Metro… In Dino's melody hits the right notes, but KK's absence echoes loudly
In the scene when Fatima Sana Shaikh's Shruti decides to have an abortion - in quite a gut-wrenching, raw, painful, and massive turning point for her character - the music builds up, trying to shoulder the weight of it all, but without KK's soulful voice, it just doesn't land the same. His voice had that rare ability to make you feel everything, to make sadness sound beautiful. Remember 'Alvida' from the prequel? Remember how it made you feel, when you lost someone special in your life? You felt the pain, you cried when the note hit just right. You entered a world you didn't know how to come back from. That's how KK made us all feel.Another moment in the film which makes you realise the void after KK's death comes when Chumki (Sara Ali Khan) is struggling with her anger and confusion. She wants to scream, but she can't. When she finally does, Arijit Singh and Papon's voices rise in the background. It sounds nice, no doubt. But for those of us who grew up listening to KK, it feels like a part of the emotion is missing. His voice had a way of expressing pain, love, and loss - all at once.To be fair, the film honours its legacy. The songs aren't forced; they ebb and flow with the narrative, becoming another character, like in the original. It's nostalgic, it's fitting, and for new audiences, it probably checks every box. But for those of us who built our playlists around 'Life in a Metro', who learned to spell heartbreak with KK on repeat, there's a missing piece that no melody can quite patch up. Songs like 'Alvida' or 'O Meri Jaan' stayed with you long after the film ended. 'Metro... In Dino' hits the right emotional chords. But the most important string, the one only KK could pluck, remains heartbreakingly silent. And honestly? Some silences are louder than words.- EndsTrending Reel
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