
Sneak peek: $90M restored Carolina Theatre opening soon
After nearly 50 years, the historic Carolina Theatre in Uptown is set to reopen any day now.
Why it matters: No one has enjoyed the theatre since it shuttered in 1978. But soon — after more than a decade of planning and restoration — Foundation For The Carolinas will reopen it as a community-first, nonprofit theatre on the corner of North Tryon and East 6th Street.
The big picture: With 906 seats, Carolina Theatre will host speakers, comedy shows, films, plays, weddings and live music — think everything from the symphony to "Star Wars" screenings.
Catch up quick: The Foundation took ownership of the theatre in 2012 and began construction in 2017. The restoration proved complicated, with costs soaring to $90 million. A mix of public dollars and donors paid for the project.
From lead paint to contaminated water, crews kept uncovering surprises that prolonged construction. The impacts of COVID and permitting delays drew out the process as well.
What they're saying: "The attention to details makes it look like this," says Sean Seifert, Carolina Theatre executive. "It's worth the extra time and effort ... to get it right."
Although the theatre looks vintage, it's equipped with the latest technology, such as a projection system that wraps around the walls and state-of-the-art sound comparable to AMC.
"We like to say we're Charlotte's oldest, newest theatre," adds communications director Jared Misner.
Flashback: First opened in 1927, Carolina Theatre hosted legends such as Elvis Presley and "The Sound of Music" in its heyday. It has outlasted time in Charlotte — a city criticized for razing most of its history.
Zoom out: A 250-room InterContinental Hotel is planned for construction above the theatre, but the project stalled in 2020.
Australian investment firm Salter Brothers holds the rights for two more years to start construction. It did not respond to Axios' request for comment.
However, if construction were to begin now, the theatre would have to temporarily close again.
What's next: Charlotte Symphony Orchestra's spring gala on March 28 is one of the first performances coming to the new Carolina Theatre.
More events will be announced soon.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
6 hours ago
- Yahoo
Ryan Gosling's ‘Star Wars: Starfighter': Everything to know as Mia Goth takes on the Mikey Madison role
This is as close as we're going to get a Barbie-MaXXXine crossover. Mia Goth is joining the new Ryan Gosling-powered Star Wars installment, Starfighter, taking over the role originally offered Anora Oscar winner Mikey Madison. The casting coup is the latest scrap of news about the anticipated project, which will be helmed by Shawn Levy and which had its coming-out party at Star Wars Celebration in April 2025. Here's everything we know so far about Star Wars: Starfighter. More from GoldDerby Danya Taymor could make Tony Awards history with a win for 'John Proctor Is the Villain' How 'Severance' creates Lumon's 'manufactured perfection' through VFX 'Say Nothing' star Anthony Boyle on playing IRA activist Brendan Hughes: We 'get to the humanity as opposed to the mythology' The are scant details about the plot, other than it is a one-off installment that involves Ryan Gosling's character and his young companion being pursued by villainous forces. Levy says that Starfighter will cover new territory in franchise storytelling and won't feature any of the major characters from prior releases. 'This is a standalone. It's not a prequel, not sequel. It's a new adventure. It's set in a period of time that we haven't seen explored yet,' the filmmaker said. 'The reality is that this script is just so good. It has such a great story with great and original characters,' said Gosling. 'It's filled with so much heart and adventure, and there just really is not a more perfect filmmaker for this particular story than Shawn.' Starfighter the movie is not related to the 2001 video game of the same name from LucasArts that was set on the planet of Naboo during the time period of Star Wars: The Phantom Menace. Starfighter takes place about five years after the events of the last Star Wars feature, 2019's Rise of Skywalker. READ: Levy, a four-time Emmy nominee for Stranger Things and whose credits also include Deadpool & Wolverine, Free Guy and Night at the Museum, has been developing the project for the past three years with screenwriter Jonathan Tropper. The two previously collaborated on The Adam Project and This Is Where I Leave You. Gosling, a three-time Oscar nominee, was formally introduced as the lead at Star Wars Celebration after weeks of speculation. "That rumor is true," Levy said as he brought out his star to the stage to massive cheers. "The rumors are true." According to Variety, Mikey Madison was initially offered the female lead one of the baddies hunting down Gosling and his young sidekick. Madion reportedly turned down the role due to a pay dispute. It was confirmed that Mia Goth had accepted the role in June 2025. The news was initially reported by The InSneider. No other casting has been announced. Starfighter is slated to begin production in fall 2025 in England. Starfighter is scheduled to open May 28, 2027. Best of GoldDerby Stephen King movies: 14 greatest films ranked worst to best 'The Life of Chuck' cast reveal their favorite Stephen King works, including Mark Hamill's love of the 'terrifying' 'Pet Sematary' From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Click here to read the full article.


USA Today
9 hours ago
- USA Today
Logic explains how therapy and J.J. Abrams led to his directorial debut 'Paradise Records'
Logic explains how therapy and J.J. Abrams led to his directorial debut 'Paradise Records' Show Caption Hide Caption Logic makes directorial debut with 'Paradise Records' The Rapper Logic sat down with Ralphie Aversa to talk about his directorial debut in new semi-autobiographical film, 'Paradise Records.' NEW YORK – What do J.J. Abrams, Seth MacFarlane and Kevin Smith have in common? They all endorsed Logic, the multi-platinum hip hop star, in his application to join the Directors Guild of America. Now the artist, born Sir Robert Bryson Hall II, makes his directorial debut in the Tribeca Film Festival with "Paradise Records," a workplace comedy that pays homage to movies like Smith's 1994 cult classic "Clerks." It was a big undertaking for Logic: He wrote, directed and starred in the movie. But besides the literal co-signings from established names in film and television, Logic's journey from the stage to the silver screen wouldn't have been possible without a series of events that took place almost five years ago. In July 2020, at the height of his career and in the middle of the COVID-19 pandemic, the hip hop star decided to "retire" from music. Logic wanted to focus on his family. He also went to therapy. "It's been such an incredible internal and spiritual journey," Logic, 35, tells USA TODAY. "I've learned things like the power of no, literally just how to say 'no.' I used to not do that because I wanted to people-please." Through conversations with his therapist, Logic also came to the realization that he should stay off social media. The artist says he hasn't been on any network in "almost eight years." What started as a personal journey also turned into a professional revelation. Logic parted ways with Def Jam Records, the label on which he recorded seven albums with including the Grammy-nominated single, "1-800-273-8255." The artist now releases music independently and no, he wouldn't divulge a date for his tenth LP "Sidequest." After Smith cast Logic in his 2024 semi-autobiographical film "The 4:30 Movie," he urged Logic to pursue filmmaking. Smith also presented an offer: he would serve as executive producer, editor and reprise his role of Silent Bob alongside Jason Mewes' Jay. Logic stars in the film with his real life best friend, Tremayne Hudson. Other actors who make cameos include Ron Perlman, Rainn Wilson and Joseph Gordon-Levitt in addition to rapper Juicy J and comedian Donnell Rawlings. Logic's family, including his father, oldest son and wife Brittney also appear in the project. The artist credits his wife with supporting his latest endeavor. The advice he received from Abrams helped too. The "Star Wars" director reminded Logic that he's "literally making a movie," so the top priority should be to have fun. "(Abrams) said, 'The second thing is you're gonna have every (department) coming to you, all these people constantly asking you for stuff,'" Logic recalls. "'At times it's going to feel overwhelming. Never forget that you're a human being and you have the power to say, "Give me five minutes," walk around your set and figure it out.'" That's what Logic did whenever there was an issue, from an actor getting COVID to an equipment malfunction. He took a break, walked and figured it out. Turns out Abrams was right after all.
Yahoo
9 hours ago
- Yahoo
‘Andor' star Genevieve O'Reilly on her unlikely two-decade Mon Mothma journey: ‘I've closed the circle on her'
Andor actress Genevieve O'Reilly's Star Wars journey has been longer and more circuitous than most actors in the franchise, but what a payoff she received. The ethereal Rebel leader Mon Mothma was originally portrayed by actress Caroline Blakiston in Star Wars: Return of the Jedi. Though her appearance lasted less than 30 seconds, the character quickly became an iconic part of Star Wars lore. O'Reilly later stepped into the role in her 20s for Star Wars: Revenge of the Sith — a brief appearance as well, but one that laid the groundwork for her deeper involvement in the franchise later on. More from GoldDerby Tramell Tillman could make Emmy history as the first Black Best Drama Supporting Actor winner Kristen Kish dishes on Season 22 of 'Top Chef,' Emmys, and the show's global impact: 'It's all driven by the fans' Patricia Arquette's 'Severance' character talks like that because 'she thinks that's what power sounds like' Much to her surprise, O'Reilly returned to the franchise as Mon Mothma just over a decade later in a slightly more fleshed-out role for Rogue One: A Star Wars Story, accompanied by turns voicing the character for the animated series Star Wars Rebels. But those brief stints were just the amuse bouche for the gourmet feast that awaited the actress as Mon Mothma moved to the head of the table for Andor. The Chandrilan senator was given a sweeping backstory loaded with all the gravitas, sacrifice and subterfuge one could expect of an emerging Rebel hero; meanwhile O'Reilly was given her own epic opus as an actress. Attending an FYC event for the Disney+ series at the Writers Guild of America Theater in Beverly Hills, O'Reilly joined Gold Derby to reflect on her wildly unexpected two-decade tour of duty in the Rebellion (which has also continued forward in Ahsoka), including the challenging moments that tested her commitment as much as her character's. Lucasfilm/Disney Gold Derby: Is it too soon to lobby for a Mon Mothma series? From the end of this show to the end of , there's a lot of potential story still in there for her. Genevieve O'Reilly: I bet! Would you be excited if the right call came to pick this character up yet again? I mean, do you know what? It's been such a gift of a surprise for me to come back — and back — and Andor has been revelatory for me in regard to this woman. So, always! If we could go further, I don't know if that's possible because of what Andor has achieved, it's just extraordinary. But yes. You've participated in a lot of different projects. What did that mean to you to of be a part of what may be a whole new direction for a certain type of film or series? I can only speak from my perspective to the writing, to Tony [Gilroy] and all those writers and what they achieved, in regard to a depth of character, the depth of interaction. And I think something that Season 2 really achieved was by jumping that year every three episodes it allowed for a real specificity of character, a real specificity of this moment and who this is, which allowed for kind of big swings — swings of character. So that was really interesting to me, that you didn't have to carry the audience with you from one moment to the next. You could drop in and just reveal something quite different. Did you have any unanswered questions about Mon Mothma at the end of this, or are you pretty satisfied with what you do understand about her? I remember something when I started this so long ago, that there was something in Caroline Blakiston's performance [in Return of the Jedi] that I was really curious about, and what that pain was at the center of her. And I was always seeking that. And I feel like at the end of Andor I've kind of closed the circle on her. I understand her pain. I understand that personal trauma and that personal relationship to sacrifice the Rebellion much more. Tell me about when you got that very first call to pick up this character all those years ago, what your reaction was then? And now, when you're become truly the custodian of that character after all this time and really been the one who got to play the things that deepened her and filled out her mythology. Can you compare and contrast those moments? There're three big moments for me, actually. The first one was just getting that role when I was a very young actor and just being wide-eyed and just it was so extraordinary to step onto those sets and be a tiny part of that. The real interesting moment for me was when they called me to ask me to do Rogue One, because that was 10 years later. So much had happened in that time. They didn't have to ring. They didn't have to ask me, do you know what I mean? They kind of could have reached out to anyone at that point and that felt special. So I thought, 'OK, maybe I have something to offer here.' And then when Tony rang in regard to Andor, I mean he's such an extraordinary writer. He had such a vision for the piece and he really wanted to allow space for her to have a proper story, to have story time, narrative time, rather than just be an expositional force, which she was previously. What was the most challenging but perhaps the most gratifying day of work on for you? Yeah, that was the speech. Mon's speech. It took a day and it was extraordinary and that was so important to me. It was so important to me. I felt it was the fulcrum of who she is, really the center. I thought that everything else makes sense if she can land that, it was a real gift that he gave to me and trusted me with and, yeah, I brought everything I could to it. And I'm sure, too, the dance. The dance is her transition — now she's . There's blood in her hands at that point. And being able to release her physically was just everything, because it is a lens into character. And we'd never seen her move, we'd never really seen her outside of that calm that she has. So to be able to expose that trauma, that chaos, physically was so wonderful. Yeah, revelatory, I hope, for the audience, and also for me as an actor. Best of GoldDerby 'Say Nothing' star Anthony Boyle on playing IRA activist Brendan Hughes: We 'get to the humanity as opposed to the mythology' The Making of 'The Eyes of the World: From D-Day to VE Day': PBS variety special 'comes from the heart' From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Click here to read the full article.