Billie Eilish glows at Paris' Eiffel Tower after confirming romance with new boyfriend Nat Wolff
Billie Eilish sported a healthy glow that could have lit up the Eiffel Tower after she dined atop the iconic attraction in Paris on Tuesday night.
The 23-year-old singer–songwriter was spotted after her dinner with friends as she descended the tower and captured the magical moment on a Canon Powershot camera.
She grinned ear to ear after she finally confirmed her romance with the actor Nat Wolff when they were spotted kissing in Venice.
Just months earlier, the two were said to be 'just friends,' as Billie was allegedly 'much more interested in women right now.'
Earlier on Tuesday, an insider revealed to DailyMail.com how Billie and Nat's new relationship had been a 'long time coming.'
Billie didn't change up her standard style when she was with her new beau, and it was mostly unchanged for her adventure in Paris shortly after they spent time together in Italy.
The hitmaker covered up in a black zip-up hoodie that appeared to be part of her own merchandise, which she wore over a thin navy sweater with an attached white button-up collar.
She made it clear she wasn't afraid of self-promotion by wearing a pair of baggy black athletic shorts with a red-and-white 'B' and 'E' — her initials —over each thigh.
Billie, who currently sported long raven hair after a stint as a blonde, also wore black stockings with long black socks decorated with teal stripes and silver beads.
She completed the muted ensemble with black-and-green trainers that were spiced up with burgundy laces.
She and her friends all had cameras or phones out to snap photos to capture the City of Lights in all its glory.
The Grammy-winning artist newly confirmed romance comes after she and Nat were the subject of intense speculation from fans.
The feted musical artist and The Consultant actor were seen kissing on a balcony during an outing in Venice this weekend in images published by Deux Moi.
The nine-time Grammy winner was seen snapping selfies with her new beau as she donned a striped green polo shirt with her black locks down.
The Wildflower singer beamed as she spent time with her new paramour, who has appeared in movies such as 2014's The Fault in Our Stars and 2015's Paper Towns. He also has a musical background as a composer and musician.
Daily Mail has reached out to reps for both parties for further comment.
The two showed off even more PDA when they were seen taking a boat ride around the tourist destination in photos obtained by DailyMail.com.
Wolff wore a white T-shirt as he enjoyed the summer weekend with the songstress, as they toasted with glasses of champagne.
'The couple were locked in a passionate kiss on a balcony, a scene straight out of a romance novel,' a report Deux Moi read.
'Adding to the dreamy atmosphere, they were seen sipping champagne and soaking up the Italian sun, clearly enjoying a romantic European getaway,' it added.
In images snapped in Italy, both appeared to be in great moods as their romance appeared to be going in a more public direction.
The confirmation of the romance comes nearly one year after the released video for her single Chihiro, which featured Wolff as her love interest.
Eilish, who directed the music video, described the relationship between their characters in the video as an 'inescapable connection.'
The track was the second single from her album Hit Me Hard and Soft, coming on the heels of her first release from the record, Lunch.
The Los Angeles native said in a news release that she had 'envisioned a dream-like narrative' for the music video.
In the music video, they make their way out of the building and into a grassy field, where they playfully wrestle and eventually embrace one another.
The idea behind the interaction between the characters, according to Eilish, was the 'external expression of an internal push and pull, as our deepest feelings of fear, love, or desire inevitably catch up to us, no matter how hard we try to run away.'
On Spotify, the song has been played more than 852 million times over the past year.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Sun
an hour ago
- The Sun
Brits bump into real-life namesakes of Taylor Swift, David Beckham and Beyoncé
TAYLOR Swift, David Beckham and Beyoncé are some of the celebrity namesakes Brits have met in real life. A poll of 2,000 adults found meeting someone with the same name as a famous face certainly leaves a mark – with 48 per cent saying it makes that person instantly more memorable. 7 7 7 7 Some have rubbed shoulders with celebrity namesakes such as James Martin, Ian Wright and Martin Lewis. While other common names include global superstars like Emma Watson, Tom Cruise and even Jennifer Lopez. It also emerged 56 per cent would never forget someone with a celebrity name, while 29 per cent reckon it's a great conversation starter. The research was commissioned to launch Blue Light Card's new ticketing platform, which gives the community free tickets to the most exclusive events from concerts to football finals, to say thank you for their service. To mark the occasion, five Mrs Carter namesakes who work across the NHS, social care, the police and the Armed Forces, have been treated to a VIP experience at Beyoncé's Cowboy Carter concert in London – complete with glamorous makeovers and paparazzi-style photoshoot. One was Mrs Addy Carter, from Colchester, who has been a military medic for over five years and spoke about the most rewarding part of her job: 'As a medic in the Armed Forces, I get to help people every day and can be deployed overseas to assist with humanitarian aid at a moment's notice. 'Being able to support people with injuries - to make them feel safe and cared for - makes me so happy and proud of what I do. 'Wherever I'm based, I know I'm making a difference. As part of my work, I also see the incredible effort of NHS staff, which really inspires me. 'I've had so much fun meeting some other inspiring Mrs Carters from different industries and hearing about what they do. 'We got glitz and glammed and treated like superstars for a night at the Cowboy Carter Tour to celebrate the launch of Blue Light Tickets.' Watch Beyonce and mini-me Blue Ivy's incredible Christmas Day showcase as Jay-Z's daughter joined mum in country dance According to the study, if they were to meet someone with a celebrity name, 17 per cent admit they wouldn't be able to resist asking about it – and it helps 25 per cent break the ice instantly. It also emerged 13 per cent of those polled share a first or last name with an A-lister, according to the figures. For 70 per cent of these, it's regularly mentioned in conversation, and 23 per cent find the encounters amusing. Tarun Gidoomal, CCO for Blue Light Card, said 'Our community are superstars. 'While one Mrs Carter entertains a stadium, ours continue to serve the nation and whether that's saving lives or supporting their communities, they show up day in, day out. 'Our members told us that they struggle to access live music, with queueing systems and ticket drops clashing with shift patterns. 'For so many in our community, live events are more than just entertainment, it's that let-your-hair-down feeling after a string of long days and demanding shifts.' TOP 20 CELEB NAMESAKES BRITS HAVE ENOUNTERED IN REAL LIFE: Here is a list of the top 20 celeb namesakes Brits have met in real life: 1. James Martin 2. Ian Wright 3. Martin Lewis 4. Emma Watson 5. Taylor Swift 6. Beyoncé 7. David Beckham 8. Ruth Jones 9. Robbie Williams 10. Jamie Oliver 11. Jennifer Lopez 12. Tom Cruise 13. Ed Sheeran 14. George Michael 15. John Lennon 16. James May 17. Katy Perry 18. Paul McCartney 19. Angelina Jolie 20. Stephen Graham 7 7 7
The Guardian
2 hours ago
- The Guardian
Haim: I Quit review – the messiest breakup album of recent times, in every sense
Haim's 2013 breakthrough single The Wire was a swaggering, high-spirited breakup anthem. The slick, twanging pop-rock was correctly identified at the time by Portishead's Geoff Barrow as echoing the oeuvre of Shania Twain (though this wasn't the sick burn he thought it was), over which the LA trio copped to commitment phobia, communication issues and having their heads turned, before skipping into the California sunset with their hearts intact. Well, to commandeer the title of Haim's debut album: those days are very much gone. I Quit, the sisters' fourth album, still has plenty of breakup songs, but these are no cheerful odes to dumping dudes in your 20s. Instead, the record fixates on the bitter end of a deeply flawed long-term relationship; at least some of these songs are informed by the love lost between lead vocalist Danielle Haim and Ariel Rechtshaid, the garlanded producer who worked on all three of the band's previous albums (I Quit is instead helmed by Danielle, Rostam Batmanglij and Buddy Ross). The mood is not desolate – the narrator instigated the split – but it is searching and pained. The ex is portrayed as careless and manipulative, and punches are not pulled ('I swear you wouldn't care if I was covered in blood lying dead on the street'). There are many references to setting oneself free, reflected in the – perhaps too on-the-nose – sample of George Michael's Freedom! '90, which is woven through the opening track, Gone. The idea of Haim sampling George Michael is more fun in theory than in practice: Gone is initially characterised by a low, flat vocal melody and sludgy instrumentation that manages to strip all euphoria from its co-opted 'freedom!' refrain. But then a guitar solo that recalls the White Stripes in their pomp arrives, before this newfound garage-bluesiness is merged with Freedom! '90's bedrock rhythm. It's a Frankenstein's monster of a song, but a belatedly brilliant one. On Haim's last album, 2020's Women in Music Pt III, the sisters expanded on the perky and sometimes airless rock of their first two records to great acclaim. Gone hints at even more experimentation this time round, so it is disappointing to encounter the wan, plodding country-pop of All Over Me. But hold tight for track three, the absurdly delightful Relationships, which incorporates 80s bombast, the hyper-melodic, pitch-climbing toplines of 90s R&B and a valley-girl-ish take on old-school rap. It is the best pop song they've ever made. I Quit peaks, spectacularly, here. The rest of the album's 15 tracks range from fiercely good and instantly replayable to somewhat bland and instantly forgettable. Haim have long been likened to Fleetwood Mac – a comparison Stevie Nicks recently endorsed, telling GQ that collaborating with the trio was 'like coming home'. Yet in lieu of that band's intangible magic and mystery, Haim are undoubtedly best when they add something new to the 70s soft-rock mix, which comes in fits and starts. Slipping into sprechgesang, as on the droll nostalgia-fest Take Me Back, always feels like a wise move, a chance to lean into the sisters' GSOH, so obvious in interviews but less so in their actual songs. See also: Million Years, which employs a manic breakbeat and gloopy synths to wicked, bubbly effect; and the near-nu metal of Now It's Time's punchy, synthetic beat, buzzing guitars and whooshing production. I Quit is sonically scattershot, but gratifyingly consistent in one regard. Over its considerable runtime, Haim rake repeatedly over the same heartbreak to construct a candid, complex portrait of a woman working hard to psychologically liberate herself from a relationship, laying out obvious toxicity ('an innocent mistake turns into 17 days', of conflict, presumably) and harm ('you really fucked with my confidence'), while entertaining the notion that maybe all relationships are like this: 'Is it just the shit our parents did? And had to live with it.' As a process, it's messy, a bit like this album. But ultimately worthwhile, also a bit like this album. Mark William Lewis – Tomorrow Is PerfectThe zeitgeist-lassoing film and TV studio A24 is sidestepping into music and Londoner Lewis is their first signing. The exquisite Tomorrow Is Perfect is like early Coldplay by way of the Durutti Column.
The Sun
2 hours ago
- The Sun
Sabrina Carpenter accused of ‘glorifying paedophilia' & ‘acting like Andrew Tate's tradwife' after album cover gaffe
SABRINA Carpenter has quickly become the Queen of Pop, but her new album cover has sparked backlash from fans. The 26-year-old has always been known for pushing the limit, from sexual innuendos in her lyrics to striking suggestive poses while on tour, but fans say her new album cover has gone too far. 8 8 8 Sharing the image of her new album cover, titled Man's Best Friend, on Instagram, Sabrina can be seen on all fours while a man dressed in black slacks — whose face is not visible — pulls her blonde hair. The new album will be released in August and comes after Sabrina, who is worth over £8 million, won Best Pop Vocal Album and Best Pop Solo Performance at the Grammys earlier this year. While she's often been praised for daring to show her sexual side, the new artwork has seen her be slammed for appealing to the male gaze and objectifying women. 'Tradwife' & 'Paedophilia' Furious fans took over the Instagram post to share their thoughts, with one writing: "I get she's going for transgressive, but this is the opposite of transgressive in this era," before concluding, "She looks dumb." "Pathetic. WTF is she thinking?" said another, while a third quipped: "Dumpster humanity." "Album cover setting feminism back 100 years," another penned, while a fourth chimed in: "How to use violence against women as a bad buzz to make money, disgusting strategy." A fourth added: "I get she's going for transgressive, but this is the opposite of transgressive in this era," before concluding, "She looks dumb." But it seems eagle-eyed fans and critics are not that surprised by Sabrina's latest stunt. Many have claimed the pop star has taken inspiration from the controversial film Lolita in recent years. The film is based on the book by Vladimir Nabokov and explores the 'relationship' between a paedophile and a 12-year-old girl who becomes his stepdaughter while he abuses her. Many have claimed Sabrina has copied scenes from the film multiple times and 'glorified paedophilia'. One image of the blonde for W magazine shows her lying in the garden with a tiny sundress on, getting soaked by a sprinkler, much like the garden scene from Lolita. 8 8 Sabrina Carpenter strips down to her bra and underwear for a bath with PIGS as she announces new album 8 Others have said the new cover photo of her upcoming album also reminds them of the film. One took to TikTok saying: "The new Sabrina Carpenter photoshoot made me sick to my stomach because it reminds me of that scene in Lolita and now I'm seeing the comparison, it might have been the inspiration." "She's been Lolitaing for a year a half no one noticed til now??" wrote one viewer. But it's not just her racy images that have got her in trouble in the past. Low key giving normalizing pedophilia and it's not the first time. X User A clip of her supporting Taylor Swift at the Eras Tour in Mexico saw her describe herself as looking like a little girl before making an innuendo about sex. In the outro to her hit song Nonsense, she said: "I'm full grown but I look like a niña (little girl). "Come put something neat in my casita (small house)." Fans took to X to say they were uncomfortable with the lyrics with one saying: "Ooooo idk bout that one. The implications certainly aren't great, to say the least." Another wrote: "She could want 'something big' in her 'casita' all she wants, it's the 'I look like a niña' part that doesn't sit well." "Low key giving normalizing paedophilia and it's not the first time I get this vibes from her. I mean, look at whole image is so off-putting," a third added. Sabrina Carptenter's Rise to Fame SABRINA Carpenter's first role was as the lead in the Disney Channel series Girl Meets World. Between 2014 and 2017, she appeared in over 70 episodes. She also signed with the Disney-owned Hollywood Records and released her debut single, Can't Blame a Girl for Trying, in 2014. After four albums, she moved to Island Records in 2021. Her fifth album, Emails I Can't Send (2022), had her hit singles Nonsense and Feather. Around that time, Sabrina started to gain notoriety in the UK. She opened for Taylor Swift at the Eras Tour in 2023 and then achieved wider commercial success with her sixth album Short n' Sweet, which was released earlier this year. Number one singles from the album include Espresso and Please Please Please. Missed the Mark? Last week, the blonde bombshell released the lead single from the upcoming album, titled Manchild. It quickly made its way to the top spot on both the Spotify U.S. and Global charts. 8 8 While many have criticised the new album cover, others have defended the pop star and said there's a deeper meaning behind the seemingly submissive image and album title. Britton Rae, a novelist and poet said Sabrina was using a 'bait and switch' move to promote her album, and everyone was falling for it. She said: "If you find this to be controversial, misogynistic, or offensive to women, then congratulations, you are giving Sabrina the reaction she intended to get. "What Sabrina Carpenter is doing is absolutely genius." The bait and switch technique means enticing people in with one idea (or drawing criticism like Sabrina has done,) only for it to be something totally different when it's fully presented She continued: "I think it's going to be a story about her recognising that she has been doing this to herself due to the pressure of societal norms. "I think this album is a bait and switch. She is baiting the public to get all riled up, thinking that she is making herself Man's Best Friend, making herself more palatable to men. "Really she is just simply personifying how society already sees and views and pressures women into becoming. I think this album is going to tell the story of her recognizing that she has fallen victim to this societal norm as well." If Sabrina's previous albums and lyrics are anything to go by, we're sure this album isn't going to be about her love for men or wanting to be submissive to one like the imagery alludes to. The newest song, Manchild, is all about men being incompetent and not treating women right, and her fans are excited to hear the rest of the album. One wrote: "This album feels like it's gonna be a GIANT middle finger to men and I am thrilled for it." "Immediately when I saw this cover I thought 'she's saying that men treat women like dogs, like we are sub-human to them' and I was shocked to see the amount of people that didn't think the same thing," said another.
