
Rod Stewart ‘flabbergasted' to receive lifetime achievement award from children
Sir Rod, 80, performed his hit Forever Young after being presented with the trophy at the American Music Awards (AMAs).
The father-of-eight was introduced to the stage by five of his grown-up children.
He told the screaming audience: 'I'm absolutely flabbergasted. I didn't know they were here – my children.'
Thanking all the musicians he has played with over the years, he added that when he was young: 'I had this burning ambition to sing.
'That's all I wanted to do. I didn't want to be rich or famous. And here I am a few years later, picking up this wonderful award.'
Other winners at Monday night's AMAs included Billie Eilish, who won Artist of the Year, and Eminem, who was named Favourite Male Hip Hop Artist.
The ceremony, hosted by Jennifer Lopez at Fontainebleau Las Vegas, saw performances from artists including Benson Boone, Gwen Stefani and Janet Jackson, who received the icon award.
On The Floor singer Lopez danced to a medley of songs and made headlines for kissing a few of her dancers.
Eilish swept two major categories, winning Album of the Year for Hit Me Hard and Soft and Song of the Year for Birds of a Feather.
She also earned accolades for Favourite Pop Song, Favourite Touring Artist and Favourite Pop Album.
Gracie Abrams was crowned Best New Artist, while Lady Gaga and Bruno Mars took home Collaboration of the Year and Favourite Music Video for Die With A Smile.
Post Malone and Beyonce were named Favourite Male and Female Country Artists, respectively.
Rapper Kendrick Lamar led this year's nominations with 10 and picked up the Favourite Hip-Hop Song award for his hit track Not Like Us.
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Sir Rod, who is also known for songs including Da Ya Think I'm Sexy? and Maggie May, is due to play the coveted Sunday teatime legends slot at Glastonbury next month.
In 2024, he promised he would not retire but confirmed his 2025 European and North American shows would bring an end to his 'large-scale world tours', with his next slate to be held at more intimate venues.
Sir Rod is set to continue the North American leg of his tour in July.
The 80-year-old's latest album, a collaboration with Jools Holland, was released in February 2024.
Wife Penny Lancaster, who married the rocker in 2007, posted on her Instagram stories that she was 'so proud' of her husband's lifetime achievement award.
The couple share two children, while Sir Rod also has six other children, including socialite Kimberly Stewart, model Ruby Stewart and reality star and musician Sean Stewart, from previous relationships.
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Metro
15 hours ago
- Metro
Billie Eilish, JoJo Siwa, and Fletcher are dating men and the internet hates it
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With thousands of members from all over the world, our vibrant LGBTQ+ WhatsApp channel is a hub for all the latest news and important issues that face the LGBTQ+ community. Simply click on this link, select 'Join Chat' and you're in! Don't forget to turn on notifications! Still, for some, this shift felt like betrayal, not nuance. @itsmeconnor_ summed it up: 'Let's make sure we're dragging Fletcher for the correct thing • she's dating a man ❌ • she released a mid song about being in a heteronormative relationship acting like she's going to be persecuted for it, during Pride Month in Trump's America ✅.' @dykezadi agreed: 'Fletcher had the opportunity to make a really fun uplifting bi/pan anthem for Pride Month but instead she went with 'coming out as being in a socially acceptable heteronormative relationship is so scary.' In response, some fans pushed back, arguing that the criticism was inherently biphobic, regardless of the excuses people offered for their outrage. @sapphic_idiot wrote: 'It's so f****d up that Fletcher who has always only ever identified as queer has had to apologize for being with a guy. Let her live 😭😭😭' @sadlyundrunk added: 'The biphobia Billie and Fletcher are experiencing this Pride Month is vile.' This isn't happening in isolation. JoJo Siwa recently faced similar backlash after appearing on Celebrity Big Brother UK and subsequently dating Chris Hughes. Formerly identifying as a lesbian, JoJo now identifies as queer and attracted to all genders. Her sapphic fans weren't thrilled, reading praise of her 'softer, feminine side' emerging in her relationship with Chris as a rebranding campaign that leaned into palatable heteronormativity. What might be a natural evolution of identity is instantly reinterpreted as marketing, strategy, or betrayal. And frankly, maybe it is a brand pivot. But how can anyone be surprised that JoJo's identity might be for sale when they so enthusiastically bought the old brand? If queerness is treated like a product, then of course the product will evolve to stay sellable. the biphobia directed at fletcher after she just dropped her new song is disgusting especially during pride month?? it's not cute — m☆rie (@iflukecouldtalk) June 5, 2025 fletcher had the opportunity to make a really fun uplifting bi/pan anthem for pride month but instead she went with 'coming out as being in a socially acceptable heteronormative relationship is so scary' — emma (@dykezadi) June 6, 2025 That's where capitalism comes in. In a world where identity is monetized, queerness is no longer simply lived; it's branded. The music, the merch, and the imagery are all sold to LGBTQ+ fans like rainbow water bottles at a corporate Pride booth. And once identity becomes product, any deviation is treated like a brand malfunction. 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That's harder to market, harder to rally around, and much harder to convert into merch. As @seatt1edina put it: 'IDGAF if Fletcher has a BF but making a song where she is so 'scared' of telling people she's dating a MAN????????' accompanied by a meme of a woman cringing. But doesn't the backlash prove Fletcher's fear was valid? If she'd joyfully announced her relationship, would she really have been met with celebration – or just a different flavor of disdain? @poet_department's post – 'Fletcher kissing a boy and releasing the song during Pride Month is homophobic' – might sound absurd, but it captures how deeply brand logic has saturated queer discourse. When your queerness is your market niche, any shift feels like a PR stunt, not a personal truth. Capitalism doesn't know what to do with nuance. It wants stories that are clear, identities that are fixed, and artists who behave like products. 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It's what you get when you make something as personal as sexuality your whole brand, and Fletcher should have seen it coming. And yet, underlying all of this fan reaction is a deeper fear that shouldn't be dismissed: With the rise of fascism and the rollback of LGBTQ+ rights, are some queer women gravitating toward hetero-presenting relationships for safety, consciously or not? Is queer visibility shrinking again, right when we were promised liberation? Still, the backlash Fletcher faces reveals more about us than about her. We've been trained to see queerness not as a lived truth, but as something to buy into or opt out of, and in a system where queerness is monetised, fluidity will always be read as betrayal. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. 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