You can get six free months of Paramount+ with Showtime this week — here's how
There are incredible deals on nearly every major streaming service right now, including deep discounts on everything from Apple TV+ to a Disney/Hulu bundle. But there's nothing like getting something for free, and this week, you can snag six months of Paramount+ with Showtime for zero dollars.
This deal is part of Walmart+ Week, which also includes big savings for Walmart+ members on everything from gas to Burger King. Walmart+ members always get the Paramount+ Essential plan (with ads) for free as part of that subscription, but the Walmart+ Week deal is a pretty significant upgrade that will give you access to the ad-free plan that also offers access to live, local sports, the ability to download content, and access to every title on Showtime. Here's everything you need to know about how to grab this limited-time deal.
Walmart+ Week is a special week filled with promotions for Walmart+ subscribers that runs from April 28-May 4. Walmart+ is Walmart's paid membership program that offers benefits to members like free shipping and delivery on Walmart orders, plus discounts on gas, restaurants and entertainment. A monthly subscription costs $12.95, or $98 for the year.
Walmart+ Week promotions include six free months of Paramount+ with Showtime, daily free sandwiches at Burger King, 50 cents off each gallon of gas at Exxon and Mobil stations, and bonus Walmart Cash on select purchases. A complete list of benefits and offers is available here.
Paramount+ with Showtime has everything from Paramount+ originals like Tulsa King, 1923 and Mayor of Kingstown to titles from Showtime's library like Yellowjackets and Dexter. Plus, you'll get access to shows from channels like Nickelodeon, MTV, and Comedy Central, and tons of sports including the NFL on CBS and UEFA Champions League soccer.
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21 minutes ago
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People deletes Olivia Munn story after Ms. Rachel comments draw ‘threats'
In a rare move, People magazine deleted a story from its website on Wednesday after it triggered 'violent' threats against its subject, the actress Olivia Munn, and her family. The story was about Munn's distaste for children's television and bore a headline specifically citing the popular YouTuber Ms. Rachel — which apparently triggered some fans. 'There is no excuse for these abhorrent attacks, and we will always prioritize safety above all else,' the publication acknowledged in a statement explaining the decision to remove a story. It's an unusual move for any news outlet to delete, rather than amend or update, a story — even People, which is generally considered a friendly go-to outlet for celebrities to share their stories. When asked for further information about removing the article, a People representative pointed back to its original statement. The post was drawn from the magazine's recent interview with Munn for a cover story, which published online June 4. The 44-year-old actress, who was promoting her new Apple TV+ series, talked about life with her husband, 42-year-old comedian John Mulaney, their children — a three-year-old boy and eight-month-old girl — as well as her 2023 breast cancer diagnosis. People also published several separate exclusive items using material from the Munn interview, including one in which she discussed her fertility treatments, and another post headlined, 'Olivia Munn Doesn't Let Her Kids Watch Ms. Rachel. Here's Why.' In the story, according to sites that repeated quotes from it before it was deleted, Munn shared her irritation with children's TV programming. She specifically cited Ms. Rachel, a major celebrity to young children and their parents. 'I know kids love [Ms. Rachel], but the thing is, if I can't watch it, I'm not going to spend the rest of my life going crazy,' Munn said, and added she was not a fan of 'Blue's Clues' or 'Spider-Man' either. (She did admit a tolerance for 'Daniel Tiger's Neighborhood,' because it helped her son prepare for the arrival of a baby sister.) However, the framing of the People headline drew attention on social media, especially given that Ms. Rachel, whose full name is Rachel Griffin Accurso, has been in the news for speaking out about the plight of children in Gaza — though it's unclear if this topic was even addressed in the People story. All of this was surely heightened by the strong feelings many fans harbor about Mulaney and Munn's relationship, and its timing relative to his divorce from an artist, Anna Marie Tendler, with her own significant social-media following. Various publications and social media accounts started regurgitating Munn's comments, and Accurso herself expressed disappointment when she left a comment on People's Instagram post, now disappeared as well: 'WHO CARES?! I'd rather you cover me advocating for kids in Gaza who are literally starving, largest cohort of child amputees in modern history, thousands & thousands killed — no medical care, no education, no homes… do better!!!' Accurso wrote, according to multiple reports. 'Not against [Munn] at all and don't care that she doesn't want to watch the show — all my love to her and her family — disappointed in the outlets.' Later, she wrote on her own Instagram account that she and Munn had spoken and were on good terms. 'Please be kind to Olivia & her precious family,' Accurso wrote. 'I don't believe in hate, attacks or hurtful comments.' Munn also criticized the coverage. 'To Ms Rachel and your fans, I hear and respect the passion behind your support. I never anticipated the media would single out one small thing I said and distort it like they have,' she wrote in an Instagram story earlier this week. 'Every parent understands the importance of finding meaningful programming that helps us connect with our kids. I don't want something taken out of context to be a moment that steals even a minute of joy for anyone.' Mulaney weighed in Wednesday, calling for a stop to the 'violent and threatening' comments that Munn had been receiving in online comments and direct messages. 'An innocent comment my wife Olivia Munn made about what children's programs we like has somehow — unbelievably — been conflated with not caring about the deaths of children in Gaza,' he posted on Instagram. "The people doing this are so wildly out of line and so unhelpful to any conversation. You took a nothing comment to a dark and dangerous place. This kind of behavior isn't activism.' Accurso has been creating educational children's content on YouTube, where she has more than 15.2 million subscribers, since 2019. With the help of silly and cheerful music, Ms. Rachel teaches children how to spell and use the bathroom, while also offering lessons on emotional support. Outside of her YouTube show, Accurso has been outspoken about Gaza, which led to backlash from right-wing media commentators and StopAntisemitism, a prominent pro-Israel group, which called on the U.S. attorney general to investigate the children's entertainer. (Accurso said earlier this month that she stands against 'all forms of hate.') But, Accurso told WBUR, 'I wouldn't be Ms. Rachel if I didn't deeply care about all kids. And I would risk everything, and I will risk my career over and over to stand up for them.'
Yahoo
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Grammys unveil 2026 ceremony date, new categories
The 2026 Grammy Awards will take place on Sunday, Feb. 1, the Recording Academy announced Thursday, along with the addition of two new categories. Set to broadcast live from the Arena in Los Angeles, the 68th Annual Grammy Awards will air at 8:00 p.m. ET/5 p.m. PT on CBS and stream on Paramount+. More from GoldDerby Jonathan Pryce on the 'great responsibility' of playing a character with dementia in 'Slow Horses' 'The Diplomat' Season 3 teaser: Here's your first look at Bradley Whitford's first gentleman 'Feel good about not conforming': Christina Ricci reflects on her iconic roles, from Wednesday Addams to Misty Quigley Nominations will be announced on Friday, Nov. 7 for work released between Aug. 31, 2024 and Aug. 30, 2025. Best Traditional Country Album and Best Album Cover are the two new categories. The Recording Academy also made several updates to its rulebook. All of these changes are effective immediately. "The Academy's top priority is to represent the music people that we serve each year," said Harvey Mason Jr., CEO of the Recording Academy. "That entails listening carefully to our members to make sure our rules and guidelines reflect today's music and allow us to accurately recognize as many deserving creators as possible. As we kick off another exciting Grammy Season, we look forward to celebrating the amazing power of music and its ability to bring so many people together." The category updates are as follows: General Field Eligibility for Best New Artist has been expanded to include artists who have been previously nominated in Album of the Year, but whose contributions fell below the current 20 percent playing time threshold. This update allows acts who were credited as featured artists on projects that were Grammy-nominated for Album of the Year in a previous awards cycle to be eligible for Best New Artist consideration. Country Field The existing Best Country Album Category has been renamed Best Contemporary Country Album, and a new Category, Best Traditional Country Album, has been added. Classical Field In Classical Categories, composers and lyricists/librettists are now eligible for Grammy recognition alongside all other key creative personnel including artists, producers, and engineers on winning albums. Packaging Field The existing Best Recording Package and Best Boxed or Special Limited Edition Package Categories have been combined into one single Category: Best Recording Package. A new Category, Best Album Cover, has also been added. The physical product eligibility requirement for Best Recording Package, Best Album Notes, and Best Historical Album has also been expanded to be more representative of today's marketplace. This change ensures that physical album packages sold directly to fans through an artist's or label's website are eligible for Grammy consideration. Additionally, the Craft Committee serving in this field is transitioning from a regional to a national model. Category Definition, Eligibility, & Criteria Updates Minor updates to definitions, eligibility and criteria across multiple fields and awards have been reviewed and revised to be more expansive and inclusive. A full list of those changes can be found on page six of the rulebook. See the key dates for the 2026 Grammys below. Aug. 31, 2024-Aug. 30, 2025: Product eligibility period July 7-Aug. 22: Media company registration period July 16-Aug. 29: Online entry period Oct. 3-15: First round voting Nov. 7: Nominees announced Dec. 12, 2025-Jan. 5, 2026: Final round voting Feb. 1, 2026: The 68th Annual Grammy Awards Best of GoldDerby Billboard 200: Chart-topping albums of 2025 Billboard Hot 100: Every No. 1 song of 2025 The B-52s' Kate Pierson talks Rock Hall snub, influencing John Lennon, and fears a solo album would be a 'betrayal' to her band Click here to read the full article.
Yahoo
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‘Feel good about not conforming': Christina Ricci reflects on her iconic roles, from Wednesday Addams to Misty Quigley
The Gold Standard is a Gold Derby series where we speak to legendary figures in Hollywood who take us through their award-worthy greatest hits. Here, Emmy, Golden Globe, and SAG Award nominee Christina Ricci talks about her most iconic roles, including her current role as Misty Quigley on Showtime's Yellowjackets. Watch the video below. Ricci made her film debut at the age of 9 in the 1990 Orion Pictures comedy alongside Cher, Winona Ryder, and Bob Hoskins. In the film directed by Richard Benjamin, Ricci plays Kate Flax, the youngest daughter of Rachel (Cher), an unconventional single mother who relocates with her two daughters to a small Massachusetts town in 1963. More from GoldDerby Grammys unveil 2026 ceremony date, new categories 'The show is a true fluke': '100 Foot Wave' executive producer on how they chase big waves across the globe Damian Lewis on returning to 'Wolf Hall': 'Who doesn't want to play Henry VIII?' I remember being flown to Boston for my final audition, meeting Cher and Winona in the production office, and then going and having an audition with them. Noni [Ryder] and I talked about sharks because I have a lifelong fear of sharks, and so does she, apparently. And then I got that call that I got the part a day later, and I had a really amazing time. I loved Cher, I loved Winona. I spent a lot of time with Cher. I would hide in her trailer when I didn't want to do tutor school. She introduced me to See's Candies lollipops, the chocolate pops things, and Perrier. I had never seen sparkling water before. I had seen club soda but not Perrier, and I was just like, "Wow, this is really fancy!" I asked a lot of questions and people were very kind and educated me, and it was really a lovely, lovely experience. Still considered one of her most iconic roles, Wednesday Addams was brought to life by Ricci in The Addams Family (1991) and its sequel, Addams Family Values (1993), both directed by Barry Sonnenfeld. I auditioned for it, and then it feels like months later we got a call from Joe Aguilar, who had been the accountant on Mermaids, and he was working on Addams Family. And he said he had just been in a production meeting where they were saying that it was between me or this other girl. And Joe and his staff said, "Oh, we just worked with her and her mother, and they're fantastic." And at that time, there was always a concern over what the mother was like because mothers of child actors can really cause a lot of mayhem on sets. And because of the glowing review of my mother and her behavior on Mermaids, I got the part of Wednesday. So I was sort of a troubled child. I did not have a very happy household. There was a lot of abuse and a lot of bad times. [Ricci has called her father "physically violent" and says she hasn't spoken with him since her teen years.] And so for me, what was more challenging when I became an actress was this fake pretending to be happy and adorable thing that was hard for me. When I went to the audition for Addams Family, I had just come from a callback for a movie that I didn't get, where I had to cry and be very upset, and it was exhausting. And so then my mom was like, "Oh, we have one more audition to go to." And I was like, "I really don't want to go. I'm so tired." And she said, "Well, you don't have to do anything. Basically the character is just devoid of emotion and you just have to say the words." And I was like, "OK, I can do that." And that's what I did. And for me, it was much easier to be deadpan than to be emotive, which is kind of what the character's all about. This idea that little girls are always being told or women are always being told to smile and this character just refuses. That would've been my dream as a child, so I was very happy to play this part. Decades later, in 2022, she returned to the world of the Addams family on Netflix's hit series Wednesday, this time playing Marilyn Thornhill. The show reimagines Wednesday — portrayed by Jenna Ortega — as a teenager navigating life at Nevermore Academy while attempting to master her emerging psychic abilities. I think that Wednesday is a really important role. She's not an archetype. This idea that there is a character out there that young girls can look at, that outsiders can look at and feel good about not conforming, staying true to who they are. And Jenna's amazing, and I love [show producer] Tim Burton. I loved working with him. I was excited to work with him again, and it was just fun. In her first lead role, Ricci plays Kat Harvey in Universal Pictures' 1995 film, directed by Brad Silberling. Based on the Harvey Comics cartoon character Casper the Friendly Ghost, the film follows an afterlife therapist (Bill Pullman) and his daughter (Ricci), who meet an amiable young ghost when they move into a crumbling mansion to rid the premises of wicked spirits. The movie made history as the first feature film to have a fully CGI character in a lead role. It was a very long shoot. I think we shot for nine months down at the Universal lot. I have to say at that time it was sort of new technology that they were using to do the sort of mix of live-action and cartoon. I would say the average number of takes for every setup was probably about 50. It was a bit tedious at times, but all in all, it was an amazing crew, an incredible experience. Steven Spielberg was a producer and he would come to set all the time to visit. That, to me, was just the greatest thing. I got him to read Go Ask Alice. I was obsessed with that book at the time and wanted him to make it into a movie, and he actually read the book and we had a whole conversation about it, which was very nice of him. In her first deep dive into emotional drama, Ricci took on the role of Wendy Hood in 20th Century Fox's BAFTA-nominated film, directed by Oscar winner Ang Lee. The 1997 drama features an all-star cast, including Kevin Kline, Joan Allen, Sigourney Weaver, Elijah Wood, and Tobey Maguire. Set in 1973 suburban America, the film explores the intersecting lives of several middle-class families as they navigate substance abuse, infidelity, and the complexities of the swinging lifestyle. It was really incredible. I was a very big fan of Ang's work, so I was really excited to work with him. And then most of the actors also, I was just a huge fan of. My first day of shooting was the scene where Jamey Sheridan brings Elijah's body back home and everybody starts howling, screaming, crying. That was the first scene that we shot on the job. So it was really intense and really crazy and I was 15. ... Up until Ice Storm, I had mainly been doing family films. I had been dying to do some real gritty drama, so I remember just being like, "Oh, my God, this is what it's like." All these incredible actors doing all their separate prep things and shooting these scenes and howling, crying and shaking, and I was just like, "Oh, wow, I've really arrived." Ricci earned widespread critical acclaim for her performance as Layla in the 1998 Lionsgate film written, directed by, and starring Vincent Gallo. The story follows Billy (Gallo), recently released from prison, who attempts to impress his parents by introducing them to his wife — whom he doesn't actually have. In a desperate move, Billy kidnaps Layla (Ricci) and coerces her into posing as his wife for the visit. Ricci was named Best Supporting Actress by the National Board of Review. It was the first time I traveled without my mother. It was the first time I sort of had to really deal with some very extreme things on set. So it was the first time on my own. I sort of had to deal with a lot of things that were new to me. So it was sort of like a real trial by fire sort of growing up. I've never been somebody who thinks beyond making the film. I've just always been somebody who's very present and involved in the making and I always forget that people are going to see it and hear me. I remember getting a really good review in The New York Times by a really important film critic [Janet Maslin] and my mother being really excited. So all of the accolades after that were very much a surprise to me. I was a really unpleasant teen. I had recovered from anorexia and put on about 40 pounds and thought I couldn't move, and I just felt gross and I didn't feel like a movie star. I didn't feel like somebody they would ever single out and praise. So it was all very much genuinely a surprise. Ricci earned her first Golden Globe nomination (Best Comedy/Musical Actress) for playing troublemaker Dedee Truitt in Sony's 1998 dark comedy written and directed by Don Roos. It was really fun. Unfortunately, I had gone to Goldie Hawn's pre-Golden Globes party the night before and I was only, like, 19, so I didn't know how to do it. Now I understand that nobody actually drinks at those parties, but at that time I didn't know. So I was so horribly hung over at the Golden Globes that I literally just was like, "Let's get out of here. I'm going to throw up. I got to get in the car and go home," and that's what I did. Ricci stars as Katrina Van Tassel alongside Johnny Depp's Ichabod Crane in Tim Burton's 1999 fantasy-horror film, distributed by Paramount Pictures. The Oscar-winning film follows Ichabod Crane, a New York detective sent to the eerie village of Sleepy Hollow to investigate a series of gruesome decapitations, believed to be the work of the legendary apparition known as the Headless Horseman. Tim has such passion and he is such a childlike delight for what he does, and he will literally be behind the monitor, mouthing your lines along while you're talking. It's fun to work with somebody who's really excited and is excited about new ideas and I could bring to him an idea and say, "Can I do this? I think this would be so fun and I'm good at this." And he'd be like, "Great, yeah, let's do that." And so there was a lot of passion and excitement and creativity on that set, and that was what I felt the most. Patty Jenkins' 2003 crime drama, based on the true story of Aileen Wuornos, stars Charlize Theron in her Oscar-winning role as the Daytona Beach prostitute-turned-serial killer. Ricci portrays Selby Wall, a character inspired by Wuornos' girlfriend, who becomes the killer's companion as she evades the law. Charlize was so wonderful, and she and I just had such a great rapport and way of working together and she was so charming and kind, and I just think that we had a combination of being two people who didn't have a lot of ego at that time. I knew I was there to support her. I knew that that job was about her winning an Academy Award. I knew that it was sort of her moment and I was perfectly happy to be there and do that. The story was really important to tell, and so I wanted to be a part of that. And then working with Patty Jenkins was just amazing. Patty just creates such a safe space that you know that you're OK and you're going to be watched out for, and she's there and wants the best for you and the film, and you're not going to be exploited and she's not going to trick you into getting what she wants from you. And so that was a really wonderful experience. And Charlize and I, because the material was so dark, we literally would laugh and giggle until Patty called action. It must be a survival thing. We would just literally crack up hysterically and not be able to stop until Patty called action. Ricci's guest-starring role as Hannah Davies on the ABC medical drama earned the actress her first Emmy nomination in 2006. In the two-part episode titled "It's the End of the World" and "As We Know It," Ricci delivers a tense performance as a young paramedic who must keep her hand inside a patient's body cavity to prevent a bomb from detonating. My sister actually, who was a big Grey's Anatomy fan, it was the first season and she was like, "I love this show. This show is so amazing. You should definitely do this show." And I was like, "OK, great. You love the show, I'll do the show." But I had only seen one episode of it before, so I went into it having read the script once, seen one episode. That was the kind of actor I was at the time. I've always loved it when the writing and the words actually evoke real genuine emotion in that moment, and so I was genuinely surprised by the performance I gave. I remember them calling cut after one of the takes, and it had been one of the most emotional times, and no one had sort of told me to get that emotional, but just because of the whole thing, I got really emotional. I was shaking and I was surprised by it. Then they called cut, and I remember one of the other actors just looking at me and being like, "Wow," and kind of joking, "You should be an actor." And just thinking like, "Oh, yeah, that was pretty good." Ricci earned a Screen Actors Guild Award nomination for Best Actress in a TV Movie or Miniseries for her role as the titular character in Lifetime's 2015 crime series. The series is a fictionalized account of events and people surrounding the infamous Lizzie Borden following her controversial acquittal in the 1892 double murder of her father and stepmother. I was very surprised by my SAG nomination, as was everybody on my team. I came out of SoulCycle and had messages from my publicist, and she was like, "You got nominated for a SAG Award." And I was like, "What?" I had no idea that I had even been submitted. I certainly hadn't been doing any campaigning, and it was for a Lifetime movie. It was very bizarre to me. I never thought that doing a Lifetime movie, I would get a SAG nomination. So I was really shocked and surprised and really grateful. I also have an interest in true crime, and that's one of those really sort of fantastic American crime stories, so I was interested in it and also interested in more of the psychological aspects of that character. When I was younger, I was obsessed with the fact that so many women, middle-aged, had been committed. I remember being 9 or 10 and just being like, "Wow. So women in the past, you just go crazy around 35." As you get older, you realize, "No, no, just women were conveniently put into mental asylums if they had any sort of emotion or extreme behavior." So I think I was very interested in that aspect of it as well. For three seasons, Ricci has portrayed the complex, quirky, and occasionally manipulative Misty Quigley in Showtime's hit drama series. The present-day storyline follows a group of former high school soccer players who survived a plane crash in the Canadian wilderness in the '90s — and now face the consequences of the brutal and atrocious acts they committed to survive. Ricci earned an Emmy nomination for her performance in 2022. Playing Misty is really fun. It sort of validates this side of me that's very weird. In the beginning, I just was so conscious of not making her a caricature and making sure that she felt grounded in real emotion and experience, but still managing this very specific and unique character. As she's grown and changed over the seasons, it has been difficult. I think when you have a very extreme character, to sort of let more normal humanity seep in, all of a sudden, second season, she's in a relationship like, "Wow, OK." When I created the character, I never thought this would happen, but now I have to somehow figure out what this very extreme character, who wasn't particularly relatable, is like in relatable experiences. That was a really challenging calibration. And then this season, she's finally in less denial. She's sort of cracked. She's not ignoring the slings and arrows from her "friends." She's not ignoring the fact that she's everyone's punching bag. It's almost like she's reacting in the present, but she's also reacting to the history and the past. But again, she starts to actually be angry. She starts to curse a little bit more. So, to sort of calibrate that performance where you're letting these more normal aspects in, but trying to maintain the character, make sure she's still that recognizable Misty with all these changes, I found that to be very challenging. Best of GoldDerby Jonathan Pryce on the 'great responsibility' of playing a character with dementia in 'Slow Horses' How Anna Camp played twins with a twist on 'You' 'The White Lotus' star Aimee Lou Wood on the social media drama: 'It's been scary, overwhelming, and difficult' Click here to read the full article.
