logo
Culture Minister nominee eyes 'W300tr K-culture market'

Culture Minister nominee eyes 'W300tr K-culture market'

Korea Herald4 days ago
Tech and media expert Chae Hwi-young emphasizes use of AI
Chae Hwi-young, who would be the first private sector expert to lead the Ministry of Culture, Sports and Tourism if appointed, said Tuesday that he hopes to grow the market for Korean culture to 300 trillion won ($215.4 billion).
The 61-year-old tech platform expert highlighted the Korean content industry's growing economic impact, citing K-pop, K-dramas, games, webtoons and publishing. Together, these markets generated 154 trillion won in revenue and $13.3 billion in exports in 2023, growing at an annual rate of 5-6 percent. 'These are now core national industries,' he said during his confirmation hearing at the National Assembly on Tuesday morning.
'While I take great pride in the accomplishments of Korean culture, I also believe we must reflect deeply on whether we're truly maximizing this unprecedented opportunity. We need to consider how to further strengthen the foundation of our cultural power. Being nominated at such a critical juncture fills me with a deep sense of responsibility,' he said.
As for how he plans to achieve these goals, Chae emphasized the role of artificial intelligence, drawing on his personal experience navigating the profound shift from the analog 20th century to the AI-driven era of today.
'Now, generative AI is becoming a part of daily life, signaling yet another transformation. We must approach every cultural field -- arts, sports and tourism included -- with a new perspective fit for this evolving era,' he said.
'We will establish an innovation strategy for AI content creation, production and distribution and support the development of AI training datasets that incorporate Korean history and culture," he added.
After working as a journalist at Yonhap News Agency and YTN, he joined Yahoo Korea. In 2002, he became CEO of NHN, leading the growth of the search portal Naver. In 2016, he founded Triple, a hyper-personalized travel platform. After Triple's merger with Interpark in 2022, he served as CEO, and in late 2024, led the launch of Nol Universe through a merger with Yanolja Platform.
In the tourism sector, Chae pledged to draw 30 million international visitors to Korea by creating compelling content and modernizing the industry. As part of that effort, he emphasized improving convenience throughout the travel experience -- from arrival to departure -- while pushing innovation in travel services.
'We will build an innovative tourism ecosystem by supporting the digital and AI transformation of tourism businesses and streamlining outdated regulations,' he said.
In addition to these pledges, Chae outlined a broader cultural vision that includes strengthening the foundation of Korea's cultural and artistic infrastructure, making access to culture, sports and travel a basic right in everyday life and enhancing investment in professional sports to reflect Korea's global standing.
gypark@heraldcorp.com
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Golden' from 'KPop Demon Hunters' tops UK Official Singles Chart
'Golden' from 'KPop Demon Hunters' tops UK Official Singles Chart

Korea Herald

time2 hours ago

  • Korea Herald

'Golden' from 'KPop Demon Hunters' tops UK Official Singles Chart

13 years after Psy's "Gangnam Style," K-pop hits No. 1 again The original soundtrack "Golden" of Netflix's global animated hit "KPop Demon Hunters" soared to the top of the UK Official Singles Chart, marking the first K-pop song to reach No. 1 in over a decade. Released as part of the animated film, "Golden" achieved the No. 1 position in its sixth week on the chart, rising three spots from the previous week. The track, performed by the fictional girl group Huntr/x, is a part of the movie's soundtrack, which features a K-pop girl group battling evil spirits to protect the human world. The UK Official Charts Company highlighted that this is the first K-pop No. 1 on the British chart since Psy's record-breaking "Gangnam Style" in 2012. In a statement published on the company's website, Martin Talbot, CEO of Official Charts, called the achievement "another landmark moment for the globally dominating South Korean genre." "Golden" has resonated with listeners for its catchy melody and impressive vocal performances. The track has garnered attention for its blend of K-pop and English lyrics, with some lines including Korean phrases like "forever unbreakable." It has been described as a summer hit, gaining traction alongside the success of the animated film. The song, composed by Ejae, a former SM Entertainment trainee, and performed by Audrey Nuna and Rei Ami, also includes production from renowned K-pop producers Teddy and 24 of The Black Label. The film's success has helped propel "Golden" to new heights, moving up steadily from No. 93 to No. 4 before claiming the top spot. In addition to its success in the UK, "Golden" has reached No. 1 on South Korea's Melon Top 100 chart and No. 2 on the US Billboard Hot 100. Other tracks from the "KPop Demon Hunters" soundtrack have also charted in the UK, with "Your Idol" at No. 10, "Soda Pop" at No. 11 and "Takedown" at No. 63.

Poland signs $6.5 billion deal to purchase 2nd batch of K2 tanks
Poland signs $6.5 billion deal to purchase 2nd batch of K2 tanks

Korea Herald

time16 hours ago

  • Korea Herald

Poland signs $6.5 billion deal to purchase 2nd batch of K2 tanks

Poland on Friday signed a deal worth about US$6.5 billion to purchase the second batch of K2 tanks from major South Korean defense contractor Hyundai Rotem Co., Seoul's defense ministry said. The deal marks the largest-ever arms export contract won by a South Korean company and the first major one since the launch of the Lee Jae Myung administration in June. Under the deal, Poland will be supplied with 180 K2 tanks and 81 other support vehicles. It follows up on a contract Poland signed in 2022 for the first batch of 180 K2 tanks amid a major armament push after Russia's invasion of Ukraine. While the ministry did not specify the exact terms of the latest deal, 117 of the 180 tanks will reportedly be built by Hyundai Rotem, while the rest will be produced by Poland's state-owned defense company PGZ. The ministry said the latest contract includes production of a Polish variant of the K2 and development of other armored support vehicles, while opening the possibility of joint production and exports. South Korean Defense Minister Ahn Gyu-back and his Polish counterpart, Wladyslaw Kosiniak-Kamysz, attended the signing ceremony between Hyundai Rotem and Poland's armament agency in Gliwice in southern Poland. "Through the signing of the second K2 executive contract, (we) have created an opportunity to solidify our strategic partnership beyond a simple relationship between a supplier and a user," Ahn was quoted as saying at the ceremony. Before the ceremony, Ahn held talks with Kosiniak-Kamysz to discuss ways to deepen their countries' cooperation in the arms industry. Ahn pledged support and training for Poland's use of Korean weapons systems, including the K2 and K9 self-propelled howitzers, and also proposed cooperation in Warsaw's other defense projects, including its plan to acquire submarines. Ahn also invited his Polish counterpart to Seoul, to which Kosiniak-Kamysz replied he would make the visit at an early date, according to the ministry.

Is K-pop's global strategy backfiring? As popularity up abroad, domestic interest wanes
Is K-pop's global strategy backfiring? As popularity up abroad, domestic interest wanes

Korea Herald

time19 hours ago

  • Korea Herald

Is K-pop's global strategy backfiring? As popularity up abroad, domestic interest wanes

Absence of breakout rookie girl groups and weakening domestic fandom raise concerns for K-pop's future at home Despite chart-topping hits on Billboard and sold-out world tours across the US, Europe and Southeast Asia, K-pop's grip on its home turf appears to be slipping. Industry experts are sounding the alarm over a growing disconnect between the genre's global success and its dwindling influence at home — particularly as the domestic fanbase, once the engine of the K-pop phenomenon, shows signs of fatigue. At the heart of the issue is a conspicuous absence of breakthrough rookie girl groups in the first half of 2025. These groups have historically driven fandom growth and revitalized the market, but this year's lineup failed to deliver the same impact. Data released in the Circle Chart's 2025 Mid-Year Report backs this up. Total digital music consumption for the top 400 songs fell by 6.4 percent year-on-year and compared to the genre's 2019 peak, it has plunged by a staggering 49.7 percent. Meanwhile, physical album sales — a metric typically bolstered by passionate fans — also dropped by 9 percent, totaling 42.4 million units, down from 46.7 million the year before. The number of albums surpassing 1 million units in sales fell from nine to seven, and not a single release managed to exceed 3 million — a feat achieved by Seventeen just a year ago. These numbers suggest stagnation, or even a decline, in the size and spending power of domestic fandoms. Kim Jin-woo, a data journalist at Circle Chart, noted a sharp drop in girl group dominance in the domestic market. 'In the first half of 2024, NewJeans held the top spot in market share and five girl groups were in the top 10. This year, only aespa, Ive and NewJeans made the cut,' Kim said. Kim also cited growing listener fatigue stemming from similar-sounding concepts and English-heavy lyrics aimed at overseas audiences — part of a broader 'de-K-pop' strategy that may be alienating local fans. 'Many groups now focus on global accessibility, often gravitating toward a narrow range of genres and English lyrics,' Kim said. 'This might attract international listeners but has started to exhaust interest at home.' Music critic Lim Hee-yun also pointed out that shifting media consumption habits have weakened the dominance of idol groups. 'With music increasingly consumed through self-produced content, fan platforms and social media, fandoms are less concentrated,' he said. 'Idols used to dominate the charts thanks to mass fan activity, but that's no longer the case. In contrast, solo artists are resonating more with casual listeners.' The Top 10 of the 2025 mid-year digital chart paints a telling picture: Solo acts like Woodz with 'Drowning' at No. 1, Hwang Garam with 'I Am a Firefly' at No. 3 and Jo Jazz with 'Don't You Know' at No. 7 — none of whom enjoy major global recognition — significantly outperformed their idol group counterparts. Seven of the Top 10 artists were solo performers, leaving aespa, Ive and Boynextdoor as the only groups in the Top 10. Lim added that while idol tracks are 'fun and powerful,' they often lack emotional depth. 'Ballads or rock-inflected songs with strong melodic structure and individual expression are better suited for immersive listening,' he said. Industry officials warn that this trend raises serious questions about the sustainability of K-pop's current trajectory. A sluggish domestic market could eventually undermine the health of the entire ecosystem. 'As K-pop pursued global mainstream appeal, the music took on a more (Western) pop-oriented flavor — but unless you're on the level of BTS' Jungkook, that strategy rarely pays off,' an entertainment official said. 'Even with its global expansion, K-pop remains confined to a subculture category rather than breaking into the true global mainstream.' jaaykim@

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store