
50 Extremely Rare And Amazing Historical Pictures That Will Completely And Totally Change Your Perspective On The World
This is the unfinished portrait of George Washington that was used as a basis for the design of the $1 bill:
The portrait was done by Gilbert Stuart, who apparently had something better to do than finish up ol' George's portrait?
This picture, taken in 1925, shows the passengers on an Imperial Airways flight watching one of the first in-flight movies ever:
They're watching a silent film called The Lost World. What do we think of that plane's cabin? Better or worse than today's economy?
And this is what in-flight entertainment looked like in the 1960s:
My neck hurts just looking at this.
There's a trap door on the Sphinx:
There's actually a bunch of holes in the Sphinx (do not discuss this sentence in the comments) that mostly lead to nowhere.
This is how the Eiffel Tower used to get painted — one precariously hoisted guy with a paint bucket at a time:
In the hours after he died, a death mask was made of Napoleon Bonaparte's face:
This was the menu served to the third-class passengers aboard the Titanic on the day the ship sank:
Put another way, that dinner was the last dinner a whole lot of people ever ate.
Here's a peak at what one of those third-class cabins looked like:
This photo from a Seattle lumberyard in 1919 show just how high stacks of lumber could go in those days:
It's as impressive as it is depressing.
Speaking of lumber, one of the more creative ways bootleggers would hide alcohol during Prohibition was inside trucks lined with wood, complete with a tiny trapdoor:
This picture, taken in 1946, is one of the first images of Earth ever taken from space:
It was captured from a 35-millimeter camera attached to a V-2 rocket.
You're, of course, familiar with Mahatma Gandhi...
But have you ever seen a picture of him as a young man? Here's Gandhi some time in the late 1800s:
Looking sharp, Mahatma.
This picture, from 1930, shows a plane flying over the old city of Baghdad, Iraq:
During the Battle of Britain in World War II, cows were painted with bright white paint to stop cars from hitting them during the nightly blackouts:
This is Franz Reichelt sporting a homemade parachute suit that he was confident would save him if he jumped off the Eiffel Tower:
On Feb. 4, 1912, he gave it a go. It did not deploy.
These are what some of the Titanic's lifeboats looked like after they were docked in New York after the ship sunk:
Imagine being on one of those in the pitch black night in the middle of the ocean.
This totally safe device was known as a baby cage, a wire cage suspended out of an apartment window meant to give babies born in cities extra light and air:
And probably a lifelong hatred of pigeons.
This is the Thanksgiving menu that was served at the Plaza Hotel in 1899:
What are you going for? Might be partridge and orange jelly tarts for your boy.
These are the real-life outfits doctors would wear to treat plague patients in the 1600s:
Terrifying!
This is a picture taken during Captain Robert Falcon Scott's Terra Nova Expedition to the Antarctic. None of the men on the expedition would survive:
You can see the ship behind the two men pictured.
These are some of several disguises that US Intelligence thought Adolph Hitler would use if he managed to go into hiding after World War II:
This is what Harriet Tubman looked like in old age:
This is Harrison Schmitt, one of four living men to have set foot on the moon's surface, and the one who did it most recently:
Schmitt was part of the 1972 Apollo 17 mission and an absolute pro at the space selfie.
The Great San Francisco Earthquake of 1906 was the deadliest earthquake in US history, resulting in the deaths of over 3,000 people. In the aftermath of the disaster, you could literally see where the Earth split along the San Andreas Fault:
Here's another picture of a San Francisco street split in two:
Awful, awful stuff.
This is a statue of Anubis, the Egyptian god of the dead, that was found inside the pharaoh Tutankhamun's tomb:
Which makes it over 3,000 years old.
This is the aftermath of the Great Molasses Flood of 1919, a deadly event that claimed the lives of 21 people in Boston after a container holding over two million gallons of molasses burst, sending a wave of molasses several feet high through the city streets:
It sounds like it's funny, but I assure you: it is not.
This is 455 pound Piet van der Zwaard AKA the "fattest man in Europe" in 1955:
This colorized picture of Ramses II's Great Temple at Abu Simbel in Egypt, taken circa 1865, shows just how enormous the colossal statues in front of the entrance are:
This is what that same statue looked like before the years of sand that accumulated around it was cleared out:
This X-ray, taken by Wilhelm Conrad Röntgen, is the first X-ray ever:
Well, one of the first. It's of his wife's hand.
This is what Chicago's Eureka Building looked like after a winter fire was put out by the Fire Department:
Like something out of a fantasy book.
Before he was James Bond, Sean Connery competed in the Mr. Universe pageant in 1953:
This is allegedly the death mask of William Shakespeare:
The mask itself was made in 1616, the same year Shakespeare died, and was discovered in 1849. There's a whole lot of controversy whether it's Bill or not.
While we're on the subject, this is the death mask of Ludwig van Beethoven:
That, we are sure of.
This is the View Phone, a video phone developed by Toshiba in 1964 that allowed for real-time proto-FaceTiming:
This the Brewster armor suit, one of the first fully functional suits of body armor designed for World War I combat:
All I'll say is you better not let Gru see you wearing that.
This is how huge the entrance to the Roman Temple of Bacchus is:
It's located in Lebanon. See that little speck down there? That's a person. The Romans pulled out all the stops for the god of wine.
Here's a vintage picture of a redwood tree showing just how huge they are:
This is a picture of a newly built telephone tower, complete with a ridiculous amount of wires, in Sweden, circa 1886:
This is the personal water closet of the last German emperor, Kaiser Wilhelm II:
What a beautiful toilet. Absolutely stunning.
This is the pistol Gavrilo Princip used to kill Archduke Franz Ferdinand and set off World War I:
This pistol led to the deaths of over 16 million people.
And this is the car Franz Ferdinand was driving in:
Back when people were so inclined to do so, this was one way to board and travel by blimp:
This camouflage, known as "dazzle camouflage," was extremely popular during World War I:
It wasn't used to blend in, but because its "patterns would make it more difficult to figure out the ship's size, speed, distance and direction."
You're probably familiar with the front of King Tut's iconic death mask:
Well, this is what the back looks like:
During World War II, babies in England were fitted with baby-sized gas masks that were comically large:
Not baby-sized at all!
This is a room full of competitors at the 1980 Space Invaders video game world championships:
And, finally, this is apparently an eighth grade test from 1912. Are you passing it?
Feel free to describe the heart in the comments.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
20 hours ago
- Yahoo
Pamela Anderson & Liam Neeson Recreate THAT Scene From 'Titanic' & Fans Are Freaking Out
Pamela Anderson & Liam Neeson Recreate THAT Scene From 'Titanic' & Fans Are Freaking Out originally appeared on Parade. We've been watching with rapt attention the red carpet rapport between Pamela Anderson and Liam Neeson all month, as they've been making the rounds for The Naked Gun press tour. Now the pop culture icon has shared her own collection of photos and videos on Instagram, and fans are totally freaking out over how stunning she looks — and her chemistry with her leading man in the film. Anderson shared a carousel of images on social media and captioned the post, "From the London to Berlin … this tour has been full of smiles, laughter, and so much love ... Thank you to everyone who came out to giggle with us (and watch on the big screen). NYC next!" She also noted that The Naked Gun will be in theaters on August 1. First off — Pamela looks stunning. Fans are well aware of her shift in recent years away from a full face of glam makeup to going completely bare-faced, even on the red carpet. We love all of her looks, and this minimal makeup look is winning our hearts. What's winning our hearts even more? How absolutely endearing it is to watch these two together! The last video on the Instagram slideshow shows Pamela and Liam on a boat, recreating the "I'm flying" scene from Titanic, and it's utterly charming. Fans were quick to comment on the two, not-so-subtlety expressing their desire for them to start dating already. Someone replied in all caps to her post, "OKAY SHIPPING PAM AND LIAM WAS NOT ON MY 2025 BINGO CARD BUT IM SO HERE FOR IT," and another (again in caps!), "LIAM + PAM ——- ICONIC." More fans added, "Please let them fall in real love," "This is amazing. I love this for the both of them," "You are fantastic! I love you and Liam!" and, "They look soooooo good together." Even her son, Dylan Lee, chimed in (but not about his mom's potential relationship), "WOW WOW WOW!!! Can't wait for people to see this." We love a supportive son! Parade Daily🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox 🎬 Pamela and Liam are not currently in a relationship (that we know about), but have spoken publicly about their undeniable chemistry. Neeson told Entertainment Tonight earlier this month, "I think we had a lovely, unique chemistry." He added, "We didn't analyze it or put it under a microscope ... We just felt, 'Okay, this is working.'" Anderson also said in a different interview with Entertainment Weekly that she considers Neeson a "friend forever," and that they "definitely have a connection that is very sincere, very loving, and he's a good guy." Whatever is going on between these two, we're just happy to sit back and watch their relationship unfold — whether it's friendship or something more. Pamela Anderson & Liam Neeson Recreate THAT Scene From 'Titanic' & Fans Are Freaking Out first appeared on Parade on Jul 25, 2025 This story was originally reported by Parade on Jul 25, 2025, where it first appeared. Solve the daily Crossword


New York Post
a day ago
- New York Post
Artist pulls art from Smithsonian gallery after museum tries to alter her trans Statue of Liberty painting
The artist who painted former First Lady Michelle Obama's official White House portrait has pulled her latest show from a D.C. Museum this week after the space's owners wanted to alter one of her works to avoid offending President Donald Trump, The New York Times reported Thursday. Artist Amy Sherald withdrew her solo show from the Smithsonian's National Portrait Gallery after she was told her painting 'Trans Forming Liberty' — a depiction of the Statue of Liberty as a trans woman — may be removed by the gallery. 'I entered into this collaboration in good faith, believing that the institution shared a commitment to presenting work that reflects the full, complex truth of American life. Unfortunately, it has become clear that the conditions no longer support the integrity of the work as conceived,' Sherald said in a letter to Smithsonian secretary Lonnie Bunch III. Sherald painted the portrait of Obama currently owned by the National Portrait Gallery. The work, which is a grayscale image of the former First Lady that features some brighter colors near the bottom of her floor-length dress, generated controversy when it was unveiled in 2018. 5 American Sublime Opening Party, Whitney Museum of American Art, Manhattan, New York, United States – 02 Apr 2025. Sansho Scott/ / Shutterstock Critics online savaged the more abstract elements of the portrait, and some ripped the work for not looking anything like Obama. Courting controversy once again, Sherald refused to have 'Trans Forming Liberty' altered or removed from her 'American Sublime' gallery that was set to debut at the museum in September. In a statement she produced Thursday that was shared with Fox News Digital, the artist said she was 'informed that concerns had been raised internally' about the work. 'These concerns led to discussions about removing the work from the exhibition,' she said. 'While no single person is to blame, it's clear that institutional fear shaped by a broader climate of political hostility toward trans lives played a role.' 5 Amy Sherald attends the 2025 Met Gala Celebrating 'Superfine: Tailoring Black Style' at Metropolitan Museum of Art on May 05, 2025 in New York City. Getty Images In a separate statement obtained by The Times, Sherald said that Bunch had proposed replacing the transgender depiction with a video of people reacting to it — an idea the artist rejected. 'When I understood a video would replace the painting, I decided to cancel,' she said. 'The video would have opened up for debate the value of trans visibility and I was opposed to that being a part of the 'American Sublime' narrative.' However, a Smithsonian spokesperson disputed Sherald's account of Bunch's proposed alterations. 5 The exterior of the Smithsonian American Art Museum and National Portrait Gallery June 9, 2025 in Washington, D.C. The Washington Post via Getty Images 'The video was to accompany the painting as a way to contextualize the piece, 'It was not to replace Amy Sherald's painting,' they said in a statement. When asked for comment, the Smithsonian pointed Fox News Digital to its recent statement on the matter. 'While we understand Amy's decision to withdraw her show from the National Portrait Gallery, we are disappointed that Smithsonian audiences will not have an opportunity to experience 'American Sublime,'' it read. 5 Visitors view the official portrait of former first lady Michelle Obama by Amy Sherald at The Art Institute of Chicago on June 18, 2021 in Chicago, Illinois. Getty Images 'Unfortunately, we could not come to an agreement with the artist. We remain appreciative and inspired by Ms. Sherald, her artwork and commitment to portraiture,' it added. Sherald's exit comes after Trump signed an executive order in March to remove leftist ideology and historical revisionism from government institutions. In the order, he called out the Smithsonian for having 'come under the influence of a divisive, race-centered ideology.' 'This shift has promoted narratives that portray American and Western values as inherently harmful and oppressive,' he added. 5 Amy Sherald at the Marc Jacobs 2026 Runway Show, New York Public Library, NYC, Manhattan, New York, United States – 30 Jun 2025. Jason Lowrie/ Trump also declared he would be firing the Portrait Gallery's director, Kim Sajet, for being a 'strong supporter of D.E.I.' Sajet resigned from her role in June. The White House provided Fox News Digital with a quote from Trump admin official Lindsey Halligan blasting Sherald's artwork. 'The 'Trans Forming Liberty' painting, which sought to reinterpret one of our nation's most sacred symbols through a divisive and ideological lens, fundamentally strayed from the mission and spirit of our national museums. The Statue of Liberty is not an abstract canvas for political expression — it is a revered and solemn symbol of freedom, inspiration, and national unity that defines the American spirit.' She added, 'President Trump's Executive Order mandates that such institutions serve not as platforms for ideological division, but as sources of unity, inspiration and pride of our shared history. The removal of this exhibit is a principled and necessary step toward restoring that purpose.'


Boston Globe
a day ago
- Boston Globe
Amid a culture of fear, a celebrated artist's most important exhibition is pulled from Smithsonian
And it appears that Sherald's 'Trans Forming Liberty,' her 2024 portrait of a transgender woman dressed as the Statue of Liberty, rattled museum leadership in a climate of deep hostility from the administration toward transgender people. Advertisement Installation view of Amy Sherald: American Sublime (Whitney Museum of American Art, New York, April 9-August 10, 2025). Michelle LaVaughn Robinson Obama, 2018. (Tiffany Sage/ Tiffany Sage/ Sherald said the Portrait Gallery had proposed replacing the painting in D.C. with a video of viewers' reactions both to it and transgender issues more broadly. In a the museum countered, saying it wanted the video to accompany, not replace, the painting. Either way, no agreement could be struck, and Sherald withdrew. Advertisement 'The video would have opened up for debate the value of trans visibility and I was opposed to that being a part of the 'American Sublime' narrative,' Sherald told the New York Times. 'Unfortunately, we could not come to an agreement with the artist. We remain appreciative and inspired by Ms. Sherald, her artwork and commitment to portraiture,' the museum But even without 'Trans Forming Liberty,' it's a fair guess the show would have been under external pressures: Sherald's paintings are for the most part elegant, precise portraits of unnamed Black subjects painted life-sized. There are two exceptions in the exhibition. The first is her portrait of Breonna Taylor, a memorial image painted with dignified beauty of the innocent Black woman but weary grace. It was the exhibition's centerpiece, an emblem of the artist's larger project to build Black life into a canon of American art long indifferent to its inclusion. Artist Amy Sherald with her portrait of the late Breonna Taylor. Joseph Hyde/Vanity Fair Either one might easily raise the ire of the current administration. We don't have to look very long, or very far, to parse the current president's view of Obama's husband. On his Truth Social website this week, the 47th president posted a shockingly raw AI-generated video of former President Barack Obama being violently arrested in the Oval Office and dragged away in handcuffs. But there's more here than a simple obsessive animus, one president to another (though it's also clearly that). Advertisement The current administration's blunt enforcement of what it deems acceptable expression now touches virtually all aspects of American life. That includes media (as in the 60 Minutes lawsuit debacle), entertainment (the cancellation of 'The Late Show with Stephen Colbert,' a known Trump tormentor), and higher education (see the administration's roughshod bullying of Harvard and Columbia over its specious claims of antisemitism). A favorite target of the Trump administration, Diversity, Equity, and Inclusion efforts by government, private business, and educational institutions, looms over Sherald's withdrawal, too. The most recent addition to the constellation of Smithsonians, the National Museum of African American History and Culture, was one of the second Trump administration's prime targets. In a March executive order titled ' (It also singled out the Smithsonian's Museum of American Art and the Smithsonian American Women's History Museum.) In May, when Advertisement Here in Massachusetts, the National Endowment for the Arts in May refused to disburse funds already promised to the Massachusetts Museum of Contemporary Art for 'Power Full Because We're Different,' Which brings us back to Sherald, ensnared by the strident decree of a cultural bureaucracy in deep regressive mode. To be clear: This was her decision. She chose not to compromise her integrity and intentions, which have been consistent and clear from the start. She had been making portraits of Black subjects for years when the invitation to paint Michelle Obama arrived. It is completely in tune with her core sensibility to capture her subjects simply, truthfully, as they are. Ruth Erickson from Cambridge with Jullian Kalim, 8, and his brother Cassidy Kalim, 3, looked at portraits of the Obamas at the MFA Boston in 2022. David L. Ryan/Globe Staff But the Obama portrait arrived in 2018 less as a painting than a heavy symbol amid a violent lurch in American life: From a two-term president who became a beacon of Black achievement to a political outsider openly hostile to the progress his predecessor seemed to embody. When the painting went on national tour in 2022, along with Kehinde Wiley's portrait of the former president, it drew crowds, including Advertisement But is pulling back, in this moment, this place, defiance or acquiescence? That's a larger question that artists, thinkers, and institutions are grappling with in every corner and context. Either way, it's an outcome enjoyed primarily by just one person, and we know who that is. Murray Whyte can be reached at