
Kim Kardashian's Met Gala look likened to former ‘Real Housewives of New York City' star and WWE wrestler
Real haute or 'Real Houswives'?
Kimmy K flaunted her coveted curves in skin-tight crocodile leather cut-out couture at the 2025 Met Gala Monday night.
However, online audiences can't decide whether the perpetual pinup slayed in NYC or if she just looked like a former star of Bravo's 'Real Housewives of New York.'
4 Digital detractors likened Kardashian's 2025 Met Gala look to Bravo's Luann de Lesseps.
Evan Agostini/Invision/AP
'Kim Kardashian giving @CountessLuann [de Lesseps],' joked an eagle-eyed fashion fan on X, stitching pics of the 44-year-old Skims mogul and the 59-year-old Bravo bombshell side-by-side.
4 The ex-'Real Housewives of New York' star is well known for her saucy style.
Getty Images for Phillip Westbrooks
A separate, more vicious critic compared the 'Kardashians' star's look — an all-black two-piece by Chrom Hearts, which she finished with a black cowboy hat — to that of a retired WWE wrestler, 'The Undertaker.'
4 'The Undertaker' often wore a black hat and getup to face opponents in the wrestling ring.
WireImage
Mean-spirited jabs aside, Kardashian endeavored to serve sheer chicness on the Costume Institute's runway, celebrating its spring 2025 exhibition, 'Superfine: Tailoring Black Style.' But her big moment was nearly ruined when a security guard stumbled over the train of her skirt.
Ahead of tonight's chichi shindig, Kardashian teased her virtual devotees with a sneak peek at her pre-gala glam prep. A few days prior, the reality TV vixen shared a quick snippet of herself undergoing a non-invasive, skin-firming laser treatment.
The FDA-cleared self-care uses ultrasound technology to stimulate collagen, reducing wrinkles and fine lines while lifting and toning the skin.
Tightening up one's entire mug can reportedly cost upwards of $4,000.
But what's a few middle-class mortgage payments to a billionaire like Kimmy K — right?
4 Kardashian stylishly recovered after a security staffer nearly tripped over the train of her Chrome Hearts skirt.
Getty Images
Spending a pretty penny to wow the crowd at this year's gala was likely worth it to the reality TV vixen.
Her waist-gripping 2024 getup, which featured a little grey sweater for some reason, was deemed 'raggedy' by virtual vultures who pecked the puzzling look to death.
The voluptuary's second-youngest sister, Kendall Jenner, 29, was the only other Kardashian crew representative to take the gala's red carpet by storm this year.
The model showed up in a gray skirt suit by Torishéju, complete with a peplum-style, tie-back top and plunging neckline.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
36 minutes ago
- New York Post
There's only one Jordon Hudson confidant willing to talk about her — here's what he said
There have been many descriptors added to Jordon Hudson's name over the past 12 months as her relationship with Bill Belichick has come under intense scrutiny. For the lone Hudson confidant who has spoken publicly about the former college cheerleader, one label transcends new heights. 'I consider her a supernova,' celebrity hairstylist Dougie Freeman, who likened his one-time employee to the phenomenon described by NASA as the 'extremely bright, super powerful explosion of a star,' said in a new interview with The Athletic. Advertisement 5 One Jordon Hudson confidant is opening up to The Athletic about Bill Belichick's 24-year-old girlfriend. Getty Images 5 Bill Belichick's romance with Jordon Hudson became public in 2024. Getty Images for the American Museum of Natural History 'Our motto here at the salon is, 'Let us help you use what you've got to get what you want' … and maybe Jordon Hudson is a good example of that.' Advertisement Hudson, who shot to fame in the summer of 2024 when her romance with the 73-year-old Belichick became public, began working at Freeman's West End Salon & Spa in Provincetown, Mass., when she was still in high school. 5 Dougie Freeman worked with Jordon Hudson. Facebook/West End Salon and Spa Freeman believes the Massachusetts town, regarded as one of the most welcoming and friendly LGBTQ+ locales in the country, helped to broaden Hudson's horizons. 'Growing up in this town, she saw how alternative relationships work. They can work,' Freeman said. 'I think that validated it for her.' Advertisement Freeman is one of the few connected to Hudson who has opened up about the Miss Maine USA contestant, with The Athletic noting the 'dozen-plus friends of Hudson' whom they reached out to did not get back to the outlet. 5 Jordon Hudson's profile has continued to rise amid her relationship with Bill Belichick. WireImage 'She seems to be doing fine,' said Freeman, who 'last spoke to Hudson via a series of internet DMs,' per The Athletic. 'She said, 'I understand you're going to do an interview with the Washington Post.' And I said, 'I said a lot of nice things about you, I think you'll be pleased with it.' And I assume she was.' Advertisement Hudson has been by Belichick's side as he prepares for his first season coaching North Carolina's football team. 5 Bill Belichick with Jordon Hudson in March 2025. Getty Images Although there has been much speculation about Hudson's role in Chapel Hill — much of which began after a disastrous 'CBS Sunday Morning' appearance in April, when she punted a question about the origins of the Belichick relationship — the eight-time Super Bowl winner clarified her position in an ESPN interview last month. 'That's really off to the side, it's a personal relationship. She doesn't have anything to do with UNC football,' Belichick said. With the Tar Heels' season opener against TCU approaching on Sept. 1, all eyes remain on Belichick and Hudson — something Freeman cautioned as her star continues to rise. 'Fame comes with some barbs,' he said. 'And it doesn't always come with fortune.' Hudson and Belichick first crossed paths aboard a flight in 2021. They celebrated their four-year meet-iversary in February.
Yahoo
an hour ago
- Yahoo
Sly Stone, leader of funk revolutionaries Sly and the Family Stone, dies at 82
NEW YORK (AP) — Sly Stone, the revolutionary musician and dynamic showman whose Sly and the Family Stone transformed popular music in the 1960s and '70s and beyond with such hits as 'Everyday People,' 'Stand!' and 'Family Affair,' has died. He was 82 Stone, born Sylvester Stewart, had been in poor health in recent years. His publicist Carleen Donovan said Monday that Stone died in Los Angeles surrounded by family after contending with chronic obstructive pulmonary disease and other ailments. Formed in 1966-67, Sly and the Family Stone was the first major group to include Black and white men and women, and well embodied a time when anything seemed possible — riots and assassinations, communes and love-ins. The singers screeched, chanted, crooned and hollered. The music was a blowout of frantic horns, rapid-fire guitar and locomotive rhythms, a melting pot of jazz, psychedelic rock, doo-wop, soul and the early grooves of funk. Sly's time on top was brief, roughly from 1968-1971, but profound. No band better captured the gravity-defying euphoria of the Woodstock era or more bravely addressed the crash which followed. From early songs as rousing as their titles — 'I Want To Take You Higher,' 'Stand!' — to the sober aftermath of 'Family Affair' and 'Runnin' Away,' Sly and the Family Stone spoke for a generation whether or not it liked what they had to say. Stone's group began as a Bay Area sextet featuring Sly on keyboards, Larry Graham on bass; Sly's brother, Freddie, on guitar; sister Rose on vocals; Cynthia Robinson and Jerry Martini horns and Greg Errico on drums. They debuted with the album 'A Whole New Thing' and earned the title with their breakthrough single, 'Dance to the Music.' It hit the top 10 in April 1968, the week the Rev. Martin Luther King was murdered, and helped launch an era when the polish of Motown and the understatement of Stax suddenly seemed of another time. Led by Sly Stone, with his leather jumpsuits and goggle shades, mile-wide grin and mile-high Afro, the band dazzled in 1969 at the Woodstock festival and set a new pace on the radio. 'Everyday People,' 'I Wanna Take You Higher' and other songs were anthems of community, non-conformity and a brash and hopeful spirit, built around such catchphrases as 'different strokes for different folks.' The group released five top 10 singles, three of them hitting No. 1, and three million-selling albums: 'Stand!', 'There's a Riot Goin' On' and 'Greatest Hits.' For a time, countless performers wanted to look and sound like Sly and the Family Stone. The Jackson Five's breakthrough hit, 'I Want You Back' and the Temptations' 'I Can't Get Next to You' were among the many songs from the late 1960s that mimicked Sly's vocal and instrumental arrangements. Miles Davis' landmark blend of jazz, rock and funk, 'Bitches Brew,' was inspired in part by Sly, while fellow jazz artist Herbie Hancock even named a song after him. 'He had a way of talking, moving from playful to earnest at will. He had a look, belts, and hats and jewelry,' Questlove wrote in the foreword to Stone's memoir, 'Thank You (Falettinme Be Mice Elf Agin),' named for one of his biggest hits and published through Questlove's imprint in 2023. 'He was a special case, cooler than everything around him by a factor of infinity.' In 2025, Questlove released the documentary 'Sly Lives! (aka The Burden of Black Genius).' Sly's influence has endured for decades. The top funk artist of the 1970s, Parliament-Funkadelic creator George Clinton, was a Stone disciple. Prince, Rick James and the Black-Eyed Peas were among the many performers from the 1980s and after influenced by Sly, and countless rap and hip-hop artists have sampled his riffs, from the Beastie Boys to Dr. Dre and Snoop Dogg. A 2005 tribute record included Maroon 5, John Legend and the Roots. 'Sly did so many things so well that he turned my head all the way around,' Clinton once wrote. 'He could create polished R&B that sounded like it came from an act that had gigged at clubs for years, and then in the next breath he could be as psychedelic as the heaviest rock band.' A dream dies, a career burns away By the early '70s, Stone himself was beginning a descent from which he never recovered, driven by the pressures of fame and the added burden of Black fame. His record company was anxious for more hits, while the Black Panthers were pressing him to drop the white members from his group. After moving from the Bay Area to Los Angeles in 1970, he became increasingly hooked on cocaine and erratic in his behavior. A promised album, 'The Incredible and Unpredictable Sly and the Family Stone' ('The most optimistic of all,' Rolling Stone reported) never appeared. He became notorious for being late to concerts or not showing up at all, often leaving 'other band members waiting backstage for hours wondering whether he was going to show up or not,' according to Stone biographer Joel Selvin. Around the country, separatism and paranoia were setting in. As a turn of the calendar, and as a state of mind, the '60s were over. 'The possibility of possibility was leaking out,' Stone later explained in his memoir. On 'Thank You (Falettinme Be Mice Elf Agin),' Stone had warned: 'Dying young is hard to take/selling out is harder.' Late in 1971, he released 'There's a Riot Going On,' one of the grimmest, most uncompromising records ever to top the album charts. The sound was dense and murky (Sly was among the first musicians to use drum machines), the mood reflective ('Family Affair'), fearful ('Runnin' Away') and despairing: 'Time, they say, is the answer — but I don't believe it,' Sly sings on 'Time.' The fast, funky pace of the original 'Thank You (Falettinme Be Mice Elf Agin)' was slowed, stretched and retitled 'Thank You For Talkin' to Me, Africa.' The running time of the title track was 0:00. 'It is Muzak with its finger on the trigger,' critic Greil Marcus called the album. 'Riot' highlighted an extraordinary run of blunt, hard-hitting records by Black artists, from the Stevie Wonder single 'Superstition' to Marvin Gaye's 'What's Going On' album, to which 'Riot' was an unofficial response. But Stone seemed to back away from the nightmare he had related. He was reluctant to perform material from 'Riot' in concert and softened the mood on the acclaimed 1973 album 'Fresh,' which did feature a cover of 'Que Sera Sera,' the wistful Doris Day song reworked into a rueful testament to fate's upper hand. By the end of the decade, Sly and the Family Stone had broken up and Sly was releasing solo records with such unmet promises as 'Heard You Missed Me, Well I'm Back' and 'Back On the Right Track.' Most of the news he made over the following decades was of drug busts, financial troubles and mishaps on stage. Sly and the Family Stone was inducted into the Rock & Roll of Fame in 1993 and honored in 2006 at the Grammy Awards, but Sly released just one album after the early '80s, 'I'm Back! Family & Friends,' much of it updated recordings of his old hits. He would allege he had hundreds of unreleased songs and did collaborate on occasion with Clinton, who would recall how Stone 'could just be sitting there doing nothing and then open his eyes and shock you with a lyric so brilliant that it was obvious no one had ever thought of it before.' Sly Stone had three children, including a daughter with Cynthia Robinson, and was married once — briefly and very publicly. In 1974, he and actor Kathy Silva wed on stage at Madison Square Garden, an event that inspired an 11,000-word story in The New Yorker. Sly and Silva soon divorced. A born musician, a born uniter He was born Sylvester Stewart in Denton, Texas, and raised in Vallejo, California, the second of five children in a close, religious family. Sylvester became 'Sly' by accident, when a teacher mistakenly spelled his name 'Slyvester.' He loved performing so much that his mother alleged he would cry if the congregation in church didn't respond when he sang before it. He was so gifted and ambitious that by age 4 he had sung on stage at a Sam Cooke show and by age 11 had mastered several instruments and recorded a gospel song with his siblings. He was so committed to the races working together that in his teens and early 20s he was playing in local bands that included Black and white members and was becoming known around the Bay Area as a deejay equally willing to play the Beatles and rhythm and blues acts. Through his radio connections, he produced some of the top San Francisco bands, including the Great Society, Grace Slick's group before she joined the Jefferson Airplane. Along with an early mentor and champion, San Francisco deejay Tom 'Big Daddy' Donahue, he worked on rhythm and blues hits (Bobby Freeman's 'C'mon and Swim') and the Beau Brummels' Beatle-esque 'Laugh, Laugh.' Meanwhile, he was putting together his own group, recruiting family members and local musicians and settling on the name Sly and the Family Stone. 'A Whole New Thing' came out in 1967, soon followed by the single 'Dance to the Music,' in which each member was granted a moment of introduction as the song rightly proclaimed a 'brand new beat.' In December 1968, the group appeared on 'The Ed Sullivan Show' and performed a medley that included 'Dance to the Music' and 'Everyday People.' Before the set began, Sly turned to the audience and recited a brief passage from his song 'Are You Ready': "Don't hate the Black, don't hate the white, if you get bitten, just hate the bite.'
Yahoo
2 hours ago
- Yahoo
Judge dismisses Justin Baldoni's lawsuit against 'It Ends With Us' costar Blake Lively
NEW YORK (AP) — A judge on Monday dismissed the lawsuit filed by actor and director Justin Baldoni against his 'It Ends With Us' costar Blake Lively after she sued him for sexual harassment and retaliation. U.S. District Court Judge Lewis Liman's decision is the latest development in the bitter legal battle surrounding the dark romantic drama that includes Lively suing Baldoni in late December. Baldoni and production company Wayfarer Studios countersued in January for $400 million, accusing Lively and her husband, 'Deadpool' actor Ryan Reynolds, of defamation and extortion. The judge ruled that Baldoni can't sue Lively for defamation over claims she made in her lawsuit, because allegations made in a lawsuit are exempt from libel claims. Liman also ruled that Baldoni's claims that Lively stole creative control of the film didn't count as extortion under California law. Baldoni's legal team can revise the lawsuit if they want to pursue different claims related to whether Lively breached a contract, the judge said. Emails seeking comment were sent to attorneys for Baldoni and Lively. 'It Ends With Us,' an adaptation of Colleen Hoover's bestselling 2016 novel that begins as a romance but takes a dark turn into domestic violence, was released in August, exceeding box office expectations with a $50 million debut. But the movie's release was shrouded by speculation over discord between Lively and Baldoni. The judge also dismissed Baldoni's defamation lawsuit against The New York Times, which had reported on Lively's sexual harassment allegations. The Associated Press