
New Ellen Noël executive director ready to dive in
Apr. 22—Nicole Herden realized her affinity for museum work while doing internships in college and she has stayed dedicated to the vocation for about 20 years.
Herden just stepped into her new position as executive director of the Ellen Noël Art Museum April 14.
Herden began as an intern for different state museums and art museums while in undergraduate school and continued that internship work primarily in the curatorial and registration departments.
She really enjoyed working in an art museum, particularly the exhibition rotation, working with artists and maintaining a collection.
"I continued that through graduate school coursework, and that work sort of transitioned and led me to pursue a full-time career in that field," Herden said. "I pretty quickly determined through those internships, that was the career I wanted to pursue. That was at the time I was pursuing my MFA in the visual arts, and I was thrilled to have the opportunity to figure out that that's what I wanted to do," Herden said. "That led me to pursue another master's in art history to continue that work."
She was then able to land the curatorial assistant position at the Phoenix Art Museum, and then eventually a registrar position.
"Through the years, I had the opportunity to be promoted and work my way up to different leadership positions. I have enjoyed it tremendously on so many different levels, and am very grateful to have had the opportunity to pursue this career," Herden said.
She said opportunities like the one at the Ellen Noël don't come around often, especially when there are really exciting chapters underway, "like once-in-a-lifetime, milestone projects."
The museum is conducting a capital campaign and expansion project.
As of April 15, the capital campaign is 64% complete, according to information from the museum.
The tentative timeline for completion of construction is the end of August.
After that, there are specifications they will have to meet for housing artwork.
They will also have to have to operate their humidity and temperature controls, maintaining systems consistently at 43% humidity, 68 degrees F, 24-hours a day, for a 90-day period.
After that is accomplished, they will move art back into the location. The first exhibition, and opening to the public, is tentatively scheduled for early December 2025.
What drew Herden to the Ellen Noël was the passion that the staff and board have for the institution.
"There is incredible support and passion and it's a rare opportunity to have the ability to work with a team like that. That was very appealing to me, and certainly I have experience working with regional communities. I felt really drawn to the Permian Basin community and the exciting growth that is happening culturally (and) economically within our region. For those reasons, I was really excited. I love the Southwest, having lived in Arizona and having an affinity for Southwestern art in general, and just regional art and contemporary art," Herden said.
Among her priorities are planning and strategy for moving into the new building and getting to know the staff, board members.
She's also looking forward to learning more about the community and stakeholders to better understand the area and where there may be opportunities to serve more audiences.
"I'm excited to get to know our partners and identify ... new future partners," Herden said.
She's also looking toward working on a strategic planning process to guide the work that she, the board and staff do over the next couple of years.
"That's always really important, since it truly functions as a North Star, so to speak, of all the work that we do. And then certainly, of course, the capital campaign. The community and the board have done amazing work in making progress on that, but there's certainly more to do to wrap it up, and I am eager to participate in that and bring my own energy and excitement and hopefully have a quick impact on finalizing that campaign goal," Herden said.
As for if she has a favorite piece of art, she couldn't say.
"It's like choosing your favorite child. ... Art is just so fascinating to me. I'm always intrigued, whether you know, it's by an unknown, unrecognized artist or it's by a really well known, established artist. I'm always very curious about the process of making art, and I'm always eager to come up with my own interpretation of the art and that is what I really enjoy," Herden said.
It's kind of a transformative time for both the Ellen Noël Art Museum and The Museum of the Southwest in Midland, which also has a new executive director, Scott O'Donnell.
"I'm excited to meet that new director," Herden said.
She added that she hadn't yet reached out to O'Donnell, but is excited about doing that very soon.
"I know that there has been collaboration and partnership, but I don't doubt that there's probably more opportunity for other considerations and other ways to do that. It's exciting that we're both going to be new and we can sort of vision and brainstorm on the clean slate, so to speak," Herden said.
Most recently, she served as executive director of the Colorado Springs Fine Arts Center at Colorado College, where she ran a multidisciplinary organization with an accredited art museum, theater, and art school.
Her previous experience includes the Executive Director role at the Museum of Nebraska Art as well as curatorial and collections roles at Boise Art Museum, Phoenix Art Museum, and Arizona State University Art Museum.
Herden, a native of Milwaukee, Wisconsin, earned her bachelor's degree from the University of Arizona, a master's of fine arts from Boise State University and a master's in art history from Arizona State.

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Boston Globe
7 days ago
- Boston Globe
The conservative-friendly studio beating Hollywood at its own game
Get The Gavel A weekly SCOTUS explainer newsletter by columnist Kimberly Atkins Stohr. Enter Email Sign Up The movie is one of the latest from Angel Studios, which is devoted to TV shows and movies that 'amplify light.' It successfully caters to a growing market of Americans who want values-driven entertainment and are dismayed with what they consider Hollywood's nihilism and tired storytelling. Advertisement As the lights dimmed for the screening of 'The Last Rodeo,' McDonough told a whooping crowd of family, friends, and fans that they'd see him kissing Ruvé in his portrayal of Joe Wainwright, a retired rodeo legend who has to return to bull riding in hopes of winning enough money for his ailing grandson's cancer treatment. Advertisement Neal and Ruvé McDonough were coproducers on the film, giving them the creative freedom to shape the casting. But McDonough told me that it can be a gamble for major studios to sign off on such maneuvers. He believes his project only made it to the big screen because he worked with a studio that shares his values. 'They said, 'Who do you want to play your wife in the film?' And I said, 'There's only one person's gonna play it; it's my wife, Ruvé,'' McDonough told me. 'And [Angel] said, 'Well, that makes sense.'' The differences between Angel Studios and Hollywood were apparent at the Texas premiere of 'The Last Rodeo,' starting with the suggested dress code on the invitation: boots and bowties. A Stetson-sporting McDonough beamed with his gaggle of five children while Ruvé stunned in a floor-length gown of denim patchwork. The stars, producers, and director of "The Last Rodeo" posed with family members at the film's Texas premiere. Carine Hajjar/Globe Staff But the overall vibe was decidedly less about couture than culture. Speaking to a mix of press, country influencers, and Southwestern personalities lining the red carpet, people involved with the film were open about how 'The Last Rodeo' deals with themes that aren't popular in the Hollywood circles they know well. The movie's director, Jon Avnett, who directed 'Fried Green Tomatoes' and produced 'Black Swan,' told me about the film's emphasis on 'the power of family.' Mykelti Williamson, who portrayed Private Benjamin Buford 'Bubba' Blue in 'Forrest Gump' and plays Wainwright's old friend in 'The Last Rodeo,' said the movie tells a story of an America that's 'actually a good place, with a lot of good people in it.' He added: 'She's not perfect, but she's worth it.' Advertisement Instead of a glitzy afterparty, Angel put on a barbecue for fans and benefactors and their families. Parents holding hot dogs looked on with half terror, half amusement as little boys fought for the next turn on an electric bull. Rodeo queens in fringed red leather and rhinestone cowgirl hats took selfies, while toddlers took wobbly steps around the various field games. If you wanted to wash it down with a beer from the drink stand, you'd have to settle for a Coke. It was unlike Hollywood in every way. And that's been the key to Angel's success. Mykelti Williamson in 'The Last Rodeo.' Angel Studios Avoiding cringe and outrage The American mainstream is in turmoil — and it's not just the 'liberal media' or lefty universities. It's many of the cultural institutions that have been swallowed up by the progressive crazes of the last decade. From Actors have always had a knack for publicly fawning over progressive causes and shaking their fists at Republicans. But those progressive sensibilities have spilled over to the way films are made, too. Now it seems as if every movie that portrays a white or male protagonist needs a remake. (I'm looking at you, 'She-Hulk: Attorney at Law.') It's safe to assume that Americans who are sick of having progressive politics shoved down their throats might also feel as if it's being stuffed into their popcorn buckets. That creates an opportunity for a studio like Angel to make entertainment for a market underserved by the mainstream. Advertisement Starting with families. Angel's cofounder Jeff Harmon says the studio began as the answer to a Harmon family problem. For him and his three brothers, Neal, Daniel, and Jordan, that problem was the erosion of values portrayed by Hollywood. 'I think for all of us as fathers, we were looking with our families at how quickly the entertainment was accelerating toward nihilism,' Jordan told me, sitting next to Jeff. Naming examples like 'House of Cards' and 'Game of Thrones,' he bemoaned the fact that 'you watch a great movie, the whole thing's great. And at the very end, the whole moral of the story is, 'Everybody's bad.'' The brothers figured that addressing this problem could make for a good business. Jordan, Neal, and Jeffery Harmon at Angel Studios in Provo, Utah, on March 31. RUSSEL DANIELS/NYT At the Fort Worth barbecue, I met Brittany Graves, a 36-year-old mother of four and member of the Angel Guild, whose roughly 1.2 million members pay a monthly fee for access to Angel's content. She told me that 'it's a lot more refreshing to watch [Angel's] movies than kind of the predictable Hollywood norm.' She describes herself as a Christian and homesteader, saying that she agrees more with 'the values that are portrayed in [Angel's] movies' than 'just being hit with cussing and soft-core and sometimes even hardcore porn' that you get from Hollywood. Nearby, Shandelyn Spadke told me that she and her husband, Trae, invest in Angel because they are 'very firm believers in conservative ideas.' As she bounced a baby on her knee, the mother of five said, 'Most of the time we have to censor and preview what they watch. But she doesn't have that problem with 'Tuttle Twins,' a children's show that Advertisement The Harmons say that Angel is essentially replacing the traditional tastemakers who turn up their noses at values-infused entertainment. 'Filmmakers have no issue making great family content; they don't have an issue making faith content, as long as it resonates and it's good storytelling, and it's done with craftsmanship,' Jeff Harmon says. What's missing are studio executives who want this kind of entertainment. 'You replace those gatekeepers — these executives that are out of touch, generally don't have normal families, don't look like Middle America; they don't look like the rest of the world — and you replace those people with the people who are the rest of the world.' Shandelyn Spadke and her baby at the Fort Worth barbecue hosted by Angel Studios. Carine Hajjar/Globe Staff That's where the idea for the Angel Guild came from. The members pay $12 and up per month for access to the programming at home — and the ability to shape it. Angel only produces films that the guild members want to see. First they vote on a 'torch,' or a proof of concept from filmmakers, like a short clip or a pilot episode. If the torch passes the guild, filmmakers can go on to produce their projects. But members also get to vote on final cuts and even provide feedback. Jordan Harmon says Angel Studios filmmakers have gotten more than 100,000 comments from guild members over the last 18 months. The Harmons believe that this is the key to Angel's high audience ratings. Angel Advertisement Wookyung Kim, Kristin Chenoweth, Seong-ho 'Jay' Jang, and Leia Jang attended the premiere of Angel Studios' "The King Of Kings" in Franklin, Tenn., on March Angel Studios Some of Angel's films deal with conservative themes or religious subjects, but it would be a mistake to lump them in with overtly conservative entertainment projects — like those produced by the entertainment studio that the Daily Wire, a conservative news outlet, announced in 2021. If titles like 'Am I a Racist?' and 'What Is a Woman?' don't give it away, many Daily Wire productions are an attempt to make entertainment out of owning the libs. Other conservative productions can be driven overtly by religion and are less concerned with production values and storytelling. Angel avoids earnest cringe and political outrage. That's because its projects aren't ever just characterized by a political or religious message. Even the New York Times The deference to storytelling over pontificating hasn't stopped critics from trying to label Angel conservative ideologues. 'Sound of Freedom,' for example, was The Harmons, who belong to the Church of Latter Day Saints, call Angel a 'faith-friendly' studio and don't allow their productions to take the Lord's name in vain. But the themes and stories they help produce are determined by the Angel Guild, and will evolve as it grows. And since it is serving an underserved market, an initial rightward tilt is to be expected. What's surprising is just how large that market seems to be. 'Our hypothesis is that we're actually going for the biggest segment of the entire entertainment world,' Jordan told me. In collaboration with the Faith and Media Initiative, Harris X Neal McDonough starred in Angel Studios' "Homestead," which had its premiere on Dec. 10, 2024, in Los Angel Studios Like the film 'Cabrini,' which tells the story of Mother Francis Xavier Cabrini's life and ministry to poor immigrants, especially orphaned Italian children in New York City. On the surface this is a story about a Catholic saint. But it deals with themes like standing up to the male-dominated church leadership and overcoming racism through her work for the poor and scorned migrants in America. The film earned a Rotten Tomatoes audience score of 98 percent and Some Angel productions aren't religious at all. Tony Hale, known for his role as Buster Bluth in the hit show 'Arrested Development,' is Even though the Harmons have kept to the sidelines of the raging culture wars, they have clearly benefited from conservative victories. Like Donald Trump's which depicts an animated Charles Dickens sharing the story of Jesus' life with his son. But Angel isn't interested in sticking it to the mainstream — its intention is to become the mainstream. 'Stories are upstream from culture,' Jordan Harmon says. And Angel intends to produce 'some of the most timeless stories throughout history.' Carine Hajjar is a Globe Opinion writer. She can be reached at
Yahoo
20-05-2025
- Yahoo
EdgeCore Digital Infrastructure Announces Expansion of Its Metro Phoenix Data Center Market to Over 450 MW
High-density design makes EdgeCore's Mesa, Arizona data centers a near-term solution for hyperscale AI and cloud applications DENVER, CO / / May 20, 2025 / EdgeCore Digital Infrastructure, a wholesale data center developer, owner and operator, announced the acquisition of an additional 43.87 acres of land in Mesa, Arizona and expanded data center capacity designed to deliver 450 MW+ to its hyperscale customers. This new parcel of land more than doubles the buildable acreage EdgeCore controls in Mesa. "Today's expansion announcement of EdgeCore's operations in Mesa, Arizona is an exciting milestone in our company's evolution," said Lee Kestler, CEO, EdgeCore Digital Infrastructure. "Since establishing our first Mesa campus in April 2023, we have worked quickly to construct and commission 206 MW at the site. This new tranche of land enables us to deliver another 250+ MW of data center space in Mesa to fulfill our hyperscale customers' urgent need for AI and cloud-ready capacity." Affordable power via Salt River Project (SRP) is already available at EdgeCore's first Mesa campus for its operational data center and is slated for delivery to the two buildings currently under construction upon their completion in 2025 and 2026. "SRP is proud of its work with EdgeCore and looks forward to serving their growing operations in Mesa," said Jim Pratt, SRP General Manager and Chief Executive Officer. "We congratulate them on their expansion and applaud their commitment to water conservation in their operations." Understanding that water scarcity is a serious issue in Arizona, EdgeCore has implemented an air-cooled design in its Mesa data centers, including an ultra-efficient closed-loop chilled water system, which requires nearly no water to recharge its effectiveness. Additionally, EdgeCore's Mesa campus: Was designed to meet LEED BD+C v4 Silver standards Utilizes a waste management program that aligns with the Zero Waste International Alliance's zero waste hierarchy and is intended to reduce waste disposed of in landfills Incorporates native Southwestern landscaping and a pollinator garden with nesting habitats to support local bee and pollinator populations, while promoting water conservation Due to these sustainable building and operational initiatives, EdgeCore's first data center in Mesa (PH01) received Green Globes for Existing Buildings certification in 2023, and the second (PH02) and third (PH03) data centers currently under construction have been awarded Designed to Earn ENERGY STAR certifications. Since breaking ground on its first data center in Mesa, EdgeCore has committed financially, philanthropically and through the personal efforts of its employees to support the community's growth strategy and make a positive difference in the lives of its neighbors. This additional development will enable EdgeCore to continue providing jobs, supporting local businesses and donating to the local Mesa community. About EdgeCore Digital Infrastructure EdgeCore Digital Infrastructure serves the world's largest cloud and internet companies with both ready-for-occupancy and build-to-suit data center campuses that are designed for density. Privately held and backed by committed equity, EdgeCore enables hyperscale customer requirements by proactively investing in regions that provide the land and power necessary to support and scale AI and cloud technology. While working thoughtfully with the communities in which we do business, our data center campuses are built at scale to meet key performance specifications, safety metrics and sustainability objectives. EdgeCore has data center campuses in five North American markets with plans to continue regional expansion in 2025 and beyond. For more information, please visit Media ContactCourtney GaudetEdgeCore Digital SOURCE: EdgeCore Digital Infrastructure View the original press release on ACCESS Newswire Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data


Miami Herald
20-05-2025
- Miami Herald
EdgeCore Digital Infrastructure Announces Expansion of Its Metro Phoenix Data Center Market to Over 450 MW
High-density design makes EdgeCore's Mesa, Arizona data centers a near-term solution for hyperscale AI and cloud applications DENVER, CO / ACCESS Newswire / May 20, 2025 / EdgeCore Digital Infrastructure, a wholesale data center developer, owner and operator, announced the acquisition of an additional 43.87 acres of land in Mesa, Arizona and expanded data center capacity designed to deliver 450 MW+ to its hyperscale customers. This new parcel of land more than doubles the buildable acreage EdgeCore controls in Mesa. "Today's expansion announcement of EdgeCore's operations in Mesa, Arizona is an exciting milestone in our company's evolution," said Lee Kestler, CEO, EdgeCore Digital Infrastructure. "Since establishing our first Mesa campus in April 2023, we have worked quickly to construct and commission 206 MW at the site. This new tranche of land enables us to deliver another 250+ MW of data center space in Mesa to fulfill our hyperscale customers' urgent need for AI and cloud-ready capacity." Affordable power via Salt River Project (SRP) is already available at EdgeCore's first Mesa campus for its operational data center and is slated for delivery to the two buildings currently under construction upon their completion in 2025 and 2026. "SRP is proud of its work with EdgeCore and looks forward to serving their growing operations in Mesa," said Jim Pratt, SRP General Manager and Chief Executive Officer. "We congratulate them on their expansion and applaud their commitment to water conservation in their operations." Understanding that water scarcity is a serious issue in Arizona, EdgeCore has implemented an air-cooled design in its Mesa data centers, including an ultra-efficient closed-loop chilled water system, which requires nearly no water to recharge its effectiveness. Additionally, EdgeCore's Mesa campus: Was designed to meet LEED BD+C v4 Silver standardsUtilizes a waste management program that aligns with the Zero Waste International Alliance's zero waste hierarchy and is intended to reduce waste disposed of in landfillsIncorporates native Southwestern landscaping and a pollinator garden with nesting habitats to support local bee and pollinator populations, while promoting water conservation Due to these sustainable building and operational initiatives, EdgeCore's first data center in Mesa (PH01) received Green Globes for Existing Buildings certification in 2023, and the second (PH02) and third (PH03) data centers currently under construction have been awarded Designed to Earn ENERGY STAR certifications. Since breaking ground on its first data center in Mesa, EdgeCore has committed financially, philanthropically and through the personal efforts of its employees to support the community's growth strategy and make a positive difference in the lives of its neighbors. This additional development will enable EdgeCore to continue providing jobs, supporting local businesses and donating to the local Mesa community. About EdgeCore Digital Infrastructure EdgeCore Digital Infrastructure serves the world's largest cloud and internet companies with both ready-for-occupancy and build-to-suit data center campuses that are designed for density. Privately held and backed by committed equity, EdgeCore enables hyperscale customer requirements by proactively investing in regions that provide the land and power necessary to support and scale AI and cloud technology. While working thoughtfully with the communities in which we do business, our data center campuses are built at scale to meet key performance specifications, safety metrics and sustainability objectives. EdgeCore has data center campuses in five North American markets with plans to continue regional expansion in 2025 and beyond. For more information, please visit Media ContactCourtney GaudetEdgeCore Digital SOURCE: EdgeCore Digital Infrastructure