
Cats, dogs, meerkats, goats: Interpets trade fair draws furry hordes
For the Interpets trade show, held this year from June 19 to 21, Kansai-area pet owners brought their rabbits, goats and even a meerkat or two to taste wares and try out new products from some of Japan's largest pet supply businesses.
Inside the Intex Osaka convention center, 300 exhibitors showed off mostly new preparations of pet foods to assembled attendees, but cutting-edge products and live events also drew attention. Owners tucked their pets into walk-in showers and dryers for individual animals, while professional groomers raced against a clock and each other to perfect new styles on volunteer (or volunteered) pets.
One such walk-in drier from South Korea-based Spacepet was particularly popular, with models in yellow, orange and white large enough to fit most cats and dogs around the size of toy poodles or Shiba inu (no such luck for Siberian husky owners like myself).
The Intex Osaka convention center hosted the Interpets trade fair from June 19 to 21. |
SHAWN B. SWINGER
However, food was the main draw of Interpets. Aside from free samples of raw meat and jerky readily snapped up by hungry pets, a smorgasbord of conventional pet food was on offer alongside a swath of exhibitors selling organic sustenance, some like Okayama Prefecture-based Inaka no Ippin Honpo included animal products (deer ears, rabbit feet and emu eggs, to name a few) — that they claimed were hunted and processed by themselves.
When all the excitement grew too much, there were 'manner corners' where animals could freely relieve themselves. Of the hundreds of dogs, cats and other animals witnessed, The Japan Times can report that no interspecies skirmishes occurred.
Kumiko and Toshiko Suji, residents of Kyoto, attended Interpets with their pet goat, Mucca Ducati. Mucca (Italian for 'cow') is terrified of dogs, Kumiko said, so she had to wait in the convention center's food court with Mucca while she and her partner took turns perusing the booths to bring back treats. Kumiko was particularly interested in what kind of rabbit food was on sale, since she said that is Mucca's favorite.
Mucca the goat's Kyoto-based owners brought her to Interpets so she would have a chance to try new food directly. |
SHAWN B. SWINGER
'Mucca is very special to us, and we just want to give her the best life,' Kumiko said.
The Sujis live in Kyoto but made the two-hour drive out to Osaka so that Mucca, who has her own Instagram page, can taste food and give her approval in real time.
An Osaka resident, Tanue (he declined to provide his last name) brought his four dogs to the trade show: a Shetland sheepdog, two pit bulls and a Siberian husky, all of them under two years old. Tanue said he wants his dogs to have the best quality meat sourced directly from hunters, and the standout of the event for him was the booth from the online merchant FooDog selling food products from hunted deer.
Tanue brought his four dogs to the Interpets convention, where he said he was on the hunt for 'the best' food products on offer. |
SHAWN B. SWINGER
The FooDog had brought three Doberman pinschers to munch on deer bones as a show of how much dogs would love their wares (indeed, these Dobermans were so calm that they barely gave any notice to the thousands of people and other dogs who walked inches away from them).
'My dogs deserve the best,' Tanue said of attending Interpets, 'so we came to give them the best.'

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Japan Times
2 hours ago
- Japan Times
From far and wide, overseas visitors flock to Fuji Rock
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Japan Times
2 hours ago
- Japan Times
Fuji Rock's weekend of surprises was one of its best yet
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Yamashita's set became the centerpiece of this year's Fuji Rock Festival, held in Niigata Prefecture's Naeba Ski Resort from July 25 to 27, and the mammoth crowd underscored just how busy the festival grounds were all weekend. The line for the shuttle bus from Echigo-Yuzawa Station to the grounds took upward of 90 minutes to get through, while long queues for food stalls often seemed to move at a glacial pace. Tatsuro Yamashita's Fuji Rock set included performances of 'Sparkle,' 'Silent Screamer' and 'Plastic Love,' delighting the packed crowd. | Junichiro Nomi Thousands of people crammed together to see Tatsuro Yamashita, one of Japan's most celebrated artists, make his Fuji Rock debut at the main Green Stage on Saturday night. | Johan Brooks Based on figures provided by organizer Smash, this year's event attracted a total of 122,000 visitors, including the Thursday night kick-off. That's a significant increase from last year's 96,000. 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Moved by Radwimps' forceful performance, the audience turned on and waved their smartphone lights, giving the Green Stage field an ethereal glow | Johan Brooks Saturday headliner Vulpeck faced a greater challenge. Going on after Yamashita, the weekend's biggest draw, must have been daunting. Still, the band offered a complementary set, getting the crowd up on their feet and hooting only an hour after belting out Yamashita's 'Ride On Time.' The nonstop upbeat energy could be a little much at times, but mostly offered up lots of fun that kept the positive mood flowing. The combination of a big Japanese name leading into a rising foreign one seems like a sustainable headliner model for the future (though finding a Yamashita-like figure every year might be a challenge). It didn't quite work Sunday, though, as Vampire Weekend's performance came off as ho-hum, save for lead singer Ezra Koenig busting out a sax — the instrument of the Green Stage this year — for one song. Their set may have suffered from following Radwimps, who delivered a particularly forceful performance. Fuji Rock marked one of the band's first major shows since becoming a duo, following the departure of founding member Akira Kuwahara late last year. (Full disclosure: I have written English press materials for the band in the past.) Radwimps brought an extra jolt of energy to the Green Stage, with lead singer Yojiro Noda especially animated — screaming, emoting and fully throwing himself into the performance. The crowd added to the spectacle, waving smartphone lights that gave the entire field an ethereal glow. This year's Fuji Rock attracted a total of 122,000 visitors, a significant increase from last year's 96,000. | Johan Brooks Homegrown sound This year's Fuji Rock thrived thanks in part to Japanese acts who have helped spread the country's music internationally overseas in recent years, whether via anime tie-ups or algorithm-powered interest in city pop (a blend of 1970s and '80s funk, disco and fusion). Rock band Hitsujibungaku used lighting and visuals to make its Sunday night performance on the White Stage all the more evocative, while hip-hop duo Creepy Nuts relied on pure exuberance to get the Green Stage hopping to global hits such as 'Bling-Bang-Bang-Born' and 'Otonoke.' 'Eleven years ago, the two of us played Fuji Rock ... the Rookie A Go-Go stage,' the group's rapper R-Shitei said, referring to the festival's launchpad for emerging artists. 'Now, we've made it to the Green Stage!' Less globally known yet critically acclaimed acts also shined. The Red Marquee stage usually houses thunderous rock acts, which were well-represented in 2025 via domestic highlights such as Tjiros and kanekoayano. It also served as space, however, for singer-songwriter Ichiko Aoba to enchant her audience with a hushed acoustic performance Friday afternoon, using only her guitar, piano and voice to deliver a standout session. Creepy Nuts rapper R-Shitei reminded the Fuji Rock crowd at the main Green Stage that the hip-hop duo first performed at the festival on the Rookie A Go-Go stage 11 years ago. | Johan Brooks Far rowdier was Haru Nemuri at Gypsy Avalon Saturday afternoon. The genre-blurring artist walked on stage holding a flag that said 'No Racism,' a week after catching heat online for releasing a rap diss aimed at far-right political party Sanseito. Dashing around the field in the middle of a rainstorm, Nemuri gave one of the weekend's most politically charged performances, while also distributing more flags to the audience and, at one point, setting off a pink flare. Foreign flair and Fuji surprises Alongside all the Japanese acts, performers from abroad shined, too. Fuji Rock returnees Haim delivered a confident White Stage closer on Sunday night, while Swedish rockers The Hives returned to Fuji Rock after nearly two decades for a frantic set at the Red Marquee. Newer names made their mark, as well. New-York-based artist Mei Semones charmed the Red Marquee midday Sunday with a jazz-tinged set of rock, with the crowd shouting 'Mei-chan' constantly between tunes. U.K. rapper Little Simz — sporting a Samurai Japan soccer jersey with 'Simz' printed on the back — commanded the Green Stage later that day, getting everyone on the field to raise their hands to almost every song. Rock band Hitsujibungaku used lighting and visuals to make its Sunday night performance on the White Stage all the more evocative. | Johan Brooks The most emphatically received new foreign act was Argentinian duo Ca7riel & Paco Amoroso. Taking the Green Stage by storm on Saturday morning in oversized inflatable suits — part David Byrne, part Violet Beauregarde — the pair delivered a high-energy, EDM-dappled set, with their raunchy Spanish lyrics boldly translated into Japanese on the screen behind them. It was the rave of the weekend, leading to a second appearance late at night at the packed Crystal Palace stage. And yet, what really defined Fuji Rock 2025 as one of the strongest editions ever were the special moments, the sort of only-in-Naeba happenings that will be mentioned for years. Saturday, in particular, overflowed with surprise collaborations. Takeuchi's appearance during Yamashita's set — including her stint with the backing chorus for much of the show — was the night's biggest shock, but far from the only one. Japanese singer-songwriter Mei Ehara came out to join American performer Faye Webster for one song, prompting the most 'aw'-inspiring moment of the day when Webster rested her head on Ehara's shoulder while the latter sang. God-level mascot Kumamon joined kid-friendly group Keropons in the morning in what surely was the Takeuchi-Yamashita equivalent for the hundreds of children in attendance. South Korean music collective Balming Tiger wowed at the White Stage on Saturday. | Johan Brooks On Saturday, South Korea's Balming Tiger pulled off the biggest surprise. Back in 2023, the unpredictable rock-meets-rap-meets-pop whirlwind wowed at the Red Marquee. This time, the group took things to another level on the larger White Stage, bringing a louder sound, more flair and a bit of serendipity — during the climactic number 'Trust Yourself,'fat raindrops started falling, turning the mosh pit into a euphoric, rain-soaked frenzy. Even before the weather joined in, Balming Tiger's set was already shaping up to be a 2025 highlight — especially when the group brought out J-pop wildcards Atarashii Gakko!, catching the crowd completely off guard. The audience erupted as the two acts performed their collaborative single 'Narani Narani' live for the first time, complete with playful yet perfectly synchronized choreography. It was one of many standout moments during a weekend full of them, cementing this year's festival as one of the all-time greats.


Japan Times
2 hours ago
- Japan Times
A weekend in Naeba: Rain or shine, the fun never stopped at Fuji Rock '25
No matter what the weather throws at the Fuji Rock festivalgoers — from unexpected downpours to blazing heat — thousands of people come every year determined to soak up every bit of the experience. This year, one of the most unforgettable moments of the festival weekend for me came last Saturday afternoon, during South Korea's Balming Tiger set on the White Stage. I was dancing along with the crowd when the group launched into a high-energy rendition of 'Trust Yourself.' Then suddenly, the skies opened.