logo
Valentine's Day Releases

Valentine's Day Releases

CairoScene14-02-2025

From Saint Levant's 'Love Letters' to Nour's 'Garali Eh', we listen and we don't judge.
Feb 14, 2025
It's Valentine's day and we're here to present an extra special edition of our 'Shuffle' playlist, bringing some new releases from across the MENA region, hot off the press and served straight to you. From Saint Levant's 'Love Letters' to Nour's 'Garali Eh', this list caters to the lovers, the heartbroken and everyone in between. (We listen and we don't judge!)
Nour - 'Garali Eh'
Ahmed El Haggar - 'Ma'darsh'
Saint Levant - DIVA
Narcy - 'Palm Trees'
Michael Hakim - 'A7keeli'
Perrie - 'Skoot ft. Mahmoud Siam'
MSH3AL - 'Tabla'
View this post on Instagram
A post shared by Msh3al مشعل 🌵 (@msh3vl_)

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Ferkesh Live: Egyptian Music Video Directors on Visual Storytelling
Ferkesh Live: Egyptian Music Video Directors on Visual Storytelling

CairoScene

time3 days ago

  • CairoScene

Ferkesh Live: Egyptian Music Video Directors on Visual Storytelling

Ferkesh Live: Egyptian Music Video Directors on Visual Storytelling SceneNoise and Mazra'a Network, in collaboration with Red Bull, kicked off the first edition of Ferkesh [Live] at the French Institute in Mounira. The event brought together a focused circle of filmmakers, directors, and artists to reflect on the visual direction of Egypt's music scene—how it's being shaped, and who's shaping it. At the core of the evening was a panel discussion moderated by Youssef Mansour (founder and director of Mazra'a Network for Art and Culture). Directors Marwan Tarek, Mazen Bayoumi, and Zeina Aref broke down their working methods, revealing a process that's often less about chasing spectacle and more about negotiating form, limitations, and intent. Marwan Tarek, whose credits include El Waili and Kaim Osama's Nazlet Seman, described his approach with quiet clarity: the music comes finished, and the video builds from there. 'In music videos, it's different,' he said. 'I treat the track like a script. The artist has already completed their creative process, the sound is locked. So the question becomes: how do you see the track?' For Tarek, directing isn't just interpretation, it's construction. 'If you gave the same track to five different directors, you'd get five entirely different videos.' A cinematographer by training, Mazen Bayoumi, who's shot videos for Nour (Nogoum, Wana), Dirty Backseat, and Felukah, Bayoumi doesn't always begin with a concept, sometimes he just puts the track on loop and waits for it to unlock something. 'You listen and listen until images start showing up,' he said. 'Sometimes it's a flicker, sometimes it's a dead end. But one day, you hear it differently. And that version, that hearing, that's the one that sticks.' For Bayoumi, ideas aren't found so much as tripped over. Then there's Zeina Aref, a multidisciplinary artist, photographer, and director, who describes a slightly more grounded but no less poetic view of the process. Her collaborations with Ma-Beyn and Massar Egbari often feel stitched together with raw fabric: grainy, intimate, unvarnished. 'My favorite part is the craft,' she said. 'The early dreaming phase, building the story, drawing it out with the team.' But then, like a sudden cut to static: the budget hits. 'And all our ambitions get thrown in the trash.' You could hear the collective exhale from the crowd, filmmakers know this beat too well. And yet, Aref insists that these limitations don't just destroy dreams, they reshape them. 'That part where everyone's ideas meet the real world? That's where the actual magic can happen. If it's going to work, it has to work there.'

‘Ferkesh [Live]': Top Egyptian Music Video Directors on Building Visua
‘Ferkesh [Live]': Top Egyptian Music Video Directors on Building Visua

CairoScene

time15-05-2025

  • CairoScene

‘Ferkesh [Live]': Top Egyptian Music Video Directors on Building Visua

'Ferkesh [Live]': Top Egyptian Music Video Directors on Building Visua SceneNoise and Mazra'a Network, in collaboration with Red Bull, kicked off the first edition of Ferkesh [Live] at the French Institute in Mounira. The event brought together a focused circle of filmmakers, directors, and artists to reflect on the visual direction of Egypt's music scene—how it's being shaped, and who's shaping it. At the core of the evening was a panel discussion moderated by Youssef Mansour (founder and director of Mazra'a Network for Art and Culture). Directors Marwan Tarek, Mazen Bayoumi, and Zeina Aref broke down their working methods, revealing a process that's often less about chasing spectacle and more about negotiating form, limitations, and intent. Marwan Tarek, whose credits include El Waili and Kaim Osama's Nazlet Seman, described his approach with quiet clarity: the music comes finished, and the video builds from there. 'In music videos, it's different,' he said. 'I treat the track like a script. The artist has already completed their creative process, the sound is locked. So the question becomes: how do you see the track?' For Tarek, directing isn't just interpretation, it's construction. 'If you gave the same track to five different directors, you'd get five entirely different videos.' A cinematographer by training, Mazen Bayoumi, who's shot videos for Nour (Nogoum, Wana), Dirty Backseat, and Felukah, Bayoumi doesn't always begin with a concept, sometimes he just puts the track on loop and waits for it to unlock something. 'You listen and listen until images start showing up,' he said. 'Sometimes it's a flicker, sometimes it's a dead end. But one day, you hear it differently. And that version, that hearing, that's the one that sticks.' For Bayoumi, ideas aren't found so much as tripped over. Then there's Zeina Aref, a multidisciplinary artist, photographer, and director, who describes a slightly more grounded but no less poetic view of the process. Her collaborations with Ma-Beyn and Massar Egbari often feel stitched together with raw fabric: grainy, intimate, unvarnished. 'My favorite part is the craft,' she said. 'The early dreaming phase, building the story, drawing it out with the team.' But then, like a sudden cut to static: the budget hits. 'And all our ambitions get thrown in the trash.' You could hear the collective exhale from the crowd, filmmakers know this beat too well. And yet, Aref insists that these limitations don't just destroy dreams, they reshape them. 'That part where everyone's ideas meet the real world? That's where the actual magic can happen. If it's going to work, it has to work there.'

UMS Chairman Tarek Nour Applauds Creators Behind Bold and Impactful Ramadan 2025 Lineup of United Media Services
UMS Chairman Tarek Nour Applauds Creators Behind Bold and Impactful Ramadan 2025 Lineup of United Media Services

Egypt Today

time11-05-2025

  • Egypt Today

UMS Chairman Tarek Nour Applauds Creators Behind Bold and Impactful Ramadan 2025 Lineup of United Media Services

United Media Services. Chairman of United Media Services Tarek Nour extended his heartfelt thanks to all the creators who collaborated with UMS during the 2025 Ramadan drama season. He expressed deep appreciation for the efforts of writers, actors, directors, producers, and production teams who contributed to delivering a season marked by high quality and creativity—with over 20 series produced this year. Nour noted that the 2025 Ramadan lineup stood out for its thoughtful storytelling and engagement with a wide range of pressing social issues relevant to Egyptian society. He described this as a significant step forward in the evolution of dramatic content—a success that should inspire creators to further elevate the craft. He emphasized that this progress reinforces the idea of building a resilient, impactful drama industry—rooted not in censorship, but in responsibility and cultural relevance.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store