rooney too; they would probably have taken me out to dinner. If I said Jane Austen, they might have swooned. Also Read: Mint Quick Edit | 'Heart Lamp': A Booker prize for empathy and light Dowd makes the rewards for men clearer in her NYT column: 'It was one of the most erotic things I ever heard. A man I know said he was reading all the novels of Jane Austen in one summer." This is part of an ongoing lament about the disappearance of men who read novels. 'I interviewed Ralph Fiennes, and it turned out that he loves Shakespeare and reciting Beckett at 3 a.m. under the stars," she writes, I guess in an appreciative way and not in alarm at the mental health of such a man. Alright, most men do not wish to recite an absurdist playwright at a late hour. Is that really a problem? As an expert on men, let me explain why most of them don't read novels. Because they find novels boring. There needs to be no other reason. Finding something uninteresting is a human emotion that does not need to explain itself. But still, you may want me to explain, so I will try: Most men have no curiosity about the lives of people they do not know, especially made-up people; and lack the narcissism to connect the drama of fictitious people with their own lives. As a result, they are unable to overlook unremarkable plot lines and unremarkable scenes, particularly in 'literary' novels. Also, if they are over the age of 30, they are entrapped by an imbecilic question: 'What is the takeaway?' If something is not entertaining, men can still soldier on, like going to a gym, but they need to know what 'use' it will be. I agree it is a foolish way to be, but this is how most adults, not just men, are today. Also Read: Children's literature is a generator of human capital In my view, reading is the highest form of entertainment, especially when a book gets going, but I completely understand why some people might find it boring. As the American writer David Foster Wallace said, 'I have friends—intelligent friends—who don't like to read because they get—it's not just bored—there's an almost dread that comes up... about having to be alone and having to be quiet." Actually, reading his 'great' novel, Infinite Jest, has been more dreadful to many people than loneliness. Also, anything by Thomas Pynchon. Their works are so dense that people admit to suffering through them. They do claim 'rewards,' but that could be something they are trained to say by the establishment. I can see the point of working a bit to enjoy a work of art, but suffering it for weeks only reflects a lack of self-confidence to toss an acclaimed book aside as unworthy of your time. The veneration of novels as predominant temples of wisdom and powerful schools of empathy is in great part the propaganda of writers and literary middlemen who have a vested interest in insulting those who don't consume their goods. Also Read: Our literary fiction written in English has lost its spark First of all, the novel, especially the vaunted literary novel, is a luxury enterprise, the preserve of the upper class. Most of world literature is the point of view of the top 2%. I would even say all of literature is just that when you consider that the top 2% regulates what counts as 'literature.' You don't have to be in awe of it. But I would say this: Of all the things the rich have made, this is probably the most enjoyable. As women are the primary market for novels today, they have created a world where the most powerful people in publishing are mostly women. Also Read: Manu Joseph: How to reform your son after you watched a TV show There are some male literary superstars, but even their fate rests on a special quality of women—they are generous to men, in the sense that they are somewhat interested in what men have to say. Men, in general, do not seem to have that generosity. A lot of men, in my experience, have no interest in reading the thoughts and stories of women. There is no villainy here; it is just the way they are. It is a bit like how Indians are interested in reading about America, but Americans have no such reciprocal interest. The male view, despite the generosity of women, is not so saleable anymore. In 2022, the novelist Joyce Carol Oates wrote on Twitter, 'A friend who is a literary agent told me that he cannot even get editors to read first novels by young white male writers, no matter how good." Women readers have been pushing male novelists out of the mainstream market because they are naturally drawn to what other women have to say. Perhaps this points to how natural it is for men not to be all that interested in the things that interest women. The author is a journalist, novelist and screenwriter. His latest book is 'Why the Poor Don't Kill Us.'


Indian Express
3 days ago
- Indian Express
Parineeti Chopra recalls first meeting with Raghav Chadha, says she Googled his age, occupation and height after their first date; why background check is important
Actor Parineeti Chopra recently opened up about how her relationship with politician Raghav Chadha began, revealing just how quickly things escalated from a casual introduction to talk of marriage. The couple appeared on The Great Indian Kapil Show, where Parineeti recalled, 'We first met in London. We were getting an award from the British Council. He was getting an award for excellence in governance and politics, and I was getting one in entertainment. Both my younger brothers are huge fans of him and asked me to say hi to him. By chance, he was just sitting right behind me. When I went to tell him hi, I just casually told him we should meet sometime once back in Delhi, and he just invited me to breakfast the next day.' Raghav quipped, 'Main ne mauke pe chauka maara (I took full advantage of the situation).' Parineeti added, 'I thought things were getting serious, so I took five people along with me. He also had two organisers with him, so we were around 12 to 15 people at that table. Later, he took my number and we started talking. Right from our first meeting, we spoke about getting married. He had fallen in love at first sight. And when I met him, I thought I would get married to him, till then I knew nothing about him.' Raghav shared with a laugh, 'She often shares that after that meeting, she checked on Google what my age was and if I was married. She even googled what the duties of a Member of Parliament are.' Parineeti admitted, 'Another important question I googled was what was his height? Because I always liked tall men. He was taller than me, so I was like, he was perfect. We did the roka in the next 3-4 months after that, and waited for the rains to get over to get married.' Psychologist Anjali Gursahaney tells 'In today's digital age, it's natural to look someone up after a promising first meeting, just like Parineeti Chopra did with Raghav Chadha. This kind of fact-checking can be helpful when done mindfully. It allows you to verify basic details for safety, get a sense of their public life or work, and potentially find shared interests. However, it can also become a trap.' A post shared by @parineetichopra She continued, 'When you rely too much on online information, you risk creating a digital version of the person in your head that may not match who they actually are in real life. Profiles, articles, or images lack nuance and context, and this can lead to premature judgements. The key is to use this information as a light reference, not a substitute for conversation.' Feeling clarity early on can sometimes be a sign of genuine alignment, especially when two people are emotionally mature and have similar life goals. Gursahaney notes, however, that it can just as easily be mistaken for infatuation, which often brings a sense of urgency, idealisation, and emotional high. 'The real test is not how deep the early feelings are but how they evolve in ordinary, unfiltered circumstances. Feeling excited about someone is lovely, but it becomes meaningful when it's grounded in lived experience, not just imagination,' suggests the expert.


Deccan Herald
5 days ago
- Deccan Herald
Book Brahma Festival 2025 opens with spotlight on South Indian languages, AI
The festival opened with a 'Beyond Booker' session featuring Banu Mushtaq, Deepa Bhasthi, Kanishka Gupta, and Moutushi Mukherjee, moderated by Swetha Yerram.