
Hard time
American author Wally Lamb asks this in his sixth novel, a heart-shattering saga about addiction, trauma, redemption and the healing power of relationships.
Heavy themes, but familiar ones for Lamb. He became a household name with his 1992 novel I Know This Much Is True, (made into a limited series by HBO in 2020 and available on Crave) which follows the story of identical twin brothers, one of whom develops paranoid schizophrenia.
Shana Sureck photo
Wally Lamb's latest was recently selected as the next read for Oprah's Book Club.
Lamb is known for his Dickensian-like storytelling — epic, winding stories, sharp criticism of social ills, plentiful references to topical events and deeply relatable characters.
The River Is Waiting contains all these elements.
The story opens in 2017 in Lamb's favourite setting: the fictional small-town of Three Rivers, Conn., where we meet 35-year-old Corby Ledbetter.
Corby thinks he's doing fine. He may have lost his job, but he'll find another one.
In the meantime, he's devoting himself to his beloved wife, Emily, and working as a stay-at-home dad to their two-year-old twins.
And even though he sneaks booze and sedatives to cope with his growing stress and depression, he knows he can quit when things get better.
As Corby says, 'I'm not too worried about my growing reliance on 'better living through chemistry.' It's just a stopgap until my situation turns around.'
Corby keeps telling himself this, even after the morning he takes a double dose of Ativan, chases it with Captain Morgan rum — and backs over his toddler son in the driveway, killing him.
Sentenced to prison, Corby finds unexpected fellowship with inmates, including an older mentor and a troubled young man desperately looking for a role model.
With the help of his new friends, a warm-hearted prison librarian and his mother's unconditional love, Corby begins to hope that he can conquer his demons, forgive himself and come back to his wife and daughter.
The River is Waiting
Like fellow American author Matthew Quick, best-known for his 2008 novel The Silver Linings Playbook, Lamb excels at creating characters that are lovable even when not likable.
Corby is genuinely grief-stricken and remorseful for killing his son. Most of the time, he seems honest and committed to conquering his addiction.
By letting Corby tell the story, readers can't help but sympathize with him and, at times, feel his frustration towards his wife when she refuses to visit, or his mother when she offers well-meaning but unhelpful advice.
At other times, Corby comes across as self-righteous, such as when he lashes out at his wife for being protective of their remaining child.
'No matter what's going to happen between Emily and me, I'll fight her tooth and nail if she's going to try to screw with my parental rights. I was a good dad before it happened. She knows that. Doesn't that count for anything?' Corby fumes to himself.
During his long career as a teacher and novelist, Lamb also taught creative writing to inmates at York Correctional Institute in Connecticut. He draws on his experience to authentically depict the interior of prison life.
Guards treat prisoners kindly or cruelly depending on whim, healing programs are limited or inaccessible, personal phone calls are monitored and inmates learn not to speak up for their own protection.
As Corby wryly notes, 'The only thing most of the staff is interested in 'correcting' is a new inmate's assumption that he might be something more than a worthless piece of s–t with a felony conviction and inmate number.'
Lamb also dives into the racial injustice of the legal system, with Corby noticing the segregation of inmates by race, and how inmates of colour typically receive longer sentences than white inmates, regardless of the nature of their offences.
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Silhouette of bird on shore of lake in Cove Island Park in USA.
As Corby realizes after speaking with an older Black inmate: 'For the death of my son, they gave me three years. Lester got 50 years because a judge's daughter lost an arm and, I'm guessing, because she was white.'
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Lamb touches on topical elements from 2017-2023, including Trump followers, economic downturns and the COVID-19 pandemic.
Several characters from Lamb's previous novels also make appearances, including psychologist Dr. Patel and nurse Maureen Quirk.
Lamb handles the narrative skilfully. While the plot drags at time, this serves to emphasize the monotony of day-to-day life in prison.
The River Is Waiting is worth the nine-year wait since Lamb's most recent novel.
Kathryne Cardwell is a writer in Treaty One Territory.
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