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Kiran Desai returns to Booker longlist with new novel after 19 years
The 53-year-old Delhi-born author, who won the Booker Prize 19 years ago in 2006 with The Inheritance of Loss', joins 12 writers from around the world for the so-called Booker Dozen of 13 books that will be whittled down to six shortlisted titles by September.
Desai's latest novel stands out as the longest on the longlist, weighing in at 667 pages and published by Hamish Hamilton. The shortest is "Universality" by Natasha Brown at 156 pages.
"She has spent almost 20 years writing The Loneliness of Sonia and Sunny'. Should she win this year, she would become the fifth double winner in the prize's 56-year history, Booker Prize Foundation said in a statement.
Desai has a family history with the prize: her mother Anita Desai was shortlisted for the Booker three times, it noted.
According to the Booker Prize website, the novel follows the lives of Sonia and Sunny, two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next.
The 2025 prize longlist was chosen from 153 submissions, celebrating the best works of long-form fiction by writers of any nationality writing in English and published in the UK and/or Ireland between October 2024 and 30 September 2025.
"The 13 longlisted novels bring the reader to Hungary, Albania, the north of England, Malaysia, Ukraine, Korea, London, New York, Trinidad and Greece, India and the West Country, said Roddy Doyle, Booker Prize 2025 Chair of Judges.
"There are short novels and some very long ones. There are novels that experiment with form and others that do so less obviously. Some of them examine the past and others poke at our shaky present. They are all alive with great characters and narrative surprises. All, somehow, examine identity, individual or national, and all, I think, are gripping and excellent, he said.
Other works in the race to be shortlisted include Trinidadian author Claire Adam's Love Forms', Malaysian Tash Aw's The South', Canadian-Ukrainian Maria Reva's Ending', Hungarian-British David Szalay's Flesh' and Albanian-American Ledia Xhoga's Misinterpretation'.
Four British authors in the running are: Natasha Brown with Universality', Jonathan Buckley with One Boat', Andrew Miller with The Land in Winter' and Benjamin Wood with Seascraper'. And, the three American authors completing the longlist include Susan Choi with Flashlight', Katie Kitamura with Audition' and Ben Markovits with The Rest of Our Lives'.
"The stories are set all over the world, and as we looked through the books we began to notice that their authors, all of them writing in English, had come from many different places too It's the highest number of different nationalities we've seen on a Booker Prize longlist for a decade yet British writers are strongly represented too, said Gaby Wood, Chief Executive of the Booker Prize Foundation.
"Oh wow! Kiran Desai's The Loneliness of Sonia and Sunny is longlisted for the 2025 Booker Prize 19 years after The Inheritance of Loss won. What a staggering return! (Out in September!)" Manasi Subramanian, editor-in-chief and vice-president at Penguin Random House India, which overlooks the Hamish Hamilton imprint, wrote on social media.
For the first time, the shortlist of six books will be announced at a public event, to be held at Southbank Centre's Royal Festival Hall in London on September 23.
The winning book for 2025 will be announced on November 10 at a ceremony at Old Billingsgate in London, with the winner receiving GBP 50,000 (approx Rs 58 lakh). The six shortlisted authors will each receive GBP 2,500 (approx Rs 2.90 lakh) and a specially bound edition of their book.
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India Today
2 hours ago
- India Today
From the India Today archives (1988)
(NOTE: This article was originally published in the India Today issue dated July 31, 1988)He is not handsome by conventional standards. He is short, dark and can easily be ignored in a crowd. But for all that, he is the undisputed superstar of the South, a man whose name spells box-office magic, the Midas of the eight long years, Rajinikanth has occupied the number one slot in south Indian films. Now, 115 films and almost as many hits later, he has reached a stage where he can choose his roles and, more significantly, restrict himself to four Tamil films a year. The remaining time is spent in Bombay acting in Hindi the late M.G. Ramachandran could compete with that phenomenal box-office record. But Rajinikanth is also the hero from the South—which has traditionally produced leading ladies for the Hindi screen—who has survived in the competitive world of Bombay films. Next month, Rajinikanth's first English movie, Bloodstone, in which he plays a taxi-driver, will hit the screen in 1,500 theatres all over the US. Shot mainly in Bangalore, the action packed entertainer has been co-produced by Amritraj Productions and the NRI Metro Film Corporation, owned by Dr Murali Manohar, a film film is about an American couple on a visit to India who get involved with a gang of smugglers. Rajinikanth, a local taxi-driver, comes to their aid. Made at a cost of one million dollars (Rs 1.30 crore) the film will be distributed worldwide by Columbia film fits in perfectly with the superstar's designs for the future. "I have reached a dead-end as far as Tamil films are concerned. Through Hindi movies, I have got a national image. What I want today is worldwide recognition," says Rajinikanth. In any event, by 1990, he plans to take a break from Tamil films and start directing his own even his most ardent fans believe that Rajinikanth's real talent lies in Tamil films which have made him what he is today. He is the only Tamil hero whose films are sold even before shooting starts. He is reported to get Rs 25 lakh per film, the highest paid to any hero in the Manithan (human being) released last Diwali is a box-office success, while his latest Guru Shishiya (master-pupil) is drawing packed houses. Says G. Venkateswarao, producer, distributor and president of the South Indian Film Chamber of Commerce: "He is a goldmine for producers and distributors."No wonder producers form an endless queue outside his door. The average cost of making a Rajinikanth film in Tamil is around Rs 70 lakh. But the film is sold by the producer to the distributor for over Rs 1 crore. A super-successful Rajinikanth film can do business for over Rs 2 crore. Some producers are even buying and dubbing some of his earlier, run-of-the-mill Hindi films into Tamil. Last week, yet another Hindi film of his, Asli Naqli, was dubbed into Tamil as Njane Valabhan. What then is the secret of the success of a man who rose from an ordinary bus conductor to be a megastar? In one word, charisma, Rajinikanth has a screen presence which is awe inspiring. In the Tamil context, his exaggerated swagger and his trademark gimmicks like tossing a cigarette in the air and catching it in his lips have made him a household Mani, an auto-driver who has seen Guru Shishya four times: "Rajani saar is my hero. All his films may look alike but his style is terrific." In Tamil Nadu, millions of children not only imitate the 'Rajani style' but also make him out to be a superman. Says AVM's Saravanan, the biggest producer in the South: "There is no need of a story in his films. There should be a chance for him to do comedy, drama and action. His screen presence and powerful delivery make him a bearer cheque of a crore rupees for producers."advertisementBut Rajinikanth the man is even more appealing to his fans than the star. There has always been a reckless and defiant quality about him that provided, during his early years of stardom, unending grist for the gossip mill. His personal life was embellished by widely-publicised drinking bouts and public brawls. His favourite targets were film journalists who wrote about his "eccentric" lifestyle. In at least one case, he tried to kill a journalist by driving a car straight at him. There were also stories of how he wrecked a five-star hotel's restaurant in in 1981, he had a nervous breakdown and had to be hospitalised. After that he cut down his film assignments, the next year quietly married Latha, a local college girl, and settled down. Recalls the star: "I could not cope with the pressures of stardom. A few years earlier I was making Rs 320 as a conductor and suddenly I was getting Rs 5 lakh per movie. The fame, money and overwork pushed me to a breaking point."Then followed his spiritual phase from 1986 onwards when he became a devotee of Raghavendra Swami (the Madhwa saint). He even acted in the movie Raghavendra, where he almost made the saint a cult figure. He also became an admirer of the Hare Krishna (ISKON) group, and talked about wanting to take up sanyas. His marriage according to film magazines, was then on the rocks, due to his involvement with all this only added to the mystique. Says Sujatha, a Madras housewife: "It's his personal life that makes him interesting. Everybody has a soft corner for him, mainly due to his background." The common man can identify with Rajinikanth's rags to riches story—one reason why his films do well in Rajinikanth does not have a Tamil background. He was born Shivaji Rao Gaekwad, a Maharashtrian, and spent his childhood at Basvangudi, a lower middle class suburb in Bangalore. His mother died when he was eight. His father and brother never cared for him and he took to the streets. He studied up to the pre-university stage. Poverty forced him to do all manner of odd jobs—he even worked as a coolie in 1973 he landed a job as a bus conductor with the Karnataka State Road Transport Corporation. Three years later, bit by the acting bug, he hopped on a train to Madras where he joined a film acting course run by the South Indian Film Chamber. It was here that director K. Balachandar spotted changed his name from Sivaji Rao to Rajinikanth and gave him a break in Apoorva Raagangal (strange melodies) in a villain's role. His next film was Moondru Mudichu (three knots) where he was again a villain, but with innovative mannerisms. Says Balachandar: "Rajani was the first actor I met who insisted that he be taken as a villain. He was a unique villain, with specialised mannerisms that went down well with the masses."But it was Bharati Raaja's 16 Vayadhinile (16 years of age)—released in 1977—which earned him super stardom. The movie also catapulted into fame its hero Kamalahasan and heroine Sridevi. It was as an anti-hero that "the Rajani style" created waves at the box-office. But stardom also meant switching roles from villain to hero, which he did successfully in Dharmayudham, a major next big role was in K. Balaji's Billa, a Tamil remake of Amitabh Bachchan's Don that saw him overtaking Kamalahasan as the number one star in the South. Says Bharati Raaja: "Kamalahasan is a great artiste, but Rajinikanth is the hero of the masses. Since 16 Vayadhinile, I have made many award winning movies which bombed in the box-office. To cover my losses I am forced to make a Rajani film."But the tragedy is that the megastar is in reality lonely and aloof. A mellowed man, he is wary of the press. He does not have any close friends and even on the sets, keeps to himself. Apart from shooting assignments, he rarely moves out of his simply-furnished three-bed roomed house at Poes Garden, a posh locality in Rajinikanth: "I am a simple man. I don't believe that just because you are a star you should have imported things." He drives himself to work in a 1980 model Premier Padmini. He had built himself a huge house at Velacheri, a suburb of Madras, but only stayed there a week before shifting back to Poes Latha, his plump and homely wife: "He is a changed man, a spiritual person in quest of the truth. He is almost like a son to me, and I am a mother figure for him." Latha says the press has exaggerated the stories regarding their differences. The Rajinikanths have two daughters—Aiswarya, six, and Soundarya, three. Says Rajani: "We hardly socialise and generally keep to ourselves." He describes himself as a man in pursuit of spiritual solace who reads many books on philosophy. He has invested the bulk of his earnings in real estate and is constructing a Rs 1 crore marriage hall in co-stars have only admiration for him. Says Radha, a popular Tamil heroine: "He is not only a great box-office draw but also a fine person." Adds producer Saravanan: "He is very disciplined on the sets and a producer's dream."Rajinikanth today will not touch a movie which will go against his image on the screen. He has also been criticised for taking minor roles in Hindi films. But the superstar is unfazed. "I cannot do more than four Tamil films a year otherwise I will be overexposed. Hindi films give me a national audience...I am an alcoholic but at the same time a workaholic."With the kind of hysteria he generates, it is inevitable that the star would be avidly sought after by every political party in the state. But he has made it clear that politics is not his cup of tea. "I hate the prevailing political climate. I will never be identified with any political party." Having achieved stardom at home—at last count, there were 8,000 Rajinikanth fan clubs in Tamil Nadu—he is now seeking international recognition. Apart from Bloodstone, Rajinikanth is to star in a thriller to be shot in Australia by Mani Retnam, the director of Nayakan, that won Kamalahasan the best actor he is convinced that he should quit while he is ahead. Says he: "By 1990, I want to quit. The thrill of being a star is fading out." Rajinikanth, however, has a reputation of being moody and unpredictable. Something that hundreds of producers are banking on, determined as they are to ensure that the goose does not stop laying its golden to India Today Magazine- EndsMust Watch


India.com
3 hours ago
- India.com
Dev Anand made her star, Dawood Ibrahim was madly in love with her, producer was murdered, she left India, went to Pakistan due to..., name is...
The most memorable era of Bollywood was from the 80s to the 90s when many new faces tried their luck in the industry. While some sustained, others had to leave as they couldn't make a mark. Then there were those actors and actresses who were allegedly known for their connection with the underworld. Today, we will discuss an actress who was Pakistani but wanted to become a big name in Bollywood. However, she had to leave the industry soon, and the reason was fugitive Dawood Ibrahim. If you are wondering who we are talking about, this actress is Anita Ayub. Who is Anita Ayub? Born in Karachi, Pakistan, Anita studied in an all-girls college. She earned a master's degree in English Literature from Karachi University before moving to India to pursue acting. Anita enrolled at the Roshan Taneja School of Acting in Mumbai, where Roshan Taneja became her mentor. In 1993, she returned to India to shoot an advertisement, during which she met Dev Anand. Impressed by her ad, Dev Anand cast her in his film Pyar Ka Tarana. In 1993, Anita made her in the film Pyar Ka Tarana alongside Dev Anand. After this, she again worked with Dev Anand in the film Gangster in 1995, which was a box-office success. Anita Ayub's Career Was Ruined A major turn in Anita's life came when rumors about her dating Dawood Ibrahim began to spread. Both were spotted together multiple times. In 1995, producer Javed Siddiqui turned down the actress an refused to cast her in his next Bollywood project, and shortly afterward, he was murdered. Many reports claim that Siddiqui was shot by Ibrahim's men. Later, the Pakistan-based magazine Fashion Central reported that many in the industry believed Anita Ayub to be a Pakistani spy, leading to her being banned from films. Following these allegations and controversies, her Bollywood career came to a complete halt.


NDTV
3 hours ago
- NDTV
Steve Jobs' Daughter Eve Shares First Pic From Wedding To Harry Charles: "Most Magical Week"
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