I took 3 kids and my 70-something mom to see 'Freakier Friday.' No one laughed harder than grandma.
This story contains spoilers. Don't say we didn't warn ya.
Hello, Yahoo readers. I'm Suzy Byrne, and I've been covering entertainment in this space for over a decade.
I'll be the first to tell you I'm no hardcore cinema buff. Since I had a child, though, I've made it a point to see as many kid-friendly movies as possible. Maybe it's because I'm a big kid ✔ and love a cheerful ending ✔. But also, as a busy working parent, getting two hours to turn off my phone, put up my feet and eat whatever I want while my child is fully entertained is the definition of movie magic.
So that's what this is — one entertainment reporter + her 10-year-old child + friends seeing family-friendly fare and replying all to you about the experience. Welcome to Kids' Movie Club.
Now playing:
The adults outnumbered the kids six to three for our family movie trip, which should clue you in that nostalgia was the real star of the Freaky Friday sequel.
That said, when we walked into the theater, someone in our group admitted, 'I don't think I even watched Freaky Friday' — and it turns out they weren't alone. Seeing the 2003 original definitely adds context, but our crew — which spanned three generations and two continents (my sister's family was visiting from Australia) — felt the sequel stood on its own just fine without revisiting its predecessor.
Jamie Lee Curtis stole the show, especially with my 70-something mom, who guffawed at every senior citizen joke like it was written for her. Lindsay Lohan was like a fast-forwarded version of her younger self; she had the same cadence, delivery and spark. The PG-rated movie isn't chasing Oscars, though; it's chasing laughs and delivers enough of them. With a mix of punchlines about aging and early 2000s nods, it knows exactly who it's playing to.
Maybe because it felt a little old school to the 10-year-olds among us, Freakier Friday was a harder sell to the kids than the other movies we've seen this summer. I had to promise to take them to Cat Video Fest first (yes, two hours of cat videos) in exchange for them seeing this. Apparently, they don't hold LiLo in their Y2K hearts the way I do.
The plot 🎬
Like in the first film, Freakier Friday has body-swap chaos, but this time it's not just two people in the mix, it's four: Tess (Curtis), her daughter Anna (Lohan), Anna's daughter Harper (Julia Butters) and Anna's soon-to-be stepdaughter Lily (Sophia Hammons).
Everyone in my group was confused trying to keep track of who was in whose body. We could have used some good old-fashioned Pop Up Video captions — 'Lily is in Tess's body' — just to stay on track.
Saturday Night Live alum Vanessa Bayer has a scene-stealing role in the magical mix-up. From there, most of the film is the four women working to undo the switcheroo while stepping into each other's very different lives.
Meanwhile, teens Harper and Lily are on a mission to sabotage Anna's wedding to Lily's dad Eric (Manny Jacinto), which adds another layer of chaos and comedy to the generational tension and family drama. But naturally, the heart of the film is about walking a mile in someone else's shoes — and learning something along the way.
Parts that had the kids talking 👧🏻👧🏻👦🏻
Again, the trio of cousins preferred the cat videos to Freakier Friday. After the movie, they were talking about cats. And none of them begged to watch Freaky Friday when we got home.
The real highlight for them? The snacks. And the mix-up. In what felt like our own Freakier Friday moment, our server kept bringing us food we hadn't ordered — and couldn't take back. A large popcorn somehow turned into three small ones. Three drinks multiplied to eight. The kids were giggling about it for half the movie. So if Madame Jen had a hand in that little magic trick, thanks.
Parts that had the adults talking 👩🏻👩🏻👱🏻♀️🙎🏻♂️👵🏻
Curtis could do no wrong. Whether the therapist turned author Tess was playing pickleball, shopping for senior care items, gushing about her love of Parcheesi or getting her lips plumped, she had us laughing.
It was all about the old-age jokes. When they first changed bodies, the zingers came fast: 'I'm bloody decomposing!' My 'butt is so high!' 'My face looks like a Birkin bag left out in the sun to rot.' What the film lacked in plot, it made up for in one-liners about adult diapers, Fixodent, toots, enemas and the giant letter virus that is older people using the oversize font setting on their iPhones, like grandma.
The parents weren't spared, either. There were jokes about Coldplay and John Mayer — what we grew up on — as being dated. Not to mention Facebook being a 'database of old people.' (Hold on while I delete my account.)
The women were the stars of the show, but the men held their own. Jacinto doing Dirty Dancing was a great moment. I also found myself staring at Chad Michael Murray's hair (he's back as Anna's ex, Jake) and wondered what he's doing to keep it so shiny. Meanwhile, Mark Harmon's return — with a full head of white hair — was shocking in the best way.
Of course, the movie had its tropes — the future stepsisters who hate each other, the dead mom and the very soap opera way Eric called off the wedding in a room full of people vs. a side conversation with Anna. But the confetti-filled, crowd-surfing reconciliation scene? I ate it up.
Dumb things I searched after the movie 💻
I don't surf. I don't live near the beach. But that didn't stop me from Googling how to get the floral wetsuit Lohan wore. (It's Cynthia Rowley. Yes, I still want it and, no, I don't need it.)
Stay for the credits? 🎞️
Yes, it's cute with a lot of funny outtakes, like Curtis biting into 34 donuts to get a scene just right. There's also some cheeky fourth-wall breaking.
Trailers 🎥
My daughter is counting down the days until Zootopia 2, but I also got, 'Can we see that?' for films targeting older audiences — A Big Bold Beautiful Journey and Regretting You.
It made me wonder: Are we aging out of the kids' movies? Maybe, but I hope we never outgrow watching them together, especially as a family.
Looking for more recs? Find your next watch on the Yahoo 100, our daily updating list of the most popular movies of the year.
Solve the daily Crossword
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
18 minutes ago
- Yahoo
Premier League Fan Fest coming to Kansas City in September 2025: How to get tickets, dates, details
We are delighted to announce that the Premier League Mornings Live Fan Fest is heading to Kansas City this fall. TICKETS — Click here to get tickets for Premier League Fan Fest in Kansas City Our crew are heading to KC in September 2025 for yet another incredible celebration of all things Premier League, presented by Barclays. This is the 11th Premier League Mornings Live Fan Fest after Chicago, Nashville, Orlando, Philadelphia, Los Angeles, Miami, Austin, Boston, New York City and Washington D.C. You can expect special guests galore, our crew on-site and plenty more as this Fan Fest takes place on the same weekend Liverpool host Everton, Chelsea head to Manchester United and Arsenal host Manchester City. Below are all of the Premier League Fan Fest details you need for Kansas City. Dates, location, tickets for Premier League Mornings Live Fan Fest in Kansas City When: September 20-21, 2025 (Saturday and Sunday)Where: Power and Light District, Kansas CityTickets: Click here to get tickets for Premier League Fan Fest
Yahoo
18 minutes ago
- Yahoo
Broadway Star Audra McDonald Said A Fan Followed Her Home Because They Thought They "Deserved" An Autograph, And People Are Scared For Her
Audra McDonald is reflecting on a "stalking" incident with a fan that left her uneasy. Audra is currently starring in the Broadway revival of the musical Gypsy, playing the notable role of Momma Rose at the Majestic Theatre. The show opened in December 2024 and will run until August 17, for 269 regular performances and 28 preview shows. She is the most decorated actor in Broadway history, while also making a name for herself on both the small and big screen in projects like Private Practice, The Good Fight, The Gilded Age, and Rustin, so it's safe to say she has a ton of supporters around the world. But what happens when a line is crossed in the name of support? Related: On Saturday, in a video shared to Instagram, Audra opened up about why she doesn't always use the stage door (an alternative exit/entrance that performers often use to leave/enter the building — fans often wait outside this door in hopes of meeting the performers). "There are a lot of reasons that performers don't do the stage door," Audra said. "There have been shows that I've done it and shows that I've not done it. But some of the reasons are: they're exhausted; some people have anxiety about doing stage door; some people are in a rush to catch trains so they can get home; and some people avoid the stage door because of health reasons." "And that's perfectly fair. Actors, as much as we would love to greet every single one of you after a show, sometimes we're just exhausted, and it's hard. There are a million reasons. And some people love to do it, and that's great. There have been shows when I've done it, but I have not been doing it in Gypsy for a myriad of reasons. The main ones have been because of health, exhaustion, and vocal health, and trying to conserve what little vocal energy I have so that I can get through the next show, and the next show, and the next show. So, I have not been doing the stage door." Audra added that when she can, she'll smile and wave, but most of the time she's just trying to get out of there. More importantly, Audra said she has a kid at home that she's trying to get back to — referring to her 8-year-old daughter Sally who she shares with her husband Will Swenson. Audra also has a 23-year-old daughter named Zoe from a previous marriage. But after leaving a show on Friday, she was forced into an extremely uncomfortable situation with a fan who had no regard for her boundaries and welfare, after they decided to follow Audra back to her temporary place of residence. Related: "Last night, someone, not only, I don't even know if they did the stage door or not, but they snuck around and found me the way I had exited from the theater last night and followed me all the way to where I was staying, came into the building, and was uncomfortably close." "Then, when I finally got some security to help me, their response was, 'Well, hey, I've come all the way — and they named some town, some city that they've come all the way from — and they wanted an autograph, and sort of deserve an autograph.' That is crossing a big old boundary, and I just want to call that out. That's a big no-no. That's now messing with my safety, and it's not right." She then sent a general message to fans about how to properly address and/or approach celebrities in the future: "When you see an actor leave the stage door, if they don't stop, leave them alone. There is a reason that they're not stopping, and it has nothing to do with you. It's them protecting their space and peace, whatever that may be, and if they do stop or wave or take a picture with you or sign an autograph, great, but please respect the proper boundaries." Her comments were filled with people acknowledging how scary that situation must've been, while also advocating for the right to privacy and respected boundaries: Related: The video eventually made its way to Reddit, where Redditors revealed that, unfortunately, in the Broadway community, this is nothing new: Iwoulddiefcftbatk commented, "How many people who 'stage door' would like a total stranger meeting them at their workplace at what is essentially the back door to say 'hi' to them or ask for a picture after clocking out of a shift? I don't care if they are actors, no one and I mean no one deserves to be harassed when they leave their job." They went on to say, "There are so many stories on the Broadway sub of unhinged 'stage-dooring' fan behavior where people will harass actors for blocks, even chasing them once they get into taxis, once they leave a theater after performing in a show. It's become so normalized that it's fine to swarm people leaving work just because you might have (not all 'stage doorers' do so) watched the show. It's so scary for all the staff and actors since it's getting worse. I'm glad Audra wasn't hurt, but there needs to be a hammer dropped on this since this is going to end badly for someone eventually." Related: joodee3 added, "Geez, I didn't know it was getting this bad. That truly sucks. I stage-doored when visiting Broadway a few years ago, and it was good vibes, but I know that's just an individual experience. That really sucks that the behavior is growing more prevalent. Yeah, if performers are feeling like things are getting too dangerous, then they should definitely do what makes them feel safe." LemonKurt said, "Broadway and theatre fans can be especially rabid. Something about the theatre space feeling smaller, the actors being less famous and having less media training and the direct access through stage doors etc. makes some people's parasocial relationships much more intense. So glad she's safe, but I feel like this entitled and scary behaviour happens way too often on Broadway and the West End." butterflyvision wrote: "This has happened to other performers this Broadway season as well. It's always been a problem, but it feels like post-COVID, the problems have really amped up. The obsessed, entitled fan culture is ruining things for everyone. I really hope shows stop doing stagedoor. I know she says she doesn't know if they were there or not, but it's getting SO dangerous." I'm glad everyone could see the danger in this situation and that no harm was brought to Audra. Everyone should remember that although we might feel like we know these celebrities or are big fans of their work, we're still not entitled to anything from even a greeting. Please be respectful. What are your thoughts on this? Watch her full video here, and share your comments with me. Also in Celebrity: Also in Celebrity: Also in Celebrity:
Yahoo
18 minutes ago
- Yahoo
'Weapons' tops North American box office for 2nd week
Buzzy horror film "Weapons" won the North American box office for a second week running with $25 million in ticket sales, industry estimates showed Sunday. The Warner Bros. movie starring Julia Garner ("Ozark") and Josh Brolin ("Avengers: Infinity War") tells the story of the mysterious disappearance of a group of children from the same school class. Analyst David A. Gross of Franchise Entertainment Research called it a "strong" week-two performance, especially in a quiet summer weekend at the movies in the United States and Canada. Holding in second place was Disney's "Freakier Friday" starring Lindsay Lohan and Jamie Lee Curtis, the much-anticipated sequel to the 2003 body-swapping family film, at $14.5 million, Exhibitor Relations said. Debuting in third place was Universal action sequel "Nobody 2," starring Bob Odenkirk of "Better Call Saul" fame, at $9.3 million. "Critics like this story about a workaholic assassin trying to take a vacation with his family while getting caught up in trouble. Reviews and audience scores are both very good," Gross said. "The Fantastic Four: First Steps," Disney's reboot of the Marvel Comics franchise, dropped to fourth place at $8.8 million. Pedro Pascal, Vanessa Kirby, Joseph Quinn and Emmy winner Ebon Moss-Bachrach star as the titular team of superheroes, who must save a retro-futuristic world from the evil Galactus. Universal's family-friendly animation sequel "The Bad Guys 2," about a squad of goofy animal criminals actually doing good in their rebranded lives, dropped to fifth, earning $7.5 million. Rounding out the top 10 were: "Superman" ($5.3 million) "The Naked Gun" ($4.8 million) "Jurassic World: Rebirth" ($2.9 million) "F1: The Movie" ($2.7 million) "Coolie" ($2.4 million) bur-sst/aha Solve the daily Crossword