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Tom Cruise makes rare comment about ex-wife Nicole Kidman in revealing new interview

Tom Cruise makes rare comment about ex-wife Nicole Kidman in revealing new interview

New York Post10-05-2025

Tom Cruise has his eyes on the past.
The actor, 62, made a rare comment about his ex-wife Nicole Kidman, whom he was married to from 1990 to 2001.
While speaking to Sight and Sound magazine, Cruise detailed his experience in Stanley Kubrick's 1999 thriller 'Eyes Wife Shut' in which he starred opposite the actress, 57.
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'It was a great experience. I was very excited to do it. I knew Stanley's movies very well and I was introduced to him through Sydney Pollack,' he told the outlet. 'So Stanley called Sydney 'cause he wanted me to make a movie. He sent me a fax.'
9 Tom Cruise on the cover of Sight and Sound.
Sight And Sound
Recounting what came next, Cruise shared, 'I flew out to his house and I landed in his backyard. I read the script the day before and we spent the day talking about it. I knew all of his films. I spoke to Scorsese about him and Sydney Pollack… so I knew what he did and how he worked. Then it was basically he and I getting to know each other. And when we were doing that, I suggested Nicole play the role [of Alice]. Because obviously she's a great actress.'
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The film follows Dr. Bill Hartford (Cruise) and his wife Alice (Kidman), who had sexual fantasies about a man she met, Bill then becomes obsessed with having a sexual encounter of his own but gets in over his head.
'I knew it was going to be a long shoot. He was like, 'No, no, no. We'll finish in three or four months.' And I said, 'Stanley, look, I'm here for you. Whatever it's going to take we're going to do this…' I thought the film was very interesting, and I wanted to have that experience,' Cruise expressed. 'When I go to make a movie, I do a lot of detailed investigation and a lot of time with the people before I commit so that I understand what they need and want and they understand me and how we can work together and really create something very special.'
9 Tom Cruise and Nicole Kidman.
WireImage
9 Nicole Kidman and Tom Cruise in 'Eyes Wide Shut.'
©Warner Bros/courtesy Everett Collection / Everett Collection
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The film also starred Sydney Pollack and Todd Field and was the 'Mission Impossible' star referred to as 'a very unique experience.'
'Not a large crew. We arrived in the summer and basically we just started testing… the script was just an idea. We [were] constantly rewriting the scenes and shooting the scenes and then reshooting the scenes to really find the tone of the film.'
Cruise and Kidman met in 1990 when the two starred opposite one another in 'Days of Thunder. However, the 'Jerry Maguire' star previously married Mimi Rogers in 1987 and the two finalized their divorce in February 1990 just 10 months before he tied the knot with the 'Perfect Couple' alum in December 1990.
9 Nicole Kidman and Tom Cruise in 'Far and Away.'
©Universal/Courtesy Everett Collection
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Cruise and Kidman married in a private ceremony in Colorado when they were 28 and 23 years old.
'I was so young when I got married,' Kidman reflected to Red magazine in 2016. 'I look back now and I'm like, 'What?''
After the wedding, the Hollywood icons went on to work together in the drama 'Far and Away' in 1992 before adopting their daughter Isabella that same year.
In 1995 Cruise and Kidman welcomed son Connor via adoption.
9 Nicole Kidman and Tom Cruise.
Leonardo Cendamo
Reflecting on that time in her life, the actress spoke about working on 'Eyes Wide Shut' with her other half while talking to The New York Times in 2020. As she put it, 'We were happily married through that.'
'We would go go-kart racing after [intense] scenes. We'd rent out a place and go racing at three in the morning.'
But almost two years after the project premiered, the duo had split.
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9 Nicole Kidman and husband Tom Cruise arrive at Sydney Kingsford Smith airport and introduce their children Connor and Isabella to the media.
Getty Images
A rep for Kidman and Cruise said in a February 2001 statement: 'Citing the difficulties inherent in divergent careers which constantly keep them apart, they concluded that an amicable separation seemed best for both of them at this time.'
The 'Top Gun' vet went on to date Penélope Cruz before tying the knot with Katie Holmes in 2006. The two welcomed daughter Suri that same year, before splitting in 2012.
Holmes, 46, said in a 2013 deposition that she wanted the divorce in order 'to protect Suri from Scientology.'
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9 Tom Cruise and Nicole Kidman attend the premiere of 'The Portrait of a Lady.'
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The 19-year-old has reportedly been estranged from her father for years with a source telling Page Six in 2023 that Cruise 'has not seen' his daughter 'in a very long time and is not a part of her life.'
The 'Dawson's Creek' actress gushed over her close-knit relationship with Suri to Glamour in 2023 magazine, stating she likes to 'protect' Suri from the public eye 'because she was so visible at a young age.'
'I'm very grateful to be a parent, to be her parent. She's an incredible person. She's my heart.'
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9 Keith Urban and Nicole Kidman.
LM Otero Invision/AP
Cruise is now linked to Ana de Armas, 37, – who he continues to spark romance rumors with. Last weekend, the pair were caught leaving David Beckham's 50th birthday party together in London.
Kidman, for her part, was engaged to Lenny Kravitz in 2003 but the pair split shortly after. In June 2006, she married Keith Urban at St. Patrick's Estate in the beachside suburb of Manly in Sydney. Two years later, Kidman and Urban welcomed Sunday, 16, with Faith, 14, following in 2010.
In 2025, Kidman revealed the key to her successful 19 year marriage with Urban, 57.
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9 Katie Holmes and Tom Cruise.
ABACAUSA.COM
The 'A Family Affair' star told W Magazine she sings in the shower but also hears 'Keith singing in the shower, and I'll hear his new songs forming.'
'We have a double shower. The double-headed shower: key to a successful marriage. Separate commodes and a double-headed shower!'

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Grammys EP Ben Winston on the risks of producing live TV: ‘I always never know quite why we do it'
Grammys EP Ben Winston on the risks of producing live TV: ‘I always never know quite why we do it'

Yahoo

time2 hours ago

  • Yahoo

Grammys EP Ben Winston on the risks of producing live TV: ‘I always never know quite why we do it'

If you've enjoyed a live TV music special in recent years, chances are Ben Winston produced it. Since signing off The Late Late Show with James Corden in 2023, which he executive produced, he's more than had his hands full with his company Fulwell Entertainment, bringing a slew of music specials to the screen — with Dua Lipa, Elton John, and Brandi Carlile this year alone — along with Carpool Karaoke Christmas, Ellen DeGeneres: For Your Approval, The Kardashians, to name a few. 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But it's given us the opportunity to do other things, and we never wanted to overstay our welcome. We never wanted to be irrelevant. We always wanted to be in the zeitgeist. So I think that we left the stage at the right time, as much as I miss it. What does it take for content to break through these days? I think really compelling storytelling is always the way. Whether we're making an episode of The Kardashians or whether we're launching the LA28 games, I think it's about how do you make something that surprises and delights and gets people talking. I think in this environment where there is so much out there that it's hard to find your audience, I think if we can do something, whether that be Benson Boone and Doechii at the Grammys or whether it be Tom Cruise jumping off a plane or jumping off the roof at the Paris Stadium or whether it be Kim and Kourtney going to India for an episode of The Kardashians, if we can create real big moments of content that get people talking and discussing and sharing, then I think we're winning. But it's harder and harder. So when a project lands on your desk like the Grammys or the Olympics, how do you approach it? I think, 'What's the idea? What do I want to say?' The biggest one I would say of this last year would have been the LA28 special. Because usually the handover is kind of a nothing moment in a closing ceremony. I remember in London, I was at the closing ceremony. I think the next Olympics was Brazil. It was just some Brazilian dancers and a musician. So when I sat down with Casey Wasserman and the LA28 team, literally two years before we did it, it was like, what can we do for ten minutes in the closing ceremony that really grabs attention and makes a statement about L.A.? I was really keen to do something big that embraced the Hollywood of L.A., that embraced music because I think music is a huge part of the culture here. I wanted to show off the city because, yes, we don't have the Eiffel Tower and the Seine and the Notre Dame, but we do have beautiful beaches. We have really iconic symbols, whether it be the Griffith Park Observatory or the Hollywood Sign. But more than that, what I had to think about with L.A. was the theme. What is the Olympics? The Olympics is a thing that people from all over the world go to, and they try and achieve their dreams there. And Los Angeles is a city where people from all over the world come to, and they try and achieve their dreams here. Linking all of those things together suddenly got me thinking. I'd worked with Tom Cruise quite a bit over The Late Late Show days. We've done lots of sketches with James [Corden], whether it would him being Pumbaa and Timon in Lion King or jumping out of a plane or flying those Top Gun planes with James, and I've gotten to know Tom well. And I had this idea that maybe he jumps off the roof, shocks everybody, grabs the flag, and then takes that flag out of the stadium and drives from Paris to his airplane, jumps out of the airplane, lands in Hollywood and takes over the sign. And then we showcase some real sporting icons of L.A. who then take that flag and land at the beach, and then we just do a huge beach concert. I love how you start with a really small idea. Gotta think big! It was difficult to do. But it was such a fun, bold, ambitious idea. And everyone was in. So in the end, it became a one-hour special that encompassed all of those ideas that was a real celebration of L.A. What was beautiful about it for L.A. and for me is that the next day of the closing ceremony, the image that was around the globe was Dre and Snoop in front of the LA28 sign and Tom jumping off the roof. So we'd achieved our goal of announcing and launching LA28 in a really great way. So going back to the other question, how do you get attention? That is a great example where I think unscripted television really gripped the world and made an impact. You had to have been worried about pulling all of that off. What was your biggest concern? There were so many. The fact that the biggest movie star in the world is standing on a roof and about to jump off it, that is always a concern. We lost our beach with about four weeks to go, for various reasons. And then it's just all those elements coming together. I was really excited when NBC loved the idea so much that they gave us a special for it, though that meant that what was a 16 minute idea that was live could then become like an hour's special with more music and more Tom could breathe a little bit more in prime time. But that was a very nerve wracking on the day because although it was pre-taped it was live in the ceremony. That was the most nervous I think I've ever been, of anything I've done. You still get nervous? Live television is always nerve-wracking. I always never quite know why we do it. As it gets towards 5 p.m. on Grammy Sunday, I have this sort of sick feeling in my stomach where I'm always like, why on earth did I agree to do this again? We only have six weeks to make that show because the nominations come out around Thanksgiving. Nobody will do anything before they're nominated. You can't even pick up the phone to ask them. And this year with the fires, most of our team were evacuated. Some of our team lost their homes. And suddenly, we were making a show for Feb. 2 with all of that going on as well. The way I always think about it is you're climbing this mountain, you get to the top of that mountain at 5 on Grammy Sunday, and you jump off. And you just hope the parachute opens and you have a really nice flight. But you also know that it's live television. Anything could happen, and you could smack your head on the way down. Luckily, I think this year was probably the show I'm most proud of. Why is that? Because I think that the fact that we were making it around the time of the fires, the fact that there were murmurs of people saying you shouldn't be doing the Grammys a month after the fires have broken out, the fact that I had a real passion to do it and was really feeling that we could actually do something really beautiful for the city of L.A. I worked out that 6,000 people earn a living in some way from the Grammys happening. Now that doesn't mean I employ 6,000 people. That means florists or local car companies or staging companies or removal vans or venue security — 6,000 people earn a living from the Grammys, and they live in Los Angeles. And the worst thing you could possibly say to 6,000 people is because of our concern for you right now, we're not going to employ you at the Grammys. I just thought it was such a ridiculous mentality. I was very passionate as an LA guy that we wanted the show to happen, but I also felt like we could do good. We raised nearly $30 million that night. What changes did you make to the show to address the fires? Every ad break, we gave a commercial to a local business. It was a local florist, and we had Doja Cat doing a commercial for them. Or we had Charlie Puth at the local karate den that got burned down or Avril Lavigne at the skate park in the Palisades. 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We didn't stop the music. It just went one after the other after the other after the other. And I love the way we did that in that Trevor went in the audience. He walked through and he introduced each one of them, and you just thought he was going to throw to the package. And he says, oh, let's take a look at the music from these best new artists. And then Benson Boone gets out his microphone and the suit rips off, and that started that was the trigger, and then all the other artists run to their corners, Shaboozey and Doechii and Raye, bringing down the house. And so that was a really lovely moment that was technically incredibly hard. Hamish Hamilton did an amazing job directing that, but staging it where the music never stopped. I love the idea of music never stopping. You also had the added pressure as the first award show back to make it OK for there to be award shows again. Whether it be the commercials for the local businesses, whether it be the fire department presenting the Grammy award for album of the year to Beyoncé, whether it be Dawes opening, which I thought was really powerful. We love this show, and we love music, and we love television. Yes, the fires were brutal for all of us, but they actually made us they made us sharpen our lens. They made us go, OK. How do we make this OK, and how do we pay tribute this city, and how do we make a love letter to this city? And in a way, I think it was an advantage going first because everyone could follow our lead. You've done so many kinds of live TV. What's on your wish list? What do you still want to do? We've been really lucky. We've done a few really wonderful music specials. I love working with artists. I love the challenge of live television. There's a big thing happening in three years in this city, so hopefully, I'll be a little bit involved in that. I'm not after doing more award shows. I really like the one that I make. I love the Grammys. I'm proud of the Grammys. It's become part of me. I don't have a burning desire to suddenly start running other award shows. So no Oscars for you? Nope. Definitely not. I think Raj [Kapoor] does a great job on that, and that's one for him, not me. We're developing a reality show right now in Calabasas, to partner with our Kardashian show, and I'm really enjoying the casting process of that. I'm looking at doing a kids' show with a streaming platform right now, which I've never done before, but it could be quite impactful. As a dad of a 5-year-old and an 8-year-old, if you'd asked me 10 years ago about a kids' show, I'd be like, what are you on about? (Laughs.) I think about what could I be doing at the World Cup next year? I love working with Trevor Noah — what is the next form of variety show that we could do together? I'm really excited about the opportunities that we have over here at Fulwell, and just really want to make things that I'm proud of and I love and I'm passionate about. So what do you have up your sleeve for the 2028 Olympics in LA? I don't know right now, because nothing's been announced. But if I had the opportunity of being involved in LA28, I would love that. I think it's going to be a phenomenal Olympics, and I'd be honored to be involved. I hope they call me! Best of GoldDerby Marlon Wayans on laughing through tragedy in 'Good Grief' and why social media has made comedy 'toxic' Minha Kim 'confronted all new emotions that I had never anticipated' in Season 2 of 'Pachinko' 'Étoile': Exclusive 4-part conversation with creators, star Luke Kirby, cinematographer, and choreographer Click here to read the full article.

Angry owner of ‘Breaking Bad' house sprays fans with water hose, demands they get off famous property
Angry owner of ‘Breaking Bad' house sprays fans with water hose, demands they get off famous property

New York Post

time5 hours ago

  • New York Post

Angry owner of ‘Breaking Bad' house sprays fans with water hose, demands they get off famous property

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Tom Cruise awarded Guinness World Record for stunt in 'Mission: Impossible – The Final Reckoning'
Tom Cruise awarded Guinness World Record for stunt in 'Mission: Impossible – The Final Reckoning'

Yahoo

time8 hours ago

  • Yahoo

Tom Cruise awarded Guinness World Record for stunt in 'Mission: Impossible – The Final Reckoning'

He's hung off planes during flight, performed a real HALO jump out of a plane at 25,000 feet, scaled and run across the Burj Khalifa building and found new ways of cheating death throughout the Mission: Impossible franchise. Now, Tom Cruise has bagged himself a Guinness World Record thanks to his performance in this year's Mission: Impossible – The Final Reckoning. Cruise, aged 62 and known for conducting his own stunts, has set the record for 'most burning parachute jumps by an individual' after jumping out of a helicopter 16 times with a fuel-soaked chute. 'Tom doesn't just play action heroes – he is an action hero!' said Craig Glenday, Guinness World Records editor-in-chief in a statement. 'A large part of his success can be chalked up to his absolute focus on authenticity and pushing the boundaries of what a leading man can do. It's an honour to be able to recognize his utter fearlessness with this new Guinness World Records title.' The sequence was filmed in Drakensberg, South Africa. Cruise and the stunt team ascended more than 7,500 feet before the action star jumped out of a helicopter with the flaming parachute, cutting himself free to deploy a backup parachute. 16 times. The first parachute would burn for between 2.5 to 3 seconds before completely disintegrating, and for several of the takes, Cruise even had a 50 lb. snorri camera rig attached to his body for a closer shot of the stunt. Check out some of the prep for the stunt below. This is not Cruise's first Guinness World Record. The leading man also holds the record for the actor with the most consecutive $100-million-grossing movies. In total, the Top Gun star has been credited in over 30 films that have broken the $100 million mark at the box office. The last 11 of those have been consecutive, starting with Jack Reacher in 2012 – followed by Oblivion, Edge of Tomorrow, Mission: Impossible – Rogue Nation, Jack Reacher: Never Go Back, The Mummy, American Made, Mission: Impossible – Fallout, Top Gun: Maverick, Mission: Impossible – Dead Reckoning and Mission: Impossible – The Final Reckoning. 'Tom is no stranger to record breaking,' explains Glenday. 'Over his impressively long and consistent career, he's proved himself to be the most powerful actor in Hollywood and the most bankable star, and he's still the actor with the most consecutive $100 million movies on their resume and the most successful leading action hero at the worldwide box office.' Combined, the Mission: Impossible franchise has brought in nearly $5 billion since Cruise starred in (and produced) the first film adaptation of the classic television series in 1996. The eighth installment of the series premiered in Cannes and hit theatres last month. In our review, we said: 'It's with a heavy heart, especially considering the impressive run of tightly wound and thrilling adventures the M:I franchise has delivered, that this legacy-obsessed victory-lap feels like this series' Die Another Day. If the long-running franchise isn't dead yet, what's needed is a Casino Royale–shaped, ground-level spycraft reboot.' Read our full review of and check out our Special Mission: Impossible Culture Catch-Up.

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