Sabrina Carpenter Hitchhikes Through Mayhem in 'Manchild' Music Video: Watch
The post Sabrina Carpenter Hitchhikes Through Mayhem in 'Manchild' Music Video: Watch appeared first on Consequence.
Sabrina Carpenter has revealed the official music video for her new song, 'Manchild.'
Directed by Vania Heymann and Gal Muggia, the video takes place primarily on the road in the American west. It finds Carpenter hitchhiking and ending up in a variety of scenes and situations ranging from the mundane to the absurd, with dozens of different costumes and looks to match.
Get Sabrina Carpenter Tickets Here
Throughout, Carpenter ends up in (or around) multiple different vehicles (like a jetski-converted car, an electric mobile chair, a shopping cart sidecar, and a car with trees growing on top), shoots pool with a shotgun, runs with a puppy from gunfire, smokes a cigarette at a gas station while her driver douses himself in gasoline, hitches a ride by roller skating and grabbing onto a massive truck, takes a bubble path with two pigs, and gets in all sorts of crazy spats with the men she encounters on the road. When it ends, she ditches her ride, sticks her thumb back up, and grabs the next available vehicle. Watch the official video below.
Carpenter's 'Manchild' arrives as a standalone single after the deluxe release of her 2024 album Short n' Sweet arrived in February. The single is being pressed on a clear transparent 7-inch vinyl along with a B-side called 'inside of your head when you've just won an argument with a man.' She teased both the single and its music video earlier this week, posting a short clip of her hitchhiking with the caption, 'this one's about you!!'
Carpenter is also heading on tour this summer and fall, with headlining sets to come at Lollapalooza, Austin City Limits, and this weekend's Primavera Sound. Get tickets to see Sabrina Carpenter here.
Popular Posts
Sabrina Carpenter Announces New Single "Manchild"
King of the Hill Revival Gets Hulu Release Date, New Opening Sequence
Jack White Celebrates Trump and Elon Musk's Breakup: "More Popcorn Gruppenfuehrer!"
Jonathan Joss, Voice of John Redcorn on King of the Hill, Shot and Killed by Neighbor
T-Pain Announces 20th Anniversary US Tour
King of the Hill Voice Actor Jonathan Joss Was Victim of Hate Crime, Husband Says
Subscribe to Consequence's email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Forbes
6 minutes ago
- Forbes
Hulu's ‘Predator: Killer Of Killers' Lands Predator's Best Critic Score Ever
Predator: Killer of Killers Hulu seems to have developed a hobby in making amazing Predator movies that don't go anywhere near theaters. First it was Prey in 2022, now it's Predator: Killer of Killers from the same director, Dan Trachtenberg. This time around, Killer of Killers is animated, but that has unleashed the series to make an exceptional entry without spending $200 million on VFX. Rather, it's just gorgeously animated and written, and guess what? It's reviewed better than every single other movie in the series. Here's the full list, and how it stacks up: Predator Killer of Killers I mean, I know the Alien vs. Predator movies weren't good, but wow, those scores. I am also firmly okay with Trachtenberg's Killer of Killers and Prey being the top two rated Predator movies as I mean, they are the two best movie. I know it's hard to say that over the classic original, but I am willing to overlook nostalgia to examine which are literally better movies. And those two are. Killer of Killers follows three warriors from different periods in history set against different Predator variants, using the tools of their time to take them on before a larger-scale conflict that will merge all the stories. The fight scenes are absolutely insane, and the mini-stories that lead up to the end are fantastic. My only complaint is that I wish the last act was a bit longer. Prey I did like Prey better, personally. Killer of Killers very much does feel like that film in the sense that it's going through history and imagining different Predator battles past its modern day setting. But both are excellent. There is further good news here. Trachtenberg is also directing Predator: Badlands, which is out November 7, 2025, and will star Elle Fanning and is set on the Predators' homeworld. Fanning will play a Weyland-Yutani android, crossing over to the Alien universe yet again. It also will feature Dimitrius Schuster-Koloamatangi as Dek, an outcast from his species and a good guy rather than bad. Clearly, this is Trachtenberg's lane. It's hard to imagine that Badlands will not deliver, given what we've seen here. Go and watch Predator: Killer of Killers on Hulu right now if you disagree. Follow me on Twitter, YouTube, Bluesky and Instagram. Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.
Forbes
43 minutes ago
- Forbes
Metallica's Smash Brings The Band To A Milestone For The First Time
Metallica's catalog is filled with the kind of rock smashes any band would be lucky to claim. The Grammy-winning group has produced more hits than most acts could ever dream of – especially in the hard rock space – but when it comes to pure purchases by American listeners, one title stands out above the rest. 'Enter Sandman' is a bestseller yet again in the United States. The track currently appears on a trio of Billboard rankings dedicated purely to sales, and this frame is especially notable for the tune. Metallica's timeless cut lifts one spot on the Rock Digital Song Sales chart, earning its one-hundredth stay on the list of the bestselling rock-only tracks in the country. The track is so massively popular that it has spent more time on the tally than Metallica's other 13 charting successes combined. The group's second-longest running entry is 'Master of Puppets,' which so far has managed just seven appearances on the list. While 'Enter Sandman' is easily Metallica's longest-charting release on the Rock Digital Song Sales roster, it doesn't stand as the band's highest-peaking. Both 'Master of Puppets' and 'Lux Æterna' peaked at No. 2 in 2022. 'Enter Sandman,' meanwhile, stalled at No. 3 in 2021 and has yet to surge any higher. Metallica is one of just three acts on the 15-spot Rock Digital Song Sales chart at the moment that claims a more-than-100-week winner. 'Enter Sandman' joins 'The Sound of Silence' by Disturbed (329 weeks) and 'Thunderstruck' by AC/DC, which this frame reaches 520 turns — exactly a decade — on the list. 'Enter Sandman' may be rising slightly on the Rock Digital Song Sales chart, but that's actually the American tally where it performs the worst. It appears at No. 3 on the Hard Rock Streaming Songs roster, and the tune also dips slightly to No. 5 on the Hard Rock Digital Song Sales list.
CNET
2 hours ago
- CNET
You Probably Hate This Masterpiece Sci-Fi Show. Here's Why You Need to Rewatch It in 2025
You may be thinking, "Really, Macy? You're going to the mat over a show that came out over 20 years ago?" Well, yes. Because it simply isn't given the respect it deserves. Like many Americans, my family and I loved our nights huddled around the TV to watch our favorite TV shows live. For us, that meant American Idol, Dexter and, of course, ABC's network hit, Lost. There's a good chance you watched Lost in the early 2000s, too. And there's an even better chance you think it got bad. Or you have some sort of perspective that it started strong but went off the rails after the first three seasons. Somewhere along the way -- maybe when the flash-sideways began, or when a smoke monster turned into a man, or when you realized there wasn't going to be a clear-cut answer to every mystery -- you bailed. Maybe you saw the finale and thought it ruined the whole show. (More on that later.) I watched Lost when I was a kid, but hadn't revisited it for close to a decade. Until it came to streaming services, first Hulu and now Netflix and Disney Plus. One day, I decided to replay the pilot episode and, well, it transformed me into the person writing this 1,500-word defense. I binged the show and then immediately turned around and binged it again. I'm truly mad at myself for wasting so much time thinking this show was a disappointment. In truth, it's a glorious, ambitious near-masterpiece. It's my favorite show. That's why I'm writing this. I'm here to ask you to do something radical: Rewatch Lost in 2025. Yes, all of it. And this time, go in with fresh eyes -- see it not as a weekly network drama, but as a serialized, character-driven odyssey that, along with The Sopranos and Mad Men, paved the way for the prestige genre TV we obsess over now. Because the truth is, Lost wasn't a failure. It was just ahead of its time. Here's why. It's time to go back to the island for a 2025 rewatch. ABC's Lost Looking for more streaming recommendations? You should also watch my favorite movie, a historical drama packed with modern themes, for free now. No, the ending is not what you think The last thing I want to do is spoil the ending of a show I'm trying to get you to rewatch. But I feel like I need to address this early since one of the main reasons audiences ultimately turned on the show was a misconception about the ending. I'll tell you right now, spoilers be damned. They. Were. Not. All. Dead. The. Whole. Time. The idea that the characters were really all dead the whole series and that the island was just a purgatory-like state is completely untrue. It's been debunked by the creators of the show, the actors who starred in the show and the dialogue in the series finale itself. A twist ending like that -- revealing they had all died in the plane crash right at the start -- would be a horrible one. It would retroactively reduce the entire plot of the show to meaningless, empty nothingness. So, thankfully, that's not how it actually ended. Now, you can just enjoy the show knowing that it all matters. The cinematography of Lost is some of the best ever put to television. ABC's Lost TV in 2004 didn't look like Lost When Lost premiered in 2004, there was nothing like it on network television. A lush, cinematic sci-fi mystery shot on 35mm film, with a massive ensemble cast of mostly unknown actors and an evolving mythology? On ABC, of all places? In the era of CSI, Desperate Housewives, and the dozens of other cop shows and formulaic TV, Lost was a risk. Lost is a sci-fi show (I think a lot of people forget that) with horror and supernatural elements. It's serialized, meaning you must see each episode to understand the next one, unlike so many shows that were airing on network TV at the time. The show follows a group of drastically different people who have just survived a plane crash on a remote, tropical island that seems to harbor deep, dark mysteries. But each survivor has secrets of their own. And they must live together in order to survive. (I can vividly remember hearing protagonist Jack Shepard say, "If we don't learn to live together… we're gonna die alone.") These characters come together with their differences, their pasts (beautifully depicted in flashback scenes), their traumas, their hopes and their desires, to collectively navigate this horrible situation. What unfolds is six seasons of intense, heart-wrenching plot points that subvert expectations and are rich with themes of faith, spirituality, dualism, philosophy and the mystical. It's pretty normal for TV shows now to be cinematic. Shows like The Last of Us, Succession, Stranger Things and Severance all make use of big budgets, high-quality production, engrossing performances and teams of insanely talented writers. But Lost was doing that in 2004 on ABC, which means the showrunners were dealing with the many obstacles and restrictions of network television. For instance, the show's creators -- J.J. Abrams, Jeffrey Lieber and Damon Lindelof -- wanted Lost to only be three seasons, but ABC said no, and pushed them to do 10 seasons when they saw what a hit the show had become. They eventually negotiated down to the six seasons we have today. But that's twice the amount of runtime the original creators intended. Despite this, the writers crafted compelling story lines and introduced some of the most intriguing characters (Ben, Juliet, Jacob, Penny, Miles) into the later seasons. It's easy to forget that Lost was doing time jumps, shifting perspectives and emotional bottle episodes long before The Leftovers, Dark or Severance existed. It experimented with structure constantly: a flashback here, a flash-forward there, a time loop in season 5. Entire episodes would focus on side characters you hadn't seen in weeks. It was complicated, sure, but thrillingly so. The show trusted its audience to keep up, even when it was confusing. And yes, that led to frustration at the time, but trust me, it works much better now that Lost is on streaming services. It's a show that really should be binged, so that you can truly appreciate the nuance and hidden details of the writing. The things that made Lost so good at the time are why it hasn't been fully appreciated. It was simply ahead of its time. Small plot seeds would be introduced and then left unvisited for several episodes, making Lost a show that's perfect for binge-watching. ABC's Lost Lost indeed was a risk, but one that paid off in six seasons of wild, genre-bending storytelling and a gut-punch, emotional ending that will land as long as you give it another chance with an open mind. Read also: The 21 Best Sci-Fi TV Shows to Stream on Netflix It holds up in 2025 Part of what makes Lost such a rewarding rewatch in 2025 is that it doesn't feel dated. The series still looks and sounds incredible. Because it was filmed on 35mm, which can be upscaled and remastered. Plus, shot on-location in Hawaii, the series still looks gorgeous. Lost was shot on 35mm film, which means it can be upscaled and still look brand new 20 years later. ABC's Lost The performances of the 14 regularly recurring leads of the cast are absolutely brilliant, too. Even though this was a cast of mostly unknown actors at the time, they all, guest actors included, reached a caliber of performance that is still so rare to witness in a TV series. And the music is absolutely remarkable. Michael Giacchino (The Incredibles, Up, Coco, Inside Out) created what I think is the best TV score of all time for Lost. I mean, he used debris from the crashed plane from the pilot episode to create the unique, bizarre sounds you hear each episode. The score is a perfect fit for a unique storyline. More than anything else, Lost is a show that will make you feel. Lost is a show that is full of emotionally poignant moments. ABC's Lost Is every plotline perfect? No. Do the final seasons get a bit complex? Absolutely. But on balance, Lost is one of the most ambitious, strange, beautiful things ever put on television, and it is emotionally satisfying from start to finish. Lost opened the door for serialized sci-fi and genre storytelling on TV, especially character-first narratives with weird, metaphysical themes. What I'm saying is that without Lost, it's hard to imagine Severance, Stranger Things or other TV sci-fi faves. So if you haven't watched it since 2010 -- or if you've never watched it at all -- now's the time. The entire series is available to stream on Hulu, Netflix, Disney Plus and Prime Video for rent. Skip the Reddit threads. Forget the hot takes. Just hit play. And maybe, just maybe, you'll find that Lost didn't lose its way. We just didn't know how to watch it yet. For more, you can explore the 13 best sci-fi shows on Apple TV Plus and the 18 best sci-fi shows on Prime Video.
