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Chiefs heiress Gracie Hunt's mystery man revealed as son of ex-Super Bowl champion quarterback

Chiefs heiress Gracie Hunt's mystery man revealed as son of ex-Super Bowl champion quarterback

Daily Mail​24-05-2025

Chiefs heiress Gracie Hunt is dating the son of former Kansas City quarterback Trent Green, it has been revealed.
Gracie, the 26-year-old daughter of Chiefs owner Clark Hunt, has found love again after splitting from Patrick Mahomes ' old friend Cody Keith earlier this year.
After initially teasing her new beau last month, she then took the relationship public by sharing a photo of them together at the White House Correspondents' Dinner in Washington DC.
Though despite posting a number of pictures, the identity of Hunt's boyfriend was a mystery after she failed to either mention him in the caption or tag him.
Yet as revealed by The New York Post, the mystery man in question is Derek Green - the youngest son of ex-Chiefs passer Trent.
Trent spent six seasons with Kansas City at the back end of his NFL career, making 90 appearances and throwing 1,752 passes for 21,778 yards and 120 touchdowns.
During his previous stint with the formerly-named St. Louis Rams, the Iowa-born star was part of the team who won the Super Bowl in 2000, despite not actually featuring himself due to injury.
Son Derek attempted to follow in his footsteps by playing quarterback for SMU, a private university in Dallas, from 2018 to 2021, before he transferred to Long Island University in 2022. Gracie also attended SMU.
According to his LinkedIn, Hunt's new manworks as a sports operations manager in Kansas City.
Gracie has hard-launched their relationship over the past month, recently uploading several photos from a vacation together on Instagram.
'My heart is full,' she captioned the post. 'Grateful for some much-needed time to rest, reflect, and reset after a whirlwind few months post-football season.
'So thankful for time with the people who keep me grounded, remind me I'm loved, and never fail to make me laugh. Swipe for a few favorite snapshots from life lately.'
It is unclear exactly how they met, but at the beginning of the month Gracie revealed sparks first flew between them at Arrowhead Stadium when she shared a video on her Instagram story with her arms around a man at the home of the Chiefs.
In a heartfelt caption, she wrote: 'After meeting 7.5 years ago in this place... all along there was some invisible string.'
Gracie revealed she first met her new boyfriend at Arrowhead Stadium over seven years ago
The 26-year-old appeared to split with ex-boyfriend Cody Keith (pictured) earlier this year
That post all but confirmed her split with Keith as well after a couple of months on social media without mentioning him, as well as appearing to delete past pictures of him. Keith put his own Instagram page on private amid rumors of their breakup.
Opening up on her romance with Keith back in December, Hunt revealed that he had the stamp of approval from Mahomes.
'I love the Chiefs and I love football season. He grew up playing football and he and Patrick actually trained together out of college,' she told OutKick.
'They had a pre-existing friendship and it is just so funny how small the world is.
'They have been buddies this whole time, and it took him all this time to meet me.'
The nature of their split is unknown from there but when Hunt recently celebrated her birthday in March, there were no pictures of Keith - who works as a real estate broker.

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ADRIAN THRILLS: Brian Wilson was behind some of the greatest songs ever written: I've picked out the Beach Boys' top 12
ADRIAN THRILLS: Brian Wilson was behind some of the greatest songs ever written: I've picked out the Beach Boys' top 12

Daily Mail​

time16 minutes ago

  • Daily Mail​

ADRIAN THRILLS: Brian Wilson was behind some of the greatest songs ever written: I've picked out the Beach Boys' top 12

Beach Boy Brian Wilson, who died this week, was the musical pioneer who provided the soundtrack to summer. Whether singing the praises of California 's sun and surf or pushing the envelope with ambitious studio experiments, he was behind some of the greatest songs ever written. Music critic Adrian Thrills picks 12 of the best. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. Surfin' (1961) Cheaply recorded, and released on a small independent label after being written by Brian Wilson and his cousin Mike Love on rented musical equipment, The Beach Boys' first single set the template for a run of hits that used brilliant harmonies to reflect a youth culture of sun, surf, fast cars and romance. Surfin' USA (1963) Cashing in again on the surf craze that swept Southern California in the 1960s, Wilson took the tune of Chuck Berry's Sweet Little Sixteen and added his own lyrics. When I saw The Beach Boys sing Surfin' U.S.A. at London's Mermaid Theatre in 2012, you could practically hear the waves crashing on the beach. Fun, Fun, Fun (1964) Wilson's initial focus on surfing themes soon broadened to take in other topics, including hot-rod cars. There was another nod to Chuck Berry – via a guitar intro based on Johnny B. Goode – on this idyllic pop song about a girl who deceives her father so she can take his Ford Thunderbird for a spin. Don't Worry Baby (1964) Beneath the sun, sea and surf, a more melancholy strain to Wilson's writing emerged, and the yearning Don't Worry Baby is a case in point. With its stand-alone drum intro inspired by the Ronettes' Be My Baby, a song ostensibly about a hot-rod race became a study of Wilson's insecurities. California Girls (1965) Wilson called it 'a hymn to youth.' Mike Love thought the song's 23-second orchestral prelude was worthy of a symphony – and it was subsequently recorded by The Royal Philharmonic Orchestra. One of The Beach Boys' signature tunes, California Girls is one of the most blissful moments in pop. Wouldn't It Be Nice (1966) When making the classic Pet Sounds album, Brian Wilson aimed to deliver a record that would still sound good in ten years time. Almost six decades later, it remains a masterpiece. Opening track Wouldn't It Be Nice, about a couple deemed too young for a serious relationship, sets the ambitious tone. God Only Knows (1966) Given that Pet Sounds was conceived as The Beach Boys' response to The Beatles' Rubber Soul, it's fitting that Paul McCartney considers God Only Knows to be the finest pop song ever written. It was another of the LP's high points, its woodwind and French Horn parts worthy of a classical composer. I Just Wasn't Made For These Times (1966) Another Pet Sounds gem, and another indication of the sadness that lay behind the sunshine. An introspective song that chimes with the songwriter's personal travails, it paints a sensitive picture of an individual unsure of their place in the world. Caroline, No (1966) Originally released as Wilson's first solo single, Caroline, No went on to become the closing track on Pet Sounds. A song about the loss of innocence that comes with growing up, its reflections on a former girlfriend were enhanced by harpsichord, vibraphone and the sound of an empty water jug being used for percussion. Good Vibrations (1966) A complex 'pocket symphony' which took six months, four studios and an estimated 16,000 dollars to make (a considerable sum in 1966), Good Vibrations pushed pop's envelope further than anyone had before. Its shifts of mood and tempo ushered in a new era of musical experimentation. Heroes And Villains (1967) Aiming to take the daring of Good Vibrations one step further, Wilson's next move was to produce Heroes And Villains. Intended as the centrepiece of the shelved concept album Smile (which was finally released as a solo record in 2004), the song used Wild West themes as a metaphor for the music business. That's Why God Made The Radio (2012) There was a strong sense of nostalgia to The Beach Boys's 2012 comeback album. The title track, the group's first new single in 20 years, was a salute to the joys of hearing your favourite song on the car radio. With those five-part harmonies still soaring, its sound was reassuringly familiar.

Netflix users slam new update
Netflix users slam new update

Daily Mail​

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  • Daily Mail​

Netflix users slam new update

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Taina Elg obituary
Taina Elg obituary

The Guardian

time38 minutes ago

  • The Guardian

Taina Elg obituary

Asked how she would know when she had hit the big time, the beguiling actor Taina Elg, who has died aged 95, said: 'When people no longer trip over my name.' When she arrived in the US in 1954 at the start of her contract with MGM, a newspaper campaign engineered by the studio and sponsored by Armour Star meat products offered readers the chance to win a six-room house or $25,000 cash by proposing a new name for this latest exotic star-in-the-making. Contestants were asked to send in suggested names along with labels from corned beef hash and devilled ham. This all came to nought, and she was still not-so-plain-old Taina Elg when she began appearing on screen. She landed her first major US role in 1957 (the same year that the Golden Globes named her New Foreign Star of the Year) in the Gene Kelly musical Les Girls. Newspapers were still helpfully reminding their readers at every opportunity that her first name rhymed with 'Dinah'. They were also prone to tell them, as the Times-Tribune did in 1958, that Elg was 'the only Finn of note' at that time in Hollywood and 'the first from her country to become a genuine star of cinema'. In Les Girls, directed by George Cukor and with music by Cole Porter, Elg held her own alongside Mitzi Gaynor and Kay Kendall as dancers in a cabaret troupe headed by Kelly. Based on Constance Tomkinson's reminiscences of her time in the Folies Bergère, and showing each character in succession looking back on the troupe's glory days before acrimony set in, the film's use of contradictory perspectives made it the closest thing to a musical take on Kurosawa's Rashomon. Elg's performance as the apparently lovelorn and suicidal member of the group won her a second Golden Globe. She followed this with Imitation General (1958), in which she was a French farm worker involved with a master sergeant (played by Glenn Ford) who impersonates a dead general to keep up his platoon's morale. The role was played entirely in French until her final words to Ford: 'I … love … you.' 'I'm the only Finnish actress working here,' Elg said the following year. 'Yet of the six films I've made, I have portrayed a French girl four times.' Watusi (1959), in which she was a missionary's daughter rescued by explorers and caught up in their jungle adventures, took the unfashionable route of making her German. In the same year, she starred in the second adaptation of John Buchan's The 39 Steps (and the first in colour) as the netball coach who ends up handcuffed to the hero, here played by Kenneth More, as he is pursued by assassins. Elg was born in Helsinki, and raised in assorted other Finnish locations, including Turku, by her mother, Helena Doroumova, and father, Åke Elg, who were both pianists. During the Finnish-Soviet wars, the family were forced to leave, returning to Helsinki only after the end of the second world war. Taina trained as a ballet dancer from an early age and was accepted by the Finnish National Ballet as a child, which led to a handful of small roles in domestic films. She also danced at Sadler's Wells and at the Grand Ballet du Marquis de Cuevas in Paris and the Ballet Russe de Monte Carlo, before an injury led her to reconsider her career. She was spotted in London by the producer Edwin H Knopf, brother of the publisher Alfred. After an impressive screen test directed by Mel Ferrer, she was signed to a seven-year contract with MGM in Hollywood. Small roles followed in two films starring Lana Turner – the biblical tale The Prodigal (1955), in which Elg played a slave, and the 16th-century romance Diane (1956) – as well as Gaby (also 1956), with Leslie Caron as a French ballet dancer. The career high-point of Les Girls was never equalled. For the remainder of her career, Elg worked mostly in television and theatre. Occasional exceptions included Hercules in New York (1970), which gave an early starring role to the young Arnold Schwarzenegger. In 1962, she headed the national touring production of Irma La Douce. In 1973, she starred on Broadway in Look to the Lilies, as well as understudying Julie Christie as Yelena in a production of Uncle Vanya. 'I didn't get a chance to go on and play it, as Julie was in excellent health,' she said. In 1982, she originated the role of the philandering hero's mother in Nine, the Broadway musical based on Fellini's 8½. Her son was played by Raul Julía, with whom she had also starred in the 1974 revival of Where's Charley?, for which she earned a Tony nomination. She briefly found her way back to cinema thanks to two directors with a taste for the power of nostalgia. Mike Figgis's thriller Liebestraum (1991), which was also Kim Novak's final film before retiring, gave Elg her first movie role in more than two decades, as the matriarch of a department store business. She was a teacher in the romantic comedy The Mirror Has Two Faces (1996), starring and directed by Barbra Streisand. Her final screen role came in the Finnish caper Kummelin Jackpot (2006). Elg is survived by her son, the jazz guitarist Raoul Björkenheim, from a five-year marriage to Carl Gustav Björkenheim, which ended in divorce in 1958. Her second marriage, to Rocco Caporale, an academic, ended with his death in 2008. Taina Elg, actor, born 9 March 1930; died 15 May 2025

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