Aaron Taylor-Johnson leads '28 Years Later.' Here's where you might recognize the rest of the cast from.
"28 Years Later" is the long-gestating sequel to Danny Boyle's "28 Days Later."
Aaron Taylor-Johnson leads the film alongside newcomer Alfie Williams.
Here's where you might recognize the rest of the cast from.
"28 Years Later" brings the terrifying Rage virus back to the big screen as director Danny Boyle returns to examine postapocalyptic Britain once more.
It's the third film in the franchise following 2007's "28 Weeks Later" and is released on June 20. It picks up decades after the initial outbreak turned the British population into bloodthirsty, sprinting zombies.
"28 Years Later" revolves around the inhabitants of Lindisfarne, an island off the coast of Northumberland. The tide cuts Lindisfarne off from the mainland most of the time, keeping it safe from the infected.
Things get bloody when Jamie (Aaron Taylor-Johnson) is tasked with taking his son Spike, played by newcomer Alfie Williams, to the world beyond the island.
While Boyle has recruited some talented actors for "28 Years Later," Cillian Murphy won't return to the franchise just yet.
Here's where you've seen the main cast before.
Aaron Taylor-Johnson is known for movies like "Kick-Ass," "Kraven the Hunter," and "Nosferatu."
Aaron Taylor-Johnson plays Jamie in "28 Years Later," and he takes his son onto the mainland, where they come face-to-face with the infected.
The actor previously starred in the "Kick-Ass" movies, and played superhero Quicksilver in "Avengers: Age of Ultron."
He also appeared in the 2014 "Godzilla" reboot and had a supporting role in Christopher Nolan's "Tenet."
Last year he led Sony's "Kraven the Hunter" movie as the titular Marvel villain, before getting his first brush with the horror genre in "Nosferatu."
Jodie Comer made her name in British dramas like "Doctor Foster" and recently starred in movies like "Free Guy" and "The Bikeriders."
Jodie Comer plays Jamie's wife Isla (and Spike's mother) in "28 Years Later."
Comer started her career by starring in buzzy British dramas like "My Mad Fat Diary," "Doctor Foster," and "Killing Eve."
She made the jump to Hollywood in the last five years, and worked with Ryan Reynolds on "Free Guy," and starred opposite Ben Affleck and Adam Driver in Ridley Scott's "The Last Duel."
In 2023, she played Kathy Bauer in "The Bikeriders" with Austin Butler and Tom Hardy.
Ralph Fiennes played Voldemort in "Harry Potter" and led 2024's "Conclave."
Ralph Fiennes plays the mysterious Dr Ian Kelson in "28 Years later." The actor is one of the most famous British stars of the past 30 years, following Oscar-nominated performances in films such as "Schindler's List," "The English Patient," and 2024's "Conclave."
He may be best known for playing Voldemort in the "Harry Potter" franchise, and the new M in Daniel Craig's "James Bond" movies.
Jack O'Connell started out in "Skins" but recently appeared in "Back to Black" and "Sinners."
Jack O'Connell plays Sir Jimmy Crystal in "28 Years Later," but the details of his role are being kept secret and out of the film's marketing material.
He rose to fame thanks to his role as Cook in the teen drama, "Skins," before starring in critically acclaimed British movies and shows including "This Is England," "Eden Lake," and "'71."
He later appeared in Netflix's "Lady Chatterley's Lover" opposite Emma Corrin, and played Amy Winehouse's husband, Blake Felder-Civil, in "Back to Black."
In 2024, O'Connell portrayed the vampire villain, Remmick, in Ryan Coogler's "Sinners."
Erin Kellyman starred in "Solo: A Star Wars Story" and "The Falcon and The Winter Soldier" before "28 Years Later."
Erin Kellyman plays Jimmy Ink in "28 Years Later," but her role has been kept out of the marketing for the film. She also got her start in British TV thanks to shows like "Raised By Wolves" and the "Les Misérables" miniseries.
She started to get more attention after her brief role as rebel pirate Enfys Nest in "Solo: A Star Wars Story," which led to her playing villain Karli Morgenthau in the Marvel series, "The Falcon and The Winter Soldier."
She continued her TV streak in 2022 by starring in Netflix's "Top Boy" and Disney's "Willow."
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London Design Biennale 2025 — 7 Immersive Pavilions Reinterpreted as Lessons in Decor
When you buy through links on our articles, Future and its syndication partners may earn a commission. Is it just me, or has June in the British capital never felt busier? Between much-anticipated openings rethinking the role of museum collections, annual architecture festivals making the discipline as interactive as it's ever been, and more one-off design exhibitions to catch in London, this month is jam-packed with creative inspiration, starting from the latest iteration of the London Design Biennale. Inaugurated on June 5, the fifth edition of the acclaimed showcase, titled Surface Reflections, reunites over 40 countries from across the globe in a thought-provoking, cross-disciplinary presentation that, to quote its Artistic Director, Samuel Ross, strives to show "how design can be the great connector between industry, the political landscape, and meritocracy as a whole." "Surface Reflections is an invitation to introspectively look at what we all have to offer with our unique allegories, context, and histories," the British fashion designer said during the speech that marked the unveiling of the London Design Biennale 2025. "It's about that distinction of self, but it's also about the connective tissue that links us all together. We go through the same processes and matters of life, whether that be eternal, internal, or external, matters of deep introspection or respite." Comprising 40 pavilions centered around the production of either specific nations, collective research projects, international collaborations, or standalone creatives, with contributions straddling the fields of design, culture, science, and technology, this year's curatorial program is, "at its core, a contemplation of the times that we're in — a call for us to consider our common interests, sense of self, and humanity", Ross said. For us, it was an opportunity to learn directly from the designers who are shaping the future of the field about how their climate-friendly material innovations, reinvention of traditional craftsmanship techniques, and latest technological experimentation can weave their way into the home, too. Not just as meaningful decor additions, but as design principles that can inform the way we live moving forward — as my favorite projects from the London Design Biennale 2025 exemplify below. Taking over the cinematic Nelson Stair in Somerset House's West Wing, Paper Clouds: Materiality in Empty Space, Japan's participation in the London Design Biennale 2025, looks to the country's storied tradition of creating with Washi paper, derived from a blend of plant-fiber and wood pulps, to investigate its possible uses within the architecture and fashion space. A site-specific project by the University of Tokyo's SEKISUI HOUSE - KUMA LAB, curated by Clare Farrow, this whimsical, airy installation unfolds as a series of floating cloud-like structures that, hanging from the ceiling, captivate the viewer with their organically textural form. Amplified, like the sky projecting its color onto bodies of water, by the teardrop-shaped mirrors placed on the floor, it was activated by a stirring original piece of music, including live performances, by violinist and composer Midori Komachi, dressed for the occasion in a sculptural dress obtained from the same material. Pavilions like Paper Clouds: Materiality in Empty Space don't just look magical, as if offering a glimpse into another, delicately poetic world, but also demonstrate just how much more sustainable, and less detrimental to the environment, modern interior design, architecture, and couture can be when incorporating naturally sourced, ancient materials. A study in lightness, resilience, and the inner strength of Washi paper, the pavilion "is entirely recyclable and made with threads from traditional Japanese kimonos," curator Clare Farrow tells me. The music accompanying it captures the "actual sound that the medium makes when touching human skin". Played through visually unobtrusive, aesthetic speakers crafted from ancient stone by Mineral Sound, "it's a fusion of art forms that brings an experimental element to this 18th-century space," she adds. Multiple dimensions coexist in architect Haitham Al-Busafi's pavilion for Oman, Memory Grid; at a moment, the blue neons above me make the corridor at its heart into the perfect setting for a sci-fi. The next, I am reminded of the primordial importance ceramic vessels have had for humans and the world as a whole, as carriers of primary goods, but also of meaning, heritage, and culture, since the dawn of time, as I inspect the transparent vases trapped in the installation's checkered structure. Already 5,000 years ago, "ancient civilizations used them as containers for storing whatever they deemed most precious — water, food, oil," Al-Busafi tells me. His Memory Grid does the same, just with our never-ending flow of data; "what we share constantly on social networks, day after day". Rather than representing the data visually, he built the pavilion to immerse visitors in the modularity of a data center, the see-through body of each vase standing in for their incorporeality, their ephemeral essence, their fragility — and ours, in return. Created with actual vessels Al-Busafi 3D-scanned and used as molds, each fragment of Memory Grid, made from a hot plastic sheet, took its final shape through vacuum forming. Remembering how he once saw a fully intact ceramic vessel from around 300 BC while working at an archeological gallery in Oman, the designer asks: "should people still exist in 3,000 years' time, what would they find of us? Would there be anything left, or would things only exist in the digital realm?" My most immediate reaction to Oman's London Design Biennale 2025 pavilion was one: we shouldn't let go of traditional crafts, as those are the only ones with the potential to outlive us. Instead, we should allow them to take on new forms. Specifically, I was intrigued by Al-Busafi's 3D printer-assisted reinterpretation of pottery, and how, despite relying on different mediums than the original one, it still manages to convey ceramics' storied legacy and make it relevant to today's world. I'll be honest, you'll have to see URNA, the Malta pavilion and Golden Medal winner at the 2025 London Design Biennale, in person to get a sense of the poetry captured in this project. A spherical, fascinating reconstituted limestone installation seemingly floating above a dark podium, complete with a short film screening in the space and a series of BTS printed matter catalogues, the project has just been announced as the most outstanding overall contribution to this year's exhibition. Created by a collaborative team of architects, designers, curators, and creative directors, it "speculates on a radical future for the adoption of cremation in Malta," they explain, one that reinvents the handling of human remains "as a culturally significant process". The idea is to integrate their dust into spheres like the one spotlighted here, each of which would become part of an alternative kind of burial site — a powerfully suggestive, utopian, quarry-like place where memory, heritage, sustainability, eco Brutalism, and transformation collide. As thought-provoking as forward-thinking, the commission, which draws from both ancient civilizations' sepulture practices and a futuristic approach to design, wants us to rethink the notion of death and the rituals around it through a surreally beautiful proposal that will make our departed loved ones an integral part of our everyday life. Although the greatest lesson one can take from URNA has been outlined above, there is more to be said about the opportunity that resides in regenerative design, and even more when applied to the decor world. Human remains aside, plenty are the creatives already repurposing other organic materials, from fungi and raw plant fibers to wheat, into functional projects that strike the balance between aesthetics and sustainability, one for all Mexico City-based Fernando Laposse, who recently featured in our review of London's hot new Latin American foodie hotspot, FONDA. Another take-home comes from URNA's brutalist essence — a reminder of how Brutalism, an architectural genre that's recently returned to the fore — continues to be associated with parallel realities and a desire to craft better futures for all. Putting the vibrancy of SUR ANDINA, the Argentinian presentation at the London Design Biennale 2025, into words will be hard, but I'll give it a go anyway. Wrapped around the walls of a small room in the East Wing of the showcase's location, looking at this installation feels like staring straight into the sun, as a giant, back-lit, loom-like structure stands glowing before you. 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Obtained from locally sourced, indigenous, and regenerative natural fibers from Argentina's mountainous region of the Andes, SUR ANDINA not only leads the way in sustainable textile design, but also exemplifies the potential this medium can have in relation to sculptural, accent lighting. Plus, who wouldn't want that illuminated ottoman? Among the collective, non-country pavilions gathered in the fifth edition of the London Design Biennale, Life Calling's Notes to Humanity caught my eye for its essential set-up and powerful mission. Entering its room, situated in Somerset House's West Wing, feels like stepping into an ethereal library, dotted with beautiful green Banker's lamps, pale wood furniture, and thriving vegetation that infiltrates each corner of the room — from patches of musk to lush ficuses and ferns. 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The centerpiece, made from cowrie shells and gold chain — embodying the currencies of old Africa and today's one, respectively — speaks to the interlaced histories of trade, colonization, and cultural rebirth that have led the continent to the present day, and continue to inform its future. Translating to "precious" in Yoruba, the Wura pavilion captures the importance of acknowledging and reconciling with the past to move forward, without ever leaving our roots behind. Fashioned from shells, gold chain, and a cylindrical, wrought-iron structure, and hand-carved wood, the Global South's participation in the London Design Biennale 2025 is possibly the most interiors-worthy among the pavilions presented. While it's hard to abstract its message from its aesthetics, Alakija's work shows how traditional artisanal practices can be reinvented in a contemporary form that protects their history and resonance while making them even more resonant to the eye of today's viewers. 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One of the most densely populated places on Earth, Hong Kong is known for its high-rise buildings, where residents live up to 200 meters above ground level. In Human-Centred Design: Visuospace, viewers are confronted with the way in which the spaces we inhabit shape our physical, mental, and emotional health through a spectacular audiovisual piece that digs into themes of identity, belonging, and alienation. Here, you won't just be able to discover how citizens living in lower-rise residential units compare to those housed in Hong Kong's tallest skyscrapers, but you'll also get to learn more about your own well-being, thanks to the opportunity of having your data collected via a headband on-site and shared with you within days. The London Design Biennale 2025 couldn't, in any way, have landed at a more exciting moment for London's cultural community. What am I hinting at? Well, well, well. In case you missed it, the V&A, one of the world's leading museums, has just revealed its years-in-the-making, Stratford outpost, the Victoria & Albert East Storehouse. We visited it first-hand on its opening day last week to test drive it for you, and its 250,000-artifact collection is well worth a deep dive. In other cultural news, Marina Tabassum's Serpentine Pavilion 2025 was inaugurated at the namesake Kensington Gardens gallery this Tuesday. A breathing, poetic installation with a tree at its heart, the large-scale enterprise captures how, by leaning into natural growth and transformation, "architecture can outlive time".
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The 7 Best Watches of the Week, From Idris Elba's Rolex to Rick Ross's Avi & Co.
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Elba flashed a 41 mm Rolex Datejust II, Orlando Bloom showed off a 41 mm Porsche Design chronograph, and Stormzy flaunted a 41 mm Audemars Piguet Royal Oak. At the smaller yet still impressive end of the spectrum, Ousmane Dembele sported a 40 mm Rolex Daytona at the French Open and Rick Ross donned a 40 mm Avi & Co. for his media mixer in Georgia. Below are the best watch flexes of the week. Best of Robb Report The 25 Greatest Independent Watchmakers in the World The 10 Most Expensive Watches Sold at Auction in the 21st Century (So Far) 11 Stunning Jewelry Moments From the 2020 Oscars Click here to read the full article. Aaron Taylor-Johnson was named an Omega ambassador in May and is already dutifully repping the watchmaker. The British actor wore a sleek steel Seamaster Diver 300M to the 28 Years Later photocall in Paris on Wednesday. The Seamaster is best known for being worn on the wrist of Agent 007 in the world-famous James Bond franchise. Taylor-Johnson has been considered a frontrunner to become the next 007, after Daniel Craig relinquished the role in 2021. Perhaps Omega and Taylor-Johnson are hinting at something? The 42 mm dive watch will cost you $6,200, unless, of course, you swindle it from Q Branch. Stormzy has a watch collection that is up there with the best of them: A practically impossible-to-get gem-set Patek? Check. A Rainbow Rolex Daytona? You know it. Several Audemars Piguets? Well, of course. The British rapper was spotted wearing one of his Royal Oaks at House Party's 1st Anniversary in London on Thursday. This particular iteration of the iconic model AP features a frosted gold case and an openwork dial with not one but two balance wheels. Incorporating a double balance wheel creates an oscillator with more mass, which in turn enhances the stability and precision of the watch. Not to mention, it looks incredibly cool. Price upon request, but expect it to be six figures. Rick Ross is one gent who loves big and bold wrist candy. The rap mogul, who has a multi-million-dollar watch collection, flexed a giant, iced-out Avi & Co. timepiece at his media mixer in Georgia on Monday evening. Avi & Co. is known for selling Patek Philippes, Audemars Piguets, and Rolexes, but also makes bling, too. This particular six-figure stunner is part of the Frosted collection that the family-owned watch and jewelry retailer released in 2024. Aptly christened the AH17 Frosted, the 40 mm rose-gold watch features 29.33 carats of baguette-cut diamonds on the dial and bezel, as well as a frosted bracelet and crown. It has an equally stunning price tag of $130,000. Actor Hart Denton of Riverdale fame wore the wristwatch equivalent of a pirouette to the L.A. premiere of Ballerina on Tuesday. The wonderfully complex timepiece was released by TAG Heuer in 2023 to celebrate the 60th anniversary of the Porsche Carrera and 911. Aptly christened the Carrera Chronosprint x Porsche, the wrist candy features a 42 mm rose-gold case, a shimmering beige dial, and racy red accents. Chronograph subdials sit at three, six, and nine o'clock, while a black 60-second scale with a Porsche inscription sits on the flange. The TH20-08 mirrors the original 901's acceleration from zero to 100 km/h in 9.1 seconds, with the movement's central hand accelerating swiftly then gradually decelerating over 60 seconds before quickly restarting. The piece will set you back $23,550. Only Idris Elba could make an aftermarket Rolex look as good as the real deal. The Luther star wore an all-black custom Rollie to a meet and greet at SXSW London 2025 on Wednesday. The handiwork of Italian outfit Black Venom, the Datejust II is finished in a black DLC (diamond-like carbon) coating and sports contrasting diamond hour markers. Other classic Rolex touches, such as the fluted bezel and Oyster bracelet, remain as is. The Black Venom Datejust is limited to 35 and costs about $18,000 (€15,900). Paris Saint-Germain star Ousmane Dembele wore a winning Rolex to celebrate his team's victory in the UEFA Champions League. The striker showed off his iced-out Daytona as he showed off the league's hefty trophy to the crowd at the French Open on Tuesday. This flashy take on the original 1960s chronograph features a 40 mm platinum case, an ice blue dial with Arabic numerals, a diamond-set bezel, and a platinum Oyster bracelet. It is also equipped with the Caliber 4130 and the three subdials integral to the chronograph function. This Rollie will run you around $400,000 on the secondary market. Orlando Bloom just became a brand ambassador for Porsche Design, and he's already dressing his wrist accordingly. The British actor wore a coveted Chronograph 1 to the Deep Cover premiere at SXSW London on Wednesday. Released in 2022, the All Black Numbered Edition is a modern riff on the first chronograph Ferdinand Alexander Porsche designed in 1972. The German design studio claims the 41 mm successor is the first entirely Black timepiece in history. It'll only cost you $9,650, too.
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Aaron Taylor-Johnson leads '28 Years Later.' Here's where you might recognize the rest of the cast from.
"28 Years Later" is the long-gestating sequel to Danny Boyle's "28 Days Later." Aaron Taylor-Johnson leads the film alongside newcomer Alfie Williams. Here's where you might recognize the rest of the cast from. "28 Years Later" brings the terrifying Rage virus back to the big screen as director Danny Boyle returns to examine postapocalyptic Britain once more. It's the third film in the franchise following 2007's "28 Weeks Later" and is released on June 20. It picks up decades after the initial outbreak turned the British population into bloodthirsty, sprinting zombies. "28 Years Later" revolves around the inhabitants of Lindisfarne, an island off the coast of Northumberland. The tide cuts Lindisfarne off from the mainland most of the time, keeping it safe from the infected. Things get bloody when Jamie (Aaron Taylor-Johnson) is tasked with taking his son Spike, played by newcomer Alfie Williams, to the world beyond the island. While Boyle has recruited some talented actors for "28 Years Later," Cillian Murphy won't return to the franchise just yet. Here's where you've seen the main cast before. Aaron Taylor-Johnson is known for movies like "Kick-Ass," "Kraven the Hunter," and "Nosferatu." Aaron Taylor-Johnson plays Jamie in "28 Years Later," and he takes his son onto the mainland, where they come face-to-face with the infected. The actor previously starred in the "Kick-Ass" movies, and played superhero Quicksilver in "Avengers: Age of Ultron." He also appeared in the 2014 "Godzilla" reboot and had a supporting role in Christopher Nolan's "Tenet." Last year he led Sony's "Kraven the Hunter" movie as the titular Marvel villain, before getting his first brush with the horror genre in "Nosferatu." Jodie Comer made her name in British dramas like "Doctor Foster" and recently starred in movies like "Free Guy" and "The Bikeriders." Jodie Comer plays Jamie's wife Isla (and Spike's mother) in "28 Years Later." Comer started her career by starring in buzzy British dramas like "My Mad Fat Diary," "Doctor Foster," and "Killing Eve." She made the jump to Hollywood in the last five years, and worked with Ryan Reynolds on "Free Guy," and starred opposite Ben Affleck and Adam Driver in Ridley Scott's "The Last Duel." In 2023, she played Kathy Bauer in "The Bikeriders" with Austin Butler and Tom Hardy. Ralph Fiennes played Voldemort in "Harry Potter" and led 2024's "Conclave." Ralph Fiennes plays the mysterious Dr Ian Kelson in "28 Years later." The actor is one of the most famous British stars of the past 30 years, following Oscar-nominated performances in films such as "Schindler's List," "The English Patient," and 2024's "Conclave." He may be best known for playing Voldemort in the "Harry Potter" franchise, and the new M in Daniel Craig's "James Bond" movies. Jack O'Connell started out in "Skins" but recently appeared in "Back to Black" and "Sinners." Jack O'Connell plays Sir Jimmy Crystal in "28 Years Later," but the details of his role are being kept secret and out of the film's marketing material. He rose to fame thanks to his role as Cook in the teen drama, "Skins," before starring in critically acclaimed British movies and shows including "This Is England," "Eden Lake," and "'71." He later appeared in Netflix's "Lady Chatterley's Lover" opposite Emma Corrin, and played Amy Winehouse's husband, Blake Felder-Civil, in "Back to Black." In 2024, O'Connell portrayed the vampire villain, Remmick, in Ryan Coogler's "Sinners." Erin Kellyman starred in "Solo: A Star Wars Story" and "The Falcon and The Winter Soldier" before "28 Years Later." Erin Kellyman plays Jimmy Ink in "28 Years Later," but her role has been kept out of the marketing for the film. She also got her start in British TV thanks to shows like "Raised By Wolves" and the "Les Misérables" miniseries. She started to get more attention after her brief role as rebel pirate Enfys Nest in "Solo: A Star Wars Story," which led to her playing villain Karli Morgenthau in the Marvel series, "The Falcon and The Winter Soldier." She continued her TV streak in 2022 by starring in Netflix's "Top Boy" and Disney's "Willow." Read the original article on Business Insider
