Pike Place staple Virginia Inn closing after more than 100 years
The Virginia Inn, the restaurant and bar at Pike Place that opened in 1903, announced it will be closing on Sunday, April 27.
In a post on Facebook, the restaurant said its lease was terminated because of failed negotiations with the landlord.
"We are Pike Place's oldest institution; older than Pike Place itself. We have seen this city grow and change all around us. We have survived through Prohibition, the Great Depression, the Great Recession, the COVID pandemic, and many other events in between," the restaurant posted on Facebook.
The post highlights that the Virginia Inn, or 'V.I.' as regulars call it, became one of the first art bars in Seattle in the 1980s and was featured in the 1992 grunge movie 'Singles.'
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
37 minutes ago
- Yahoo
Global internet artist-activist Blcksmth goes viral with Detroit art installation
Michael Schneider has gone viral yet again – this time, direct from Detroit. Known around the world by his internet handle Blcksmth, he is known for his whimsical, witty and thought-provoking typographical art that writes out both fun and profound quotes using balloons, flowers, leaves and/or LED lights. Commanding nearly a million followers on Instagram, almost every post he makes goes around the internet like a lightning bolt; if you've been on any major social media platform in the last few years, you've seen his work. Schneider's most recent work was done right in the heart of the Motor City during his first visit, and he confessed to the Free Press that he's fallen in love with Detroit. He was brought to town to create several installations around the campus of The Summit, a four-day event that convened business executives, major arts and music figures, and some of the most celebrated thinkers of the day to connect, collect and collaborate. One display he created here, a Campus Martius flower installation reading 'If being hard on yourself worked, it would have worked by now,' has racked up more than 23,000 Instagram likes since it was posted on Friday, June 7. He became so enamored with Detroit that he also created two different video montages chronicling his experiences in the city. Schneider, 51, first went viral in 2018 – before the balloons and flowers – with his 'Box Wine Boyfriend' series. 'I'd had a bad breakup,' he explained, 'and so I constructed a replacement boyfriend out of the boxes of wine that I used to self-medicate after the breakup. And we posted in all these different scenarios that I would fictionally do with my boyfriend. So we were grocery shopping together, and reading the paper in bed together, and it was just a silly, ridiculous series but it was actually pretty fun to do.' The following year came the balloon messages, which blew up during the 2020 Covid lockdown when celebrities began sharing his images. 'I love typographic art,' he said, 'and so it's always been fun to just play with words and quote art. My friend Johnny says, 'One day, I lived in a world without seeing balloons on a wall. And then I saw balloons on a wall, and then I never saw anything else.' 'So I'm sorry if they are a constant presence on your social media feed,' he added with a laugh. As the United States moved deeper into the pandemic era and the first Donald Trump presidency, Blcksmth's posts notably began drifting into themes of social activism and self-empowerment. Now, it's a regular occurrence to see posts with such phrases as 'You still haven't met all of the people who are going to love you' (a sign he recreated while in Detroit) or 'PBS didn't become 'woke,' you grew up to be a bad person.' The pinned post on Schneider's Instagram page reads, "When a clown moves into a palace, he doesn't become a king, the palace becomes a circus,' and he has also created signs that directly refer to Trump. 'My lean into activism was inevitable,' he said. 'As a queer, half-Mexican descent artist, my very life is political. That bled into my art, and quote artworks are so powerful to convey succinct messages. Unfortunately, they can also be interpreted differently by a great many people, but I feel like I have an obligation and a mission to amplify voices and words that would maybe not necessarily be amplified as much. My favorite thing is to collaborate with other artists and activists in communities that aren't seen as much as I am.' More: Detroit's 'best art show in 50 years' closing soon at Carr Center See also: Theaters, arts organizations across Michigan facing crisis after Trump's NEA cuts He initially worried that taking a political stance at this uncertain moment in American history would close a lot of doors for him. Instead, he found the opposite to be true. 'At the beginning of this year,' he said, 'I was facing a very difficult decision, because I knew that I would book less jobs if I still remained politically outspoken. For a few weeks, I did even archive a great number of my politically oriented posts to make my social media presence appear more universal and more neutral. 'And when the week of the inauguration hit, I was gripping my phone in my hand tightly, and I was like, 'F that. I'm not going to do that.' And I unarchived all of those, and then I did a post that directly addressed the inauguration.' The trade-off? Schneider quickly booked three jobs in a row. 'I intend to let my audience – who is, for the most part, aligned with my values – know where they should shop and where they should put their money, that they are worth people putting their money towards them and giving them their business,' he said. 'I had no preconceived notions of Detroit when Summit invited me out here, and since I have been here, I have been really, really charmed by the history of the city, a lot of the buildings. I find parallels between Detroit and Portland, honestly. I feel like they both have a really thriving art scene. Half of the people who have come up to approach me and say hi are artists! 'I went to the Eastern Market to do an installation, and there's an endless supply of colorful walls and murals that I could overlay my balloons on, so it was hard to pick one. And, again, everybody is so friendly, it also feels similar to Portland. I think both cities are coming from difficult recent pasts, and there's a sort of spirit of optimism in the air and hope for a brighter future. And, you know, anytime you visit a new city as a tourist, it's going to roll out the red carpet for you, and you're always going to find yourself being like, 'I could live here.' This is a great city, but I really do feel that about Detroit.' To follow Blcksmth and see more of his work, go to This article originally appeared on Detroit Free Press: An internet superstar fell in love with Detroit and went viral here
Yahoo
an hour ago
- Yahoo
‘Eddington' Trailer: Joaquin Phoenix Gets Into Standoff With Pedro Pascal In A24's Covid-Era Western From Filmmaker Ari Aster
A24 has unveiled the first full-length trailer for Eddington, its latest film from Hereditary helmer Ari Aster, which is slated to hit theaters July 18 after premiering at the Cannes Film Festival. Starring Joaquin Phoenix and Pedro Pascal, the genre-bender is set during the Covid-19 pandemic, watching as a standoff between a small-town sheriff (Phoenix) and mayor (Pascal) sparks a powder keg as neighbor is pitted against neighbor in Eddington, N.M. More from Deadline Everything We Know About Ari Aster's 'Eddington' So Far Pedro Pascal Says That With 'Eddington' Ari Aster Wrote A Movie That's 'All Our Worst Fears' In Post-Covid Political Era Emily Mortimer Taps Alison Oliver & Yura Borisov To Lead 'Dennis,' Her Feature Directorial Debut For A24 & Fruit Tree For Aster, Eddington marked a reunion with Phoenix on the heels of his last film, the dark A24 comedy Beau Is Afraid. He directed from his own script, with Luke Grimes, Deirdre O'Connell, Micheal Ward, Austin Butler, and Emma Stone rounding out the cast. Eddington drew a nearly seven-minute standing ovation in its launch at Cannes, where Deadline's Damon Wise praised Aster for being 'willing to go there' with his satire of modern-day America and all its challenges — 'a slice of history that we have yet to see properly shown on film, even though it happened only five years ago.' The film is financed and produced by A24. Aster produced alongside Lars Knudsen under their Square Peg Banner. Watch the trailer for Eddington at the link above. [youtube Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds A Full Timeline Of Blake Lively & Justin Baldoni's 'It Ends With Us' Feud In Court, Online & In The Media Where To Watch All The 'John Wick' Movies: Streamers That Have All Four Films
Yahoo
an hour ago
- Yahoo
‘Arcane' Showrunner Christian Linke On Exploring Character Relationships & Artistic 'Extremes' For Season 2
It may have been quite a wait for fans of Arcane in between seasons, mostly due to difficulties from the COVID-19 pandemic, but the level of detail in animation and storytelling that earned the series an Emmy was not something that could be rushed. Showrunner Christian Linke says that even though the team was met with setbacks initially, there was still a drive to go into more 'extremes' creatively for the final season. Arcane focuses on the story between two sisters Vi (Hailee Steinfeld) and Jinx (Ella Purnell), who soon become embroiled in a conflict within their utopian society. Season 2 begins with the sisters on opposite sides of the conflict and, though other stories happen around them, Linke says the sisters' relationship was always at the heart of the plot. More from Deadline David Harbour On Feeling Relieved Over 'Stranger Things' Ending: "You're Having To Play A Lot Of The Same Beat" 'Nobody Wants This', 'Monsters' & 'Forever' Teams On Showing LA On Screen - Netflix FYSEE 'Ginny & Georgia' Season 3 Debuts At No. 1 On Netflix TV Charts, Boosting Entire Series Back Into Top 10 DEADLINE: Coming into season 2, knowing that this was going to be the last one, was there anything specific that you wanted to tell or enhance from the first season? CHRISTIAN LINKE: Yeah, I think a lot of the character arcs that we set up, we felt like we needed to see the end of them. It's really about the relationships between characters. You have the brotherhood between Viktor and Jayce and you have the sisterhood between Vi and Jinx. That's really at the heart of it. There's a lot of stories that are happening with different characters, but really at the heart, those were the most important ones. The question since the very beginning was can Vi and Jinx ever be sisters again? For Jayce and Viktor, the question really was what happens when you lose sight of your dream and you get seduced by power and other people and what they're trying to turn your dream into, and can you find your way back to that core dream? I think on the larger scale of the story, those were the ones we really had to dive into and answer. DEADLINE: I know is not generally known as a story-driven game, what was it about these specific characters that made you want to tell their story? LINKE: Primarily, it starts with the gut feeling of Jinx and Vi are just fucking cool. They were just cool, there was attitude and they also weren't the typical fantasy video game characters. There was just something else about them and I think they just added really interesting questions. As players, we played these characters for many years and always wondered what happened between them as sisters. That's a great story to explore. For Jayce and Viktor, there was always this question of what if these two people work together on this technology and they come from these different angles. One from a bit more utopian, like reach for the skies, which is Jayce. Like a brighter, better tomorrow. And Viktor is much more grounded around the fact that there are people like me who have broken bodies, broken souls, and we can fix them. It's a different approach and when the technology becomes reality, you're going to go in different ways. So, I think there was just always these differences that felt like it was a great promise for a story and that's just what inspired us trying to explore it. DEADLINE: What was the process of making the story accessible for people who have never played the game, while still keeping true to the characters that people know? LINKE: On one hand there was the character story, which had to be universal. Just this question of these two sisters who need to overcome trauma before they can connect with anybody. Then comes the fighting and their abilities, as these are very capable, potent warriors, so we had to make sure that feels accurate to the players. When we think about in the game, if you play Vi and there's a fight, you're going in first and you'll probably not make it out alive. Jinx needs to keep it distant. She always fights from afar, and if you ever get to her, she's toast. But if she can keep the distance long enough, then she will absolutely wreck you. So, we know that from the meta and from the behavior of our players, and that's what we also took into Arcane and really tried to make it so that this feels accurate. There were different levels of authenticity that we had to just respect to make sure we get it right. DEADLINE: Can you talk a little bit about the style of animation for this season? LINKE: I think so much of season one was just proving that we can do it. Season two, we had more confidence to say, okay, let's go crazy. If we have an inspiration for doing something bold and different, let's do it. Because season one, until it's out, it's just a theory. Are people going to like it? We don't know. Season two had bolder directions with some scenes and artistic directions that we probably just didn't feel comfortable doing during season one, like what we did with Viktor toward the end of season two. It gets pretty surreal and abstract and impressionistic and it's pushed pretty far. I think that came from a place of artistic inspiration that strays more. For sure with Warwick, we had some straight up horror in certain scenes, so I think going more into the extremes is something that we wanted to do. Best of Deadline List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds A Full Timeline Of Blake Lively & Justin Baldoni's 'It Ends With Us' Feud In Court, Online & In The Media
