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Jessica Alba's new romance with Top Gun's Danny Ramirez 'takes a surprising turn' as they enjoy date night
Jessica Alba's new romance with Top Gun's Danny Ramirez 'takes a surprising turn' as they enjoy date night

Daily Mail​

time10 hours ago

  • Entertainment
  • Daily Mail​

Jessica Alba's new romance with Top Gun's Danny Ramirez 'takes a surprising turn' as they enjoy date night

She may have been embracing life as a single woman following the end of her marriage earlier this year, but Jessica Alba's love life has recently taken a shocking twist. In new photos obtained exclusively by the actress was spotted enjoying dinner with new boyfriend Danny Ramirez at the Italian restaurant Alba in Los Angeles on Wednesday evening. Jessica sat in the passenger's seat as her boyfriend maneuvered the car out of the area, his eyes focused on the road. And neither could keep themselves from smiling as they made their exit. While the relationship reportedly began as a casual one for the actress, these new photos indicate the romance may be on the way to becoming something significant. And an insider told that the relationship does appear to be headed in that direction - however the star isn't keen to rush things. The source said: 'Jessica's romance with Danny has taken a surprising turn. What started out as a summer fling feels like it's getting more serious, although she still wants to take things slow. But at the end of the day Jessica has never been one to play the field. She's excited to see where this romance is headed.' Jessica Alba was spotted enjoying dinner with new boyfriend Danny Ramirez in Los Angeles The smile showed just how much fun she's having with Danny

‘The History of Sound' Trailer: Paul Mescal and Josh O'Connor Fall in Love Over Folk Music
‘The History of Sound' Trailer: Paul Mescal and Josh O'Connor Fall in Love Over Folk Music

Yahoo

time10 hours ago

  • Entertainment
  • Yahoo

‘The History of Sound' Trailer: Paul Mescal and Josh O'Connor Fall in Love Over Folk Music

Two of the indie film world's favorite young actors will share the screen this fall in what many are already clocking as an award season contender to watch. Oliver Hermanus' 'The History of Sound' made waves at Cannes for its sensitive portrayal of a love affair between Paul Mescal and Josh O'Connor. The film was acquired by MUBI, which will roll the film out theatrically in September as the Oscar race begins to take shape. More from IndieWire 'Train Dreams' Teaser: Joel Edgerton Stars in a Time-Spanning Denis Johnson Adaptation Don't Let Anything Spoil Summer's Funniest Rom-Com - Even This Interview The film begins in 1917, where budding, preternaturally gifted musician Lionel (Mescal) first meets David (O'Connor) at the Boston Conservatory, where they bond over their shared love of folk music. They reconnect years later when David asks Lionel to join him on an impromptu journey through New England to collect traditional folk songs. That journey paves the way for a romance — set against the music they're preserving — that will change the course of Lionel's life. 'The History of Sound' received positive reviews at Cannes, with IndieWire's Ryan Lattanzio writing that 'The false notes are rare in director Oliver Hermanus' affecting and dustily textured romance 'The History of Sound,' written by Ben Shattuck from his own short story about men in love, together and apart, circa World War I and its aftermath. But for a queer love story starring two of the hottest, of-this-moment leading actors around — Paul Mescal and Josh O'Connor— 'The History of Sound' almost perversely denies your expectations of what a gay romance could be.' The film's willingness to defy expectations extends to its approach to sex scenes, opting to tell a softer love story without explicit intimacy. Speaking to IndieWire at Cannes, Mescal said he appreciated that approach and thinks it benefits the story. 'I've done my fair share of sex scenes, I'm like, 'been there, done that,'' Mescal said. 'What feels slightly different about this from [other] romantic relationships onscreen, I would say in the hierarchy of their relationship, physical touch isn't the priority. It's intellectual stimulation, it's friendship. Not that they're not physically attracted to each other; they very much are, but their chemistry is born from this shared love of these folk songs, and it extends from there.' A MUBI release, 'The History of Sound' opens in theaters on Friday, September 12. Watch the trailer below. Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie Nicolas Winding Refn's Favorite Films: 37 Movies the Director Wants You to See

Love Island's Lauren reveals ‘real reason' why she took Harrison back after secret scene was CUT from TV
Love Island's Lauren reveals ‘real reason' why she took Harrison back after secret scene was CUT from TV

The Sun

time11 hours ago

  • Entertainment
  • The Sun

Love Island's Lauren reveals ‘real reason' why she took Harrison back after secret scene was CUT from TV

LAUREN Wood has explained why she decided to take back Harrison Solomon after his antics in the Love Island villa. The dumped islander has gone "official" with Harrison since quitting the show, with the pair even talking about moving in together after just a few short weeks. 6 6 6 But the start of their romance was far from easy, with Harrison quitting the show after entangling himself in a love triangle with Lauren and Toni Laites. Backing and forthing between the two women ultimately caused Harrison to decide to exit the series early, shortly after Lauren was dumped and she begged him to go with her. With them both now on the outside, the pair have decided to give things a go - though talking on Love Island's Morning After podcast, it seemed there was more to their reunion than met the eye. "Leaving made me realise I want to be with Harrison," she told hosts Amy Hart and Max Balegde: . "The last few days leading up to me leaving, I'd cried every single day and said I just want to go home. "I didn't want to be there, and they just said, 'give it a go with Ty. Give it a go with Ty'. I couldn't forget about Harrison. Like, as much as he's hurt me, I felt like deep down I knew that things were going to work out and we were meant to be." Speaking about his previous behaviour, Lauren said: "Obviously I was upset and angry with him for his actions. "We'd said a couple of things for the days that we were meant to be staying away from each other. "I feel like we still give each other the little looks. Then on the night that I left, he kept saying are you okay? You okay? "And after few days of not saying a lot, I said to him I miss you, and I knew that we were going to have a chat." "Then obviously, I had that chat with him, and I feel like, for the viewers, they all just thought, 'Why is she asking him to leave with him when they've not even made up?'" she added. Watch moment Love Island's Harrison takes savage swipe at villa couple and says there's 'no chance' they will win "But we'd briefly had a conversation, and he'd said he was wanting to close things off with me." "I asked him out of emotion. I probably shouldn't have asked him that, because it was a big thing to ask, but at the time, I just thought, I want him to leave with me, I want to be with him. I want to make it work." "As much as he'd hurt me, I was willing to try and move forward and forget the past, because he's made a mistake," she concluded. "We all make mistakes. I just think he made a pretty big mistake, but I do think like he did that out of emotion, and he knows he shouldn't have done that." Her comments come shortly after Lauren said she felt Harrison had proved himself in her eyes when it came to romance. "It did affect the trust, him doing what he's done, but I do think, genuinely, him doing that and seeing how much upset he caused made him realise he needs to communicate better," she said. "He can't do things like that, and I do think deep down, he never meant to hurt anyone. He just got lost in his feelings and acted in a wrong way and made a silly mistake." "I think him leaving the villa showed me everything I needed to know," she concluded. "You're not gonna leave the villa if you're not sure of someone, and I think that showed me everything." 6 6 6

My advice to people who want to write a romance novel? Don't get dumped before you finish it
My advice to people who want to write a romance novel? Don't get dumped before you finish it

The Guardian

time11 hours ago

  • Entertainment
  • The Guardian

My advice to people who want to write a romance novel? Don't get dumped before you finish it

There is one incredibly important way that the shiny romantic comedy genre differs from the cold and grimy indignities of reality, and it explains the global love affair (pun sadly intended) with the form: the happy ever after. It's obviously not the only difference between reality and romcoms – for example, romantic comedies seem to believe that most women run failed cupcake bakeries, that you can fall in love with someone you hate with a fiery passion, and that most people keep their bras on during sex – but the happy ever after is the defining contrast. For those unfamiliar, the 'happy ever after' is the defining trope of romance narratives over books, TV and film, which posits the insane ideal that once the movie's (brief) romantic conflict has been resolved, the couple in question will be in love together, forever. It's also implied that such is the transformative power of that love, that most of their other problems (failed cupcake bakery, family farm being sold, gangrenous leg) fade into the background as a result. The happy ever after is given to us in a climactic and usually iconic scene that often involves running: Billy Crystal sprinting through the streets of New York to declare his love for Meg Ryan before the ball drops, Hugh Grant driving down one-way London streets to interrupt the press conference to declare his love for Julia Roberts, Jennifer Aniston inexplicably getting off the plane for David Schwimmer. These scenes have to be huge and dramatic because they have to make us believe that love has overcome all obstacles. It's this certainty that makes romance narratives so compelling – in an uncertain hell-world, at least we can disappear into a make-believe universe where we know love will always triumph. In the real world, obviously love does exist – but we don't get the comforting finality of the credits, which tell us that, for these characters, they will be happily in love forever. We get all the uncertainty of being a disgusting real person who needs antibiotics for their rotting leg wound and a prenup. All the best romantic comedies have a big happy ever after ending – which is why it was so annoying when the only thing left to write in my romcom was the climactic ending, and I got unceremoniously broken up with, out of the blue. There's nothing like having your belongings put into storage, sleeping on your mum and dad's couch and applying for one-bedroom apartments for you and your dog to really make you believe that not only is a happy ever after a myth but that love might actually be a lie. There's a unique humiliation in jumping on a Zoom call with your publisher and explaining that you can't meet your delivery deadline because you're too heartbroken to write the scene that's meant to encapsulate the feeling of being in love. There's nothing like accidentally writing a happy every after scene so unintentionally depressing that you briefly consider rewriting the rest of the novel to become a sad literary tale about Irish teens who never learned how to be happy and enjoy having emotionally ambiguous sex. It's one thing to break my heart, but making me miss my deadlines is unforgivable. I didn't like this limitation I'd discovered in myself – after all, an author's job is to imagine things, so surely I could imagine the idea of being in love, even if I didn't feel or believe in it any more. Literary fiction authors use their imagination to invent a world where it isn't weird for university lecturers to date their students all the time! Sport memoir writers imagine a world where people care about cricket, and cookbook authors like to imagine that people read all the stuff before the recipe. Fantasy authors imagine things that don't exist all the time too – dragons, magic, a world before the invention of toilets that doesn't stink and suck – so surely I could use the awesome powers of my creativity to imagine two boys falling in love and having a climactic smooch? But unfortunately, I found myself stuck on the precipice of an imaginary happy ever after, bitterly wishing I'd written another book about old people solving quaint village murders instead. Ultimately what helped me write my happy ever after was the same delusion that helped me recover from heartbreak and go out and fall head over heels in love again: turning my rock bottom breakup depression into a necessary part of the narrative. When I realised that you can't get a happy ever after in a romance book without earning it first through trial and pain. You need to have your rock bottom scene for there to even be a romcom in the first place – Bridget Jones drunk and crashing out about being 'old' and alone in her apartment – before she can have her big moment of snogging Mr Darcy in the street with no pants on. Instead of bashing my head against my final scene, I went back and rewrote the beginning of the book, where my character was sad and alone and hopeless – this time with added feeling. That made me remember what fuels our love of a happy ever after romance story – it's the hope that this moment of sadness will one day end and everything will work out again. All I needed to do was remember that to write a good end to my book, only a little bit late. The gangrenous leg will heal. In order to justify that big climactic moment of happiness, we had to go through the sadness first – a good lesson for anyone writing a romance book, or recovering from a heartbreak. Patrick Lenton is a writer. His novel, In Spite of You, comes out 1 August 2025

Trouble for fan favourite Love Island couple as villa girl gets flirty with returning bombshell
Trouble for fan favourite Love Island couple as villa girl gets flirty with returning bombshell

The Sun

time12 hours ago

  • Entertainment
  • The Sun

Trouble for fan favourite Love Island couple as villa girl gets flirty with returning bombshell

LOVE Island's Yas Pettet and Jamie Rhodes look like they may be in trouble – as she flirts heavily with returning hunk, Blu Chegini. Blu originally only lasted three days in the villa, but made a shocking return on Wednesday's episode by returning alongside Megan Forte Clarke. 6 6 6 The two quickly whisked Conor Phillips and Angel Swift off on dates, but on tonight's episode it seems that Blu's attention has turned to Yas, and she seems more than happy with the attention. In tonight's episode, Yas – who is currently coupled up with Jamie – engages in flirty banter with Blu when he pulls her for a chat. Soon their talk switches to their shared romantic tension, with Yas telling them: 'I was interested to meet you because I feel like you are a good looking boy and we're kind of similar in a sense. You have this sexual energy and so do I.' 'I like it when you stick it on,' he responds. 'You can stick on me for sure.' He later offers to give Yas a 'little tour' of his mum's sex shop in Marbella – talking through the kinds of toys that are sold there. The chat does not go unnoticed by Jamie, who finds himself trying not to rise to the bait. Shakira comes to his aid, urging him not to read into it… but is he right to be worried? Yasmin seems to have her own troubles emerging as the saga between her, Harry and Helena continues. While Harry appeared to choose Helena by closing things off between them, it seems he still holds a candle for Shakira. Laying her feelings out for him, Shakira tells Harry: 'I still felt very strongly towards you… Watch moment Love Island's Harrison takes savage swipe at villa couple and says there's 'no chance' they will win "I just don't think that I really dealt with the situation how I should have dealt with it and maybe haven't processed things properly, and you and Helena being exclusive may have resurfaced things.' Trying to see if she's ok, Harry later tells her: 'I know it looks like I've moved on very quickly but I don't want you to ever think that it was one sided, you'll probably disagree, but I felt it and like I say I haven't processed it and have tried to just get on with things.' Love Island continues tonight at 9pm on ITV2. 6 6 6

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