logo
Fringe 2025 – Book now for The Elimination Game

Fringe 2025 – Book now for The Elimination Game

Gooses Quizzes, Edinburgh's quiz company, has today announced the return of its popular show, The Elimination Game, to the Fringe.
The Elimination Game will run for 25 nights from 31 July – 24 August at Assembly Rooms, Bijou on George Street.
Back for a third year running, The Elimination Game pits the whole audience against each other in an epic trivia battle. With bigger prizes than ever, plus brand-new rounds, the game has been expertly designed with a series of make-or-break questions that test your knowledge and luck, to see if you will face elimination or be crowned champion.
Tickets are priced from £13.50 per person, and there is a fresh set of questions each night, so audience members can go back time and time again.
The show offers a unique blend of competition and camaraderie that has something for everyone – from classic pub trivia to weirdly specific topics. Each game has approximately 6-10 rounds and with one winner per round, there's plenty of opportunities to bag yourself a prize.
For those looking to get ahead of the crowd, The Elimination Game will be running a preview show on 24th July. Tickets for the preview night are £20.
Andrew Wildgoose, host of the Elimination Game, said: 'We're chuffed to bits to march The Elimination Game back up George Street and into the Fringe. Edinburgh audiences are among the best in the world. This year, we've brewed up fresh rounds, belter prizes and a few sneaky curveballs that'll have even the brainiest quiz goers scratching their heads. So grab your pals, your gran and the office geek, leave Google at the door, and get ready for a quiz scrap with more plot twists than the history of Edinburgh itself.
'If you're eliminated early doors, don't worry – there's always another round and the bar's still open. If you're the last one standing, you'll earn bragging rights for the rest of the summer (and an actual crown you can keep forever).'
Tickets are now on sale for The Elimination Game and can be purchased here.
Andrew Wildgoose PHOTO www.jackcurrie.com
Like this:
Like
Related
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Use your other senses': pioneering show for the blind hits Edinburgh
‘Use your other senses': pioneering show for the blind hits Edinburgh

The Guardian

time13 minutes ago

  • The Guardian

‘Use your other senses': pioneering show for the blind hits Edinburgh

In the intimacy of a blacked-out theatre, the smell of freshly made coffee, cheap perfume and stuffed peppers becomes more pronounced. The weight of each character's footsteps become recognisable. Welcome to the Blind Theater from Brazil, where every scent is a prop, and an actor's breathing and tread are their character's signatures. Before their Edinburgh fringe show begins, the blind actor Edgar Jacques briefs the audience on what to expect when they enter the entirely darkened space. It is a fringe first and will be an unusual, perhaps unsettling experience, he warns the sighted. Sitting in pitch dark will 'reach your other senses, and use your other senses. You will listen to things, you will smell things and maybe things will touch you, like the wind or maybe the rain.' Before audiences line up single file, one hand resting on the shoulder of the person in front, everyone is cautioned to switch off their mobile phones and smartwatches, and to avoid stretching their legs in the small auditorium, where production staff taped out light leaking under the theatre door. Although well established in São Paulo, the Blind Theater (Teatro Cego) production of Another Sight is one of several shows designed for visually impaired audiences being staged by the venue group Zoo for the first time at this year's festival. Another theatre company, Extant, has teamed up with the charity Sight Scotland and artists' collective Visually Impaired Creators Scotland to put on three 'enhanced' performances, which include touch tours of the shows and live audio description over headphones. One semi-autobiographical Extant production, I Dream in Colour, was written by a fully blind writer Jasmin Thein. It recounts the trauma of a blind woman forced to weigh up losing her remaining eye owing to a tumour or risking cancer. Another Sight, played by blind and sighted actors, examines Brazil's class system and the politics of disability. It explores the tensions between a wealthy woman, Grace, confronting a cancer diagnosis, when her maid, Maria, returns to work as Grace's domestic while she completes her own treatment for cancer. Anxious to work again despite being clearly fragile and diminished by her chemotherapy, her presence triggers a powerful reaction from her employer. Their respective husbands, including Jacques, act as peace-makers. For Jacques, the darkness offers him an equality that conventional theatre productions do not. Unlike on a fully lit stage, he is no longer defined by his disability or his physical movements and posture which, as a blind person, can be different from the sighted. 'We open this universe for blind actors to play not just blind characters, but the good guy, the bad guy, the princess, the frog, everybody. So in the darkness, a blind person can be like anybody else,' he told the audience earlier this week. For Ana Righi, a fully sighted actor who played Grace, that means she has to emphasise the sound of her feet and voice far more deliberately. Facial expressions, makeup and physical movement are irrelevant. Speaking through a translator, Righi said that changes 'a lot of elements … especially using breathing to express emotions'. Actors move through the audience, which sits close to the small stage in a semi-circle, adding a spatial dimension by working in different parts of the room. Grace has 'a very stiff, secure step, whereas the maid has a very timid step, like a person who's always afraid'. Another Sight is part of a series showcasing theatre, dance and clowning from São Paulo supported by the state government, the Brazilian consulate in Edinburgh and the local arts association Associação Paulista dos Amigos da Arte. Paulo Palado, the show's director, said blind actors were normally expected to play only blind characters. The approach taken in Another Sight lifted that restriction. The company realised the power of that only during their first show 13 years ago; they now have seven plays in that format. Sensory perceptions are essential, Palado said. Those can include fans to provide a breeze or, in some shows, rain. It can be a special experience for unsighted audiences, too, who normally have audio description telling them what is happening in conventional theatre. In this show blind and sighted people 'are all in exactly the same situation. We have the same information. In this case audio description is not necessary because that language is for all.' Another Sight runs at Playground 2 at Zoo Playground from 1-24 August

Fringe 2025 – Little Squirt goes for a dip at Portobello
Fringe 2025 – Little Squirt goes for a dip at Portobello

Edinburgh Reporter

time2 hours ago

  • Edinburgh Reporter

Fringe 2025 – Little Squirt goes for a dip at Portobello

On Sunday morning Aussie rising star Darby James, at the Fringe with his award-winning nautical themed one-person musical Little Squirt, joined the Portobello-based Edinburgh Blue Balls, a men's mental health and cold water swimming group for a sunny sea swim. The Edinburgh Blue Balls is a weekly men's mental health and cold water dipping group located in Portobello, Edinburgh. Founded in 2021 by Marc Millar, the group is designed to be a supportive, social space and place of belonging for men of all ages and backgrounds. Following a successful international debut at Edinburgh Fringe in 2024, Darby James returns to the Fringe with his critically acclaimed heartfelt, feelgood musical cabaret 'Little Squirt' exploring sperm donation and queer parenthood. Super catchy tunes with heft, performed by a total gem of the Aussie performance scene. Performing at Gilded Balloon Appleton Tower until 24th August. PHOTO Steve Ullathorne PHOTO Steve Ullathorne PHOTO Steve Ullathorne Like this: Like Related

Oasis, Edinburgh review: 'cathartic'
Oasis, Edinburgh review: 'cathartic'

Scotsman

time3 hours ago

  • Scotsman

Oasis, Edinburgh review: 'cathartic'

Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Oasis, Murrayfield, Edinburgh ★★★★ It takes some gumption to overshadow the world's biggest arts festival, but ever since Oasis announced the Murrayfield residency of their Live '25 tour they have cast some shadow over the Fringe, inflating already hefty accommodation charges, provoking concerns that the city would buckle under the influx of punters and even leading to a few show cancellations. Liam Gallagher Because tonight there is only one show in town, and the fans have paid dearly for it with extortionate ticket prices even before the disgraceful dynamic pricing kicked in. The spectacle of two wealthy rock star brothers supplementing their fortunes has been none too edifying. But right now no one seems to care too much about that. Advertisement Hide Ad Advertisement Hide Ad Oasis were the band of a generation and in the 16 years since they split up have become a band of subsequent generations not old enough or even alive to see them first time round. They were supported on this first of three Edinburgh nights by the northern wing of the Britpop brigade, Cast and Richard Ashcroft, and arrived wielding the setlist of many fans' dreams to the intro strains of Underworld's Trainspotting anthem Born Slippy. The screens affirmed 'this is not a drill' and 'this is happening' as Liam Gallagher, in regulation parka and bucket hat, and stern big brother Noel, overlooked by a cardboard cut-out of Pep Guardiola, were joined by Oasis Mk.2 members Gem Archer and Andy Bell, Beck/REM drummer Joey Waronker and original guitarist Bonehead slap bang in the middle of the stage for a Nineties bonanza, kicking off appropriately with Hello. 'We've missed you lot,' claimed Gallagher Jr with a celebratory rattle of his tambourine. He seemed determined to rename some of the greatest hits. 'This one's called 'the early birds',' he claimed as the band revved into the anthemic Morning Glory. By this point it was clear that every song was made for bellowing along to, with much loved b-side Aquiesce an early notional roof-raiser. Advertisement Hide Ad Advertisement Hide Ad Noel Gallagher |Liam had some choice words on Fringe jugglers and 'one-legged bicycles' and for Edinburgh City Council on the amount of revenue their gigs would bring into city coffers, fuelling a pugnacious, urgent Bring It On Down, then orchestrated a mass pogo-along to the glam rock strut of Cigarettes & Alcohol. Waronker brought the mountainous drumming intro to Supersonic, the 31-year-old debut single which has endured as a potent statement of intent. The wham bam momentum was then broken for a Noel-led semi-acoustic interlude of Talk Tonight, dedicated to 'the ladies', and the wistful Half the World Away with Bacharachian brass section. A couple of their stodgier numbers later, they were in the 'inspirational' home straight with the Ashcroft-inspired Cast No Shadow, a soaring Slide Away, Whatever (with Octopus's Garden coda), Live Forever (their song for the ages) and Rock'N'Roll Star, a turbo-charged nugget of working class aspiration. Advertisement Hide Ad Advertisement Hide Ad

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store